Category Archives: Hole in the Wall

00490614

The layout of my Nawt Vaya Free State land on the continent of Jeogeot in the virtual world of Our Second Lyfe has changed. Frank’s Giant Castle in the Skies has now been moved down and grounded (in reality?). Cement Village, last seen in Aisle of Palms over a year back, has become the new business center, housing Daisy Flathead’s Hole in the Wall and more. Let’s go inside and see how she feels about it.

“How do you feel about the move to the old Aisle of Palms’ Cement Village?” I ask through Biker Frank.

“I don’t know,” she might answer. “How do *you* feel about the move of your Giant Castle in the Skies down to the ground. Reality?”

“Maybe,” he admits. “But, bigger picture, welll…”

“I’m not with Biker if that’s what you’re asking. Me and you: we’re still a team. Moving forward.”

Frank is overjoyed, overlapping his hand with hers on the counter just like in the beginning. *Now* the movement of the castle is a success.

“I feel safe here… safer,” she exposes her emotions on the new location. “Since I’m not right on the Nawt Vaya shoreline and (so) further away from the alcoholic sea monster. *Non*-alcoholic sea monster I guess I have to add now, since he gobbled up my first successful batch of personal (non-)brew along with the old bar!”

Both laugh. Frank had to ask this next: “Where *is* Biker, then?”

“Where was he ever? All I know is that he came from the south.”

“South, right.”

“Somewhere near the southern end of Nawt Vaya but not right on it. I went to his house, er, *once*?”

As if prompted, Frank takes another swig of the house beer while simultaneously withdrawing his hand from hers. Michelob Zero still, but not for long. New batch of personal brew in the works! He’s readying himself for another question, a one worder this time. Daisy knew she kind of screwed up with that revelation. “House?” he clips out. Swig again, hands further apart.

A call just then coming in on Frank’s phone. Ring tone: “Blue Moon of Kentucky”. “I have to take this,” he says, and goes outside for privacy. Mouse returned? he psychically senses. No, that can’t be it, he rejects the actually correct insight. He’s died twice already. Two’s the limit, right? Surely it is. Can’t be…

But that’s exactly what *she* told him that day in April’s May coming up behind him swiftly like a lion from March. Mouse has come back, kind of once more. And already on his last leg and death bed in one.

“W-where?” Another one word question, a one word answer back.

“Meet me there,” she said after giving the location. “By the big head in the middle. I’ll take you to him.”

Daisy wanted so badly to ask who he was on the phone with when he returned to his seat at the bar but dare not because of the look on his face. Sour! Tension in their relationship hasn’t quite been resolved yet. Doubts on both sides still. Let’s deflect the blame to AI again. Just to be safe, or safer.

“I have to go,” he said, laying one of Philip’s remnant teners won at cards on the counter as a tip. TBC

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00490515

“This is where the Pee Pee starts, Biker friend of mine, perhaps a lover too.” Maybe she left the lover part out of that sentence. Hadn’t been decided. But they had travelled to Rodentia for a reason. Daisy was testing out the relationship fer sure.

“Fascinating,” he said but not with enthusiasm.

“Let’s move down this grassy diagonal side road. Keep in mind the beginning point.”

“Oh I will.”

—–

“And so this is where it ends, down at that pipe down there, about 200 yards below the source up next to Route 10. It *should* empty into the Baederwood Forest I just exposed by derendering that wall screen marking the limit of Arang. But it doesn’t. Another mystery, then, perhaps another misery as well.” But maybe she left that last part of that sentence out again. No need to bring misery into the relationship either which also often comes hand in hand with the love part.

“Hmmm… why are you showing all this to me again?”

She turns toward him on the bridge. “Because I want you to know where I come from, Biker. I want you to know *my* source. And my mouth.” She opens her mouth to him and points within. “The words coming out of my mouth. I want you to listen like I had to in the past.”

He looks away from her after she shuts her mouth back up. He opens his just a little, pops in another cigarette, lights it, puffs. Not what I signed up for, he thinks to himself while watching the smoke fill the air in front of him, concealing the stream again. Religious mumbo jumbo in a town devoted to anarchy against the powers that be. He’s not a radical, not even political at all, really. He just… likes Daisy. Why does she have to, erm, *muddy* the waters with this… complexity, pheh. And *what* kind of name is Pee Pee??

“Why?” he says aloud, smoke dissipated, allowing him to view again. “Why Pee Pee? It’s not yellow or anything.”

“No of course not, silly. It’s named for my home. In Nigeria. The one I tried to conceal behind a fancier name. This Second Lyfe offered me a chance to reverse my youthful error, change my perspective on the world. I became a priestess here just like my mother was (up) in Real Life. I’ve told you all this before. The other day, when you were on your 3rd Non of the evening. I *know* you weren’t drunk, ha.” Should’ve remembered, she thinks.

Had she made a mistake in bringing him here? What if Frank Lynn finds out? But she had to know. Now she thinks she does. If only they could resolve that difference of opinion about AI. She’s *firm* about hers. What about him? Is he pliable to change? *She* isn’t. And of course therein lies the problem. Can she realize this in time?

—–

When she returned home, she was shocked to find her bar wasn’t there any more along the shores of Nawt Vaya. Hole in the Wall: simply vanished!! What happened, what happened? she panicked. Then she realized the culprit. The alcoholic sea monster! The Non she’d prepared just before leaving with Biker to visit Rodentia had turned out to be so good that the taste overrode his need for alcohol. Success! she understood about her personal brew. But she’d have to start over from scratch. Maybe rebuild the bar elsewhere now that she had to make a fresh start anyway. It’s all up to Frank, he thinks. She needs to find him, and quick! TBC

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00490415

She poured the returned Biker his requested house beer, purposefully not warning him about the change in flavor. Would he, I don’t know, even notice? she thinks here. Men, pheh, she smoldered as she handed it to him, a picture of Frank Lynn’s idiotic face forming in her mind, with more nonsense about the benefits of AI spouting from it. Typical if so, she though about the taste test with Biker. MEN. She clunks the full beer down in front of him, even sloshing a bit on the counter which she quickly wipes up, apologizing.

After raising the glass so that Daisy can wipe underneath it, he takes a sip. He winces, just like she did. She’s *pleased*. “What *is* this?” he want to cry, but stifled himself. Didn’t want to insult the woman he, ahem, *might* love. If things at home didn’t work out. Instead: “Tastes a little different today, Daisy. Did you, erm, switch brands?”

“Oh, sorry,” she feigned, putting away the cloth behind the bar. “That’s the last of the Corona — probably just the bottom of the barrel stuff. Supplier didn’t show up this week for some reason. Let’s see…” She pretends to look over other options on the tabs, knows there’s only one. “How about Michelob Zero? Got a cheap deal on it in Tonsiltown while I was down there for a writer’s retreat. On the house — both of ’em.”

He nods, and she pours his second beer, proud of her deceit. She’s gotten an honest opinion on the new, inferior taste of Corona Non, not so much from his talk as from his actions: the wincing. She recognized the gesture as more or less her own. They have become *in sync*. Unlike her and Frank lately. Hmm, she thinks, studying the rugged looks, the strong jaw line. Interesting.

Biker takes a sip of the new stuff. “Not bad — better than that Corona I just had admittedly.” Another sip. “Not quite as *good* as the, um, *top* of the barrel Corona Non. But still…” Another sip. “Not bad.” Sip. “It’s growing on me, Daisy.” Sip. “It really is.” Sip sip.

“Even lower calories for this one, which is good,” she offers. “Zero alcohol, as opposed to a *bit* in Corona. So also a benefit. A tad less flavor, true. All in all, it might balance out. And, of course, I’m still working on my own personal Non brew that’ll blow both of them completely out of the water. Like a sea monster!” She turns, takes a gander at the collage behind the counter with the dragon curving in and out of a small pool of water they both understood stands for the Nawt Vaya Sea whose shore lies just outside the bar — to the west. The fabled alcoholic monster roaming the inland sea, searching for the new perfect brew himself, some say. He could return. Like the rest of Our Second Lyfe in her big plans, maybe he’ll value taste over buzz in the end too. We’ll see. TBC

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00490108

“Everyone fears that AI will become smarter than us and then take over our lives. Truth be told, AI needs *us* just as much as we need it. To exist, to survive the coming years of *problems*. We can’t physically stay on this planet without it. We just… can’t.”

—–

No that didn’t start the first argument they had, although Daisy was tempted at the time to press him on the subject, say that the mother aligned orisha worshippers had a point too despite the violence. Instead: Starfield, the game Daisy half loved but Frank half hated. Much like Tally Hall, which was involved too. Let’s listen in again, this time involving an exchange.

“I’m just saying,” Frank comes back, “that the avatars, especially the *black* ones or the ones of color I guess I should say, seem a little popeyed.” Some seem a *lot* popeyed but he was attempting to tone down his rhetoric… to begin. First vocalized disagreement after all. Always a stressful situation in such a young relationship. He held back talking about Tally Hall’s “Banana Man” video, although that was on his mind too.

“A bit,” Daisy admitted. “I don’t think it was created on purpose. The game is full of positive black people playing positive roles in people’s lives.” Just like “Banana Man,” he thinks again here, unable to leave the track he’s on. This time he couldn’t help himself.

“Let’s say, take ‘Banana Man’.”

“‘Banana Man’?” Daisy says. “What’s that… oh.” She realized what he was aiming toward, and didn’t like it. Not her beloved Tally Hall now. Sort of beloved anyway. 1/2 and 1/2 again. She could… go with Frank… or, work against him here. Schrodinger’s car or sumtin all over again. Green and blue over red and yellow, upper over lower, greater over lesser as it turns out. “Yeah, I can see that,” she could offer. Or: “No, that’s wrong Frank. Plain wrong.” Which direction? If only the crustaceans were around to ask but then I remember they know nothing. Worthless crustaceans. Am I right am I RIGHT?

“Let’s end it that your so-called ‘orisha people’ following your mother were wrong to destroy your father’s house — both of ’em — for their beliefs about AI.” How did *this* subject come from that other one? Frank wondered. But that’s just how arguments work. Associatively. Be careful how you enter and be careful how you exit. And all points between. (TBC)

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00480614

Afterwards she provided more details about her father. Finally. “He lived on top of a mountain but not that one, the one we talked about before.”

“Okay,” I said, thinking of my own mountain, my own castle here. I don’t live on top — not yet anyway; working my way up there with the positioning of this bed behind the eyes at the top of the spiral staircase; just for more privacy on this special special occasion (!) But instead more in the middle where the great majority of my things are still, like my notebooks, like my piano. Just behind the mouth and that gall darn big tongue sticking out from within. The one Philip likes to take his wee-wee’s off of between games of High Speed, ha. Hmm, wee-wee again. Pee pee, I restated in my mind, to match Daisy’s progression of the phrase in moving from real to virtual back in ’12, she revealed.

“They torn down his *house*, Frank,” she just blurted out. “It was awful. Just because he was a rich white man in a poor black country-state working on stuff they couldn’t understand.”

“I’m sorry about that,” I decided to say.

“So am I. He built a much smaller, much more modest house to live in after that but they just torn that one down too, the ‘stuff’ being the problem and not the money he made off of it. Not really… at the core. He had no choice but to leave. Off this world, actually, to a second one initially thought to be far far away indeed, unobtainable to reach in distance of space. He sank all the remainder of his money into the endeavor.”

“Off – world?” I didn’t know where this was going. Was she insinuating that her father was an astronaut? Actually flew into space on a rocket ship? “What could he have… I mean, what did he do to–”

“–incite the people to such anger, such destruction?” she finished his fumbling question. “He was head of a startup company developing AI.”

“Artificial – intelligence?”

“Yes. And they, the townspeople surrounding him on all sides east west north south, believed it to be an evil spirit, a rare, *dark* orisha they called it. Because it threated the whole world, the survival of the human species itself. Or so they were told.”

She became silent here, like a mute button was automatically activated on her flat top head. And so it was. tbc

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00480613 (“Endless Window”)

Harlequin moves from the darkened corner of the courtyard into the house with Columbine, Pierrot having shuffled off below the event horizon like a dying orbital sun. The oldest extant animation ends here with the created black hole, paint applied gelatin finishing its run.

—–

“Now let’s get to the other one, Daisy. Father you say?”

“Father I say.”

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00480611

Perspective has changed at De House. Mann has lost wo-Mann in a way, in a manner. A hole has been formed in the middle. Witches. Which witch is which? What is good and what is baad?

“Interesting art you have there up above the bar now, Daisy. Another Corona Non while I have your attention, thanks.”

“The art?” She turns and looks up. “Yeah, it’s the alcoholic sea monster there in the middle, obviously. And the pool it’s in: the Nawt Vaya Sea. I found it in the user’s inventory. He indicated the association.”

“User?”

“Yeah, baker b. The user who controls us all, or at least while we’re on his land I suppose, this Nawt Vaya Free State on the shores of same.”

Biker Mann takes another drag off his cigarette, attempts to take all that in. He decides to focus on the art, the meaning. “Soo… is that a painting or what? Looks more like a photo.”

“It’s a collage, silly. You know that.” Daisy Flathead looked flatly at him, anticipating more. Hopefully the discussion will get seriouser from this point on. She decides she needs to add some information here and does so. “It’s… not a part of any series that I know of — not really.”

“The houses,” Biker kind of interrupts. “The same?” making her turn around to stare again. “90 degrees?” he furthers. “3 years?”

—–

“Oh, and the central figure, er, figures. The brown statues that grow shorter with time.”

“Do they?” It was Daisy who was trying to catch up now, mann overtaking wo-mann once more. In this certain situation in this certain time in space.

“Yeah. The acorn topped head.” He pointed to Daisy’s flat one. “It’s Pierrot again. Did you get that?”

She didn’t. But then she makes a decision after continuing to gaze. “I — don’t think they’re the same.”

“Aren’t they?” he pressed.

She checks again. “No,” she judges firmly.

“Okay, okay,” he gives in, seeing the pretty different designs on the, er, helmets of each. Head tops. “Then let’s shift to the hole in the middle.”

“Nawt Vaya? Sea?” she added.

“Kind of I guess. But (moreover) the hole made by the line figure collapsing inside his own clothes that obviously overlaps the brown statues. Where, um, does that hole go?”

She notices the hole, she notices what is highlighted. Thinking of Grant’s Hill again in Missouri and nearby Siloam, she says the word in her mind.

Just then, Philip Strevor pops his head in the door, asks about Nada. “Seen her?” he finishes his introductory paragraph.

“Nada? Yes, she came in here earlier with Lexi,” Daisy provided him. “Said they were headed up to Juho. Said something about a haircut.”

“Oh no,” says Philip. “Oh *no*. WITCHES?” And he ran away from the bar to the North as fast as he could, hoping to catch Nada before she made a big BIG mistake. TBC

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00480604 (00420515 revisited (1/2 way))

“Get out the shot, honey. I’m trying to take a picture of that ghoul in the cemetery over there!”

—–

“My people were tough on crime. And they didn’t tolerate breaking the law either. We grew up in the shadow of a mountain that began with Wee-Wee. My mother, when we moved over here to the states in ’79, said to be proud of the name and where we came from. But I was embarrassed, always called it the alternate name of Onigbaporo however tongue-twisty and unmemorable that was to the white people of our new land. But when I found Pee Pee Creek over on the west side of Rodentia and its crazy cemetery and its baffling preacher church I knew I had also found a home again in this world of Our Second Lyfe. My mother was priestess before in the “Wee-wee” place we came from and now I became quote unquote priestess in the Pee Pee place, as male and female polarities also switched positions there. It all made some kind of beautiful, circular loop.”

I studied the photo she held in her hand, looked at the flat headed statue of her mother in the center square the townspeople chose to erect before they left, a permanent tribute to her famous presence in their small Nigerian burg. Then I looked up from the photo at Daisy’s flat hair, the perpetually shaving razor held by a ghostly, hovering hand next to it. I started to understand the dynamics involved. But there was still the explanation of her non-colored father remaining. Non, hmm, I pondered. Could that be the reason for the obsession with creating the perfect, non-alcoholic brew? Turns out this was so… partially. TBC

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00480416 (blocked View)

And so I think this is as good a place as any to end section 04 of the current photo-novel: a giant picture of Tally Hall on one side of a mega-prim that also pushed physical object Clocky the robot out of his walking-in-place spot in the Hole in the Wall bar at its bottom and into the Nawt Vaya Sea below a couple of days back. With the error spotted (and mega-prim deleted), will he return to land and re-claim his position beside bartender Daisy Flathead, potentially taking her place and allowing her to manage more from afar and maybe do some of that travelling about Our Second Lyfe she’s always dreamed of? But I guess now there’s Frank to think of: Frank Lynn up in the castle in the sky above it all, a potential *boyfriend*. No, her heart will probably tell her brain than she needs to stay in the area, see what develops on that front. Meaning that 8 prim Clocky will most likely remain pushed away into the waters of the Nawt Vaya Sea, gone if not forgotten. Interesting parallels here to the photo-novel 46 story of fellow marching-in-place, physical object robot Tobor a couple of sims west along another shoreline come to think of it, the ocean surrounding the continent of Jeogeot in that case. Hmmm.

More than just mere parallels? A synchronicity, a link between 2 events through time and making them become *one* event. In 2 places? Could be.

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00480415

“Snowlands, huh?” Frank Lynn repeats the location where Clucky says she’s moving to… 5 sections of a photo-novel into the future.

In the present (and just after the move):

“The temple and attached pool don’t seem to be much of an eyesore from here,” Frank Lynn talks only to himself now while staring out from the View at the view. “Must be something about Clocky instead. Maybe *he’s* still somewhere in the area and can be properly talked to.”

“Clocky?” Daisy Flathead answers him when he then walks down the hill to the revamped, reopened Hole in the Wall bar parallel to and in synch with the newly placed temple/pool complex and asks about the robot’s current location. “Kicked out by the ties.” Like tiles but different, Frank Lynn understands. Along the same lines.

“So he’s not going to be your bartender or anything?”

“Dunno, still. He *did* say he has experience, I’ll give him that.”


experience

“Tell me more about the tiles, I mean, ties,” Frank Lynn requests, taking another sip of Corona Non, his 3rd of the day. Can’t get enough of it! So tasty. Daisy picked the right Non for the house drink fer sure, he thinks.

“Ever heard of the band Tally Hall?”

“No,” he answers flatly. “Enlighten me.”

“Ever heard of the song ‘Banana Man’?”

“No again.”

“Their most famous. Probably. Unless it’s ‘Ruler of Everything’.”

“Sounds like you’re a fan, Daisy.” And here Frank Lynn starts thinking about her hair and its flatness. And it’s frizziness. Is she at least part African-American? Got him thinking along other lines too.

“Kind of,” she answers about the fan part. “But they wear ties — red, yellow, blue, green and also a gray to unite them all through drums. You have to have drums to complete a proper rock band. 4 isn’t enough in this case.”

“Hey, doesn’t Barry De Boy up on the hillside wear red ties?”

“Not when he is awake,” Daisy answers, and then Frank thinks she winks at him. Her hands move closer to his on the counter.

“Oh,” Frank says, and looks down. The 2 sets of hands get closer closer… overlap (!). (TBC)

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