Lis Interpretations/Associations 04

(continued from Lis Interpretations/Associations 03)

So we’re going to make a stab at Lis Interpretations/Associations 04. Since writing Lis I/A 03 the whole Falmouth series has unfolded suddenly. Excitement! But more to interpret, and because of the complexity of the 4 part series which acts as one whole going around in a circle, I have decided to go ahead and attempt to analyze that at the same time. So returning to Lis, and I assume Hucka D. is around this morning to help me, we have a late addition to Lis 05 that he didn’t approve of first, as I understand, but likes more now in light of Falmouth. So… this is Andrew Wythe’s Christina, from the painting of the same name. Hucka?

Christina is the same as both the man and the woman extending through Lis 01 Lis 02, and Lis 03 04, 04 to be specific. But it acts as a diptych so it’s really the first 3 pictures of the Lis series this figure appears in. And then she returns here, but in a slightly different form. In Lis 01, she is the woman, lone woman by herself, like the mountain in the center of Hayes County, Texas.* In Lis 02 she is paired with a man, making a Lone Woman and a Lone Man. In Lis 03 04, the man is without the woman — Lone Man. Can you find a picture of a map of this county quickly enough, baker b.?

baker b. (after a pause): I had to reload it.

Hucka D.:

Cool. That’s Hays County — sorry. The only Hayes County is in Nebraska and has basically no one in it. That was used in Latona 06 I believe — Hayes Center, the county seat. But it’s Hays we’re now shifting our attention to, and it’s really about [President] Hayes, once more. Shifted. So to return to Lone Man/Lone Woman, we have the man then approaching what we know is a mock up of Cygnus X-1 and its sun and black hole relationship. That’s new information. The man approaches — he is meeting Meat Shake, which is the same. It’s two things that shouldn’t belong together. Black Holes shouldn’t exist. We talked about black holes in the other important Avebury collage, or Latona 03 04. The Red Lion woman watched it form and become perfected — a perfect circle like a perfect ring — on the top of the Red Lion pub before fully manifesting between the 2 prominent Avebury rocks to its right in that diptych. Another diptych, then, like Lis 03 04, and with the same 2 numbers (03 04 of each series). Already we could illuminate this further by discussion of Falmouth, it has become so central. The rock in-between the 2 rocks the red clad being is seemingly stealing in Falmouth 03 is the same size as the circle of meditators atop the Red Lion pub in Falmouth 01. We have gone quite far, baker b. Good work once more. I lost my bet.

bb:

Thanks. Not to get away from Lis 05 too far, but I’m wondering if the vacant corner of Falmouth will be filled with something. Already I’m seeing Harrison’s hand in place of Hayes, and maybe his head in place of Hayes. But what would that mean?

Hucka D.:

We better stick to Lis 05. So here we have the Christina addition, which will become more understandable in Falmouth, once more. There it points to an alternate Falmouth where siginificant elements of Max Ernst’s “The Robing of the Bride” were/are/will be used, including the blue-green gargoyle with the spear, and als the prominent red plumage of the central “bride”, as it were. But in the Falmouth you decided to create, you substituted Ernst with the sweeter, much sweeter Man/Woman of 12 Oz Mouse, who instead pats the should of the central Red Lion woman, instead of trying to stab her, you see. Her hand becomes central. But once more we have wandered back to Falmouth.

bb:

The swan of Lis 05 — returning to that — has also been more recently altered to include an eye. And this is the same eye from the central figure of Lis 04, the preceding collage. This is the black hole of Cygnus X-1.

Hucka D.:

Yes. Most definitely yes.

bb:

The… you go ahead.

Hucka D.:

The swan swims on the line between two geograph squares, which are all 1 kilometer square. This is SU016 and SU116. The Crammer, the central pond of Lis 05, is on the line between the two. As the collage combines two Crammer locations into one to make the pond non-dimensional, one can say that it too has collapsed into a black hole. The Crammer is the black hole. The moon is trapped inside the water but cannot be raked out because it really doesn’t exist in our dimension. That’s the true story behind Devizes’ Moonrakers myth. It is that this lake, this pond, has become a black hole. In your collage — Lis 05, you did rake the moon out of the pond, but only by combining it with the sun, the little yellow fellow in the front. The moon touches the shore — Moon Landing. Yellow being manifests inside. This is pulling out of the black hole by the sun of Cygnus X-1. Matter has reversed out of the black hole and back into the sun. The yellow figure, who is McCoy in the Jelly Fox seeking group, is the same as the Meat Shake of Lis 04. Or the meat part anyways. And with this yellow guy, McCoy, comes the other parts of TILE that he is always attached to. They manifest at all the same time. This is the gargoyles as well of Lis 03, but their positive side, their future side if you may. If I may. They all drink from the TILE cup, which is Shake as well of course, as we’ll see illustrated in Lis 09 coming up. This group although they originate in Devizes and The Crammer, point to The Country beyond The Town for ultimate answers about Lis. They point to Alton Priors and Alton Barnes and Honeystreet and Falmouth beyond.

bb:

Let’s then get back to Lis 06. I won’t put up the picture again, but this is out in The Country now. We look over the top of Alton Barnes and Alton Priors toward Woodborough Hill, Hucka D., the site of the sunfish crop circles early in last years season, and already used in a number of Gilatona-Lis collages, most openly in Latona 00. In The Country… you go ahead again… sorry…

Hucka D.:

In The Country, the 4 part nature of TILE is more fully revealed as a rotating wheel that first appears as The Sun within The Moon in Lis 05. Here it begins as the same underneath or attached to the Rockley rock with the Rockley crop circle picture etched or engraved on its surface. This sculpture, last time we checked, still exists in The Barge at Honeystreet. It will prominently reappear in Falmouth, but let’s not go there again quite yet. The story behind this rock is that it’s symbolically Patrick Star’s rock of the Spongebob Squarepants Show, a favorite of your family as I understand.

bb:

We watch it all during Christmas, yeah. (laughs)

Hucka D.:

Truthfully it’s the silliness they don’t like, and the show, up front, states if you don’t enjoy nautical nonsense then it may not be to your liking.

bb:

But back to Lis 06, it’s Patrick’s rock, his home, and we know this from the star crop circle that appeared on top of Furze Hill in 2007, followed by a square shaped crop circle in the next field over in 2009 indicated his main bud Spongebob Squarepants, shaped like a square. I think we’ve already talked about those circles, along with the one that appeared at the bottom of Furze Hill — is it Knoll or Hill? — that also obviously indicted Patrick’s rock home, 3d style.

Hucka D.:

It’s Furze Knoll, I believe.

bb:

So this is Furze Knoll crop circles, then, imported to a location several miles southwest, where we look toward Woodborough Hill over the top of The Altons. Oh, I just thought of something — Latona is an anagram of Alton (!)

Hucka D.:

The 4 prime energies of TILE, let loose in The Country, are now rolling around in freedom. They are motoring. They quickly get on the highway for further adventures. They head to The Altons. Should we end? I think we should.

(continued in Lis Interpretations/Associations 05)