Category Archives: collages 2d

Part 01:

Part 02:

Part 03: Coming soon.

—–

“Peanut seems to have found a body covered in a red sheet, Hucka D. The same body that appears floating off the edge of the Little Whitehead rocks of Maine in an earlier collage. We’re up to Falmouth 61, which I would have deemed impossible as short as a couple of weeks ago. Is **this** it?

Hucka D.:

No. Check more Whitehead Crossing photos. Why does it always end up at 12 Oz Mouse? Well… the carrcasses.

bb:

Thanks, Hucka D. Mouse looks on with his corndog. Does he know the story of the body? This takes place at the entrance to Mammoth Cave, which is the same as the entrance to the old bee hive — *your* old bee hive, Hucka D. So you should know all about this.

Hucka D.:

Yes, I do. But I can’t say much except what’s before you.

bb:

Meaning what’s in the collage.

Hucka D.:

Yes.

—–

bb:

So is *this* a carrcass?

Hucka D.:

Yes.

bb:

Is it a carrcass that has already been completed?

Hucka D.:

It’s already done.

bb:

Then Carrcass-1, Carrcass-6.

Hucka D.:

Both of those. And more.

—–

bb:

So in part 2, he’s in the very center of the collage length-wise, crossing from winter or early spring into summer, kind of like Dorothy entering color laden Oz from sepia toned Kansas.

Hucka D.:

Exactly like that (!)

bb:

Is he high?

Hucka D.:

What a question[ to be asking], given that this is Peanut we’re talking about.

bb:

Of course.

Hucka D.:

Rhoda… you go.

bb:

Rhoda appears to be peering through a telescope-like branch at the ground. Getting small?

Hucka D.:

Yes. And seeing Jupiter and its moons. Branch — telescope, yes.

bb:

So it’s Issac Newton’s telescope. Sorry — Galileo’s. The one he used to first peer at the Jupiter disk and the 4 primary moons.

Hucka D.:

Yes.

bb:

He switches from black and white to color, like The Beatles did between Revolver and Sgt. Pepper. About the time of the double single Strawberry Fields/Penny Lane.

Hucka D.:

Right.

bb:

An “X” appears on the ground. 2 crossed corndogs, one sepia toned and one yellow or in color, since — that’s the corndog’s natural color.

Hucka D.:

Correct. Okay.

bb:

Peanut is situated between two pots which are actually the same pot, reinforcing a drug reference or pointing it out in the first place.

Hucka D.:

You better be careful of that transition. Sepia to color. Follow Peanut.

bb:

Peanut hides behind that small tree, which is both b&w and color at once.

Hucka D.:

Best to stay hidden.

bb:

And Skillet, Mouse’s closest friend, below him. Checking out, perhaps, the crossed dogs. Whitehead Crossing?

Hucka D.:

Yes. Future.

bb:

Getting high, like the balloon man is going higher and floating away from the cave mouth.

Hucka D.:

“Everybody’s Scared” is about the same cave[ perhaps]. The cave of R. Booger Hayes.

bb:

Getting back to part 1 here, Mouse is yellow and green, a contrast to the red and blue body lying within the cave. Peanut is positioned between the 2. Peanut… you go? I’ll go. Peanut has been in a lot of Falmouth collages now, but has never appeared up until now with his more natural police hat. Wearing it makes him a policeman, like wearing a fireman’s hat makes him a fireman. But in both sections of “Peanut’s Big Adventure” so far, he’s the policeman. Contrast this to, let’s see… (checking) Well, it doesn’t have a name but it’s where Peanut as fireman meets the cardboard Peanut in the middle of the Stonethwaite street. At the same time, his [Texaco] star is reinforced by Ringo Starr, and also Shelly Duvall wears the same fireman’s hat beside Ringo. It’s filled with darts. That is, Peanut is drugged at the time, and the same with Shelly, perhaps. Let me pull up the collage…

Peanut then reappears in “Coverup” in cardboard cube form, sans any type of cap or helmet. He’s just Peanut there, not fireman or policeman, then.

Hucka D.:

But he’s also not Peanut. He’s [just as much] the Big E or Big Schaw beside him, conversing with it, perhaps, like he conversed with real (fireman version) Peanut in Stonethwaite, now far below on this mountain but still viewable [beneath second “E” of this collage].

—–

“Why would Kubrick attempt to cover what they’re saying up?”

(to be continued?)

Collage of Mammoth Cave entrance with what Hucka D. is stating is the old entrance into his “Beeland” (correct name pending). Not sure if this is the base for a new Falmouth collage or not. But it’s a match! Two melding photos appear below. I “merely” reduced the Mammoth Cave photograph down to 33 percent of its original size. reversed it horizontally, and then overlapped it with the latter in a logical manner. These are also successive photos (in successive posts) of the Baker Blinker Blog under a Whitehead Crossing subject heading. Meant to be together!

If so, here’s the way it lays out in Philudoria’s Falmouth Gallery:

Floor 0/Basement:

Steptoe Animation:

Collage 01 (Steptoe, WA)
Collage 02 (Steptoe, WA/ animation)
Collage 03 (Steptoe, WA)
Collage 04 (Steptoe, WA/ animation)
Collage 05 (Steptoe, WA)
Collage 06 (Steptoe, WA)

Floor 1:

Collage 07: (“Pepperland”)
Collage 08: (ME)
Collage 09: (“Shiningland”; WY)
Collage 10: “Beetlemania” (Steptoe, WA/ animation)
Collage 11: “Good Grief!” (“Pepperland”)
Collage 12: “Red Rock” (Blue Mtn., NC)
Collage 13: “This is The Place” (Blue Mtn., NC)
Collage 14: “2:23” (WY)
Collage 15: “Grayson (Dis/En)closure“ (Mythopolis, NC)
Collage 16: “Woods Slider Upper” (Mythopolis, NC)
Collage 17: “Separate but Equal” (Lake District, UK; Jeogeot, Second Life)
Collage 18: (Sky Valley, GA)

Floor 2:

Collage 19: Greenup Revisited 01 (Stonethwaite, UK)
Collage 20: Greenup Revisited 02 (Stonethwaite, UK)
Collage 21: “Heads/Tails?” (Steptoe, WA/ animation)
Collage 22: “Erie Pool” (Jeogeot, Second Life)
Collage 23: (Abingdon, VA)
Collage 24: (“Shiningland”)
Collage 25: “Bee Lee Line” (Abingdon, VA)
Collage 26: “Stonethwaite End and Restaurant” (Stonethwaite, UK)
Collage 27: “Nobody’s Home” (Stonethwaite, UK)
Collage 28: “Forgotten Green” (Stonethwaite, UK)
Collage 29: (Stonethwaite, UK/ diptych)
Collage 30: (Stonethwaite, UK/ diptych)

Floor 3:

Collage 31: (Stonethwaite, UK)
Collage 32: (Stonethwaite, UK/ diptych x2)
Collage 33: (Stonethwaite, UK/ diptych x2)
Collage 34: “Goodbye VWX Town” (Stonethwaite, UK)
Collage 35: (animation) (Stonethwaite, UK)
Collage 36: (Stonethwaite, UK)
Collage 37: (- [extension of Collage 35])
Collage 38: “Cover Up” (animation) (Stonethwaite, UK)
Collage 39: “End Ball” (Wiltshire, UK)

Floor 4:

Collage 40: “5 1/2 Acre Plot of Land” (Stonethwaite, UK)
Collage 41: “Clock Rock” (Stonethwaite, UK)
Collage 42: (Stonethwaite, UK)
Collage 43: “Joe Rock” (Stonethwaite, UK)
Collage 44: “Fairy Branch” (Blue Mtn., NC)
Collage 45: “Painting<Painter” (ME)
Collage 46: “2989” (Blue Mtn., NC; animation)
Collage 46.5: (Blue Mtn., NC)
Collage 47: “Sky Diamond” (Blue Mtn., NC)
Collage 48: “Ghost Sticks” (Blue Mtn., NC)
Collage 49: “Jasper 04 Revisited” (Blue Mtn., NC)
Collage 50: “Unboxed” (Second Life; animation)
Collage 51: “Humanvillians” (unk.)

Floor 5:

Collage 52: “Contraption” (Blue Mtn., NC)
Collage 53: “Rock, His Story” (Blue Mtn., NC)
Colalge 54: “TILE Worship” (Blue Mtn., NC)
Collage 55: “Rescue Ship” (ME)
Collage 56: “Beemen” (Blue Mtn., NC)
Collage 57: “Past Blast” (Stonethwaite, UK)
Collage 58: “Everybody’s Scared” (Blue Mtn., NC)
Collage 59: “SoSo” (Blue Mtn., NC)
Collage 60: “Paradisiacal” (unk.)

Floor 6:?

Collage 61: “Peanut’s Big Adventure” (diptych, Blue Mtn., NC; KY).

—–

It’s at least 6 floors, Hucka D. And you’re in the final three so far (!)

Hucka D.:

Merk B. Coolie!

bb:

The final one, so far — “SoSo” — could be a type of culminating work, if so. It *could* be the end.

Hucka D.:

You’ve been saying that for weeks and weeks and weeks.

bb:

True, but I’m finally, finally running out of gallery space. Pretty big building!

Hucka D.:

Who’s SoSo, then[ since it’s so so important]?

bb:

Seal the Singer. But not Seal the Singer. A black child/ A black adult? Someone bald? I want to say it’s a child because this is a cartoon seal, moreso than the 2nd Life Grey Seal used in previous collages.

Hucka D.:

True[ enough].

bb:

It’s also an alien, since this is the tombstone of the Aurora, Texas alien that Firesign Theatre later poked fun of in their album Everything You Know Is Wrong.

Hucka D.:

Good to write that out.

bb:

I’m trying to guess the nature of the [local] graves of course.

Hucka D.:

Peter’s Grave. Peter Graves.

bb:

Peter SoSo.

Hucka D.:

Yup. (Hucka D. pops mouth with last “p”).

bb:

So the base photo for this one is White Rock, a projection from the much larger No Title Rock.

Hucka D.:

You got it.

bb:

The toy crew — Strang Gang — that tried to enter 4 Sticks back in January appears here, fronted by albino turtle. Another turtle, like we have Green Turtle near top of No Title Rock above it, and then a duplicate albino turtle making its way down the rock toward its larger version. The white fungus on White Rock is probably another representation of same. That’s the skull-like fungus from “Ghost Sticks”, a scary collage.

Hucka D.:

This isn’t as scary. This is acceptance.

bb:

Of death?

Hucka D.:

Yes. And a colorful afterlife.

bb:

It’s a mystery just like the SoSo grave of Pietmond was a mystery. 2 mysteries that are 1 mystery?

Hucka D.:

Appears so. SoSo so.

bb:

Stop that.

Hucka D.:

Okay.

bb:

Why are Aunt Joe and Uncle Zoe here?

Hucka D.:

They have also made peace with their evil villanous ways in the afterlife, like Darth Vader appearing to Luke Skywalker all shiny and stuff after his killing.

bb:

So they did do awful things.

Hucka D.:

Oh you bet. And to my people!

bb:

Sorry about that.

Hucka D.:

It’s okay. They all come back. Again and again. Week after week.

bb:

The albino turtle or what we are calling such might be another ghost, white in nature and all ectoplasm-y.

Hucka D.:

Yes.

bb:

The mystery of the 2989 curse is also resolved in the afterlife.

Hucka D.:

Yes. Multiplied together to get not one thing not another thing but both together. Afterlife.

bb:

And then the spinning Manchester statuette is also back, appearing one other time in Falmouth in “Fairy Branch”. It represents a body of a grave there, it seems. Seal again?

Hucka D.:

You bet.

bb:

This seems to resolve “Ghost Sticks”, it might resolve “Rock, His Story”, completing the story as it is, were.

Hucka D.:

You know the ultimate or final rock[ now].

“Then the Beemen came ashore, walked past the Green Turtle, ignored the blue-red dead man floating in the bay simply because he wasn’t there to them, and proceeded to declare the rock Edward’s Stone, shortened to Edward Stone. Then a TILE City formed. The Emerald. Piglet and Pooh not included originally. Left out. Then things got out of control and Piglet and Pooh added in. Contraption removed instead. Contraption removed by Green Lego Man, who became a composite of the 2 bee figures. Because in the collages you’re working back in time. Happens quite often[ in your work].”

bb:

“Beemen” seems closely related to “2989” true.

But it all still revolves around “Rock, His Story”, the culminating Whitehead X-ing collage, as it were, as it is.

Hucka D.:

Yes. That’s the main portal[ system]. Edward Stone, this one pictured in “Beemen” if it is the true Edward Stone, and it very well may be, is just below The Emerald. You can actually see a corner of the rock, as I’m checking, in “2989”. Are the 2 beemen, then, 49 and 61? Something to think about. 2 contrasting figures, one brutish and stocky and one non-muscular and thin. You are at a crossroads, baker b. You can go thick or thin — your choice.

bb:

I don’t know what that means, Hucka D.

Hucka D.:

Two paths, at right angles. 2989.

bb:

Still not…

Hucka D.:

Right and left. Up and down. Black and white. White is black and black is white. All over.

bb:

Do the [two types of] beemen like each other?

Hucka D.:

Kind of.

—–

bb:

I have a question, then, about what The Contraption is and functions as. Is it a splitter? Fission machine?

Hucka D.:

Fission and fusion both.

bb:

How is that?

Hucka D.:

It is a Wilson-Wheeler Machine, working fowards and backwards in time at once. It is a super sewing machine. Singer. We should talk about Barely Singwright when you’re ready.

bb:

Okay, but not just yet.

—–

“Green represents safety. Green represent protection. The turtle protects. Where is the cat part? Not needed to know yet.”

bb:

So this is like Jessee and Walt’s lab on Breaking Bad. Interesting.

Hucka D.:

The lab is an alchemist’s lab, not technically a chemist’s lab. The red-blue death is beyond the rock, out more in the real world. Edward Stone shelters the two individuals, busy as men bees, from all that. Until the end[ of Season 3].

bb:

Edwardston’s number is 3, Hucka D.

Hucka D.:

Now if we look at that picture (“Beemen”), we can see more the process. It deals with TILE. The blue lego piece at the top gives first clue that this is the top of the TILE Waterfall, and the tile/lego is about to drop down. Falls. The only reason we do not have a type of death at the bottom of the fall or falls is The Contraption. The Contraption must be a perpetual motion machine, and it is. It works backwards and forwards in time[ as stated]. It powers the fall of TILE. The lego pieces are like the marbles that fall. Pull up a picture of Newton 09 if you wish.

Newton 09 Collage

(two bee continued)