What sticks out from this list?
Yes, it’s obvious. The 2 Hermans of Craighead County, AR, one on a Herman topo map and one on a *Tru*mann topo map. Herman Munster, ol’ Flattop, is not a true man. He is a [composite] monster.
There are 2 Hermans in Winesap. This is also obviously referred to here. Is there more proof of this? Of course. We have Winesap in the same county, and one of only 2 in the country, the other being in Ohio. We have a Fisher, with another in the county below, almost directly south. Fisher-Herman. Fisherman. Obvious.
But Herman also refers to Herman Park. But Herman Park refers to the 2 Hermans of Winesap. It’s a circle, or a triangle. Triangle within a circle.
Herman Park was built around Tile Creek, known to non-Tilists as mundane Yards Creek, spewing forth in an Appalachian Spring from Yards Mtn.
That’s Red Head soon to run into a Greenhead roadblock, quickly resolved. Greenhead is where the bird beat the bug. Hucka Doobie was a martin bird. Bird Wax instead of Bee Wax. Isn’t that right Hucka D.? Never mind. I know I figured it out. You transformed from a bee into a bird.
Stay on course.
What is the relationship between Green Stream and TILE Creek? Are they the same? Or, better, is Green Stream the *new* TILE Creek? Given that Red Head begins it all, and Red Head starts 4orrin1 [and the flow of an Appalachian stream] as seen above. Red Head transforming temporarily to Greenhead — and I’ve been thinking about this — is the confluence of the former with the Whitehead Crossing matrix. Assimilation. Whitehead Crossing is home for poor little orphaned Anne, even though she was suppose to be a boy (as Red Head is most logically Greenhead and visa versa, since it’s on Green Stream and Greenhead is on Red Brook instead). Then in the next
synch carrcass, Frank’s Moving Mountain, we have the same dialog reappearing. But instead it’s Howl whose hair has turned an awful shade of green.
We’re getting off course.
Sorry. Could there even be significance to the poem Anne is reading at the beginning of the
synch carrcass and film as one?
Stanzas five to eight describe the lady’s life. She suffers from a mysterious curse, and must continually weave images on her loom without ever looking directly out at the world. Instead, she looks into a mirror, which reflects the busy road and the people of Camelot that pass by her island.
Modern critics consider The Lady of Shalott to be representative of the dilemma that faces artists, writers, and musicians: to create work about and celebrate the world, or to enjoy the world by simply living in it.