Tag Archives: Greg Ogden/Gregg Oden^*+++++$

00450705

When I found him on the western coast of Jeogeot not far from my new Nawt Vaya home, he was just a head sticking up above the waves, and I immediately thought: The Netherlands, as in the red white and blue colors of its flag that had already figured into the text of the current photo-novel. I theorized: here is a link between photo-novels 45 which I’m wrapping up, and 46 still away a bit but coming closer, looming like successor photo-novels do. I can just have this methodically marching-in-place, tri-colored figure name Tobor (according to the object’s description; obviously the word robot in reverse) sort of figuratively walk between the two in some fashion; act as a bridging character. That was the idea in *my* head, vague but one I knew had the potential to work being experienced in such vague glimmerings of ideas and how they can, often quite quickly — sometimes extraordinarily so, ha — manifest into being. Witness here:

END OF “SUNKLANDS PHOTO-NOVEL 45”!

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00450704

Oops, he thinks while checking the photo-novel 45 clock behind Redd, its time quickly running out. See ya, my new muse. Gotta go meet Tobor down at the beach to end this thing, but not before leaving my door slightly ajar of course. This could be a deep one.

As it turns out, Greg’s Makers Way is not the only Maker in the area. There’s what appears to be this fashion magazine located in a small, out of the way radio station in nearby Seogwipo about 200 meters away, which DJ Carolin “Wind” Willows is just entering to begin her long long workday isolated from the rest of the world. Tough since she’s a sociopath, I mean, a social person. She rethinks her career choice every time she walks through that door. She also leaves it ajar? Could be.

Ahh, a little Blue Moon Kentucky from her independent label Sun Records will help first thing in the morning, she thinks. Little track called “Elvis Esley” penned by Scottyd Bill that helped put her back on the musical map after the breakup of the Cracks. Here goes!

Listening to the lyrics, Carolin can’t help but wonder again how such a depressing song ever made it to the top of the pop charts. Suicide! And more.

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00450703 (the monster within)

Greg was also into painting trees that came from seeds, including that persimmon in the dead center of Juho we mentioned before. Here: a willow pretty nearby it at the end of the short lane known as Makers Way, Greg’s artistic and otherwise home in the still-being-developed burg. He feels he can speak to this particular tree even, hear its words, understand the language of the long, willowy limbs often swaying and sometimes rustling in the winds. “Greg Ogden,” they seemed to whisper call to him more than once. “More green, more green!” And sometimes he would change with this and sometimes he didn’t. Depends on if he’s heavy into the oils or remains more on the surface with quicker drying acrylics and watercolors. Here he dabbles in acrylic; we appear to be safe for now. 🙂

Soon he tires of outdoor stuff and returns to his newly revamped studio now chocked full of pictures of the female anatomy instead of male, the studio apartment where he lives and bathes and such just above, a one to one match in space and clutter one floor up. He always leaves the front door slightly ajar just in case he forgets his keys. Could return in one of those artistic dazes, he figures, especially if he shifts over to oil. He remembers his uncle locking himself out of his music shop for weeks because of a similar jazz trance induced by something as simple as a passing car radio. Sensitive shopkeepers responsible for the opening and closing of doors must be cognizant of their own weaknesses and adjust accordingly.

How about STAB for a name? he thinks while walking through the shop’s red facade. Short and sweet and evoking lots of the same color. Also short as in the lane he lives on. Eye-catching. And as a bonus he won’t have to repaint. STAB it is. Goes along with the blood theme of his new help wanted ad too; he’ll simply build upon it to create the perfect logo, he thinks in the moment. Good luck Peter Melanchton! Thanks for your service, but I don’t need you any longer, I don’t even need your sister any longer.

I have Redd.

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00450702

Don’t get me wrong. Lexi and he were still pals. Here we see them staring out from her many windowed house after breakfast one morning toward the long if not especially wide expanse of Nawt Vaya, Jeogeot’s largest inland sea and probably the only inland body of water of that virtual continent to qualify as such. And there’s some heated debate in certain Juho social circles even over that, which we’ll get to later. Or not. Not Vaya? Variant name for sure, sea or no. Along with Alamo, which is of particular relevance to Philip’s case. Here’s the actual, Real Life source:

https://en.wikipedia.org/wiki/Nawt_Vaya,_Arizona

Nawt Vaya is a populated place situated on the Tohono O’odham Nation in Pima County, Arizona, United States.[2] Historically, it has also been known as Agua Lavaria, Agua la Vara, Agua la Varia, Alamo, and Not Vaya, before Nawt Vaya became the official name following a decision by the Board on Geographic Names in 1941. The name means pampas grass well in the O’odham language.

And it’s pretty near the only US population place with a primary or variant name starting with Jeo like the continent, reinforcing the relationship.

Anyway, Philip is still testing out the 3 candidates Wheeler provided for a potential girlfriend as reward for delivering Gus to her, even though he’s leaning heavily toward Nada New Year, seen in the above photo also leaning heavily on him. Lexi sitting on the floor beside them was just glad they were past the constant kissing phase of their relationship. Andie and Sally waited patiently at the table behind them like the 3d dummies they are — just in case. Philip was instead in questioning mode. He never asked Nada — or the others — as if she/they had only one purpose in his life and that alone. It was always Lexi. Another reason he probably kept hanging around, she rationalized. But she really didn’t mind. The girls were pretty and also pretty interesting to speak to. At least Nada. Being a native of the land, she helped fill in Lexi’s gaps of local knowledge. What a sweetheart! If Philip wasn’t around… but she can’t think of that now. Wheeler (and Shelley!) would be so upset!

“Who owns that lighthouse over there, Lexi?” he started, which she knew would lead to more.

“Oh, I don’t know. Just met them once. Darkstar I believe is the name.”

“Cool. Who owns that house with the palm tree just in front of us, then?”

“I don’t know, Philip. They’re just some neighbors. I’ve only seen them from a distance ho-ing in their garden,” which made Lexi wonder again if prostitution was actually legal in this region of Our Second Lyfe.

“Nice. When is Wheeler’s Starbuccaneers gonna open over there to our right, Lexi? Do you know? Huh?” He turns his head toward her. “HUH?”

“*Philip*…” But then she stifled the urge to tell him to be quiet for a while. Because that might mean the kissing resumes. And she’d rather hear his questions than all those smooching sounds. “Starbuccaneers, eh?” she considers. “I’ve heard…” Nada flashes a peace sign in her direction; thanks Nada! “… in about 2 days.” Nada then makes a widening motion with two hands this time behind his head. “Oh, did I say days? I meant weeks.” Thumbs up sign from Nada.

“Nifty. And, let’s see, those people on that grassy field yonder. Who are they? What are they doing?”

Lexi could actually field this field question on her own, which took her back to shortstop days with the local Horners Corners High Jills, no error between her legs at the time. “That’s Greg. As in Greg Ogden. And that’s his models he’s painting for his new and improved Juho studio.” She knew all this from Wheeler. It was kind of the talk of town in certain social circles (or not). Former model Peter Melanchton had graduated Summa cum laude from Nawt Vaya State and moved away. He needed new blood to fill his shoes. That image was actually in the ad he made, which he hoped would seem artistically trendy to a model wannabe.

And, as the ad stated, he was aiming for girls this time — an upgrade. Just like Philip, he had several candidates lined up. Although he was heavily leaning toward the non-red of the group who had just walked into the picture below, as he hoped she would be doing soon on him. Parallel lives.

However, the woman turned out to only be Peter Melanchton’s sister, there to retrieve a leather jacket he left behind. Redd it is.

(to be continued)

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00430603 (art and music)

“*There* you are, Greg Ogden you sneaky devil,” he said while watching him paint bathing beauty Redd again in a totally different location than before, different from anything we’ve seen so far in this here photo-novel, 43 in a series. “We’ll catch up as soon as I finish my tour, you abstracter you. I’ll remember where you are.”

Likewise period clothes wearing Greg said nothing, as if he wasn’t even aware of him passing by. The man hadn’t created an identity yet in this new land. Maybe that’s the problem. So on to the next terrace…

… where he encounters a band of progressive folk rock musicians. “The Whistler approaches!” said their leader as he comes into the scene. “A song for the Whistler!” And they leap right into the Jethro Tull song of that same name.

He circled around behind them, listening, then remembering. “It’s *Witcher*, not Whistler,” he exploded, bringing the tune to a screeching halt. “I am the Witcher. Fools.” With this declaration, he also recalled his mission. To save the town from a monster.

Now to refind Greg Ogden, because he knows something about this too.

“Halt Greg Ogden! Stand back from that *demon*!” he says to the painter when approaching again. Greg heard him this time, as the Witcher knew he would now that he understood who he was. Paintbrush dropped like the tune before it, he stood back. Redd’s face had changed.

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00430116

“Well I’m glad you threw on *some* clothes. A bit of bosom still hanging out there I see. Can’t resist.”

“No,” she said nonchalantly, and purses her lips even more in disdain for the discourse. “Whadda ya want? Tobacco? Because that’s all I have to offer.”

“I *want*… to know why Clarence the Spy was here in the first place. And what the assignment is. You’ve already been a model in Aisle of Palms. To the painter Greg Ogden, remember? Why did Clarence approach you about going back?”

“Because he recognized me, I suppose. Recognized talent, like the first guy.”

“Well tell me about the 1st guy for criminy’s sake.”

“Bald. Old. Reformed stealer of art he told me. Gold I think is the name. Remembered me and the girls called him Old Gold after that, yeah. ‘Is Old Gold gonna pick you up in his Oldsmobile this evening?’ Stuff like that… silly girl banter. You wouldn’t understand.”

“Oh I *understand*,” replied Fern, feeling slighted about her superior brain power. “First you put on a bathing suit, then some revealing red lingerie, and now this, about as fully dressed as you can get, I suppose. I know your type. You didn’t like being *abstracted*.”

Redd said nothing to this except, “you done?”

“Yeah, I suppose I am.” She knew who “Old Gold” was, of course. She couldn’t talk to the wife about this for discretionary reasons. But maybe Greg would know something.

“One more thing. Do you know where Greg Ogden is now? We haven’t seen him since he finished your so-called portrait. I’m speaking for all the members of the Baker Bloch family, extended and otherwise.”

Redd looked around then leaned forward, reducing her voice. “Buy me out of my daily requirement of smoke sales and we’ll talk. I’ll be free to leave my post, then. Boss just wants X amount of money per day. You’ll give him that, then I’ll tell you the information you need.”

*Knew* there was something here, thought Fern while she reached into her gray capri pants to retrieve her wallet. Wait… how’d that *pistol* get in there??

She finally wakes up.

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Humanvillians no more

“So tell me more about this young girl you met. Corvo, wasn’t it?”

“Yes, well you *know* her name. Supergal Ruby. And you know she’s engaged… or reengaged to be more exact,” he tried to reassure his wife. “She and Greg Ogden had been married before. But…” Herbert Glenn Gold wasn’t sure he wanted to bring up the death of Greg’s interim lover Mr. Babyface in that Korean Channel water funnel. Simply because he wasn’t sure he was really dead.

“But what, dear?” April Mae said in the gap. “Is… is there a problem in paradise?” This was what she sometimes said when she sensed trouble in a relationship. And this one, she felt, threatened hers. She had been quite insecure — and understandably so — since the Merry Goldbusk debacle over in NWES City. And now they’ve returned to the same continent of the indiscretion — probably adds to the paranoia a bit.

“I don’t think so. Anyway, that’s why I invited them both here,” he followed up on earlier conversation. “Greg is happy painting so I provided him with models.”

“Models, hmph. Is that what you call them?” She was usually more tolerant of Herbert’s eye wanderings but her biorhythms were on the downswing today. Perhaps too much tea lately. But Albert makes such a fine pot!

“Now now, April Mae. They’re only cheap mesh statues really. Like all those ones standing outside Baker has lined up for potential use later on.” They were on the wrong side of the house to look at all that mess so April Mae didn’t try. Flesh and mesh, she thought here. Unreal but still tempting, she felt.

“Soo… she was just here to pick up the 2 coins and then leave. And you said she knows what to do with them.”

“She knows. But she just has to remember. There’s 2 directions here,” he says as he cuts another piece of pizza and gobbles it down. “She can pawn off the golden coins for quite a small fortune actually.”

Unwise, April Mae thinks here about his earlier actions. Risky and unwise.

“*Or*,” he continues, “she can use them as *evidence*.”

“Atlantis, right.” She cut her own piece, she accomplished her own gobble. “And what about Bermuda?; you mentioned a Bermuda. From the way you described it it sounded more like a person than a place.”

Thinking of her newest dress with all the parrots, Herbert Glenn Gold decided to deflect here again. “No, it’s a place. A triangle, actually.”

Another funnel, he then realized.

—–

“I’ll take everything you have,” she said shortly after entering the store and the introductory chit chat was over with Hector Big Parrot Bird Guy. “Including these 3. Including *you* if you wish, she thought but didn’t say out loud. There had to be limits to all this silliness.

“Molly, Polly and Folly are *not* for sale,” he returned in a haughty voice more human than bird. “They’re my friends. They keep me company. I can’t be entertained by reading all the time.” He finally looks up from the book about non-parroty things, stares into her eyes. “But the rest are yours. Take them, I don’t care. I’m just an unpaid employee minding the shop while the owner is away. I don’t know when he’ll be back. He’s been gone for days, maybe years even. I don’t care,” Hector reiterates.

“Free?” she said.

“Free.” I can replenish the stock in a blink of an eye. *Those* parrots aren’t real; mere 2d replicas. Only these three here are real. My friends, as I said.”

Molly emitted, “You’re darn tootin,” to this.

Polly squawked loudly as if in agreement.

But, without chatter herself, Folly just looked around from her own perch at everyone involved. She personally had her doubts that *any* of this is real, pet shop and all. And where was Victor Ratt the owner? Rumor has it that he’d been kidnapped by pirates.

Only the unreal parrots in back knew for sure and they weren’t talking either.

(to be continued)

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00410413

He knew he shouldn’t do it but once he got the idea in his head it was stuck there. Paint — watercolors of course — this red headed bathing beauty in front of him as an abstraction, red all over and with a round head instead of natural. Chroma, he knew. His former existence. “Okay, keep still,” he requested to his paid model for the day. “I’m about to start.”

Wannabe boyfriend but way-too-plain, way-out-of-his-depths Butchie Hawkins looks on very interested from the other side of pool dipping Carrcassonnee (she’s back!). What he lacks in looks he makes up in mind powers, namely psychic abilities. He’s going to ask her out after all this is over. He’ll be more on her level then. Because this wasn’t just a painting. This was *real*.

—–

Later:

“What have you *done*?” she cried, no longer the person she knew and loved and admired inside the finished product. “Where *am* I?”

“Just follow the yellow ball,” he said from his side, also part of the art work now. “Follow it all the way into the grave.”

She backed out of that death scene as fast as possible but she was indeed the ball now. Stuck.

“Thanks for *nothing*,” she said as she bounced away, cash in hand but wanting a lot more for what he did to her image. Greg Ogden had made a breakthrough today at the Aisle of Palms Pool. He didn’t have to paint pretty all the time. He could paint ugly.

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00410314

Supergal Ruby had given up fishing but mate Greg Ogden hadn’t. He’d been lucky enough at the sport to distract them from the golden coins and other Corvo mysteries, sucked up inside the mundane for a while. “2 sharks, a mantra ray, and a swordfish in one day!” he exclaimed to Ruby over a fish highlighted supper, perch salmon or cod (another reader’s choice). It was only afterwards that Ruby recalled the coins, and the fact that they had missed the last ship out of Corvo until Munday. Oh well. At least *Greg’s* happy, she consoled herself. And it will give her time to talk to Mr. Gold.

But she never saw him again, nor his spinning wheel nor the big ball of yarn down the beach from him he was supposedly working on. Dare I say he was a figment of her imagination? Eventually the coins became that too, we can follow. As the island had planned all along. In the immortal words of famous philosopher and, later, box company worker John Locke: “It’s not an island.”

Supergal’s second album, “Atlantis Forgotten,” was fittingly titled. There were more things to dwell on than lost civilizations now, like growing fame, more immediate and materially tangible. The Portuguese government working through the music industry had a hand in that as well; suggested “safe” words to use in her lyrics to downplay the supernatural, “lost knowledge” aspects found on the first. The oh too commonplace selling of the soul.

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00410308

“You’re going to have to leave soon, darling. Clients showing up, 2 of them. My partner in crime Daisy’s sick today. Darnit,” she faked, since she was directly responsible for the sickness as stated. “It’s just a blasted shame.” She stomped out her cigarette on the leaf strewn patio floor. New habits haven’t changed.

“Just a couple more questions if you don’t mind.”

“I *mind*… but I guess I have a little time left.” She scans the horizon with her 20/10 vision, youthful eyes still in place. Very little smoke had gotten into them yet. She sees no one approaching her from the distance, across the pool, beside the school. “Always come down Twig Lane so I can see you,” she requested to all the men with desires. And she was still quite fetching. Business was good. No need to poach Daisy’s clientele if she didn’t have a good reason.

“You said Greene’s is the name of the motel, but the sign said Lucky.”

“They haven’t gotten around to changing it. Anything else?” She was becoming impatient. Who was this stranger in town with such curiosity? Said she was a relative of mine, a cousin. Just distant enough to not easily be identified. Who doesn’t have some kind of cousin named Wanda?

“It’s just…”

“Hold on hold on,” Octavia says, formerly smoking hand held out like a stop sign. “Someone’s coming — looks like a Mouse. No, make that, looks like Mouse. But you didn’t hear it from me. Now…skedaddle youngster… Wanda… *whoever* you are.”

“I’m your cousin,” doubled down Marsha disguised as a fictional one named Wanda but who inside was actually Alice Tart, moved back in time to the day of her conception. She’s aiming to change the aimer. She doesn’t want a father who’s a villain of all villains. Better it be Mouse. *Has* to be Mouse.

“And… there’s the other one… not far behind. Get outta here. Git git git!”

Marsha had no choice. *Alice* had no choice. She, through Marsha’s body wearing her clothes, moved away from her mother back through the gates, intent on finding a room to stay in.

WAIT. She turns. She had to see her younger father through the eyes of Marsha. Prefiguring his need for a cane, he points to what excites him in the moment.

Axis walks into the main office, intending to check in his copper red hair with Wilma the day clerk. Now was her chance, she realized.

She could… shove him through the green door over there. Yeah, that’s it.

Or hit him with the green phone (reader’s choice).

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