Category Archives: 0108

queens

But instead Buurb finds himself heading left, toward the freebies library at the end of Lost Heaven Road. What to buy today? he considers. Maybe something for Mabel this time.

—–

Yes, more bean stew for Mabel. He loves that stuff. And — Buurb couldn’t resist — a Green Lantern mini-avatar for himself, hehe. He can hear his wife now: “You’re *such* a Sheldon.”

Bill (Wheeler again) couldn’t figure it out. Why would this mysterious Ellen insist on going first and then make such a weak opening move? She counters with her own weird kind of opening: Pawn to Queen 4. Because at this rate she was going to win in 13 moves or less. Anyway, she’d check back tomorrow and see if Ellen had stopped by to play again. Poor girl; maybe not the brightest of us all.

—–

But Bill was wrong about that.

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spots 02

“Pitch Darkly will be here shortly. As soon as they start talking to Phillip Linden run over there and lay this giant lime on the bar counter close to them. That’s all you have to do. Just wait here.”

“Yes,” affirms Young Duncan, hip to her trip.

“Come on, honey,” says the approaching Osborne Well. We have somewhere else to be now. Should’ve been there about 2 hours ago, blimey.”

—–

“Too late,” states Lou to her father in the Comfrey caverns. “Wheeler must have come fetched The Musician after all. I suppose that’s good, huh? Right daddy?”

Wondering what he’s distracted by, Lou goes over and merges with him, then stares out with same eyes at the manifested creature in the center of the glimmering cave pool.

MOA.

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name game 02

Broken Heart led Earie through a series of backyard passages where they met several colorful characters. I’ll get to that story more later. But true to her word they were here outside the Joint Joint, with Jacob I. supposedly within. Broken Heart had further explained that the I. stood for nothing. “Think Harry S. Truman,” she said while striding over some old tires on their journey. Seeing Earie not reply, she added, “or U.S. Grant.” “So his full and legal name is Jacob I.,” Earie replied back, dodging a broken coke bottle. “Formerly Jacob the Lawnmower,” he furthered, alluding to earlier conversation. By this time they were passing through Old Lady Bedford’s clotheslines in another tight spot, being careful not to get, well, clotheslined (caught in the neck). At 96 she represented the town’s oldest prostitute, but her only remaining customer was Billy Tokesalot, a nonagenarian himself. Sometimes it took them 10 days.

In the present moment, Earie tried the door to the establishment. Locked. “Don’t knock the knockers,” Broken Heart ordered from below. “He’ll come.” Nothing happened for several minutes. Earie glanced over at the policeman standing beside them a couple of times, but his gaze remained fixed on the window. “Nice night,” Earie finally offered. The policeman didn’t answer; focus unchanged. At 4:45am Jacob I. opened the door, and stared at each figure in front of it. “Broken Heart,” he said, nodding down to the cat-person. Jacob then came back to Earie. “I thought I told you to stay away, Chuck.”

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olde

Buster Damm dare not enter the Circle of Orange again for fear of imprisonment but Clare, I mean, Wheeler took the chance. She wanted to look at that Lapara book again in Saturnia Saturn. She disguised herself appropriately, which was of course no problem now since she remained at least 74 to 75 percent clown.

“Hmm, a red-green ball on the bench beside it, neither color fully manifesting.”

She tried to sit on one or the other, but poses were all screwed up. To the book…

Oh cool. She could just *buy* it for L$0. Done.

Back to the Lapara pool!

—–

“Let’s see,” she said while floating and turning. “You just wear it like a HUD.”

She summoned Buster to join her in the examination. She could share the book with anyone.

Mentioned within are the High Mountain Road, Lapara Airport, Lapara Tibetian Monestary, and then Olde Lapara Towne itself to close.

So Clare Nova didn’t build a town in Lapara, she just owned parcels here. Perhaps still does. “Looks like we have some exploring to do, Buster!”

“Can I change out of these wet clothes first?” he complains, wishing again they had enough money to buy a proper room.

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Filed under **VIRTUAL SL, 0005, 0108, Heterocera, Lapara^, VHC City^

Safe means safe.

“Nice catch, mister. Know anything about Mister Lock locks by chance?”

“It’s ms., actually,” returned the lady fisherman. “Do you view fishing as a masculine sport young man, er woman?”

“Guess so. Maybe I just wanted an excuse to talk about locks. Because I know who you are. You are the keymaster, perhaps on a permanent break. ‘Gone Fishing’.”

Meanwhile, The Musician had given up attempting to play the nearby odd piano. Spilling water for keys. Stringy plants for piano strings. The American Standardbred horse Enola EM looks on amused.

He walks over to the small pond. “That her?”

“Yeah. What’s your name missus?”

“Chuckles. Like a clown. I was in the circus before earning the rank of keymaster. Keymeister is how we call it in the trade. But I can’t seem to teach the laypeople that. Would you like to see my clown face?”

“Oh sure,” replies Wheeler. “Wouldn’t we Musician?”

“Wouldn’t we what?” He had been distracted by the VHC Town skyline, trying to figure out where their “safe” plaza was in all that complexity. How did Wheeler find the keymaster out here so quickly?

“Take me back to your Collagesity and I’ll show you. Just send me a teleport invite after you return home. Now skidaddle.” Chuckles returned her attention to the wriggling fish she just caught. “I’ll bring this perch along as well. Maybe you can find someone to cook it for us over in your town. I can’t cook worth a lick. Can catch fish all day and all night but, you know how it is. Compartmentalization.”

“Sure, that’ll be fine Ms. Fisherman,” states Wheeler.

“Ms. Greentop,” the fisherwoman corrects. “Irish,” she adds.

“We have something to show you over there as well,” states Wheeler. “A painting we found near your shop. A puzzling one. Perhaps you can answer some questions.”

“Yes, in your town, yes. Not here. Too many ears. Ears are in hears.”

—–

“Which one bought her?” The Musician asks in confusion. He begins rummaging through his inventory.

“Me, of course,” returns Wheeler. “Who has all the money around here?”

“Yeah, I don’t see it. And I suppose you have the painting as well. That one was free, though.”

Wheeler checks. She has both. She makes sure the right group is activated, then rezzes. “Stand back,” she playfully warns.

“Oh wait. I have a funny one,” she then says, rearranging the objects. “Haha.”

Chuckles Greentop awakes, looks around. “That an actual honest to goodness Linden forest out there?” She points her rod toward the transparent front of the Blue Feather Club.

“Sure ’nuff is,” responds Wheeler. “And full of demons and other oddities. There’s even a fishing pond on the southern edge. Would you like to see?”

“Why not.”

“Musician, go over there to Collagesity West and change that Gloomy Gus into convex hulls. That should do the trick.” She returns her attention to Chuckles Greentop. “25 prims, Ms. Fisherman,” Wheeler scolds. “You come at a pretty price!”

“I’ve been around,” Chuckles Greentop responds.

“Ahem,” The Musician coughs. “The painting,” he prompts.

“Oh right. Well Ms. Greentop. Do you know anything about this painting beside you. The cat looks through a red door, but yet there’s a red door already opened. Two red doors, when there logically should only be one, it seems. We know you know about doors and how to get in and out of them. You must know about the red doors.” She looks over at The Musician, who stares back approvingly.

“It’s time to show my face,” Chuckles Greentop says instead. “If you look behind the door, you will see.”

—–

The Musician took a closer look after the change.

“Lame” was what he was thinking. But then the rest of the face transformed as well. They were frightened all the way back to VHC Town and their safe plaza. Lesson learned!

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2016 Year in Review 01

Another excellent year of creative work, I feel. On the personal front, the wife and I are both healthy and well and that’s the most important thing. Work work keeps chugging along for both of us. Our house is cozy and warm, but needs some remodeling/repair work, which hopefully will come sometime this year, perhaps in the late spring or early summer. But that’s relatively minor compared to the positive health report. My quite ancient mother is very limited in what she can do but still lives at home, with aid from a home health care company. I have to go down to help her about every 2nd to 3rd weekend (less in the winter, when the snow and ice limits my travel). My wife similarly has to help take care of her aging father. Our 2 adorable sibling cats are gracefully entering their middle age together, still as buddy-buddy as ever.

So that’s the personal stuff out of the way. To creativity…

Fictional Writing

This was the big change from years past. Starting in Dec of last year, I have created not one but two larger works of fiction, published only to the Sunklands site here, but both still legitimate books of sorts, I feel. I call these, simply, “Collagesity 2015-2016 Winter” and “Collagesity 2016 Later”. In the last several weeks I’ve been able to create web pages showing these blog originating texts in the correct and much more readable past-to-present orientation instead of the
the present-to-past direction of blog posts. Here they are:

“Collagesity 2015-2016 Winter”
https://bakerbloch.com/virtual/collagesity-2015-2016-winter/

“Collagesity 2016 Later”
https://bakerbloch.com/virtual/collagesity-2016-later/

As you can see, “Collagesity 2015-2016 Winter” is divided into 16 chapters, many titled for a specific character in the work. The plot evolution is peculiar — I guess peculiar is normal for me, however (smiley emoticon). It involves not a standard beginning-middle-end, carrying all characters forward from an introduction to a resolution. Basically speaking the last two chapters, “Moon of Moon 01” and “Moon of Moon 02”, make up almost an entirely separate section from the rest of the book. I would classify the plot-line through the book linear but not particularly developmental. And characters can change into other characters, like the Ancient called The Master appears to change into Lockfry/ Devil Dave who in turn changes into Bogota/ David Bowie (“Ancients”, “Lockfry”, and “Bogota” are successive chapter titles in the work, you’ll notice). I suppose a good rubric for it would be post-modern literature.

Going a little further in the analysis, “Collagesity 2015-2016 Winter” can also be divided into 2 halves of 8 chapters apiece which can be further halved into 2 more parts of 4 chapters each. The 1st 4 chapters kind of act as a long and sometimes admittedly convoluted introduction, where, for example, we have brief forays into the Real Life woodland area I call Whitehead Crossing, featured strongly in other parts of the blogs. Sidenote type analyses of my collages and and other surreal things/events are common in this part as well. But when we reach Chapter 5, “Ancients”, everything starts kicking into high gear. We begin to have that shape shifting ability of particular characters mentioned before, which drives the narrative forward in an unusual way.

Then in the exact middle of the book, at the end of Chapter 8 (“Woods”), we have a bond forming between long time Collagesity and Second Life characters Karoz Blogger and Baker Blinker. Although they’ve “known” each other for years and years now, as chronicled in the both the Baker Blinker and Sunklands blogs, it is only in “Collagesity 2015-2016 Winter” that they fall for each other emotionally. Then in the follow-up “Collagesity 2015 Later” book we find them getting married. In a way, both books are built around their relationship and fusion as seeming soulmates. But the bond is not without its troubles, especially illuminated through the character of (Wilson-)Wheeler, who only appears in the “Collagesity 2016 Later” work.

But I don’t want to become mired in heavy duty analysis here. This is a review of the entire year of creativity, not just fiction. So I’ll briefly touch upon the structure of the follow-up work and let it be for now. “Collagesity 2016 Later” is put together a little differently from the earlier “Collagesity 2015-2016 Winter”. First off, there’s a kind of bridge or prelude, as I put it, that links one to the other chronologically. These are found on the “Collagesity 2016 Later” front page and feature Sunklands posts from the 5 months starting in March and ending in July. Then in August “Collagesity 2016 Later” starts properly, and continues on in constant form (through 4 “parts”, each representing a month’s time) until at least the end of November and perhaps beyond a bit. And like its predecessor “Collagesity 2015-2016 Winter,” this later book terminates in an extraterrestrial environment, Mars this time instead of the Moon location for the earlier one.

So that’s a kind of introduction to these two “books”. I’ve written quite a bit of fiction in the past, but I believe these linked works represent my best effort to date. They depend heavily on the many Second Life snapshots accompanying the text. I feel like this fills in my weakness for narrative description.

Collages

For the first time since 2011, I didn’t complete a collage series in a calendar year. Yet Boos came toward the end of 2015, and I *have* appeared to start another series (Bogata — displayed in Castle Jack), albeit of slower development than the rest and a bit different in other ways as well. We’ll see how it goes.

Audiovisual Synchronicities (Synchs or Syncs)

It’s been a long *long* time since I haven’t created a synch for a particular year, going back to 1999 I suppose. It finally came about in 2016, but, again, I’m not too worried. Only 1 synch had been produced in the 2 years before 2016 (“Carrcass-11” in 2014 and “Carrcass-12” in 2015), so the slow down has been going on for a while after a type of landmark year in 2013 which produced 3 full synchs. I’m trying to generate energy for new audiovisual synchronicities through, for example, the Wheeler-as-Bowie character of “Collagesity 2016 Later”, and listening to a lot of David Bowie’s music after his untimely death in Jan of 2016. If you haven’t heard it, his final album “Blackstar” is an amazing work. Combined with the excellent “The Next Day” coming before it, Bowie went out on a high note for certain.

Audiovisual synching, like collaging, will continue into the future. It’s just that 2016 was focused on Second Life and the 2 books outlined above. Along with…

(to be continued)

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