Category Archives: 01

00510104

“In olden days it was known as Zambolis. Well. That wasn’t *exactly* true. It was Orient (as opposed to Occident) on a planet, a (defined) sphere, that kind of paralleled the world of Our Second Lyfe, correct.” We’d already established, long long ago, that this planet was called Mythos and was based upon my home county near but not in the NC Mtns. Close enough?

—–

“I got tired of hearing about soulmates from Kammie. I mean, we’re great *friends*, we get along remarkably well — all told, ha.”

“The Venus issue,” I guess again as Andie the foreign green or blue mid-sectioned alien kept speaking and explaining her position — positions. I’d speculated long ago what we were — but it’s more obviously what I’d call counterparts in my limited understanding of the cosmic subject. Like in Alabama.

“What is this Venus energy?” she said. I couldn’t tell if she was prompting me for an answer or if she already knew the answer. Because this was a sticking point. “Where did it all start?” she followed up.

Here. In Blue Mountain. Better get back to it.

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00510103 (return)

“He was on the other side of this glass window from me. I called out his name. Then I woke up. Then you asked me who Michael was.” He turned thoughtful, as if he knew and didn’t know at once. Just beyond the edge of consciousness.

—–

“Franklin! It’s me again. I’ve got to get through to you somehow. We met on the beach, remember?

“On the beach.”

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Filed under **VIRTUAL SL, 0051, 0103, Frank's Moving Castle, GTA, Jeogeot, Nawt Vaya+, NVFS

00510102 (the eyes within)

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Filed under **VIRTUAL SL, 0051, 0102, New Island, Omega

00510101 (center (old is better))

Sherwood needs to grow the f- up so I can get out from behind this drum kit! thinks Karl during another so-so rehearsal, fellow bandmember — *only* fellow bandmember (so far) — Chet in front and to his right per usual, with a new costume of his own. Welcome Robo Santa! Welcome to Scissorhands©. Karl’s? An ear of corn obviously in honor of his new hero Leptune from that kooky animation movie he’s been watching a lot of lately, also colored as such. The whole effect gives off a strong sci fi vibe, with both costumes appearing like space suits. Are they actually alien musicians beamed down from another planet to teach us all the power of universal groove? If only the music was as strong as the costumes and the idea, band manager Biff Carter worries from the side. Karl is adequate not great on drums. Chet is okay/passable as lead guitarist but the singing — the *singing*. Which of course makes him think of Shelley Jenny. Just like Sherwood, also too small, still crooning in her too high but otherwise pitch-perfect voice down at the docks for an audience of one. How’s it going with the search for that time machine, observing Charles Anson?! We’ll see where this goes. TBC

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Filed under **VIRTUAL SL, 0051, 0101, Jeogeot, Rodentia 02

00500116 (eyes attached)

This is *wrong*. So wrong that I almost skipped over it. Frank’s Moving Castle. AI!

Let’s start over again, then…

Under The Silver Lake.

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Filed under **VIRTUAL SL, 0050, 0116, C2077, California, City Center, Frank's Moving Castle, Google Street View, Jeogeot, Nawt Vaya+, Nevada, NVFS, Ohio

00500115 (dark and light)

I keep pushing and pushing, outward and outward, but I may have reached a limit. The Abyss.

I’m seeing things in the wrong places. JAX again.

On the other hand, there’s the magnificent Barkley’s Barnyard Critters videos. Rudy!

I pick back up the cane and run with it.

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00500114

“Okay, Father Fecked. Wake up. Time to go home.”

Father Fecked stirs from his slumber. “Hrmmmph,” he says, bottle still in hand. Always. Along with the cane in the other one.

“You’ve got to go, Fecked,” reiterates Daisy Flathead, running her bar again but underwater this time. Bull’s Bar. She’s just a manager this go around, with Bull aka “Yellow Jack” being the owner. But she’s okay with it. For now.

Father Fecked stretches, yawns. “Hrrrrrrrrrummmph.” Smacking of lips. He looks around, just realizing where he is. Oh yeah, had to crash here, he understands through the brain fog. Nowhere to stay. “I– have—”

“You haven’t got a place to go, yeah I know,” says Daisy. “Frank and I have solved that for you. You can return to the castle. You can have your old bedroom. Just—” Daisy stops here, decides not to mention the drinking, the night wandering around the castle. *Their* room that one time; Fecked and Philip *both*.  And they can’t lock the door; have to keep it phantom so *they* can enter. Stupid, primitive castle, she sometimes laments. But it’s such a nifty vintage build. There are advantages to old too.

More smacking of lips. Finally he makes eye contact with her. “My… *bedroom*?”

“Yes, Fecked. You can go back. You can return… home.” Hard to say that word for her. *Their* home, ugh.

Smacking of lips, looking around, then eye contact again. “Home?”

“Yeah. I just need to clear you out of the bar tonight. No Lag’s playing in a couple of hours and the place should get pretty packed. *Hopefully*. Because, you know, I need the money. Sea Monster set me back you see.” She starts cleaning the beer glasses “Go on, now. Shooo.”

“No… Lag,” he manages in his gruff way, turning toward the stage.

“Yeah, the local genius guitarist. Haven’t heard her yet. But she’s popular. Drew in over 35 at The Burg last weekend, almost broke the sim. She’s a known commodity, as they say.”

Meanwhile…

“We’ve thrown in this bed — just like ours, guys. I think you’ll like some of the new moves, he he.”

Philip looks around. “But where will I take my wees?” Now that the castle’s big tongue is gone, is the unspoken part of his question. Philip loves to dangle his willy off its tip and pee into the landscape below.

“Grass,” Frank instructs while waving. “All around.”

Philip decided that would have to do, or Nada did for him, eagerly eyeing the bed. TBC

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00500113 (Crawford County, Arkansaw this time)

“Dancccce for me Old Swwweetback!

“You can’t get away frommm me! I have the RETAR–

STOP

GO

“And so that’s how Rudy got paired with Cane, as in Cain. Graphic.”

He’d made a good point about the 4th collage exhibited in the Concrete gallery, right on the side of his detective agency. Background source image to close, he said. We build up from there… in the past.

He went back in the afternoon that one time, just to see what would change. Investigation continues…

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00500112 (creating concrete truth on the banks of Nawt Vaya)

“It’s not 3 X’s in a row, Hucka. It’s 3 bunnies. Happy belated Easter btw!”

“Thank you. Are we ready to talk about Concrete?”

“The gallery, you mean. And not the WA town.”

“Correct. Should you start or me?”

—–

“Father Fecked was pointing with his possessed cane to end photo-novel 49. But he wasn’t really pointing at the Anton pin stuck in the Anson sim below Nautilus Island. He was pointing to the future, to ‘The Point of It All.’ Thus the name. We can recreate the scene in the present by looking head on at the wall separating the two and seeing both sides. See?”

“Interesting, Hucka D. Strong start for you. So… you mean he was, um, pointing to the side of the VWX Detective Agency building and not necessarily at what’s inside.”

“Both in one. But: correct again. Just on the other side of the wall from him. In the future, when the Concrete gallery was actually formed in 50 and the collage was hung there on the side of Petty’s detective agency. That’s why Petty stated he knew where to place the time machine. He was standing in it (!).

“We can even pull him directly forward through the (detective agency’s) wall, see where he’s positioned in respect to the collage. What’s he staring at now? A crime! Vandal, just like the policeman assigned to the town is distracted from by the passing pretty lady. Pretty can solve it, I mean, Petty. Petty crime too, perhaps. And that’s just one meaning. He *knew* where to place the time machine,” Hucka D. reinforces. “And as I’m sure you’ll notice, Petty is inside the collage too, magnifying glass in hand. He studies monsters.”

https://bakerbloch.com/2017/05/12/53217/

Baker’s turn. Baker turns…

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Filed under **VIRTUAL SL, 0050, 0112, Cement Village, Cricket, Google Street View, Heterocera, Jeogeot, Key Shop, Nawt Vaya+, NVFS, VHC City, Washington

00500111

Barry De Boy heard he was in the collection and decides to check it out. No luck yet, but he’s only in the 1st room. “The Point of It All,” he uncovers the title of this work mysteriously stuck onto the side of a tiny house. Graphic Artist, he reads off of it, like user Baker B. is a type of graphic novelist. But maybe that’s just me thinking through a character again. Like a spirit I am, jumping from body to body, wheee! Even Wheeler’s, even the female. Man and wo-man alike, just like in “real life”. One of the points of it all I suppose.

Ahh, way up there! But he’s too lazy use the teleporters to get to the third floor of this particular Concrete gallery room today. Maybe tomorrow.

Soon, he finds himself again, 2 of hims, in the last room. In fact, he’s in the very last collage of the 40 piece set. “Barry Presents: Departure.” He wonders why the name has been changed. Genesis (band) to begin, he realizes, Genesis to end here (altered cover of their 1972 album “Foxtrot” to reduce, among other things, 4 horsemen of the Apocalypse down to 2). The foxy lady on her newly made island floats away from dangerous mainland.

Beginning again to double-check the image on the 1st (“Celebration: End of Rain”).

The anthropomorphic fox is obviously Peter Gabriel in a way, in a manner. Dancing with himself during his solo career, more man to woman exchange.

“Pageturner” next. Peter Gabriel understanding the loom of “Lamb” and having to escape its huge shadow. Sooo, he did! TBC

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