Category Archives: 04

00450401

My study of Osamu Sato’s 1998 LSD Dream Emulator game and the setting up of this mini-museum to it in the attic of my Aisle of Palms “Big Victorian House” seems so long ago now. It was only April. So seems my heavy involvement with Our Second Lyfe, whose influence is undoubtedly fading from this here blog and attached photo-novels, 44 1/2 in number now (a long journey!), as more modern and much better looking games like Grand Theft Auto V, Witcher 3, and especially Cyberpunk 2077 and its humongous Night City take more and more of both my daytime and nighttime attention. But also, My Second Lyfe is not dead. Just *concentrated*. Think that’s the best way to put it. It glows bright blue to me, a square in the middle of everything still, a house-like home base sitting in the center of a large yard, with GTA V lying green to the west, C2077 red to the east, and Witcher3 yellow to the south (also taking the shape of a square unattached to the first (like a garage or large shed?)). This what-we-can-call expansion is happening now, but it also happened long long ago, in what seems like a different lifetime over 50 years back now. Aisle of Palms is my virtual village that represents the launching pad for exploring these post-Second Lyfe worlds, beginning, really, with Red Dead Redemption earlier this year, before the influence of the 3 likewise newer games I mentioned really started kicking in. A link from this far far past to the present in this way is MONKEY.

Monkey City = Lost Sanos

There I said it, Mother. Monkey City *is* relevant to all this. But I think she sees that now.

This is probably where I’ll first virtually incarnate beyond Our Second Lyfe in the near future. A good guess, given this snapshot of GTA V’s original monkey mosaic 1 1/2 photo-novels back taken by Trevor (beginning of 44) coupled with a snapshot of a *different* Trevor — recently dead — wearing monkey brand underpants in the Badlands desert of C2077 from later in the same photo-novel. Maybe hard to explain but I definitely think the two images from two different games are linked.

Why GTA V (Lost Sanos) over C2077 (Nightsity) then for the incarnation? I’ll have to think about that explanation and get back to you.

(to be continued)

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Filed under **VIRTUAL SL, Jeogeot, 0401, GTA, Big Woods, RDR2, LSD, C2077, Witcher, 0045, Oooo, Natural World, Bright Moon Cottage

00440416

And so we end this section in the middle. Middle Slaughter. Standing in Kabusie again, illuminated by red neon light in the middle ground of the below snapshot. End there as well (for the BD (thanks again Lettuce Walk!)). Go figure. Too weird, too crazy, even. We continue in this vein…

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Filed under **VIRTUAL OT, 0044, 0416, C2077, Kabusie

00440415

Waldo indicates downtown Lost Sanos in the distance where he soon plans to get lost to continue the game, even though he’ll be redder at the time. Not sure why there’re 2 downtowns here, though, to be honest. Have to study.

In other recent Google Earth Street View news while we’re talking about it: feet again.

Giant Foot

Just One Each

Or should I say Google Earth Feet View in these cases?

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Filed under **VIRTUAL OT, 0044, 0415, California, Google Street View, GTA

00440414 (layers)

“Do you own this house or do you rent this house?”

“Yes, we own this house.”

Pause. “Who did you buy it from?”

“Honey, who sold us the house?” Incoherent speech from the interior, but an answer to her question.

“Chalfant. A Mrs. Chalfant.”

Longer pause; the FBI agent seemed very stunned and discombobulated by now. “And… do you happen to know who she bought it from?”

“No I don’t, but… ” She turns inside to ask again. Incoherent speech, but not an answer this time.

“No.”

(to be continued?)

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Filed under **VIRTUAL OT, 0044, 0414, Twin Peaks, Washington

00440413 (Arroyo)

“Chop!” I said, looking into the Dewdrop Inn room I’d force-opened and recognizing my dog at last. Well. At least the *map* of my dog. Martha’s Vineyard. Always wondering what it meant and why the feet were there. And the head with the two Chop names, East and West, like paired lips or ears or sumtin. Well that head is *this* head, those feet — clearly — are *these* feet.

My dog is a robot. And a sexy one at that it appears, at least to those of its kind. But maybe Chop is instead the robot in the chair — watching. Maybe the map is that of his true love, something he wants to *eat* — chomp away at. Like breakfast, hmm. Rose, I remembered. Better get back and finish my meal.

“Never mind me,” I wanted to say to the robots in parting. “Wrong room.” But I knew they couldn’t hear me. This was a spectacle, something only to be observed and that alone. Same as, er, Chop is doing here. I’m engrossed, he’s engrossed. Seems to fit, yeah. I shut what remained of the door and leave the motel and head next door again.

(to be continued)

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Filed under **VIRTUAL SL, 0044, 0413, Arroyo, Blue Feather Sea+, C2077, Maebaleia/Satori, Massachusetts, Witcher

00440412 (Badlands)

“Edward’s dead,” she put it bluntly, witnessing the spectacle herself. “Out in the desert. Dancing up a storm, dancing harder than anyone else. Then: the storm hit, shall we say. Like in Arroyo.”

“But… *I’m* Edward,” I say back, remembering the conversion. “In Kabusie this time, on the other side of Nightsity. Next to the canal. Ditch Canal. Or Channel.”

“No, that was a close call, but you’re not Edward. He passed you by. Close but no call. Lucky for you now.”

I recalled seeing the crybaby being consoled by a girl, probably a girlfriend or at least a friend. Then immediately afterwards: Edward, who I’d already identified as such; that was my actual nickname for him (Crybaby). He passed through me. I *became* Edward in the heart of the moment. Or at least I was convinced at the time. In retrospect, yeah, maybe Fern’s right. Fern the Nomad (now). Maybe it was close but no call. Like baseball. Like not being out at home.

“Dead,” she said again to reinforce her point, looking at me trying to grasp and grapple with the issue. “Out in the middle of desert which is the same as its edge. I went back the next day. I *saw*.”

(to be continued)

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Filed under **VIRTUAL OT, 0044, 0412, Badlands, C2077, Kabusie

00440411 (metals)

It was Crazy Black and Crazy Blue at once, 2x crazy. Perfect match it seemed. She had almost finished reviewing the story of Big Woods. Or he, whichever. Who is who, which is which? Black and blue once more. Oz.

And at the very end of the Big Woods story we find Lincoln again, oddly enough. Crazily enough. Desert time, me thinks. AISLE can wait.

—–

https://idyllopuspress.com/idyllopus/film/tpr8.htm

“Oh, look. I found a penny!” she says in a New Mexico location, in the desert or at least very close to it. Arid. “Oh, and it’s heads up. That means it’s good luck.” The boy says, “I hope it does bring you good luck. Penny.”

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Filed under **VIRTUAL SL, 0044, 0411, Big Woods, Blue Feather Sea+, Jeogeot, Maebaleia/Satori, New Mexico, Oz, Twin Peaks

00440410 (cow?)

She came in from a planet called Red Dead, she said. St. Dennis, she specified. Said she was very busy there and what did I need? I asked her what was so important there that she was so bothered to meet with me, her other half after all. Something — the male counterpart — of sorts. Maybe we need to sort all that hierarchy and stuff out soon too. Maybe now, hmm. So I told her this after she sat down, ordered her own drink. She was wearing the Crazy Blue, good. That means she would be obedient to me. I checked my watch on purpose. “Been waiting 2 hours, you know. 2:27 now.”

“I know what time it is,” came her response. “I have a clock in my head.”

Doubtful, I thought. Then I thought again. Could she? Powerful, I knew. From another planet — probably true.

We went out on the balcony, me and her. Well, she was on the balcony and I was standing just inside, still staring at the harbour, the boat I couldn’t see because of the building and all. East end. I asked her about it.

“Oh that old thing. It’s just a cargo boat.” She stopped, looked at me with a glint in her eye. *She’s* the cargo, I realized. Mechanoid? So I asked her that too.

“Long long ago,” she began her answer. “There was a forest, a woods. Big Woods, let’s call it. And in the middle of that woods, a Sugar Shack, run by a gal named Sugar. But no ordinary gal. A *dinosaur* gal — small one, granted, but a dinosaur.”

“Yeah, you’re giving me the backstory of Aisle of Palms so what? And I suppose *this* Aisle makes 3, a perfect triangle.”

“Not perfect. But close.”

I turn on the shaders so I can see her better, in her true light and color. Hopefully I can keep from crashing out of this world again. But I couldn’t resist.

“Do you want me to change out of the Crazy Blue?” she asked, trying to adjust her AO so she could seem more natural standing in the corner of the balcony.

“Whatever.”

“You will have no control over me if I do.”

I felt the horn on my head, sprouting left right.

“Alright.”

She had gone through about 10 standing animations. I thought 2 were fine — including the present one — and told her so. “You can stop,” I said. “Just stop.”

“Do you think I’m fat?” she ended as the waves crashed behind her.

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Filed under **VIRTUAL SL, 0044, 0410, Big Woods, Blue Feather Sea+, Jeogeot, Maebaleia/Satori, RDR2

00440409 ([delete name])

There’s a boat out there she came in on but I couldn’t see it from this angle. Blocked by the east end of the Harbour Master Building. I thought this queer. Why couldn’t I know?

And which of me is which?

Someone steps out of the Breakfast Aisle Shuttle in front of it.

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Filed under **VIRTUAL SL, 0044, 0409, Blue Feather Sea+, C2077, Maebaleia/Satori

00440408 (rain of planets (they’re here!))

Planets you don’t even know the names of
Planets, you don’t even know their names

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Filed under **VIRTUAL OT, 0044, 0408, Starfield