Category Archives: Estate

in the dark

The place was way too dangerous for George, so Duncan had a go at it alone. He teleported into the very center of the sim just like the characters in the blog suggested — this Central Park.

But it seems George might have already been here! Duncan thinks, looking at what he supposed was a child’s fort. It wasn’t.

Duncan unwisely walks into Main Street from his concealed position in the park. Now if I remember correctly, he deliberates, the police station will be up here to the right.

It was a little longer trip than expected in risky territory, but then he was upon it. Potential sugar house! Hard to even tell it was a police station from the ground level.

Qwirty21 smiles at him from behind some walls. Best to get inside as quick as possible, he realizes, and walks through the main door.

But the barred entrance to the inner sanctum of the station was locked. Duncan decided to wait in the reception area until a policeperson or other employee showed up, so’s he could hopefully get some of the story behind the structure.

Brushing aside a couple more propositions from the outside for the next hour, Duncan then watches Sugar Dumpling enter the station in a huff, beating her rolling pin repeatedly against an open palm.

“I’ve been waiting for one of you to show up and stay a while, ” she started. “Where is he? What have you done with my Jacob?!”

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ss

Perspective enlarged, Chuck Cheese finds herself in a strange place again, walking on a spiraling path upwards toward a rocky summit.

“Both of us can’t be women,” uttered Wheeler Wilson at the top. She changed.

“Right you are, Wilson Wheeler,” returned Chuck Cheese. She also changes.

“A pair of suave, swarthy dudes we make, eh?” said Wilson Wheeler.

Earie was thinking about himself: although just as swarthy, not so suave. “I am almost wholly invisible now,” he complains. “I am just an object to be seen right through. You don’t respect me as a person, Improvio. I mean, Pretty Man. I mean: Wilson Wheeler. Whatever.”

“Do you remember?”

“What happened? Yeah. A merger of church and liquor store.” He looks down into the valley to his right.

“We are the Malefic The Kidd spoke about,” continued Wilson. “With sickly, green wings; tucked in the opposite corner of her, um, building. Imprisoned even. Do you feel like you’re in jail? I do.” He indicates his outfit with a gesture. “This suit. The suit of Bowie.”

“Bowie protects you,” counters Earie. “Without Bowie you are nothing here as well. Object.”

“And who are you suppose to be?” he returns sarcastically. “Sid Vicious?”

Earie lays it out as plain as possible. “We are 2/3rds of the punk band Story Room. Banned from Olde Lapara Towne because of the noise, moved to the hidden vilage of Gaston where there was no ban, turned into pretty things there in order to survive, and then confined like flies to its Central Park. Paper.”

“Fly paper, right,” agrees Wilson Wheeler. “We burn to death again every day. Central Park is without dark and always on fire. Core of a volcano.”

“Seed into tree,” Earie continued even more abstractly. He uncrossed his legs. “Atonal punks we are, Wilson Wheeler.”

“Please,” Wilson Wheeler finally countered concerning his name. “If am that you are The Musician.”

He stops thinking about the spot marked with an “X” in the valley below and turns back toward his counterpart. “Then I am Earie…

… and you are Pretty Man.

But I also get to be Chuck.”

“Get yourself a shoulder pet and we’ll talk later,” compromises the suaver swarthy man sitting opposite him.

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mice

Cyberpaperdoll returned to her home of 5 1/2 years across the Atoll Sea and pondered if Biker Mann and she had any kind of real future together.

Oh. Speaking of swings and futures…

—–

“Tommy Brade was always your mother’s favorite, Paul. But you’re not Paul. You’re Even Whiter Walt. Whiter than Caucasian Tommy Brade. You burn in moonlight. You dance to Guy Lombardo. If you were any whiter, you’d turn into a pillar of salt. Believe me, boy, Mary is not the boy for you. She’s not even a boy.”

“I love her,” counters fellow swinger and estranged nephew Paul. “She’s kind to animals. She sings like a butterfly. I’m hanging my future on her. I’m not going back (to the woods).”

“Sure you are. You’re already there. *They* have spies all around. The Invisibles.”

“I don’t know who those people are, Uncle Babyface,” his nephew reiterates. “All I know is that I’m happy here in Be Happy.”

“Hana Lei,” clarifies Mr. Babyface.

“Sure,” states Paul. “There’s *so* much pot here, uncle. Did I show you the biggest one? Just behind us.” He points to his back right.

Indeed it was a big pot. Three stoned little Story Room wannabes staggered around in a bit of snow in front of the whopper. They could be there for months. Years!

So it is with Peter, Paul and Mary in Hana Lei, Mr. Babyface realizes. Months. Years. He returns to Collagesity and drinks with a broken heart at Audrey’s until the clock strikes one and there is no sun.

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Flies

They were told to stay close to Gaston’s Central Park and act like flies on the wall. Pretty Man disobeyed one morning and wandered down to a side patio beside Sugar’s House, thinking he would be concealed there behind a tall fence. But he was almost immediately spotted by BitterAlmond1995 and propositioned. “Cure for your ails,” she claimed about herself through the intervening walls. Quickly teleporting back to safety, Pretty Man wiped his brow, seeing he wasn’t followed. He was not an alien, true, but what cost for surface beauty? Sugar’s Berries (their slogan: “ripe for pick’n”) stick pretty tight to her house, just like he and his fellow escapees Gregg Oden, Chuck Cheese, and Maury “Jiff” Monroe should keep close to the park, the calm eye center of a storm which contrasts to that eyewall location of greatest sound and fury.

But Sugar herself, being of greater vision and knowing all such storms have such centers, knew why they were there. Her counterpart Jacob I. had escaped in a larger way, with accomplice and experienced jail breaker Tiny Tina trampled under foot. These dudes and dudettes had nowhere to go, like caught in paper.

I will be a fly back at them, she thought the morning of learning about Pretty Man’s intrusion into her territory. They are in my vision and will not leave. I know where they are. There’s a secret parchment, secured by sealing wax, which might allow her control of the *other* “Sugar House” in town, the one now called the Gaston-Berry Police Station. Because there was no Berry to patrol. Berry did not exist except as a concept. This was her secret weapon.

Rolling the dice, she unrolled the parchment.

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It’s perch for God’s sake.

Mr. Babyface direly needs to find his nephew in Hana Lei and attempt to talk some sense into him, but he can’t seem to stop studying this Big E provided with the apartment.

“Ahh, what the heck,” he says, prying himself away from the object. “Time to take the plunge…”

—–

“Me Gods, what a mess. A Messiaen Mess.”

He turns around in his tracks, staring into the heart of infantile Hana Lei. “Where *are* the stoneheads?”

He walks down to take a closer look.

The band now known as Lamb were all gathered at Chunkies playing Guess That Fish when Paul heard him grumbling to himself on Swingset Knoll beyond the door. There could be no mistaking.

“Uncle… *Babyface*??”

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sacrifice

Third time’s the charm, as they say. He was up and running considerably quicker this go, right on the heels of Tiny Tina. He would not let her beat him to the dark wall again and send him back to the grass free Joint Joint, awake and cold sober. Jacob I. was going to the other side tonight.

He made it!

But not without losing a valuable friend and ally in the process.

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sugar houses

“The sugar house on the corner of William Street and Duane Street in lower Manhattan was used as a prison by occupying British forces during the American Revolutionary War,” states old-time cop Ricky Bendicky, originally from East Bennington. “Out of 2,600 prisoners of war captured during the Battle of Fort Washington in November 1776, 1,900 would die in the following months at makeshift prisons. At least 17,500 are estimated to have perished under substandard conditions of such sugar houses and British prison ships over the course of the war, more than double that of casualties from battle.”

“When did it become the police station?” asks rookie cop George Carver Washington, Gaffer George as his fellow officers had started calling him after he accidentally shot himself in the arse last Thursday.

“Built in 1763 by William Rhinelander,” continues Ricky, “the sugar house was a five-story brick warehouse originally storing molasses and sugar next to his own residence. The old warehouse was replaced by the Rhinelander Building, which retained part of the original wall from 1892 to 1968, and received reports of ghostly prisoner sightings. The site is now occupied by the headquarters of the Gaston-Berry Police Department, near which one of the original barred windows was retained.”

“Fascinating,” coos young George. “And how about Utah?”

“Sugar House Prison, previously the Utah Territorial Penitentiary, was a prison in the Sugar House neighborhood of Salt Lake City founded by territorial governor Brigham Young in 1852. The 180-acre prison housed more than 400 inmates. It was closed in 1951 due to encroaching housing development, and all of its inmates were moved to the new Utah State Prison in Draper. The site is now occupied by the headquarters of the Gaston-Berry Police Department.”

George pauses, then: “And that’s where Hidden Village comes from?”

“Yes,” answers Ricky.

“And Greg Ogden and Gregg Oden?”

“We’ll see.”

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back to

“You know you’ll have to return, Jeffrie Phillips.”

“I know. Blackstars.”

“Garson on the impossible stairs. Leading you nowhere like you were outside.”

“I *was*.”

“Police take turns.”

“Art and crime together,” states a third.

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aim backwards

There he is, Tiny Tina thinks. The miserable sod. Time to get him out of here before it’s too late.

Tina approaches. “Mr. Oden,” she pronounces clearly upwards. “Mr. Gregg Oden.”

Gregg looks down, spots her. “I’m Gregg Oden. I drink…”

“Yes, yes,” Tina interrupts, hands still on hips. “Is that all you have to wear out of here?”

“I have some watercolors. Would you like to see?”

“Can you *wear* watercolors out of here?” Tiny Tina chirps acidly, making Gregg pause. She blows out a minuscule puff of air. “This will have to do, then. Get up. No time to lose.”

“I’m Gregg Oden?” he says while rising off the jail bed.

“That remains to be determined. But we have to get you out of here. If they found out what you *really* were there would be tests after tests. And we don’t want that.”

She sprints across the floor and back to the open door of the cell. Gregg takes steps to follow. “You’ll have to move faster than that, Mr. Oden,” she shouts upwards and forwards while waiting. “Burt’s on a coffee break. He always takes a coffee break at 3:45am sharp. He always returns at 4:00am sharp. So *move*.”

“Too late,” Tina whispers as loud as she could, peering down from over the top of the stairs. “We’ll have to kill him.”

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small

Mr. Babyface arrives at his apartment entrance after a so so meal of perch at Perch. He had but a small word to his (headless?) garson about the blandness, so small that it passed unnoticed.

Speaking of which…

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