Tag Archives: Greg Ogden/Gregg Oden^*++$

End?

Rocky goes back to Middletown and sets monstrously green Gregg Oden free from his small prison. He immediately becomes red clad Greg Ogden again, planning out his next oil painting of Treasure Hill (*not* a watercolor). Rocky sees an army base nearby and decides to turn in his resignation. Since entering the war 4 days back, Rocky had risen to the rank of lieutenant, soon to be captain in several more hours. It was time to end the insanity before he climbed to the very top of the ranks and was in charge of the whole kit and caboodle. He didn’t want to be trapped in that!

“Wrong side,” he said while looking at the wall behind the central desk within. “Oh well, it’s all games and pretend anyway.” He then saw the name on the typewriter at the desk. He sat down and studied it to make sure his eyes weren’t deceiving him. The brand name: Raccoon.

Rocky found himself typing. And typing and typing. In a matter of hours, he had unfurled his whole story from Olde Lapara Towne, Collagesity, and Middletown. The stack of paper by his side kept growing higher, yet he went on. Future adventures. Collagesity and beyond. Mushroom house in the Adirondacks. Must keep going higher. Higher. To the top.

Two days later he was finally finished. He had risen to the rank of 5 star general, overseeing the whole Gulf engagement. He sent word to his lesser generals. Put down your arms. The insanity is over. There is no war any more. There never was.

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Alex and Albert 02

“Let me out of here,” he cried in his high, wispy voice. “I’m Gregg Oden! I drink… I drink Baileys from a shoe.”

“Not until you choose a side,” a gun toting Rocky persists. He didn’t have the heart to shoot Greg Ogden on the spot several days back so he just bought a small freebie jail to hold him in. Then *this* happened shortly afterwards — red to green again. Inexplicable.

Rocky stared west from whence he came. “What else might come through that cursed sand castle portal over on the volcano island?” he asked himself.

“You don’t understand little raccoon man. I haven’t painted a watercolor of myself or Baileys in a week. I’m dying for lack of art. Gregg Oden needs art to live,” he insisted.

“Shut up with your yammering,” Rocky voiced, tired of hearing the poor pitiful creature rant on and on about basically nothing. “I need to think. We’ve been on this perch long enough. There’s a war going on!”

“I know Alex,” Gregg Oden then said more mysteriously after a pause. “And Albert. They could help you with your little war. Could help one side or the other win. I hide them in a special place.” He looked down at his tutu, then back up. “I can help you out raccoon man… if you help me out.”

Just then, Rocky spots a ship passing in front of the Zebrasil-Ichelus island. He employs remote viewing, sees the flag, and decides to go after it.

Lucky for Rocky, because he was about to be manjinaed by Gregg Oden just like poor Terry and others before him.

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Alex and Albert

“Still no pot here,” complains a peering Chuck Cheese, out on bail for an hour from the Gaston-Berry Police Station. “Where *is* Alex?” She pauses. “Or was it Albert?”

Quickly checking the world map, she sees a green spot moving toward her own green spot. “Someone is coming. Could have been tracked. Bail time’s up anyway. Got to head back.”

—–

“Good. You’re back on time this time I see. But what happened to your hair?” asks Maury “Jiff” Monroe, the police staff psychiatrist.

“I sometimes take it off at night. Bed time, right?”

“Wrong. Interrogation time.”

Chuck blows out air in exasperation, rolls her eyes, and flings herself down on the cell cot. “15 more minutes down-time? Pleeeasse?”

An acquiescing Jiff goes back to his cubicle waiting for 10:15, when the grilling will resume. First off, he needs to find out about this Alex or Albert. Each bail period, Chuck spills a little more of the beans. It’s almost as if she’s doing it on purpose. Is she? he asks himself.

—–

“Why did he steal her color?” asks a studying Billy Jean Kidd over in Middletown.

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Switchies 02

Newly formed Roger Pine Ridge decides to sneak by snoozing Cyberpaperdoll on the lower floor and go visit friendly, understanding neighbor Tammy Whatammy in her cabin across just across Old Cannon Road to tell her the news. But Tammy was nowhere to be found within. The entire cabin had basically been cleaned out — no sign that she had ever been there.

Only one object remained: the town’s generic media player. And on it, the Sunklands post had changed once again.

—–

Greg Ogden was trying to ignore all the commotion going on behind him in order to focus on his painting. The subject matter, as always it seemed: Treasure Hill, now about 200 meters north of his chosen perch. To its right, Middletown lay just beyond his draw distance from here. He liked it that way. Treasure Hill alone and without tag-along berg, just like in olden days. Pre Gulf War days, he thinks while listening to a new round of shots from in back. Then a fierce explosion rocked the land, totally ruining an attempted first brush stroke. Greg Ogden had decided to give up for the day when Rocky Raccoo reached his perch from the ravaged camp below, smoking gun in hand.

“Axis or Allies?” he called toward the harmless artist. “Choose or be shot anyway.”

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back to the ward

The tutu wearing sack of sh-t has returned, Gaston-Berry Police staff psychiatrist Maury “Jiff” Monroe thinks, staring over from his cubicle at Gregg Oden passed out across three chairs against the west wall. He’s going to be sent up the creek a loooong time for this one.

Something’s different about him — it — though.

Of course: the hair.

—–

“(There’s) something about that police station,” speaks Billie Jean Kidd while studying former blog posts from her tower chair.

—–

“Who are you?”

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Monet Greg

Greg Ogden can’t figure out how to start the painting he wishes to do. It’s all so beautiful as is…

One thing he knows for dead sure is that it *won’t* be a watercolor — oil is his choice of medium. No opening exposed for that Greg with the extra “g” to return to the picture. Stay back in Gaston you old varmit!

Gauging the sun and understanding he can’t delay any longer, he pulls out his tube of Winsor and Newton Permanent Green and gets to work.

The next day he does the same.

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aim backwards

There he is, Tiny Tina thinks. The miserable sod. Time to get him out of here before it’s too late.

Tina approaches. “Mr. Oden,” she pronounces clearly upwards. “Mr. Gregg Oden.”

Gregg looks down, spots her. “I’m Gregg Oden. I drink…”

“Yes, yes,” Tina interrupts, hands still on hips. “Is that all you have to wear out of here?”

“I have some watercolors. Would you like to see?”

“Can you *wear* watercolors out of here?” Tiny Tina chirps acidly, making Gregg pause. She blows out a minuscule puff of air. “This will have to do, then. Get up. No time to lose.”

“I’m Gregg Oden?” he says while rising off the jail bed.

“That remains to be determined. But we have to get you out of here. If they found out what you *really* were there would be tests after tests. And we don’t want that.”

She sprints across the floor and back to the open door of the cell. Gregg takes steps to follow. “You’ll have to move faster than that, Mr. Oden,” she shouts upwards and forwards while waiting. “Burt’s on a coffee break. He always takes a coffee break at 3:45am sharp. He always returns at 4:00am sharp. So *move*.”

“Too late,” Tina whispers as loud as she could, peering down from over the top of the stairs. “We’ll have to kill him.”

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Sugar House 02

“Are you all right in there Gregg?”

“I’m Gregg Oden,” the green being replies. “I drink Baileys from a shoe.”

He’s all right, Baker Bloch thinks. I’ll have to have a word with Baker Blinker on what she *thought* she saw here. Red instead of green, eh? Greg Ogden is scheduled to arrive back in town tomorrow. Better clear all this confusion up before he gets here.

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Sugar House

“See?” encouraged Baker Blinker. “It’s very nice here. I’d recommend turning up your RenderTreeLODFactor under Show Debug Settings in the Advanced Menu to, say, 10 instead of the default 1. That way the trees will fill out better in the woods.”

“Are you allowed to hunt?” the raccoon queried. “Or shoot atall?”

“No. I’m afraid not Mr. Racco.”

He put his paws on the table. “How about pot? Is it legal here?”

“I’m not sure, Mr. Racco.”

“Rocky, please.”

“Rocky,” Baker Blinker complied. “Do you want to sell it or just smoke it?”

“Both,” he replied rapidly. “That was my plan in Lapara. Before The End.”

“I’m sorry about your bar, Rocky. I’m sorry about Terry more.”

“One and the same,” he said softly, looking down. He paused, then, wiping his eyes, raised his head back up and stared intently at Baker Blinker. “I wish to see the body.”

Baker shook her head. “It’s not a good idea.” She thought back to how Baker Bloch removed Terry from the ceiling with a spatula yesterday. It didn’t happen in one piece.

“Alright,” he said with a sigh. “Let’s talk neighbors… citizens.”

“Well, there’s Baker Bloch of course, then Wheeler Wilson…”

“Who I know from Lapara,” Rocky interrupted. “But explain the clowning. Never understood that. Does this have something to do with Levi Clownski (owner of Olde Lapara Towne along with mate Shoshi)?”

“No, (the clowning) predates the family being involved with that town. It stems from VHC City. Something about The Underground there. Something about the story of Clare Nova.”

“I’m all ears,” Rocky said, leaning forward.

Baker Blinker instead suggested they walk up Old Cannon Road to the apartment and talk along the way. Rocky gleaned the truth.

“You don’t know why she’s clowned. Do you?” Baker admitted she was hazy about all that. Rocky shifted in his chair. “Then I want to see this Gregg Oden, the killer.” His tone had become harsher. “Is *Gregg* a clown?”

“No,” states Baker Blinker plainly, taking it all in.

“And you’re sure?”

“Positive.” Rocky shifted back. “And I don’t think it’s wise to go over to Gaston looking the way you do,” Baker Blinker continued. “All raccoon-y. They forbid aliens there.”

“Aliens smaliens,” he huffed. “Let’s go to Gaston. I have all the time in the world to look over your town. I want to see this *old* Gregg. Gregg with the extra ‘g’, pheh.”

—–

“I thought you said he was green.”

“He *was*,” Baker exclaimed.

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upstairs

Now Mr. Babyface really likes Simple Wunderlich’s snapshot from Ichelus upstairs, depicting its famous volcano. He makes a note to visit soon, perhaps even before he returns to Hana Lei. The picture corresponds with the sim map here as well.

And on the other wall, the totally water Redazillion.

He’s good here; no rules broken that he can tell of.

“I’m Gregg Oden. I live downstairs.”

A startled Mr. Babyface turns around to face his neighbor.

“I like Baileys in a shoe,” he continues. “Do you like Baileys?” Through his panic, Mr. Babyface was thinking this dude looks a lot like Rick James.

—–

Meanwhile, Baker Bloch discovered Terry in a bad place at Audrey’s Bar after he left Gregg Oden’s desire for love unrequited. The Bakers would have to find a new bartender, but probably all for the best, since Rocky Raccoo seemingly won’t be coming to Collagesity after all — staying in Olde Lapara Towne. Baker Bloch uses the bar’s phone to call up Greg Ogden at his father’s place in Farmington.

“Good news, sir. Gregg with the extra ‘g’ won’t be needing the apartment after all.” The man at the other end of the line yelped so loud in joy that Baker had to back the receiver off his ear.

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