“Get out the shot, honey. I’m trying to take a picture of that ghoul in the cemetery over there!”
—–
“My people were tough on crime. And they didn’t tolerate breaking the law either. We grew up in the shadow of a mountain that began with Wee-Wee. My mother, when we moved over here to the states in ’79, said to be proud of the name and where we came from. But I was embarrassed, always called it the alternate name of Onigbaporo however tongue-twisty and unmemorable that was to the white people of our new land. But when I found Pee Pee Creek over on the west side of Rodentia and its crazy cemetery and its baffling preacher church I knew I had also found a home again in this world of Our Second Lyfe. My mother was priestess before in the “Wee-wee” place we came from and now I became quote unquote priestess in the Pee Pee place, as male and female polarities also switched positions there. It all made some kind of beautiful, circular loop.”
I studied the photo she held in her hand, looked at the flat headed statue of her mother in the center square the townspeople chose to erect before they left, a permanent tribute to her famous presence in their small Nigerian burg. Then I looked up from the photo at Daisy’s flat hair, the perpetually shaving razor held by a ghostly, hovering hand next to it. I started to understand the dynamics involved. But there was still the explanation of her non-colored father remaining. Non, hmm, I pondered. Could that be the reason for the obsession with creating the perfect, non-alcoholic brew? Turns out this was so… partially. TBC
