Category Archives: Heterocera

State of the Town

Carr.:

Give me a report, Baker Bloch. What is it?

BB:

Everything is actually more than I expected. The latest development is the Blue Feather, the feather in the cap perhaps.

Carr.:

How is that going?

BB:

Certainly it is centered by an interesting triangle. I’m not sure it’s a triangle with a topping eye, as Karoz supposed recently to you. LINK

Carr.:

That would be Wheeler. Wheeler leads now.

BB:

I guess so. You’re okay with that?

—–

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“Then he just mentioned that wall again and told me to talk to you instead. Said you were a better person to chat with about all this.”

“It’s a she, once more,” says Furry Karl once more. “Carrcassonneee — she.”

“Of course,” returns Baker Bloch.

“And the last time I talked to you and Baker Blinker, the 2 Bakers, you were turning all blue and lightning-y. What gives?”

“We decided to go somewhere. Talk to someone. Someone else. Not of this town.”

“Well, Baker Bloch, I’m all ears.”

[Baker’s reply blocked]

Furry Karl looked very surprised. “How are *those* mofos?”

“I have an idea,” interrupted Curled Paper in a crisp, slightly rattly voice, still sitting at the end of the bar and reading his Winesap book with the twinned Swifts within. “It’s a bright one.”

After a pause where no one says anything, Baker Bloch whispers to Karl behind his hand: “Is he a fixture here now, Karl?”

“I don’t think he has anywhere else to go,” came Furry Karl’s less whispered reply. “And then there’s the other one: Little Climbing Light. He’s worst than the first one, to quote Oz again.” Then they both realized how impolite they were in continuing to not answer Curled Paper’s question. Baker Bloch turns toward him. Or her.

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“Of course you can give us — share with us your idea, Curled Paper. It is Curled Paper, right?”

“Correct. Mr. Paper to some. I’m from Nautilus as well, as is my brother LCL. You imply that he’s the more evil one — I overheard; I know Oz — but we are not evil. Just misplaced. We do not belong here. We are wishing also (like Wheeler?) to return to Nautilus. The northern part. The place of not Oz but Mars.”

“Interesting,” states Baker Bloch. “What do you think of the lower part? Do you call that (in part) Austra as well?”

“The whole continent is Austra,” came Curled Paper’s reply. “At least it use to be. The place of lemony goodness. There we were respected and honored as a unique species of avatars. Here (in the land of Lindens) we are just shunned. Here it is white male or white female. Correct proportions, but curiously with large rumps for the female species usually. And larger chests and breasts (for both). I know of the real world counterparts. What gives on that, Baker Bloch and Furry Karl? Enlighten me on that. And, yes, I’ll get to my idea in a moment. It’s a good one. It will lighten up your lives as well.”

Furry Karl gives his slant on the subject. “This is not the real world, Curled — can I call you just Curled?”

“That is fine.”

“So, Curled, let me explain to you something, and I’m tapping into my flattie culture for this one. Down here — in Lala-land; that’s Second Lyfe to you and me — things get a bit mixed up at times. The women think they need to look one way when the men don’t think so. Same for the men with the women. All’s we have to do is *stray* from the so-called normal — here — to get the correct focus and perspective. That’s from the perspective of us flatties. The 3d-ers have it wrong (in terms of general “normal”). There’s not enough diversity. That’s why you and your kind are certainly welcome in Collagesity, and I’m sure Baker Bloch would agree.”

“Most definitely,” Baker Bloch assures Curled Paper. He speaks to Karl: “Buy my new friend a drink for me. Let’s make certain he’s welcome here from now on. He’s not a joke or novelty avatar. He’s just who he is. Look at Karoz, for Christ’s sake. Remember when those witches gypsies over at The Moon of Maebaleia tried to get him a makeover, Karl? That was frigg’n 7 years ago (!). So I would add to Karl’s response, Curled, and say to you that you are *born* here with certain attributes, and that is your legacy, your heritage. Cherish it. Don’t be afraid to change who you are, but make sure the thing you change into is still the you from birth. The soul does not change.”

“Well put, Baker Bloch. Here’s your beer Curled Paper. You can drink free the rest of the week, matter of fact. And get your brother in on the deal as well.”

“He only stands,” says Curled Paper. “He can’t get in because of the door. You sank the bar too low.”

“So *that’s* what that was all about,” exclaims Furry Karl, looking toward the bar’s orange entrance. “You’re not witches atall!”

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“Maybe it’s time to move that bookcase out of the way now, Karl,” a standing Baker offers, looking toward same. We have enough blocks in town as is, he then thinks.

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The Way

(joined in progress)

Karoz Blogger:

It’s complicated.

Carr.:

Tell me what you know about it, then.

Karoz:

I know that I don’t hate Wheeler any more.

[delete 1 line]

Karoz:

Of course. Baker is my soulmate.

Carr.:

But you know now Wheeler holds the keys to TILE.

Karoz:

I think so. That’s why I was having such a hard time restarting the religion, the college. I had to get through the Assimilation.

Carr.:

Which backfired.

Karoz:

I wouldn’t say that. I’d said that it turned into something very different than expected.

Carr.:

What did you expect? That Wheeler would go away?

Karoz:

Yes. Of course. *You* wanted her to go away.

Carr.:

Yes.

Karoz:

But instead *she* kind of [does the assimilating instead]. Roles reversed.

Carr.:

I’m still not sure what you expected.

Karoz:

She sits at the top of the triangle. Leading the way.

Carr. (correcting?):

Middletown.

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Art Heart

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My neighbor Art Oluja’s not pulling out after all (!) It just *appears* that her house is being hoisted up into the sky, never to be seen again. But it’s all part of art.

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“Figuring things out are you, Baker?”

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“Yes.”

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Balancing act.

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Clubbers

Karoz Blogger and Baker Bloch dine at the newly opened Blue Feather club.

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“Finally, some decent food around this place. Eh, Baker?”
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“Baker?”

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Collage Study Analysis 02

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“What are you doing?” Karoz asked, seeing something appear on Wheeler’s chin.

“I’m trying to shut up so you can talk. I was attempting to put a pearl in my mouth. Didn’t work.”

Karoz let that drop and continued. “I’m reviewing again[ in my head]. Just a moment.” Wheeler didn’t say anything. After a pause, Karoz said, “Aw heck, I know what to do, like you said. I just need to go beyond Second Life in some way, materialize the 2130 dimension again, and walk in and talk to Story Room and especially the headless one.”

“Steptoe,” Wheeler answered again. “Sorry,” she then said. “Continue.”

“But what of me?” Karoz then asked. “I am Falmouth which then flows into Sam Parr, more *my* territory. There I am both fallen and unfallen.”

“Blue and grey,” Wheeler said. “Like a pearl.”

“Okay. So when I fall I turn into a black man. Like Scatman Crothers in that Shining film.

“Shiny Hare,” Wheeler says. They both let that hang in the air for a moment.

“The 10th”, Karoz finally utters, which Wheeler quickly agreed to. “It’s obviously black and white, on and off, north and south… blue and grey. Like in Gray, Maine, with the 1 soldier who doesn’t belong there and is part of the enemy scourge but was still accepted in death.”

“North and south,” Wheeler reiterates. “One comes out a victor. And it’s not going to be the right one.”

“And then there’s the whole Mars/ Martian thing. That comes along in Boos. Should I also go to Tungaske, Wheeler? You’ve been there too, I assume.”

“Oh yeah. That’s where Steptoe and I met. He was with Linda at the time.” Wheeler’s face screws up. “Was it Linda? Oh… I think it was Lisa. Yes, Lisa.”

“Lisa the Vegetarian?” Karoz asks. Then he realizes Wheeler was just playing with him. Wheeler was not with Steptoe in Tungaske.

“Do you like spools, by chance, Wheeler? Especially giant ones?” He might have figured out who she was.

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Collage Study Analysis 01

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Karoz needed to talk to someone about his theories concerning the collages he just reviewed, but there was no one left in town that he knew well. Baker Bloch and Baker Blinker had disappeared. Hucka Doobie had already given him his assignment, which he was attempting to carry out. Carrcassonnee seemed finished with him too for the moment. There was always Furry Karl, but the bar was still closed for some reason. No one here. Then Karoz realized he could ask Wheeler to join him. Dare he?

—–

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“It pleases me that you’ve changed, Karoz. Baker Blinker is happier too. When she comes back you will be rewarded. She has entered the blue and the grey. Civil War.”

“What does that mean, Wheeler?”

“It means one comes out a victor and one does not. It’s always about directions. But we’ve not come here to discuss that particular subject. Blinks can wait. Collages are up. I’m trying to help. I’m trying to further the Collagesity cause. So spit it out.” She then softens her voice. “Please.”

“Very good,” says Karoz. “Well, I understand that *you* understand the nexus. Where everything links together.”

“True enough,” responds Wheeler. She takes another sip of her 4 shot latte. Starbuccarina is still guarding the portal next door, but they were nevertheless able to retrieve the drinks from her. Good ol’ Starbuccarina. She’s a winner, Wheeler thinks. Not just a mere creation of fairyland.

“I’ve studied the collages in Falmouth, Red Umbrella, and Boos tonight. I believe Hucka Doobie is telling me to go back to Stonethwaite. I went there once before. To retrieve Story Room, or attempt to retrieve them. They were suppose to teach the course at my Noru college called “Composing with the Colors Red, Yellow, and Blue.”

“True enough,” says Wheeler again.

“I think they are me in summary. Me as baker b.”

“Yes,” she says. She is wise in this way.

“It’s the three ways I create music, or created music. Because I don’t really do it any longer.”

“No,” she says. “That should change. Spongeberg[ is here to help].”

“Anyway, I am the 4th. I realize that. The other three are improvisation — blue; chromagraphs — that’s red; and then yellow is composing in the regular or normal way by ear, something I do naturally since I was a kid. [The word] ear is between the yellow guys’ legs in that Falmouth collage. No. 12 I believe.

“Yes.”

“Wait, I’m checking now and it’s 11.”

“Not really that important,” responds Wheeler. “Go on. You are the 4th, yes.”

“Let me review in my head what I saw.” He reviews in his head what he saw. “Dancer, obviously.”

“Yes,” replies Wheeler. “That’s me!” she then exclaims.

“I suppose so,” he says, not joining her in raised voices.

“I’m sorry that you do not approve of my important hobby, but Blinks does and that’s the important thing I’ll say about that right now. To you.”

This is the kind of stuff Karoz didn’t want to deal with tonight. He wanted to focus on the collages and his assignment. Yet here was Wheeler, trying to draw him into the entanglement. He resisted for now. He wanted to see his analysis through. *Then* he would ask some questions about all that.

“Back to Stonethwaite. I think I can enter it through (he checks the number again) Falmouth 36. Master Shake opened that portal a while back in Collagesity Noru.”

“He’s just Master here,” Wheeler corrected. “But he holds the keys to the Civil War and which way it will flip. Depends on if he has one of those General Grants in his back pocket still.” She stifles a grin, but then wonders if she should have said President Lincoln there instead.

“Alright, I’ll take your word for it.” Karoz was trying not to get sidetracked still. “But that’s where the opening occurred before,” he repeats. “I just walk into the collage and I’m in Stonethwaite, just like [I did] in Noru. I can talk to Story Room that way; get their story. Hucka Doobie says to talk to the one without a head, so I’ll have to check that. Might be the blue guy.”

“Steptoe,” responds Wheeler firmly. “Use to date. He was something of a perv.”

“Yes, that was his name. Or is.” Karoz let the ‘perv’ description stand as is without further comment.

“So it’s settled,” says Wheeler. “You go to Stonethwaite again. You know how to do it. Anything else tonight? I’ve got to get back to my training.” She thought of asking something else but held back. Karoz didn’t need to go in that direction.

Karoz actually had a second part he wanted to discuss. LINK

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Collage Study 02

Karoz moves over to the Red Umbrella just next door. “There’s Story Room again. Showing up in a collage at my college that almost was real to us! But not quite,” he then follows, still muttering to himself. “Collage and Second Lyfe remained separated (and that’s probably a good thing).”

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“I’m in this one. Multiple me’s.”

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Unfallen Karoz.

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Fallen Karoz. Equals Scatman Crothers.

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Boos gallery is next for Karoz.

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Mars images abound.

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This one would become especially important a bit later on.

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Collage Study 01

Hope neighbor Art Oluja isn’t pulling out already. Need to get over to her other parcels and see what amazing things she’s been up to. Soon!

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Karoz inside Fal Mouth Moon studying the Falmouth series. “Story Room.”

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“Moss like me,” he says upon spying Boss Moss in what might be the most complex collage of the series. Actually that would make a good title for an autobiography. He remembers that door beside him from another collage just viewed involving Lisa the Vegetarian and The Beatles. The one with a prostrate Shadowy Figure.

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“I’ve got to get back in there!” Karoz declares (meaning Stonethwaite).

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Spiderhorse 02

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“I’m so sorry, Hucka Doobie. I went to the bar instead of the diner here. Carrcassonnee didn’t correct her speech in the blog until after I left. But the bar was closed — no sign of Furry Karl or anyone else there. I checked the portal very quickly to make sure it remained unblocked. I figured you were down here.”

“No sign of Starbuccarina[ either]?” Hucka Doobie was still irritated but getting over it. Her left eye twitched nervously, but she had the glasses on. No weakness shown.

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“No,” answered Karoz. “The great 3-n-1 must be in mothballs once more.”

“You work for me, right?”

“Yes, Hucka Doobie. I’ve worked for you for a long time.”

“I’m going to give you your next assignment. You will go into the collages, the nexus. Inside Spider will become a horse. Ride that horse to the next town over and dismount. Don’t look to the left. Don’t look to the right. Just straight ahead. Go to the end of the road. Enter the bar or diner or whatever is there. Don’t speak to anyone. Just go over to the person who doesn’t have a head and ask where you are. Because he’s the only one who can’t tell you. When you get that information, go into the back room and lie down and wait for sleep. When it comes you will be in the place he incorrectly told you about. This is the nexus. Wait for Spongeberg. That is all.”

“Hucka Doobie, I have so many questions about Baker Blinker and Wheeler and Furry Karl…”

“All that will have to wait. Go into the nexus. Lie down and wake up in a better place. The green, green hills. We have ended.”

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Spiderhorse 01

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Karoz Blogger:

We must send Spider back into the collages, Carrcassonnee. There is no other choice.

Carr.:

I agree. But I cannot separate from my eye [at the same time]. Collagesity will collapse.

Karoz:

Then I will have to take it — you — with me.

Carr.:

I cannot move. I am immobile.

Karoz:

We’ll have to figure out a way.

Carr.:

Hucka Doobie wants to speak with you tonight. She says to meet her at the bar diner at 20:00 o’clock.

Karoz:

That’s 3 minutes from now!

Carr.:

You better hurry. She doesn’t like to wait.

—–

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“Where is the f-er,” she thinks.

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