https://bakerbloch.wordpress.com/2014/03/25/7777/
Maybe Baker can draw inspiration from Rubisea and the Blue Drake sim, which still contains many of the scenic elements he enjoyed while staying there in the past. This appears to include the entire Unnasty Branch he rented a cottage near in 2009 I believe, the lone feeder stream for the Rubisea body of water. Rubi-sea can translated to “Red Sea”, but also a red c, as in middle c on a piano.
Unnasty Branch waterfall
https://bakerblinker.wordpress.com/category/maebaleia-continent/rubisea-carcass-one/
Rubisea then discovered on the Maebaleia continent. Hucka D. claims it was original SL land, and where Baker Bloch and Baker Blinker were “born”, perhaps.*** Represents 1/12th or 1/13th of Blue Feather Sea which Crabwoo is situated upon (one corner anyway). Is original ur note of SL, the Red C or Red Sea, thus: Ruby Sea or Rubi Sea or Rubisea. Unexplored connections between Rubisea and the Rubi Forest. Has light (sunny) and dark (moon, werewolf) side. Represents anima and animus in ways, like Baker Bloch and Baker Blinker to me. Light half in Blue Drake sim, thus origin of story that Blue Drake is source of Blue Feather (Sea). Original note, again, which turns into the 12 notes [or 13; Baker’s Dozen] of the Blue Feather Sea. Feather is bigger than bird/duck in this manner.
The Blue Feather Sea *came from* Bluedrake. Drake is a duck is a bird. Feather from bird. But the feather is much larger than the bird in this case. 12-13 times as large along one side alone. What does this mean? Is it, perhaps, a RO of ones, then? 12 or 13? CHRO… BROOK… ROOK?
https://bakerbloch.wordpress.com/2015/03/23/artie-c-spongeberg/
When I was a freshman in college I started listening to a lot of atonal music, like Schoenberg, like Ives, like Bartok. But mainly, at first, Schoenberg and his famous pupils Webern and Berg. I was also breaking from my tonal past. This also represented a relative dark period in my life, thankfully quite short — a period of about a 1/2 year at best. Afterwards I returned to my naturally sunny self. It was the damned atonal crud affecting me, you see. Or the 12 tone stuff to be more specific. One of the ways I worked through it was to incorporate and transform for easier digestion. Thus was born the CHRO system, which never really circled back to a composing system as I originally intended. It didn’t become a pseudo-replacement for Schoenberg’s 12 tone system. It had a life of its own instead, and also made a bridge between music and art.
What caused Nasty Branch to become Unnasty, and Rubisea to turn from red/dirty to clear/clean?
Sunklands 