Category Archives: collages 2d

00420316 (two straight shooters)

After he improbably made one himself (he didn’t have his glasses on for one thing) he went up to the board to take a closer look at the resulting hole. For a brief moment, he went “inside.”

“Ah, I think I see what you mean about the bullsear, Dragon. I think I see what you mean, heh.”

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Filed under **VIRTUAL SL, 0042, 0316, collages 2d, Falmouth, GTA, Washington

00420315

“Hucka D., there’s no doubt that this newer and truer Aisle of Palms in the same named town is connected to our Fal Mouth Moon animation. There’s even an equivalent of Steptoe Butte there in the background if we extend our draw distance to 512 and then shorten it back to 128 and take a photo before the landscape shortens again in turn. Mount Chinhae we can call it, after the sim it is situated on the lower end of. Sacred after this I would suppose.

“Fascinating. Keep it up.”

“The bar with the red rooftop to the left, like the dart in the collage is red tipped. Tipping allowed after all in the bar.”

“Tone it down a bit,” Hucka D. requested to this. “Focus on the *obvious*. What are we looking at?”

“Jack’s bar, obviously. (Bull’s) Ear for a target (name), but we had to settle on Bar since we couldn’t get the needed lights in the ‘B’ to stop functioning and turn it into an ‘E’ — shame.”

“We’ll work on it,” said Hucka D.

“So instead the dart turns into a cigarette or cigar which may be the same as a joint. This indicates that Jack is smoking hot. Icily cold later on. After the process is finished. The ear is removed from the side of the mountain revealing Lloyd the bartender for who is really is. The fuse on the bomb is lit. The color inverted VW, yellow at the beginning, speeds on to its destined destination.”

“Boomb! Bullsear!”

“Should be,” agreed Hucka D., already hatching more plans to make it so.

“What did you just call what you did, Dragon? Bulls-*what*?”

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Filed under **VIRTUAL SL, 0042, 0315, Big Woods, collages 2d, Falmouth, GTA, Jeogeot, Washington

00400411

“Definitely silver,” he rechecked through the past observing tool locally known as the chronovishmach. “So definitely George.”

—–

In the past, Hucka Doobie was eating alone. But in this alternate version she had the guts to walk up to Marion Star Harding and ask him on a date. Just after this she continued her guttiness and told Ozzie Osbourne, another star, that his gig was up in Gaston and that he’d have to return to Meat City for future concerts like these. Still on an adrenaline rush she goes back to Marion at the bar and gives him a kiss full on the lips, saying that’s to tide him over until tonight. Just arrived Ketchup Tom, aka The Musician (aka *George*) walks into the club, wanting to check everything out while Marsha was unloading the car, especially the structure of the place, trying to determine if his music would collapse it like before with that huge piece of coal for a bar in West Virginie. Hucka Doobie assured him that all had been prepared and that a non-collapsing spell had been cast by a local wizard. Club Rhino: definitely at a crossroads between various dimensions. Why Hucka Doobie was here in the first place, she finally determined after much lamenting and gnashing of teeth about her “entrapment” in Gaston. “Damn you Tammy Whatammy!” she cursed aloud a lot at first. “Damn you evil, conniving Casey One Hole!”, the root person to blame since Tammy was just following orders when she pushed her through that imprisoning collage back in photo-novel 7. Such a long time ago. She knew alternate versions of herself existed elsewhere. But she only existed within the body, the *vessel* of this here one. And she’s tired of complaining about the darkness. “When in Rome,” and so on.


“When in Rome” (2018)

And so in this version she dines and drinks with Marion Harding instead of doing so alone. And other things have changed: no “Welcome to Mimosa” on the sign, you’ll notice in comparing the last photo of this here blog post with the one above, anything that was once golden having been lost in the transition. Silver now. Night. Dark. Welcome to Gaston.

“We better get to the gig,” Marion requested after 2 wines, hoping to move to his more standard pot soon. Levon would have some, he knew. And Levon liked his music over his money, women, anything else. He’d be at the gig for sure.

“Oh,” said disappointed Hucka to this, wishing they’d just skip to whole gig thing and move on to that other stuff she had in mind. Bases, although obviously safe at home still — home base is definitely off limits tonight. But 1st, maybe 2nd? In play, she envisioned in her mind. Was she still desirable? she couldn’t help wondering as Marion got up and she followed suit and then looked at the back of his suit as it made pleasing motions while he walked toward the Rhino.

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Filed under **VIRTUAL SL, 0040, 0411, Bogota, collages 2d, Gaston+, Omega, Silverton, Urbane Blue/Fishers Island, West Virginia

light and shadow (The Z’s)

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Filed under **VIRTUAL SL, 0039, 0604, Bogota, collages 2d, Pennsylvania, Willow Hill

now

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Filed under **VIRTUAL SL, 0039, 0502, Bogota, collages 2d, Colorado, Constantynople, Falmouth, Nautilus, Rank & File, Washington, Willow Hill

00390212

Not yet (*sip*).

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Filed under **VIRTUAL SL, 0039, 0212, collages 2d, Constantynople, Falmouth, Nautilus, Rank & File, Washington

“Doorpick”

“User,” he said, pointing. He knew who I was. Did I? Am I still Baker Bloch in the game we play that is Our Second Lyfe? Is that my primary avatar still?

Anyway, thanks to Pearl Grey for including this work in her most recent Wanderlust Art Truck show! Pearl’s blog here:

https://millionhappyendings.wordpress.com/

And you can teleport directly to the exhibit here:

http://maps.secondlife.com/secondlife/Ashenlave/199/61/63

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Filed under **VIRTUAL SL, 0038, 0508, Art 10x10, Ashenlave, collages 2d, Corsica, Wheeler-Jasper

sleepwalking

heading inside for more boos (part 2 I suppose)

—–

“We ended up at the exact same spot we began,” spoke Hucka D., suddenly finding herself back on the bed beside Barry. “Exactly the moment we decided to leave!”

Barry checked his pants but he was okay. This was no dream. Not really. Not any more than anything else they’ve experienced since this here photo-novel began, 37 in a series.

Then he forgot everything, the whole trip to Lordsburg/Shakespeare. It is as if the text at the bottom of the state never existed; no subtitles. Nor the top for that matter (Brilliant again). Only middle now. Barry DeBoy was on his own again, Hucka D. choosing not to take part in this reality. His mother as well. There was no reason for him to stay.

(to be continued)

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Filed under **VIRTUAL SL, 0037, 0301, Bogota, collages 2d, Google Street View, New Mexico, Willow Hill

wet one

Barry DeBoy with his latest work: “Does This Look Square To You Too? (Cancan Girls)”.

“No mirroring involved,” he adds.

“Hmm.”

“Do your worst,” he says to observing Hucka D. on the bed. She dutifully begins.

“Irma was in mother Isadora’s shadow at the time, joined with her at the hip as it were.”

“As it is,” Barry DeBoy automatically inserts, but then remembers the year is 1923. 1923 1923, he ruminates. Where have I heard that before?

“Irma wanted out from the shadow but that would come later. For now, for *then*, they were the Cancan girls, twinned dancers in this provocative production.”

“You are soo good at this.”

“I know.”

“Let’s go back to the lounge and talk to Hal about all this.”

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Filed under **VIRTUAL SL, 0037, 0206, Bogota, collages 2d, New Mexico, Willow Hill

Aztec warrior (photo by Barry DeBoy, present)

Actually, 10 + 11:

https://fredscruton.com/folios/lange/

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Filed under **VIRTUAL SL, 0037, 0108, Bogota, collages 2d, New Mexico, Willow Hill