“Okay, I’m heading to the other side of the island now, Dancing Chuck, love of my eye, apple of my life.” No answer per usual. Chuck didn’t have a speaking part in this here photo-novel, 39 in a series. Philip didn’t expect one of course. As long as he did his job in the way he was manufactured to do. “And take care of Flip Flop Fish up on the second floor and the roof, will ya.” Philip always used both locations to describe FFF’s whereabouts, since he was stuck between the two, tail projecting above the roof and head and main part of the body below. Caught as much as a fish in a net, ready for filleting with an appropriate knife. But this never happened. Philip needed his energy and knowledge too much. Or maybe it was a she; he’d have to check sometime. His (or her) name I believe was… Limey. Very interesting: because quite similar to Bart’s handy tree outside his bedroom window he used to escape the house and watch the cow film in downtown NWES City, the one he reviewed in what turned out to be his now world famous addendum to the TILE Manifesto. But Philip was probably aware of this connection too, what with being a world famous figure himself, a world *creating* figure, actually. 1/2 lemon and 1/2 lime, hmm (if so). The plot thickens.
On his way up to Constantynople and the library he intended to visit to see what had been written about him within, he stops by the town’s assimilated airfield for a drink at an attached bar. This was the same establishment fully formed and approved alternate or doppelganger Shelley first met her original self and compared notes, desired eating habits to begin. “I’ll have what she’s having,” the doppelganger tested, finding it good but she would have added a bit more salt to the fries and ketchup to the chicken. Her first real meal, though. How exciting!
“I’ll have what *he’s* having.” It is happening again.