Category Archives: Comfrey

beginning

—–

“Well, okay we’re still waiting for Hucka Doobie to show up. Let’s just read some of Baker Bloch’s — Baker *B*’s writing at the time.” Wheeler Wilson starts reading from the screen. “‘Continue to view Pumpkin Twisters at least once a day, usually twice a day.’ — this was before you adopted the compound word title, hmm –.”

“I guess so,” Baker Bloch replies from across The Table. “My user, you mean.”

“‘Very addictive,'” she continues quoting, “‘but this is the pattern for all my synchs. After a week or three, I’ll get tired of this constant viewing and move on to another project. But right now I’m still dominated by PT’. Um… ‘Keep thinking about how I can continue to further the field, new movies to try, new albums, new techniques and tricks of tiling a synch, theorizing about the process of tiling itself and expansion into other hypothetical synchy arts.’ So that’s the beginning, Baker… guys. Should I just spot-read more ‘Pumpkintwisters’ related stuff in ‘Apple’, Baker?”

“Sure.”

“Let’s see, then just down the page: ‘The only synch where 2 movies, not 1, is used, is Pumpkin Twisters, definitely a unique quality for it. This actually also occurs in Kansas City Life, a direct predecessor of sorts for PT, but I consider this earlier synch to be a more minor work than all others listed here.'” She looks over at Baker Bloch. “Do you want to explain ‘Kansas City Life’ to the group, then?”

“Not really… go on…”

“Okay.” Wheeler Wilson scrolls down. “Lot’s of stuff about *other* synchs here…” She continues to scroll. “All right: ‘I’ve talked quite a bit about the structure of my finds so far, but one could go much further in this. I’ve only talked about it in terms of tiles and tiling. It would be interesting, for example, to study the perceived *centers* of synchs. For Pumpkin Twisters, to give an example, the obvious center is the selection from the secondary movie 200 Motels, overlapped with 2 tracks from the Kinks’ Preservation Act 2, and this is also the place where the synch is most obviously [quote unquote] “synchy”, or, in other words, there is an obvious match or synchronization going on here. The center of Billfork is the ark scenes and the aforementioned — in the last post — heavy *video* editing in this center…'” Here Wheeler Wilson stops and turns away from the media feed. “Ahh, I think we’ve read enough of your old writing, Baker Bloch. Time for the new. Are you ready Tin S. Man?” She takes her customary seat at The Table.

“Ready, Wheeler Wilson,” the gentle giant replies. He has become his much larger self since returning to Collagesity from Gaeta V. Glad he was about leaving that bland land. But Wheeler insisted mistress Tronesisia had to remain behind. Soon enough they would reunite, he knew. Very soon.

“We’ll give Hucka Doobie about 5 minutes more, then.”

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Filed under *Second Life, Comfrey, Gaeta V, Heterocera, Rubi

breakthrough 02

The cavern passages were long and numerous. Pitch stopped to ask a gray woman directions, but she was just a statue.

A way out (!). But he dare not step into the sun for fear of waking up. He wasn’t quite ready for that.

He tried to orient himself by statues and other objects, such as that barrel in the background here.

Resting both brains and legs for a bit before continuing…

Then suddenly he was upon it: the source of the music from the former dream, although he didn’t realize this at first.

The birds perched on the keyboard urged him forward. “You are a musician like us!” they seemed to warble.

Now Pitch can’t play the piano worth a lick, but when he sat down on the stool and automatically thrust his hands forward, lo and behold he turned into a maestro. And fingering the same tune as heard before: the eerie, quasi-jazz piece with halting ebbs and flows. A composition by Rutherford “Booger” Hayes, he then realized. The first president of the United States that was never president of the United States.

After a couple of bars, he hunched up his legs and took it all in. He’d really and truly found the great 3-n-1 this time. Thank you Melvin. Thank you so much! He couldn’t wait to wake up and tell Mary.

And so he did.

—–

Mary, pack your bags. I’m pretty sure I can see, speak, hear again up there.

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Filed under *Second Life, Comfrey, Gaeta V, Hana Lei

breakthrough

Pitch sat up on the soft feather bed. He’d made it! But what would happen to Mary now?

No Musician or Wheeler to be seen at the, um, *exit*. But that really wasn’t surprising.

Time to see what’s here in this Comfrey sim!

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Filed under *Second Life, Comfrey, Gaeta V

where they are…

Gaeta 5 is the only finished continent of the Gaeta series. The initial project was to build 5 continents (named from Gaeta 1 to Gaeta 5), then to unite them into a single block of sims. Today, only Gaeta 5 is complete and a part of Gaeta 1 was built. Gaeta 5 is the most compact continent, with no gulfs or estuaries. On map, [it] has a [peanut shape]. This continent is an endless plain. It is linked to Corsica by a two-sim large passage (see Transcontinental Channels).

http://wiki.secondlife.com/wiki/Gaeta_5

where they *aren’t* (any more):

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Filed under *Second Life, ., Capitol City, Clemscott, Comfrey, Gaeta V

can’t wait

The Musician was carefully cleaning his new cyborg body parts in the glimmering cave pool when Wheeler sprinted into the room. “No time for that, punk, we’ve been found out!”

But he didn’t immediately jump into action. “What are you on about *now*?” he asked while continuing to wash his left arm. In truth, he was still pissed at Wheeler for not appreciating Jimmy’s solution to the stigmata problem. True, it was kind of trading one set of stigmata for another. But at least he wouldn’t keep waking up in a blood soaked bed.

Speaking of which: “Pull out our beds!” the now stationary Wheeler called from the bank. “The ones sent by Jacob. Hurry!”

The Musician kept cool and switched cybernetic arms to bathe.  “Jacob? I’m not sure… oh, right, the *collage*. The one with the two beds. Well… he said he’d give it to us but was still searching for the base image, the one with no beds. He warned us not to use the current one, just to study it. Is that the beds you’re talking about, Wheeler?”

“You know they are,” she huffed, folding her arms and impatiently stamping her left foot on the cave floor. “And its in *your* inventory. He gave it to you and not me for some reason.” She anxiously looked toward the room entrace from whence she came. “I think I hear footsteps. Jimmy.”

“Jimmy?” queried The Musician, now washing between his real fingers. “What’s he got to do with all this?”

“Again… *no time.* Pull out the picture. I *demand* it.”

“I’m not going to do that, Wheeler. Jacob said to wait.”

Wheeler huffed some more and looked again toward the cave passage leading to this room. “Oooh, *please* Musician. I’m *sorry* I didn’t like your new, metallic limbs and belly. I’m *sorry* I didn’t appreciate the teeth. New things take time,” She glanced again at the room entrance for emphasis. “Which we have *little of*.”

“Alright,” The Musician finally acquiesced, moving toward her through the shallow water. “Good thing all these new workings are titanium and not steel. We’d be here an additional 15 minutes with me drying!”

As soon as he reached the bank, Wheeler clasped his hand and started running again. While being dragged along to the end of their vacation, in effect, he looked through his inventory and found the collage.

“We’re here, Musician,” Wheeler said, catching her breath again at the doorway to the last room. The final cave room. “Now… *rezz the beds*.”

 

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Filed under *Second Life, ., Comfrey, Gaeta V

Revealing

Upon reaching the cave’s upper mouth — leaving The Musician behind in its bowels again while she scouts for additional, useful poses — Wheeler spies Willard and Harriet Miller dancing up a storm in a nearby gazebo.

Then something extraordinary happens. The couple instantly cease their gyrating, then Harriet appears to fall asleep on the spot. Like she’s “away”, as we say in Second Lyfe speak.

Another takes her place. Jimmy. The *bastard*, Wheeler thinks. He’s asleep too, for a moment, then springs awake.

“You can go now,” Wheeler can hear him say faintly from her position. He’s apparently speaking to Willard Miller, for just after this the husband of Harriet Miller vanishes — poofs out of existence.

“It’s time to come out of the closet, er cave,” he then calls in the direction of Wheeler. “It’s time for you guys to remember who you are. The upper 2/3rds of the infamous punk band Story Room, with me completing the trilogy.

Jimmy approaches the cave mouth, still quite red but now much taller. And also a woman.

Tammy Whatammy?

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Filed under *Second Life, ., Comfrey, Gaeta V

Brilliant Twin

The Musician couldn’t help himself at breakfast. He had to show off his new cybernetic arms and torso to The Millers. Artist Harriet Miller was completely taken by the shirtless subject, and insisted he pose as a model for her newest work. Wheeler Wilson reluctantly tagged along to Harriet’s creative getaway tucked in the small woods, along with her husband Willard, an insurance salesman at Barnum and Bailey’s.

Wheeler was thinking: Willard looks *so* familiar.

On a window ledge of the cabin, Dirty, Frosty, and Bluebell wonder what they’re gandering at with the part machine Musician.

The Millers having returned to their primary lodgings, we catch up with Wheeler and The Musician partaking of after-breakfast treats at a nearby frozen pond. He was explaining more about the procedure.

“Same thing happened to Philip. No problems in 10 years. He just keeps his shirt on, like you’ve suggested to me about 10 times now… keeps the eyeglasses on so the vision will always remain slotted — no problem there again, really — and then keeps his mouth shut as much as possible. Because without the teeth, the deal is not sealed. The great 3-n-1.”

He forcefully smiles for Wheeler Wilson again. More metal. More jagged.

I’m going to kill Jimmy the next time I see him, she thinks.

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Filed under *Second Life, ., Comfrey, Gaeta V