Tag Archives: Andie^^++++

00480107 (front, and back too)

“I got my first full blown color tattoos right here in [Dokken Hollow]. Eddy, my Edward, was also my tattoo artist of choice. In that way and more. Butterflies,” she elaborated. “Red green blue, like the primary colors.”

“Of light,” I tried to pinpoint. “Not the Earthy pigment kind.”

“That’s correct. Combined to make purest white. That’s the navel. But there was also yellow; the gold chain that came later was predicted. This represents, you could put it, my connection with the Mother Sphere — Earth as you say. I am from this Earth and to the Earth I will return. The body is temporary.”

“Of course,” is all I could think to say here.

“Eddy — my Edward again — said the butterflies are the fish released at the core center. They work my way up one leg to here. He said the fish should not continue, poopooing the idea I came in there with. He said fish should be paired or countered with birds — can’t remember which one he said now. But I do remember the ‘aha!’ and the sticking up of the index finger in the air to also indicate he had a brilliant idea. Come to think of it, the yellow was already there too. He said he needed to release the Earth. You are from the Mother, he said. But you are not *of* the Mother. You are your own self, (in) your own sphere. Butterflies should do the trick, he said. Birds would be too busy, he went on. Butterflies are simple — pure flight indicated. Less Earth. Yes, he said, let’s look at some patterns and I can have the whole thing done in an hour, 2 hours tops. And so that’s how I met Eddy.”

“You mentioned several tattoos. Several full blown color tattoos.”

“Two, yeah, I flipped over after that and he did the back as well. A tree, but with the same colors, mix in a dash of orange this time, a dab of purple. I basically had to take my tank top off. And that’s how it all got started. I have no excuses. I’m just telling you the way it went down. At last.”

“Amen to that,” I say.

[delete 3 exchanges]

“Afterwards, he said he was closing at 5 because the band would be starting soon and he can’t take the noise. He pointed backwards, to the wall; toward the Bang Bang (Bar). I lose some business that way, I also remember him saying. Drunks coming in here from the bar, wanting to mark up their body in some way, in some fashion, often to keep up with the Tom, Dick, and Harrys of the world. Or compensation. OR — Tomasina, um, let’s see, Diedra I guess, and then Harriets to end all that (laugh).”

“Of course,” I say again. “Female to male.” I wondered if the mention of Tom was accidental but that’s just how my mind works these days.

(to be continued)

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Filed under **VIRTUAL SL, 0048, 0107, Jeogeot, Rodentia 02

00470407 (Mine, man)

She’d finished her shooting. She’d put back on her finest cashmere robe. This was the result, proudly hung in the hallway leading down to Newtown’s Ratskeller. Barry De Boy’s self proclaimed magnum opus “Toy Play Thing Mine”, part of his “Does This Look Square to You?” series, being exactly 814 x 814 pixels in resolution. And directly kin in this series to the similarly square foldup of the “Foxtrot” album cover by Genesis from ’73 we’ve just seen back in post 01 of this section, also associated with Shelley and the request by new SC librarian Miss Ouri for her to come out from under the lamp and “get big” before them, which she refused to do as was appropriate and logical and decent. ’73: a good year for progressive rock albums indeed. Magical. Spread out centerfold in that case here:

The corresponding folded out version of “Toy Play Thing Mine” has been lost to time, which is in all likelihood for the best as well. But we do have this from “Foxtrot” again, specifically the long and epic “Supper’s Ready” track from side 2, as a kind of indication to what is going on. Green-Gray perpetual war results here again…

We now know that that “Foxtrot” described location of a plateau full of green grass and green trees with Narcissus gazing lovingly at his reflection circles back to this:

And its slowly but surely increasing number of *toys*.

Careful with it. Carefull. Very precious it is. And perhaps fragile. One long gust of wind from the real world all around could eradicate the magic and the spell. Make sure the colors are out of sight as best as possible, white here included. Hide the growing toy avatar village of Flathardt on the edge of this green plateau well. Do not put stuff like blue roses more toward the makeshift path than runs through it all as a possible tipoff to its presence. This is enough of a blue rose case already without such a physical marking. Flatness like this at the head of a hill does not occur naturally. Keep that always in mind during visits and updates.

Now if only the daily mountain rains would stop, UUGH.

(to be continued)

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Filed under **VIRTUAL SL, 0047, 0407, Bogota, collages 2d, Flathardt, Haze County, Jeogeot, Newtown+, Toy Avatars, Willow Hill

00460106 (Tin at ten)

“Shelley?” Wheeler started to answer Lexi’s question. “I don’t know. Wandered off into the prison surrounding us; lost in the maze that’s suppose to be a labyrinth, one way in and out. Time to make a switch; free myself from *that* kind of cage. Do you realize, Lexi, that she hasn’t changed her hair style since she was a kid? And those shoes. Kids as well. Keds!”

“I don’t care,” says Lexi back, stopped from dancing for a second. She’ll resume soon enough. “I love her still.”

“You can’t have her, Lexi. She’s… not in your league. She’s in the American, you’re in the National. If the Cincinnati Reds could play the New York Mets in the World Series then you might have a shot. But no sin in Cincinnati, if you catch my, um, lob. Out at home before the game even starts. Back in the pocket with the Bakers badge and all. You’re Mary Anne,” Wheeler summarized before her, still still. “Panama’s Ginger. But Shelley’s different — *I’m* different. And I set the rules. I’m tired of being the mother to a child that never grows up from top and bottom. You notice the change in *my* hair — I’m ready to dive back into the fire from the frying pan just above. Back to the dance. But first…

“… I have to let the butterflies free to do their work. Starting with the midriff, mind you. All Orange.”

Without further words, Lexi begins again.

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Filed under **VIRTUAL SL, 0046, 0106, Omega, Urbane Blue/Fishers Island

00420610 (fire and nut (2 crackers))

He began doing some independent research on the subject, starting with Orgamast which led him here. “My you’re a tall one,” he said to his companion also staring out at the Korean Channel sim. “Why I barely come up to your Tropic of Cancer, hmm. Are you that tall so you can see the sim of Orgamast to our west better? Do you know of Big Schwa/Big E? Are you big because of *it*?” He halted this fantasy line of inquiry, knew he was, of course, talking to a dummy, a manikin all the time. Not real; not even an NPC really.

But boy was he happy about his view. Reminded him of his ex, the only woman who could have it multiple times that he knew about or was involved with. Eve was her name I believe. Unless it was Wilma — no, not Wilma. Jenny? Argent? Tina? Argent Tina, yes, silver like the moon and just as slippery. Barely remembered her name.

“Argent?” Okama Majo pronounced clearly below him to make sure he heard correctly. “Tina?”

“That’s right,” spoke the dummy who actually couldn’t do so.

“Hmm.” With his more limited range, Okama stared at the round, green hills before him and then beyond toward the sea, the channel itself. He decided to get a better view from that watchtower just outside the window, leave the stiff behind.

There. That’s better. But What The?

An invisible typewriter?

He finds the correct fingering through the highlighting red after inserting an imaginary piece of paper and begins to type a story about Argent Tina and how they did it, extending his draw distance between paragraphs so he could look at the intermittently erupting Ichelus Volcano visible to the northwest. Inspiration!

But he wasn’t the only one doing so, it appears. Argent Tina herself, perhaps? Is that why the dummy is smiling? “She’s right *there*, in the fire, like the firecracker she is,” he might say to a tippy-toed Okama if the researching psychedelic artist hadn’t left his side so quickly. “Just ask. You don’t have to make up *anything*, he he.”

Ah yes. He remembers how they did it. Ray Davies style. If only the current Mrs. Dummy would see eye to eye with him on this as well. Oh well. There’s always memories.

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Filed under **VIRTUAL SL, 0042, 0610, Jeogeot, Xilted

00420501 (Southern art gallery)

He was here to confiscate the so-called offensive painting and that alone, this Arthur *Kill*, disguised in another role. Even took the same first name this time. “Art like this shouldn’t happen in Saint Dennis,” the wife of a prominent town businessman said to the gallery owner on opening night. He countered that it was tasteful nudity, no naughty bits shown at all, “unlike, say, that one over there,” he said, pointing to another painting visible in the next room. “A bare bum! That doesn’t offend you but this does?”

“This one was done with more in mind. Chains!”

The gallery owner, raised in the North where his mama still lived (Illinois I believe), ruminated: I thought you Southerners *liked* chains and slavery. Maybe because the model isn’t *black*. But of course he kept all this to himself.

And so Arthur the policeman, gifted Shakespearean actor beneath the blue garb, was sent in by the powers that be to make a statement. Thing is, he helped seed the controversy in the first place, part of his overall plan.

“Oh Libra Neptune,” he quietly lamented from his position in front of the work while staring at it, contemplating the circumstances surrounding its composition. “I thought I paid you enough never to come back here.”

He also wondered if her unpictured cheeks had turned red again.

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Filed under **VIRTUAL SL, 0042, 0501, Kangerootown+, Omega, RDR2, The Cross

00400405

“There!” she cried again. “Mother’s apple!” She was still studying, still perusing the category “All Orange” in the blog through her remote feed. Orange slice after orange slice, she ate, trying to get the whole, rounded picture.

“And there!”

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Filed under **VIRTUAL SL, 0040, 0405, Nautilus, Omega, Rank & File, Urbane Blue/Fishers Island, Yd Island

showtime

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Filed under **VIRTUAL SL, 0037, 0614, Nautilus, Upper Austra

00370512

“Still in Nanon Sweet Morning light in the room in the room, box springs are broken next to hand springs. Colorado.

“The place: BIONaz Gulch (sim) next to Snowmass near Woody Creek. Colorado. Woody Woodmanson loves Snow — comes from that land and sometimes hung out with fellow native Snowmanster and then seems, later on, to himself animate a snowman after moving back to Collagesity with the rest of the Baker family in photo-novel 04.”

“Let me guess (for the 3rd): Colorado.”

“Correct.”

—–

“We could go with several but let’s use Jack Torrance leaning against a Colorado map in Kubrick’s “The Shining” while disabling a ham radio, head appearing to touch a location called Cannibal or Canibal Plateau.

“Kubrick did this to indicate Jack is actually a wannabe cannibal in the film, as foreshadowed by him talking about the Donner Party LINK in the scene where he, with his family, approached the evacuating Overlook Hotel to take over as winter caretaker.”

“Mountain air,” says Wheeler to this. “I’m soo sleepy (!).” She mimics Wendy’s yawn in the film again just before Jack’s Donner Party exposition.

And so we return.

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Filed under **VIRTUAL SL, 0037, 0512, Colorado, Long Islands, Nautilus, New Mexico, Perch-Mistletoe, Rank & File, Upper Austra, Wild West

00370509

Even in Sweet Nanon’s Morning light, it was a creepy place, what with its rickety old picket fence, grown up yard, and weatherworn appearance. Dare our heroine go inside? That would be Crazy. Crazy Ass Blue. Let’s do it!

Turns out the basement was the worst part but that was just because of all the kitty litter, a blockage of sorts. The heroine carefully descends…

—–

Part 02…

It was a tight squeeze but she made it, newly placed crown just fitting under ceiling. Top of the kitty tower, Queen of the Basement. She surveys her queendom and deems it needs cleaning up. Pretty badly. She’s lost control of her 15 year old girl and 4 year old boy, her subjects. Better return to the Room and draw out a plan.

But she looked and looked but couldn’t find her way back. Just walls. She forgot that she was already in the Room. And always had been.

She exits the house disappointed.

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Filed under **VIRTUAL SL, 0037, 0509, Long Islands, Nautilus, Perch-Mistletoe, Wild West