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ecumenical matter

“So tell me about this Church of the Ood. Been a while, you know.”

“Oh things have changed. No more clown sacrifices for these good folk up here. That’s all done and in the past.”

“Explain.” He looks at the pictures up front again, merged at the frames — black and white, yin and yang, he perceives. He’s explaining the situation to himself. “One beneath it all?” he guesses.

“Yes.” Guy sure is psychic, thinks Baker Bloch again, still hanging around Gold since his wife has been delayed. Suspicious but of course he doesn’t delve deeper into a reason. The Golds always seem to sort it out despite the many issues involved now, he thinks, infidelity to name a big one on both their parts. High Infidelity, then.

“I was also thinking,” Gold theorized further, “that the clowns have been exterminated through repeated sacrifices and there’s no more reason to hate them. Because none exist.”

“Yeah, that too I suppose. 1/2 and 1/2.” Gold glared over. We weren’t suppose to use that expression past novel 25, the one that changed everything. Baker apologizes, but he only 1/2 meant it. He of course kept that fact to himself. Because — it was a little thing but such things add up to make big things — he wanted to make it okay to say that again. He wanted to honor 12 Oz Mouse expressions above all else. Now that Spider has been found inside collages again. Spider equals Skillet, he knows through Missouri. Polk County, Missouri, to be specific. Home of Uncle Joe and Aunt Zoe, humanvillians both. He didn’t return the glare but he looked over all the same. Gold — could turn into platinum at any specific turn of events. Reaction. Visit from grand-niece and now grown-up Tessa could trigger it. Because she thought him dead anyway; surprised he was still a part of the Land of the Living after Baker phoned her up on a whim. He’s curious to see what happens when they meet.

And where is Preacher Zoidboro? he thinks. 7:05 now. Everyone is here that’s here so far, everyone is anticipating results from this lone religion of town now that the clowns are gone. They have to find or at least pretend to find some sort of God or else all is still doomed.

(to be continued)

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00360605

“Why the tire beside the front porch?”

“It reminds me of a past time in another location. Full of junk like that. I had to sit on a tire based concoction to do my business, for example.”

“Good good,” I assuaged. Seems like this is going in the right direction for a sale. Now to the price. “50 lindens,” I said.

“A month?” Herbert Gold shot back.

“Well, no. A week. It’s a fabulous view…”

“… that could be blocked by a neighbor’s structure any day now, any hour.”

Gold had a point. “A month, then,” I said. What was money in this town, straight or curvy? Didn’t matter. “Just don’t tell the other renters I gave you such a deal.”

He made a zipping motion over his lips, indicating he understood. Mum’s the word.

“And April Mae Flowers too — whenever she shows up.”

“I’ll tell her,” he said. “But she likes to go by Lovey now. Ever since the theft of our identities back in (photo-novel) 34. To help differentiate *us* Golds from *them* Golds. Gold City Golds,” he clarified. “Like in Gilligham’s Island,” he said about her new name. “And me…”

“Yes, Thurston. Backus,” I refined, taking it to another level and indicating the actor who played the super rich Thurston Howler the Third beyond the character. Descended from monkeys they were, as we all are. Their fictional surnames just indicate a closer connection than most.

“And,” said Gold. “She *is* lovely. That’s not just a name borrowed from some hack 60s sitcom.”

Back in the day maybe, I think here. “Of course,” I said aloud.

“We want to clear our names, make ourselves good, even model citizens in the eyes of others here. Who have we got so far?”

“Five,” I said, indicating a number instead of names. Because it was really only 3, and I was counting the Howlers as chickens before they hatched. Because he hadn’t given a definitive “yes” yet.

“Counting us?” Ahh, prescient a bit, I think here, pondering whether this was a good character trait or bad character trait. How far goes the mind reading? I decided to think of a number; see if he could guess.”

“Are you thinking seven, then?”

He immediately went further back in darkness with this, fear taking over. He could be returning as some sort of saint but he definitely had been a sinner. True to his name, though, he was certainly valuable, gold if not platinum. Because we wanted to stay away from platinum this time. That was the direction of The End.

I extended my hand for a shake. He put a chocolate chip one in it, prepared and hiding in a back pocket for just this moment. I remained confused if this sealed the deal or not until I drank it later back at the Blue Feather and found a fifty dollar bill at the bottom of the cup. 1st month’s rent. The Golds are bona fide Somocons.

(to be continued)

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00360604

“Yes this will do just fine,” Lucas spoke, looking down on the body floating in the pool beyond the top of the waterfall. “Nice view,” he added.

“We’ll have to charge you the same price as the Julia House. I’m not sure we can rent both at the same time. Conjoined, you see.”

“Twins, yeah,” said Lucas to this, still a stranger in town but hoping at least to get to know one specific resident quite a bit better in the coming weeks and months. Baker Bloch. Who’s showing him this Falls Shack, he called it, a quite leany affair but better suited to his needs. He knows he’ll be able to talk Baker down in price. After all, this was absolutely the most poorly built structure in Somoco. “10 lindens a month,” he said, turning around and staring at those oh so dead eyes directly. He didn’t tack on “take it or leave it” because he intended to go up — exactly 5 lindens.

“Make it 15,” Baker Bloch relented, and to that Lucas nodded. We have our first “permanent” resident, a mysterious one. This young man — boy really — was not what he seemed.

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00360603

I’ll probably spend the rest of this here photo-novel tracking down a select group of past characters and try to convince them to come join me in Somoco (Soos Mountain Community), my new home on the Jeogeot continent. Like Karoz here, enjoying the view in a revamped Wendy sim. I’m not sure I’ll be successful in prying him away from all this.

“Just try it out,” I urged from the side. “The Julia House is all set up at that nice waterfall slash cascade you and Baker Blinker seem to like.” But I knew the problem was the missing N, which would in all likelihood never be recovered. And the same thing goes in the opposite way for his wife and thought-to-be soulmate Baker Blinker. So I decided to sit down with her instead.

She was living in a different part of the French themed city called Serenity — up on the plateau instead of down in the valley with Karoz. I did not have access to her location tonight. Oh well. Who’s next?

I’ve tried Mabel but just got circled back to Franklin, a fellow greenie, large-ish instead of small-ish.

Herbert Gold, then. Or his wife Lovey, changed from April Mae Flowers sometime between photo-novel 30 and now.

—–

Even though everything has changed around me, I still come here and wait and hope. Come find me again Baker Bloch!

Free me from these shackles.

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00360602

I had to go find out if this was really Mabel we’re dealing with here, a girl of purest green. In a way I suppose it had to be. Kitty kats — not the first time we’ve shared that link in this here photo-novel, 36 in a number.

*There* she is. Composing one of her backwards chord songs it appears from the sound of it, green plant in front of her dancing along with the queer results. She was green it was green. They were one.

—–

After convincing her I was Baker Bloch in another form, she fessed up at least to the knowledge of Tintown, a former tiny community on the edge of Mortons Gap. But whether Kentucky or Our Second Lyfe remained to be determined.

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what we know so far…

It’s called Soos Mountain Community, north central part of the Jeogeot mainland continent, Our Second Lyfe. Somoco for short.

Two ground galleries exist there for my collages: the Boos Gallery (or, now, “Boos in Soos” I suppose, ha) and, next door, the Red Umbrella. Details of each can be found on the collage page of this site.

https://bakerbloch.com/collages/

I’ve decided not to call this village Collagesity again because I don’t have the majority of my collages displayed there, unlike a true, classic version a la a Rubi (Heterocera) or a Fordham (Nautilus) location. Lacking are Falmouth, Gilatona-Lis, and Art 10×10 collage series, over 200 collages in total. Also I’m having challenges fitting in newer, post-Boos collages into a proper virtual gallery, all lumped together for now and labeled Bogota (2016-present). Unlike other series, Bogota works tend to act as supplements to the photo-novels instead of linking with each other inside independent series (or sub-series), although I’ve decided to divide them into such anyway, or make a stab at it. Since photo-novel 01, “Collagesity Winter 2015-2016”, the tone and intensity of the collages have shifted. I’m still exploring what this means long term: the progression of the novels, almost 36 in number now (!), doesn’t seem to be slowing down much at all. *It* is the new center moving forward, not collages, although this situation could change/revert. I’m also eyeing a return to audiovisual synchronicities in the future, another kind of collage revival. We’ll see.

Anyway, back to the name, Soos Mtn. is the dominant natural feature of the community so there’s that as well.

Who lives there? A chance that Karoz Blogger and his lovely wife and blog co-owner Baker Blinker will, although that’s a bit up in the air. I’m eyeing the Julia House strategically placed along the community’s only cascade/waterfall for a residence, something that was set up in Collagesity Fordham for that same purpose but not really fulfilled. Perhaps Karoz can regain the N there he lost somewhere along the way, turning it or transforming it into a Julian House, droop no more. Unlikely but still a probability.

Martian Mabel could return. Her old Scarlet Creative Sylvia House she loved so much has been rerezzed. Her crush on blog co-owner Baker Bloch could be revisited, her *Gravity Falls* origins reexamined, hmm.

https://bakerbloch.com/2017/01/24/47950/

Entrepreneur and noted art thief Herbert Gold and his accomplice-wife Lovey (April Mae Flowers) are quite likely to return. Their very interesting and unique Gothic-Deco House is all set up and ready to move back into, positioned below the Julia House and the falls we mentioned before. To review, they stole the collage “Humanvillians” from the Falmouth Gallery in 2019 and got in a lot of trouble because of it. They want to fully redeem themselves in the eyes of others.

Baker Blinker’s old Gloomy Gus residence is also back (directly above the Scarlet Creative Sylvian House). Wheeler’s place?

The Hole in the Wall bar has returned, present in every version of Collagesity down through the years as I recall.

The Red Door Church sits on the northern slope of the mountain. Seems to be a revival of the Ood religion going on within, what with the return of the clown sacrificial alter. Not sure about its opposite religion Fries with Cheese actually run by clowns; no presence yet in the community. Have they all been eradicated?

Then we have the 2 pillars of the community in the Blue Feather on the western side, in the lowest part of the land, and then the Soos Castle perched on the very top of the mount. We’ll examine those in more detail in a post coming up.


top to bottom: Soos Castle, Red Door Church, Falls Shack, Julia House, Gothic-Deco House


left to right: Gothic-Deco House, Gloomy Gus, Scarlet Creative Sylvia House, ML Gazebo 138, Hole in the Wall, Blue Feather


Boos and Red Umbrella collage galleries

(to be continued)

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Collagesity?

Big, new development happening now. Can’t talk too much about it yet. Safe to say the Lebettu Castle is going away. Found a parcel that’s twice as big (8192) I can rent for less than 400 lindens more, or about 4/3rds the cost of the former. And I own the top of a mountain (!). Emerald green it is. Put another castle on it already, but a second option is the Temple of TILE. Then down in the valley below, on the western edge: the return of Sunklands Institute with its Perch Restaurant and Table Room, etc. Some ground galleries will also appear, and maybe a couple of others in the sky. More very soon!

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00360509

“Baker Bloch’s soo gullible,” spoke Hucka Doobie to our right, certainly *not* an insect in this situation. Instead: a full fledged woman, complete with all the working parts. “He thinks I’ve reverted. Why would I want to be a bee again? I gave that up ages ago, along with the attached masculinity. And I’ve been faking the transformation back for months, maybe years.”

“Yeah,” chipped in Barry Deboy, famous artist of the Yellowmoon peninsula with his latest series, “Adventures in Tintown”, being a much talked about hit and spectacle. Imaginary defunct tiny town on the outskirts of Mortons Gap, residents say, marveling and shaking their collective heads at the inventiveness. What will that genius come up with next? “He thinks I’m scared of the Ant Castle up here,” Barry continues. “Why… Ant’s one of my best friends (!).” He turns to his right. “Aren’t you Ant?”

Ant didn’t remember or recognize the fellow but he acknowledged the close friendship anyway. That’s the problem with running a business the size of a small banana republic. Lots of friends — hard to keep up with. He’ll take the guy’s word. “Sure, chum,” he said, hoping to catch his actual name later.

“And I guess he thinks you live over in Fearzom on that smaller mountain to the southeast. Good one, Ant.”

But Ant *did* live there. He didn’t live here, in the skybox above the location of his old castle. Back ran the castle and its grounds now, rebuilt from the ground up after the fire explosion of ’83. Ant actually didn’t live in Our Second Lyfe at all. He’s too busy with his business, with his many friends. Real Life we’re talking about here. In Our Second Lyfe he was just an ant, nothing less nothing more. An oversized one, true. And he invented the Bell telephone. Oops, there’s a ring now. The Devil probably, since we were speaking about it.

“Gotta take this.” Ant was hoping it was a call leading him back to the Real World. Exoskeleton costume starting to weigh him down. He answers with his free hand, Tom Collins in the other. Barry’s rock’n a Russian Roulette, and I believe Hucka Doobie holds some ginger ale. She’s not against imbibing but not on the job. And this definitely was work. Acting. With these Bozos. She wonders again if Barry is borderline autistic, so bad he was at it. She’s about convinced. The topo maps did it for her. But he makes up for it in other areas, she thinks (see: last paragraph).

“Hallo?”

Ant sets down his drink and moves away from the others after hearing the voice. Devil indeed.

“Iiii… didn’t expect to hear *back* from you so soon, he he.”

Answer.

“Comedian, yeah. Always. Soo… (he lowered his voice even more) have you made a decision about the girl? Will she be able to keep, you know… her *head*?”

Hucka Doobie knew what the call was about but she prepared to feign ignorance. Barry just wanted to get back to his collages. More fame, more adulation!  It was like a drug to him.

They were dating, by the way. Barry and Hucka. Baker Bloch had no clue about that as well.

(to be continued)

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triptych interpretation 02 of 02

Hucka D.: In 4b, like we said before, the boy at the tree with the Tintown sign looks down at the missing letter, the missing Y that makes it Tinytown, which it is. I should also say that Tinytown no longer exists, another victim of the pandemic. Like Sissy’s most likely.

Baker B.: Good. Mortons Gap is emptying of meaning.

Hucka D.: I think you want to bring up the 2 PLACEs.

Baker B.: I think that’s taken care of in the text of the photo-novel before, Hucka D.

Hucka D.: 2 PLACEs at once (Hucka D. presses). This is another pointer leading to the triptych. It all leads there.

Baker B.: Okay, good.

“Adventures in Tintown Part 4b of Tin”

Hucka D.: 4b, then. The people with the narrow woman from 4a, most likely her family, have their faces covered by white ovals. To their right we have a ring of ghosts, also with oval white faces or heads. You made the association, thus the triptych continues to the right and not the left at first. You insert the smallest Tintown sign in the darkness behind the ghosts and the whited out face people (in 4a), a mother and her child perhaps. Maybe the narrow girl is the same woman’s daughter.

Baker B.: One of the faces is round and not ovoid. Can you comment on that?

Hucka D.: This is the middle of another simple 2 part collage that you prepared in anticipation of the triptych, although you didn’t know it at the time. The middle head becomes round, and with two oranges eyes, it appears. That’s about all I can say about it for now.

Baker B.: Thank you. Then moving on, we shift from Mortons Gap Kentucky to Tin Town Missouri, from a batch of old photos by, let me see, Russell Lee, who is famous for such things.

https://en.wikipedia.org/wiki/Russell_Lee_(photographer)

Hucka D.: Pie Town, New Mexico, I note in the article. Pietmond.

Baker B.: Right. Blast from the past.

Hucka D.: Lets move to 4c, the last panel which will bring us back to the first.

“Adventures in Tintown Part 4c of Tin”

Hucka D.: Selves, you’ll notice, in the collage, not Self. There is more that one Self. There are 3 in this collage, according to size. The second is 61/100ths the size of the first. The third and last is 61/100ths the size of the second. Although these 3 come in 5 bodies, there are only 3 heads, matching the 3 Selves. Two have been cut off. You sure that Shelley is okay? She’s very important.

Baker B.: I know — extraordinary. She’s okay.

Hucka D.: What are these Selves, then? You find them in Tin Town MO which originally was named Gold. Ronnie Self the rockabilly wannabe star who didn’t quite get there. But he lends his name to the Triptych. He too is part of this (process).

Baker B. (after a pause): The ratios seem important. If we assume a steady reduction, the first is 100, then the second is 61, then the 3rd would be 37.21 almost exactly (checks). No: *exactly*.

Hucka D.: Extraordinary.

Baker B.: Then the simple 2-n-1 collage Barry Deboy holds in the last post before you showed up for our interpretation, Hucka D. (Mortons Gap sign/ “Does this look square to you?”), is the last element inserted here, cutting off 2 of the 5 heads…

Hucka D.: But adding 2 of its own heads (nutcrackers on sign). One obviously truncated (pause). You sure?…

Baker B. (guessing what the bee-man was going to say): Yeah, she’s all right. Anything else?

Hucka D.: I was going to ask you the same thing. Oh — Bat Boy. Zebrasil. Very important. Only the ZE remains (in 4c). Flying toward the First, the largest Self, the most immediate. You.

Baker B.: Thank you, Hucka D. And we’ll work on…

Hucka D.: … Amagon, yes.

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triptych interpretation 01 of 02

Hucka D.: I will forgive you for Amagon. The three lights. Wheeler.

Baker B.: Thank you, Hucka. So you are ready to begin?

Hucka D.: Yes.

“Adventures in Tintown Part 4a of Tin”

Hucka D.: Tinytown changed to Tintown. The missing Y is spotted by a boy in 4b. This is 4a.

Baker B. (clarifying): The boy at the largest of 3 such altered Tinytown signs. The one whose head is slightly cut off in the editing process as he looks down.

Hucka D.: Yes. The blade in the background? You didn’t get to that yet. Has Shelley regained her head?

Baker B.: Dunno, Hucka D. I would assume so. Since I have her active in another window opened up right now.

Hucka D.: What’s she doing?

Baker B. (checking): She’s in the middle of Extraordinary.

Hucka D.: Ahh, appropriate. Have you figured out what she is?

Baker B. (thinking back to 4a and the altered sign): Gold?

Hucka D.: Gold and silver. And platinum. There’s something else coming up.

Baker B. (after a pause; he’s looking in Extraordinary): Okay.

Hucka D.: Are the 3 lights there?

Baker B.: Yes.

Hucka D.: Can you close the window? (Baker B. closes the window) Back to 4a (pause). Obviously Spider has returned. He’s inside the collages now. For real. He’s alive (inside of them).

Baker B.: Yes. Fascinating.

Hucka D.: So that’s one thing predicted in these photos. Can I say these photos are all taken from Tinytown or thereabouts, on the outskirts of Mortons Gap?

Baker B.: I think you just did.

Hucka D.: Kentucky, the actual one, the real one. Not Mortons Gully in Our Second Lyfe. That’s just a 1:1 match from the Oracle.

Baker B.: Good to say (again).

Hucka D.: Not much there otherwise. Sissy’s is closed. Shame. She just wanted to fit in.

Baker B.: Or, alternately, she just wanted to be included.

Hucka D.: Put a picture up of what we’re talking about.

“she just wanted to fit in”

Hucka D.: Another simple collage — 2 part. Like all of them are. Until we reach the triptych which goes round and round… and round.

Baker B.: This is (in) Mortons Gap again, just to clarify.

Hucka D.: Right. (he pauses to look down at his hands; just yellow pollen covered balls, like at the beginning; he had regressed that far) Back to Tinytown which was changed or altered to Tintown. The narrow woman is interesting: one eyed, like Leela.

Baker B.: We call her Eyela.

Hucka D.: Right. She was set up as well (by the powers that bee). That led from the original altered photo, a simple 2-n-1, with the Y dropped out of Tinytown, into the triptych. The triptych was the goal all along. Another altered sign, I’ll note, in the dark backdrop behind her — less obvious; could be missed.

Baker B.: Yes.

Hucka D.: And the bat boy… but we’ll get to him in part 2. Or part 3.

(to be continued)

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