Daily Archives: December 16, 2013

The cat topped City Hall now becomes a recognized, direct symbol of Shiny Hare, which is the same as Carrcass-10 I suppose.

The cat has shiny hare, as I’m now changing it — right now.

The cat is also Catman, sacrificed at the end of the film. The City Hall honors Catman like this article honors The Shining’s Scatman.

If City Hall is this Carrcass-10, the VWX Tower perpendicular to it and 3 times as long is the joint Carrcass 8 and Carrcass 9. Carrcass 10 can be fitted in the middle of the two, as City hall lines up with the middle of VWX Tower in an overhead view below… and also the side view above as it turned out…

I know Hucka D. would agree with this interpretation, since he’s called the VWX Tower an audiovisual tiling, and challenged me to guess what that means.

VWX Tower is towering, just like joined or twinned Carrcass-8 and Carrcass-9. It is a towering tiling, the best at least since 2007. 2013 was a good year for carrcasses, just as 1996 was for crop circles. Tilings are much like crop circles — I’ve long noticed that.

Since 2008, going back again, the most recent carrcass or carrcass to come rules the blog and influences its ideas in a hidden but super-strong way. A nice example is the Sunklands writing of Fall 2009 on the Baker Blinker Blog, culminating with the production of Carrcass-3 using the work of the very same Plant and Marty that were prominent guest spirits on the blog during this period. After Carrcass-3 had been created, these spirits were no longer as essential. Spirits related to *Carrcass-4* then took over, which takes us to Fall 2010 Pietmond. Another interesting example is the very beginning of the Baker Blinker Blog, where we have the otherwise inexplicable intrusion of creatures called Ancients, like Baker Block’s Mr. Low, like Shakenstein that similarly tormented and cursed poor Baker Blinker. Many blog posts could be devoted to this subject alone. The whole run of A-Z posts from Fall 2009 are a lot about Carrcass-1, the first such work formed during the existence of my blogs.

Why does this influence have to remain basically hidden if it is so prevalent, the reader or readers might be asking at this time? A good question indeed. Hucka D. usually helps me out here (pause) but I don’t think he’s still around.

Hucka D.:

Hi. Sorry I had to step out but I had to buy more playdough for my models. Have you seen them? Red, then green, then blue and yellow. Or green, red… aw, they’re pretty anyway.

bb:

Are you talking about the VWX Town towers?

Hucka D.:

No. (pause) But good you figured out what they were, what they stand for. And now you’re in the woods, which is a seed of a new carrcass, beyond even Carrcass 8, 9, 10. This is a mashup. And the new, accompanying collage series will be Farrar — don’t you think?

bb:

Possibility, Hucka D. (!)

Hucka D.:

And that’s why The Shining material is so prevalent in the blog now. Your blog now. It is the Omega to the Alpha which is Oz. You have reached the end of tiling as you’ve come to know it. Other people tile now, as you know. Simpler tiles, because you are the master of tiling. You know that.

bb:

Yeah, I suppose.

Hucka D.:

The new master structures of VWX Town simply mirror this mastering. Yet you don’t have a big head about it.

Good to recognize, however. Now you must start to protect[ what you’ve done].

bb:

Yes.

—–

Hucka D.:

You must head out into the *real* woods and leave the play[dough] woods behind. Else you become a Jack Frozen Head, see.

bb:

Kind of.

Hucka D.:

Do you want the Rubi Woods to absorb you? Your back is getting healed. A 237 healing. Pull away from the dart board. Stop looking into the mirror. See the twins *out there*. Turn around. Face music. Enjoy!

http://idyllopuspress.com/idyllopus/film/shining_tuesday.htm

Danny tries the knob twice. The door is locked. Taking his hand down, he looks up at the number 237. This number is on the left hand side of the door, whereas all the other double doors in these halls have the room number on the right hand door.

The Shining – Danny looking up at the door before he sees the girls

Fig. 22 – Danny looks up at the number.

190 MS The two girls. (42:44) A vision of the two girls glances through his mind.

The Shining – Danny sees the girls in the hall as he looks up at 237

Fig. 23 – Danny sees the two girls.

It is when Danny looks at the number 237 that the girls glance through his mind, just as they had appeared when he was in the game room and playing darts, facing the 732 (237 in reverse) on the dart board.

Jack looks down on The Overlook’s model of its maze just like Second Lyfe avatars can look down on the labyrinthine Rubi Forest either directly (flying) or using distant vision.

But then the maze model inexplicably enlarges as we see down through Jack’s eyes in the movie, mirroring itself in all viewable directions. This reminds me that the Rubi Woods was supposedly part of the much larger Sylver Forest in Ancient or Pre-Linden times.

Wendy-Danny from overhead!

Jack is becoming absorbed into the past of the Overlook Hotel. Remember The Maze is also a mirror of The Hotel. The past for us, the reader and caretaker of this blog, is the Sylver Forest. Will we become similarly absorbed, as Jack did at the end of The Shining? The Maze took him away forever and ever and ever. He became just a frozen head in the then *present*…

… but, at the same “time”, a member of “all the best people” in 1921.

“You’ve always been the caretaker.”

Gila 09 represents the two halves of “Dark Man” ending Shiny Hare. “Hucka D., can we speak about that now?”

Hucka D.:

A little. The picture on the easel is part 1 of 2, the picture on the wall of the gallery is part 2 of 2, yes. Jack of The Shining is at the end. Same as the frozen Marty [ McCartney] head, yes. Yes. (pause)

bb:

Thanks for showing up in my blog this morning, Hucka D. We are trying to resurrect the past. Is this a good thing?

Hucka D.:

Yes. (pause) In this case, in your case. A positive 237, a healing 237.

bb:

We track down the road in the easel picture, which then continues in the wall picture. This is just like the long tracking shot ending The Shining, ending with Jack at the photograph. The wall picture I mean. The easel represents Catman entering The Hotel, and then being cut or sacrificed. The ax cut by Jack, essentially cutting Catman in two, is also like the edit cut of “Dark Man”.

Catman is physically a “Dark Man”, but also the Dark Man becomes Jack psychologically because he kills. He *replaces* the physical Dark Man by being a psychological double. Dark is not necessarily bad, although society likes to deem it such. But [psychological] evil dark is obviously kind of bad. Was I speaking your words, Hucka? (pause) Hucka?