Category Archives: 0004

Simsity

In his new basement apartment, Baker Bloch had begun dreaming.

Outside, he followed a man looking exactly like The Musician into the Underworld but who instead claimed to be one Sikul Himatk. Sikul had been dead for many years, 100 to be exact. It was his centennial death day today. He wanted to uncelebrate by going back to the place where it happened, he told Baker Bloch.

“Don’t linger,” he implored as they came to a white door just down the steps and around a corner. “Lingering causes absorption. Stuff like that.” He indicated a painting to their right…

… which then moved swiftly down the wall and out of sight as attention was drawn to it.

Opening the door, Sikul took Baker’s hand and dragged him through to the other side. “Bemberg,” he said. “Different sim. You *don’t* go back through the blue door.”

The white door shut, the blue door opened.

Baker had seen enough. He woke up.

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New angle

“Back already eh? Been clowned, huh?”

“It’s going away,” Wheeler clarified to Chuckles Greentop. “Somewhat.”

“You learned to keep your mouth shut about the Underworld, hehe.”

“Suppose so.”

“You want (more) information.”

“Yes. Are you OD?”

Greentop answered Wheeler’s question with an invitation. “Walk with me down the tracks and I’ll speak what I know. You understand there are ears here and ears are in hears. Petty looms; Doogie Martin will not fully return for a while, perhaps a long while. But first: walk. I want to show you some other fishing holes. I want to encourage you to take up angling as much as I can.”

—–

“See, I’ve already got one,” Chuckles happily exclaimed at the next fishing hole, about 200 meters south of the first.”

“Must admit it’s pretty. And relaxing!”

“And no ears to hears. 10 minutes more here and I’ll show you the next.”

Wheeler was in no hurry. “Take your time. I’m good.”

—–

“Just wanted to show you this upper pool to the same flow. Right under the railroad. I’ve found that maggots work best here. Different bait for different pools, see. It’s an art and a science both. Little of both. I call it Phenix Pool because it sometimes dries up completely but then comes back after a rain.”

“Makes sense I guess,” agrees Wheeler.

—–

They move about 150 meters south of that, still just off the railroad tracks.

“Check *this* out. Beautiful, no?”

“‘Tis nice,” coos Wheeler.

“And your clown face is about gone already. Let me take a look.”

“Yes, much better. One more watering hole should do it. But first — another upper pool.”

—–

“You just relax back there Wheeler. I’m reeling them in from the other side. Reeling reeling reeling. Wee!”

—–

“This is as far south as I usually go,” explains Chuckles Greentop, still reeling them in. “Linden land between the two tracks, see; worms work best here. Bigger perch, but fewer and further apart.”

“So it’s about all perch you catch. In any of the pools we visited.”

“Perch is the name of the game, yeah. Good eating too if you’re into that kind of thing. I’m a strict vegetarian myself.”

“Interesting.”

“And… your nose is back to normal. Good as new.” Chuckles pauses. “Sure you want to go back into that place? You could just keep running south. Run run run, all the way back to Collagesity. That’s where you have control.”

“I know.”

“Why go back?”

“Musician,” Wheeler says plainly. “And now… Allen. Above ground for the first, below for the latter.”

“So you’ll have to choose in that way as well.”

“Suppose. I can’t give up either right now.”

“I want to plant a name in your brain, then. Keep a lookout for it.” Chuckles stopped here and cast her rod again into deeper water. She looked up in the sky, gauging the sun’s progression as it sank to the west. “Nightfall in about 1 hour. You either go back now or keep running.”

“You said you had a name to give me,” Wheeler urged.

“Oh right.” But then Chuckles looked up into the sky and forgot what she promised again.

“Are you okay?” Wheeler took a closer look. “Oh dear. Transference.”

Wheeler would have to find her own way again.

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The return of Wheeler.

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t&a

In his newly rented, creepy basement apartment, Baker Bloch rezzed the entire “Wall of Ass.” created a number of years back now for the Biggie Gallery in Sunklands, only to delete most of it in favor of Salvador Dali’s last painting, “(The) Swallow’s Tail”. Seemed appropriate.

A knock at the door, then. Strange, Baker Bloch thought. No one knows I’m here yet except the landlord. Should I even answer it? It’s the dead of night. Vampires most likely. Fresh blood smelled. The knocks resumed, then a voice. “Baker, it’s me. Martin. Allen Martin. And Wheeler.”

—–

“Nice hat, Martin,” Baker Bloch spoke.

“It’s Allen, actually. Martin is a last name.”

“Oh right. Like the bird.”

“I suppose. Have we even met? I know your sister Baker Blinker, of course. She was my landlord over in Collagesity North.”

Baker Bloch ignored the sister misnomer re Baker Blinker. “I don’t think we have. But there’s a lot of characters in the Collagesity stories now. Perhaps our paths have crossed already and we’ve forgotten. Yes — come to think of it, I believe I saw you eating alone in Perch one night.”

“I did that sometimes, yeah.”

“I understand you have a son.”

“Doogie, yeah.”

“Something has happened to him?” He looks over to Wheeler for help. “See, I was over at your apartment just last night, Martin, er, Allen. Sorry. I was called over there by Petty.”

“I see,” states Allen Martin, repositioning himself in his chair. “How’s the investigation going?”

“Queerly,” answers Baker. “Odd accusations being tossed about. Stuff that doesn’t seem possible.”

“Like what?” Wheeler remained queerly silent. Then she was gone. Baker Bloch turned to Allen Martin, who just shrugged.

“She’ll get back here,” he said. “Go ahead… continue.”

As Baker spoke, the rest of the “Wall of Ass.” disappeared behind him, leaving Dali’s paintings alone in the apartment.

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It didn’t take them all that long.

They’ve found the secret rooms.

Clown Central.

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Revelations

“Tell me more about this OD… oops, I think I’m making a full transition now.” Chef-inspector Petty was no longer Doogie Martin in any part.

Baker Bloch answered. “Like I said, we contacted him, it, through wegee. He, or she, or it, didn’t identify a sex, but it has male clothing on as it turns out.”

“Who’s ‘we’?”

“Hucka Doobie and I. She’s a member of my avatar family. She’s versed in spiritual matters — why I got her involved.”

“Tell me more about this avatar family of yours. Any criminal records?” His pace was crisp.

“None that I know about. Spongeberg is a destroyer by trade. Does that count?”

Petty became cryptic. “Glad you brought him up. Spongeberg is not a member of your family. He is a member of *our* family.”

Baker Bloch scratched his head at this. “Well,” he began again, “we admittedly don’t know much about him. Are you saying, I don’t know, that he’s from *here*?”

“That is precisely what I’m saying. We also believe there is a link between Spongeberg and OD — know it, in fact. You’re aware of the former property called Pitch Black?”

“Somewhat,” answered Bloch.

“In November of 2016, the property was taken over by the town, with the oft deemed “noxious” or “poisonous” temple derezzed. The FTI gallery expanded into its former space. It was through this incorporation that the town split into two separate realities. Or, better, we became *aware* of this second town overlapping the first. It was always there. But the portal had been opened.” He turned around and looked directly at Baker Bloch. “In the *big* picture, the owner of the FTI is the same as Wheeler. Assimilate *that*.”

To Baker Bloch, Petty was spouting gibberish now. He didn’t think Spongeberg was from VHC City (but he did want to find out more of his background now). Wheeler as the FTI owner? That didn’t make any sense.

“And I’ll give you one more,” Petty continued. “See the innocent looking Musician sitting on the couch between us?”

“Who… me?” uttered The Musician, sitting up a bit and wiping his nose on his sleeve. He had half nodded off during the discussion.

“Yes, you,” Petty answers. “I don’t guess you remember anything at all about creating *VHC City itself?*”

Nope. No he did not.

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Heart matters

“Jeez, I can’t stop yawning, Hucka Doobie. Ordered that expresso just in time.”

“Thanks for meeting me here again. You never know how long these rented places will last. I wanted to soak up some ambience while it’s around.”

“Lively place, I’ll give it that.” Baker Bloch was looking out the front window when stating this.

“I think that’s what I’ll call it — we’ll call it. Lively. While it’s here.”

“Have you seen the aley out back?”

“That’s my line. But: no. Now keep up.”

“You go ahead, then.”

“It leads to the center of it all. The place Jasper should be but won’t. *Is* this the replacement for a subsequently destroyed Collagesity? Has our town had its run, Baker Bloch? These are questions we must be asking. Jasper predicted it all.”

“The Jasper collage series, you mean. The one hung in SoSo Mall currently.”

“Of course.” Hucka Doobie then looks out the 4th wall of the establishment. “Oh, I see. The reader.”

“Finish your coffee and we’ll take a look. Have you soaked in enough ambience yet?”

Hucka Doobie looks around. “Futuristic coffeehouse. Established in 3025. Dallier’s Hope. Owners/creators may be from Saturn. Yes, I’ve soaked in enough. I’m done.”

—–

“It’s dark, Hucka Doobie. Maybe we should turn on the daytime lights.”

“And some shaders and other stuff. The full ensemble. Downsize your window!”

“A little better,” Baker Bloch proclaims. “What’s the coordinates now?”

Hucka Doobie checks. “87, 156, 103.”

“If we find the spot that *coordinates* with the one in the Rubi Woods, then maybe that will help us make a determination which path to choose. And maybe then go look at the center of the Jasper series. The Great Either/Or as we might start calling it.”

“Let’s name as much as possible tonight,” requests Hucka Doobie. “We have Lively, Aley, Styx — that’s one of Wheeler’s, and then Tool. Where’s Tool?”

“Yes, Tool,” Baker Bloch cryptically answers, still thinking of the central Jasper collages. He has already disposed of The Great Either/Or.

—–

“Let’s do the walking thing again, Baker Bloch.”

“Let’s”

—–

“I don’t think I had the right walk Hucka Doobie,” Baker exclaims afterwards. “Oh well. Here we are.”

Hucka Doobie takes a seat. “I wonder why they say it’s under construction? Looks perfectly finished to me.”

Baker points toward the back left corner. “Let’s go there. I’ll keep tabs of my coordinates.”

“Sho ’nuff.”

—–

“Okay, Hucka Doobie. This is definitely the spot. 97/97. Right in front of ‘Precarious Geisha,’ just as Wheeler and The Musician told us.”

“Let’s head down,” the bee-man requested.

—–

“Nope, Hucka Doobie. There’s no 97/97/97 any longer. Ground’s been raised to 100 meters. No sign of Pitch Black or its poisonous tower, but that’s not unexpected. But you could turn right here, look north, and stare up at the monstrosity.”

“OD still worships the structure. That’s its impossible black hole. A constant, impossible orbit. Just like in ‘(The) Impossible Planet’.”

“More ‘Dr. Who’ references. But jumbled up from the series. The parallel to the black hole here has been destroyed — assimilated. Yet the city remains.”

“OD remembers. There must be a parallel, alternate town.”

“What I was thinking.”

—–

—–

I accidentally teleported right beside the SoSo sign again for the mall, Hucka Doobie. But… so here we are. Tool.”

“One reality has Collagesity standing put and remaining independent of VHC City. The second has all the *energy* of Collagesity streaming into VHC City instead. The blackbird, Hucka Doobie.”

“Spongeberg (the Destroyer),” states Hucka Doobie.

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Merging tracks

“Ahhh! That face!!”

“We app-re-ci-ate your time in our fair ci-ty,” OD continued in its clipped manner, suddenly detached from the wall and looming larger. The wegee planchette had stopped spinning. “We have ass-im-il-at-ed the bird, zip, the man known as Mar-tin. Sanc-tu-ar-y is with-in reach. You can go ab-out, ping, a-bout your way. Thank you for vis-it-ing and come back again ver-y, zip, fair-ly soon.”

The Musician fled the scene, running upstairs. Wheeler stood her ground. She pulled out a large, futuristic gun from her coat. “Get back on the wall, buster. We’re not finished here.”

—–

Meanwhile… Allen Martin appeared to be dead at the very same spot Renaldo O’Donnell lay early.

But then he stood up. “Just a pose ball,” he muttered. “No murder atall. And my son… all that change and attached grief for nothing, it seems.”

He moves around the corner to the next area, being careful to head *away* from his apartment (unlike Wheeler earlier). A break room?

Maybe the stupid people responsible for this charade. The thought crossed his mind that VHC City is just a giant stage set for some kind of film being made. Horror story?

He then sees something more interesting appearing in the next area: a purple spheriod thingie. No: green; no: blue. He checks the description of the now golden object. Jeez God, he thinks, an “alien egg tree.” This *is* a horror story.

He walks between pipe and chair to take a closer look.

Nothing else really that odd about it except the name. And a dead end in this direction. He’d have to retrace his steps.

But then, a monster bursts forth through the wall in front of him, turns around, then leaves through same. A giant crocodile, it appears!

He may have to go back to the apartment to get his heart medicine before advancing further.

—–

Allen Martin then heard a female voice call his name from the direction of the “break room.” Wheeler.

They met in front of this gate on the far side of the room, the Fate Gate they would later call it. From this point on they would move forward together. Holding hands again, they passed through.

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Game on.

Allen Martin had started on his 4th glass of Pinot Noir, by Wheeler’s counting. It was time to lay the cards on the table.

“We know about the underground, Allen.”

“Ooh,” he says, retracting from his wine glass as if he’s suddenly seen a gnat floating in it.

“We know about the murder.” The gnat had turned into a fly. “We know about your *son*.” The fly had phoned up his friends centipede and cockroach to join him for a dip. Martin was sitting back, eyes riveted to Wheeler’s. The 4th glass would not be drunk tonight.

“Do tell!” he said icily.

—–

Meanwhile, The Musician had gotten lost in the labyrinthian streets of VHC City looking for a store selling guitar strings. Surely with all the concerts this place puts on there’s a music shop around here somewhere, he rationalized. He then wandered back into his safe plaza by accident, let’s say. He knew no such shop existed in the immediate area. Yet he couldn’t resist. The Dr. Who pinball machine beckoned.

Two hours later, he sat exhausted on the bar’s couch, seeming to stare out at the red doors while actually thinking about all the moves he could have made to transform from Doctor Who #4 (Tom Baker) to Doctor Who #5 (Peter Davison). He could have hit the target bank more before the time ran out, charging up the Transmat. On and on the deliberations went.

While his head was spinning with dreams of pinball wizardry, Wheeler and Allen Martin walked by the bar heading north, unaware of his presence.

He waited about a half minute, then peeked out the door of the bar in that direction. They were going into [delete name]. Now he’d been in that building a number of times, but only on the ground floor, playing with the computer console there. He’d found valuable information about Muff-Bermingham though the free interwebs feed shortly after their arrival in town, indicating the planet had influence in this particular area. Surprising!

The Musician crossed the plaza, hiding behind a stair post.

No indication they were on the first floor, nor used the stairs to access the 2 upper floors. They couldn’t simply disappear into thin air. Could they? The Musician counted 10 Mississippis and moved forward again. At the center of the ground floor he turned and first thought of the oddity about the Sipvicious advertisement on the floor.

Uberpunk Sid Vicious had famously stayed in the town’s huge hotel. His girlfriend had died there. Yet this ad didn’t seem to have anything to do with the proximity of the hotel. One more mystery to mark down in an ever growing leger of wierdness.

He heard voices: Allen’s and Wheeler’s, seeming to issue up from below. He walked toward the stairs, noticing that they led downward as well as upward. A hitherto unknown about basement, hmm. “A giant ant?”

But that was just the first and mildest surprise.

“He said he had to see for himself,” Wheeler spoke upon noticing The Musician approach with dropped mouth. “And… I suppose we need to catch up. OD, meet The Musician. Musician, well, this is OD.”

“Wel-come,” it said.

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Warning

“I thought I might find you here.”

“What’s up?” Chuckles Greentop replied while reeling in yet another perch. “How’s the investigation going?”

“Yeah, really sorry to hear about your friend Renaldo O’Donnell.”

“He wasn’t really a friend any more. I gave up clowning a while back. Gave up the underground. Above ground’s for me. Fishing mainly. Maybe you can buy a rod as well and go casting with me sometime — lots of good spots around here.”

“Maybe,” Wheeler replies, half hopeful.

“So you’re staying with Old Man Martin I’ve heard.”

“How…?”

“News travels fast here,” Chuckles interjected. “How’s his poor possessed kid doing? Investigation will continue for a while, you know.”

“Can you *explain* that (Doogie possession)?”

“Petty’s a top notch detective. Along with being a fine chef. He gets privileges. That’s all I can say about the matter.”

“Any idea who did it?”

“Inside job, I’ve heard. Clown vs. clown. My strong suggestion is you close up the portal; don’t go down there any more.”

“I can’t do that,” Wheeler replied. “I have to find the heart of the mystery.”

“Well, I could tell you all *about* your heart, but if you are bound and determined — set on your mission — then you’ll find out soon enough. Hope you like goofy stuff.”

She left it at that.

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