Tag Archives: Wheeler Wilson^^++++\@

Safe means safe.

“Nice catch, mister. Know anything about Mister Lock locks by chance?”

“It’s ms., actually,” returned the lady fisherman. “Do you view fishing as a masculine sport young man, er woman?”

“Guess so. Maybe I just wanted an excuse to talk about locks. Because I know who you are. You are the keymaster, perhaps on a permanent break. ‘Gone Fishing’.”

Meanwhile, The Musician had given up attempting to play the nearby odd piano. Spilling water for keys. Stringy plants for piano strings. The American Standardbred horse Enola EM looks on amused.

He walks over to the small pond. “That her?”

“Yeah. What’s your name missus?”

“Chuckles. Like a clown. I was in the circus before earning the rank of keymaster. Keymeister is how we call it in the trade. But I can’t seem to teach the laypeople that. Would you like to see my clown face?”

“Oh sure,” replies Wheeler. “Wouldn’t we Musician?”

“Wouldn’t we what?” He had been distracted by the VHC Town skyline, trying to figure out where their “safe” plaza was in all that complexity. How did Wheeler find the keymaster out here so quickly?

“Take me back to your Collagesity and I’ll show you. Just send me a teleport invite after you return home. Now skidaddle.” Chuckles returned her attention to the wriggling fish she just caught. “I’ll bring this perch along as well. Maybe you can find someone to cook it for us over in your town. I can’t cook worth a lick. Can catch fish all day and all night but, you know how it is. Compartmentalization.”

“Sure, that’ll be fine Ms. Fisherman,” states Wheeler.

“Ms. Greentop,” the fisherwoman corrects. “Irish,” she adds.

“We have something to show you over there as well,” states Wheeler. “A painting we found near your shop. A puzzling one. Perhaps you can answer some questions.”

“Yes, in your town, yes. Not here. Too many ears. Ears are in hears.”

—–

“Which one bought her?” The Musician asks in confusion. He begins rummaging through his inventory.

“Me, of course,” returns Wheeler. “Who has all the money around here?”

“Yeah, I don’t see it. And I suppose you have the painting as well. That one was free, though.”

Wheeler checks. She has both. She makes sure the right group is activated, then rezzes. “Stand back,” she playfully warns.

“Oh wait. I have a funny one,” she then says, rearranging the objects. “Haha.”

Chuckles Greentop awakes, looks around. “That an actual honest to goodness Linden forest out there?” She points her rod toward the transparent front of the Blue Feather Club.

“Sure ’nuff is,” responds Wheeler. “And full of demons and other oddities. There’s even a fishing pond on the southern edge. Would you like to see?”

“Why not.”

“Musician, go over there to Collagesity West and change that Gloomy Gus into convex hulls. That should do the trick.” She returns her attention to Chuckles Greentop. “25 prims, Ms. Fisherman,” Wheeler scolds. “You come at a pretty price!”

“I’ve been around,” Chuckles Greentop responds.

“Ahem,” The Musician coughs. “The painting,” he prompts.

“Oh right. Well Ms. Greentop. Do you know anything about this painting beside you. The cat looks through a red door, but yet there’s a red door already opened. Two red doors, when there logically should only be one, it seems. We know you know about doors and how to get in and out of them. You must know about the red doors.” She looks over at The Musician, who stares back approvingly.

“It’s time to show my face,” Chuckles Greentop says instead. “If you look behind the door, you will see.”

—–

The Musician took a closer look after the change.

“Lame” was what he was thinking. But then the rest of the face transformed as well. They were frightened all the way back to VHC Town and their safe plaza. Lesson learned!

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Filed under **VIRTUAL SL, 0004, 0108, Heterocera, Rubi, VHC City

Adoorable

“That’s very nice Wheeler.”

“Thank you. It’s a cat. It’s Bowie.”

“Yes I thought I recognized it. But it’s time to stop painting cats, Bowie, I mean, Wheeler. I found some doors.”

“Printer?”

“I don’t know Wheeler. Doors. Leading to you know where.”

“Painter?”

“Let’s just go. You can return to this project.”

—–

“Red doors,” says The Musican, stating the obvious.

“Hell?”

—–

But they didn’t go through immediately. The Musician returned to the chair beneath the Ear/Bar sign, testing out if he could see the doors from this perspective. He could not. However, upon going inside the bar and sitting down on the couch, the doors were in plain sight.

“Wheeler,” he calls through a window again. “Wheeler! Come here. I have more information perhaps.” Wheeler heard “Wheeler!” but that was enough.

—–

“I’ve seen these doors before recently (but not recently). Portal. Neighbor. Portals, actually.” The Musician takes another sip of his red cosmopolitan. The Painter does the same with her blue hypnotiq.

“Show me,” she requested. “Put the image in my head along with accompanying metadata. Like we trained for. The Before.”

—–

“I’m going to spill my pretty drink all over this expensive demo jacket if you don’t tell me about those doors.”

The Musician sent another picture to further explain. Opening. Red door. Doors. Reds.

“Octopus jar,” he then said, confusing the lot of us.

—–

Wheeler was not mad any more. She had put one and one together and then broke them apart, eliminating the right. Or left. “I found a shop that could help. Key shop. I knew something was up there but only reduced it down presently.”

“Let’s go,” requested The Musician eagerly.

“I wish I could remember where the two ones were that I eliminated the first. Or second.”

“Purposeful mistake. Think hard.” The Musician stared at her, encouraging. She then remembered that the page had been edited, not the post. She returned to the post. It was the room with the colored brain.

—–

The Painter started heading the wrong way but then got her bearings right. She walks by the Ear Bar again, past the furniture store and the Baha Bullet rezzer straight into the next plaza which they were told not to enter. Her hands trembling, she looked west south-west. Key store.

But they had been here before. That alleyway.

Nothing had happened. Where did she get the idea that this place was verboten? There was nothing to fear. She would walk into the key shop, get a key or perhaps even two (one for The Musician as well) and then leave, going back to her safe bar and accompanying plaza. Something had happened in the meantime, she realized. It was the cat. Or cats. Bowie. Bowie was missing. Björk instead. Then painting the Bowie cat over and over in order to restore. Hucka Doobie karma. The Musician said that Hucka Doobie was sending good vibrations over to VHC Town for healing. Hucka Doobie forgives Wheeler for turning into a bee that Halloween night and almost killing her in her classic bee avatar form. She couldn’t walk straight for weeks. Karma. What else was in store for Wheeler? She had done wrongs, she knew. Printer? Is Printer another 13 pack of karma coming ’round the bend?

—–

She waits for the keymaster. “Where’s The Musician?” she says to herself. “He was suppose to be right behind me. Maybe the doors weren’t locked after all,” she then speculates. “Maybe he went in without me.” But then The Musician was there, appearing around the corner after checking out the alleyway again where they had sat the day before. He puts another image in her head.

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Filed under **VIRTUAL SL, 0004, 0106, Heterocera, Key Shop, VHC City

Neither Here Nor There

Wheeler paints a picture of a cat while The Musician plays Bowie’s “Andy Warhol” to help restore.

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Filed under **VIRTUAL SL, 0004, 0105, Nautilus, NORTH

Bee Careful

She stood there for 5 full minutes before The Musician looked up from the computer screen and spotted her. Nonplussed, he resumed researching the Muff-Bermingham planet while muttering through the window: “Very funny Painter. Now come in here.”

—–

The Painter soon realized she was not alone in this town, this world. There was also a Prenter Printer.

—–

She waits for Bowie to come back but instead got Björk.

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Filed under **VIRTUAL SL, 0004, 0104, Heterocera, VHC City

Two Cities

Back in Collagesity, The Musician persuades Wheeler (a.k.a. The Painter) to watch a longer Youtube film by SL resident Zarrakan about the LEA 11 “Glass Jars” installation. To Wheeler’s mild irritation, he then creates a running dialog with the film, stating how the two examinations of the sim differ and how he did things better overall. Afterwards, Wheeler wishes to watch another suggested Zarrakan film about wrestling, one of her numerous physical passions, right up there with dance and exercise. The Musician waves this off, however, saying at one and 1/2 hours that particular video is too long, and states they should instead view a short animation that acted as partial inspiration for “Glass Jars” entitled “The House of Small Cubes”. Wheeler relents (my how she’s softened because of the most recent Assimilation!). She understands that continued development of The Musician is very important. Besides… well, never mind that right now.

—–

Back in VHC Town, The Musician gives “The Painter” back her time.

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Filed under **VIRTUAL SL, 0004, 0103, Heterocera, LEA sims, Rubi, VHC City

Yellow and green (mysteries continue)

—–

And that is most definitely Wheeler.

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Filed under **VIRTUAL SL, 0004, 0102, Heterocera, Rubi, VHC City

Say cheese

—–

“You really missed quite a lot at LEA11, Musician. Blackout Poetry… *music/sound*. You and your aural sensitivity. Such an odd condition for one who *makes* sound all the time.”

“I found a lot. I found enough. I had to get back to my music.”

Wheeler thought of the Harrison cutout but didn’t query about progress. “Where’s Art?” she asks instead. “Will she be joining us?”

“No, it’s not Art. Just an artist. Painter.” The Musician pauses. “Like you.”

Wheeler scratches her head. “Where’s our coffee? Service here is as bad as over at Perch.”

The Musician checks his watch, taps his fingers nervously on the round table. “Should be any moment.”

—–

“I hate to say it, but I’m just not a big fan of Second Life images in virtual art. People especially for some reason. Landscape’s better.”

“You just don’t like people period, Wheeler.”

“Suppose not.”

—–

“Should we go back?”

“Nah, she’s not going to show up.”

“Can I be The Painter instead?” Wheeler looked over at the slanted Musician.

He breathes out, relenting. “Oh all right.”

She sat silent for a moment, then: “What was her name?”

“Chuckey,” came the reply. “Yeller feller.”

“Hmm. So she’s you too.”

“Seems that way Wheeler.”

“It’s you trapped in that Ear Canyon. Camping at the top. Assimilation — full swing. I’m not who I thought I was.”

Well… we’re in this together and that’s a trap. Fact, I mean.”

—–

“I made it. So this is the spot.”

“97, 97,” says The Musician. “The poisonous violet-black building in plain sight. Towering over us at this point if I remember correctly. Yes, this is the point. And now… this picture. I don’t remember it before from this gallery, which has expanded into the territory formerly its back yard. What’s the name?”

“Um, ‘A Precarious Geisha’.”

“No,” replies The Musician. “The name of the gallery, not the picture. Hold on…”

“‘Finely Torn Id’, Wheeler,” The Musician says after remotely finding and then taking a snapshot of the gallery’s entrance.

“2015 for the painting’s date. This must be The Painter.”

“No,” says The Musician. “It was suppose to be someone else. Chuckey. Yellow. Head like Charlie Brown. Assimilation. Pineal. Pine cone. Fred Cone. Pineapple.”

“Hmm,” states Wheeler. “This (picture) must contain a code. I like the colors. It’s close to a picture of the other side of the wall. Where I landed when you tried to teleport me directly into this spot. We were on opposite sides of the wall.”

“Are you a geisha, Wheeler?”

“Why is it precarious?” asks Wheeler back, dodging The Musician’s question.

—–

“Look, Musician. A piano over there. Why don’t you disengage yourself from the wall and play us a tune. You said you had hundreds of thousands.”

“Hundreds,” came a muffled voice from inside the wall behind her. “Or maybe thousands.”

“Well play me something, then. How about that ‘Fire Ants’ you go on about when you’ve had a few too many. The one that literally blew the roof off Barney Rubleboro in West Virginia that summer. Coal *everywhere*.”

“Hold on…,” the muffled voice said once again.

—–

“Hmm. Wall again. And I had just turned yellow.”

The piano would have to wait.

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Filed under **VIRTUAL SL, 0004, 0101, Heterocera, LEA sims, VHC City

Rooms

The children rock inside while Uncle Jack approaches the window, telling them the deed is done. The fake Uncle Jack has been buried out in the backyard along with the fake children that showed up yesterday. Blue has switched with pink. No pink clad twins in this storyline! But perhaps their ghosts will haunt the oversized trailer later on.

After supper, the children sit on the porch while Uncle Jack stays back in the kitchen. He always seems to be cooking or cleaning there.

“I’ve seen inside their room,” says Buurb, sitting on the wooden flooring opposite Old Mabel.

She makes a shocked face. “But *how*? The door is always locked.”

“Remote viewing. You don’t know that trick yet?”

Old Mabel’s shoulders ease back a little. “Of course. But I don’t like to pry. What’s behind closed doors should stay behind closed doors.”

“Not how it works around here,” answers Buurb, who was naturally nosier than his counterpart. “Anyway, they’re dead now. What do they care if we peek around inside. I could even lay in their beds if I wished. You could too.”

“Don’t you *dare*,” reprimands Old Mabel. “This Livigno sim will serve us well as long as we obey the rules set up by Uncle Jack. Do I need to tell them again to you? There are only three.” Buurb was about protest that she doesn’t need to do this again when she stands up anyway and begins.

“One…”

“…if the fake people show up, they will be killed and disposed of in the backyard.”

“Two…”

“… don’t leave the Livigno sim because all answers are here.”

“Three…”

“… *never* enter the Story Room.” She sits back down in the executive chair. “Any questions Buurb? Buuuuurb?” Old Mabel knew Buurb hated it when the double vowels in his name were stretched out like that.

“Um, yeah actually.” He puts his index finger to his chin smugly. “I’ve been thinking about this. If all the answers are here, in this sim (he points down), and Story Room is part of this sim — *if* it’s part; perhaps its beating heart as Jack once put it — then maybe the answers are in that room.”

Uncle Jack’s ears prick up in the kitchen. He thinks about the still bloodied axe against the wall around the corner.

“We can just march in and get them,” Buurb continues. “That’s the, er, paradox of all this, where the head eats the tail. We stay in the sim, but must never look into the *heart* of the sim? Ever thought about that Old Mabel?”

“This is not the Garden of Adam and Eve.”

“Isn’t it?”

—–

At the same time and 100 yards to the northwest, Wheeler tries to teleport back into her adopted Ayas cabin after buying a stack of books, a Lisa Simpson cutout, and some ice cream down the hill at Inferialist, but instead finds herself in a hidden space underneath.

On the other side of the wall she discovers more.

Buurb was looking in the wrong place.

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Filed under **VIRTUAL SL, 0003, 0617, Purden/Snowlands, Sansara

Way Station?

“*Wilson*. Should’ve known. I received this landmark in my inventory tonight and used it to pop over here, and find you.”

“Hi Baker Bloch,” is all Wilson said. She changed positions on her bench from Pout to Puzzled. That way she could stare out into the landscape.

“Why are you me again?”

“Why not.”

“Where are we?”

“Change into Snowmanster,” she requested. “You’re not suppose to be Baker Bloch when you show up.”

“Oh, that may explain it. Hold on.”

“Well that didn’t work,” they said in one voice.

—–

They finally sorted out their roles tonight. Wilson changed into Wheeler, switched places with Baker Bloch on the bench, who remained Snowmanster. Annnnd… Action!

—–

“*Wheeler*, I knew I’d find you up here at this Way Station.”

“Well good. Anything else?” She checked the pink script under her bench. “And it may not be a way station, as defined as, quote unquote, ‘intermediate stopping point’. I might be staying here.”

Snowmanster thought he had his lines memorized better. “It could be a way station as in a station set between principal stations on a line of travel,” he said confidently. “Look around.” He waved his left arm to indicate the area. “Livigno. The up and happening plateau place where it all goes down.”

“Check your script, Snowmanster, if you have one. Because we’re in Ayas. Right on the edge of Livigno where, as you said, it all goes down. But just beyond.”

“Oh.” Snowmanster shuffled his feet. “Must be working from an earlier script. Is this the one where you set up The Table in the Firefly related building over there?” Both look southward.

“Jesus, you’re at least two colors behind,” reprimanded Wheeler, standing up. “Look inside.”

Snowmanster turns around. White Wolf the guard dog tilts his head at him innocently. “Nice mutt.”

“What did you say?” queries Wheeler behind him.

“I said, you have a nice dog.”

“Oh… right. Well go ahead. Look inside.”

To Snowmanster, a door stood between him and the inside of the cabin.

To Wheeler, the door didn’t exist.

“I can’t get the door open,” Snowmanster says back to Wheeler.

—–

“Well, get out of here, then,” she said back. “Be gone. I just received the newest script in my inventory and you’re not even in this scene. Pink has switched with blue. See ya!”

—–

Wheeler sits alone on the Way Station bench, thinking she could stay here for a spell. Table meeting tomorrow night at 7pm! Invitations already sent. This place is where it all goes down.

—–

MEANWHILE…

In his oversize Livigno trailer just to the west, Uncle Jack prepares breakfast for the children. Uncle Jack shows up.

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Filed under **VIRTUAL SL, 0003, 0616, Purden/Snowlands, Sansara

Twinning

“You’ve gone a bit queer haven’t you Woody? Maybe you should lay off the smokes. Just until you stop doing things like talking to Bert over there. Your man mannekin, hehe.”

“I love him,” Woody states frankly. “My key loves him too.”

“Well that’s good Woody.” Snowmanster uncrosses his legs. “So tell me about *these* guys.”

—–

It was always going to be this way, Wheeler realizes. This path…

… this village.

Not lacking for energy, she begins the steep ascent.

—–

“This should work. Right Uncle Jack?”

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Filed under **VIRTUAL SL, 0003, 0615, Purden/Snowlands, Sansara