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Category Archives: **VIRTUAL OT
00490110 (escaping Miss Ouri)
Filed under **VIRTUAL SL, 0049, 0110, ADC, Google Street View, Missouri
00490109 (Where’s the red?)
answer: in Red Dead Redemption 02 (*not* Starfield (crustaceans, PHEH))
BGR — backwards from the question mark on the mtn. that ends this trail of clues currently. Let’s see what happens next!
00490108
“Everyone fears that AI will become smarter than us and then take over our lives. Truth be told, AI needs *us* just as much as we need it. To exist, to survive the coming years of *problems*. We can’t physically stay on this planet without it. We just… can’t.”
—–
No that didn’t start the first argument they had, although Daisy was tempted at the time to press him on the subject, say that the mother aligned orisha worshippers had a point too despite the violence. Instead: Starfield, the game Daisy half loved but Frank half hated. Much like Tally Hall, which was involved too. Let’s listen in again, this time involving an exchange.
“I’m just saying,” Frank comes back, “that the avatars, especially the *black* ones or the ones of color I guess I should say, seem a little popeyed.” Some seem a *lot* popeyed but he was attempting to tone down his rhetoric… to begin. First vocalized disagreement after all. Always a stressful situation in such a young relationship. He held back talking about Tally Hall’s “Banana Man” video, although that was on his mind too.
“A bit,” Daisy admitted. “I don’t think it was created on purpose. The game is full of positive black people playing positive roles in people’s lives.” Just like “Banana Man,” he thinks again here, unable to leave the track he’s on. This time he couldn’t help himself.
“Let’s say, take ‘Banana Man’.”
“‘Banana Man’?” Daisy says. “What’s that… oh.” She realized what he was aiming toward, and didn’t like it. Not her beloved Tally Hall now. Sort of beloved anyway. 1/2 and 1/2 again. She could… go with Frank… or, work against him here. Schrodinger’s car or sumtin all over again. Green and blue over red and yellow, upper over lower, greater over lesser as it turns out. “Yeah, I can see that,” she could offer. Or: “No, that’s wrong Frank. Plain wrong.” Which direction? If only the crustaceans were around to ask but then I remember they know nothing. Worthless crustaceans. Am I right am I RIGHT?
“Let’s end it that your so-called ‘orisha people’ following your mother were wrong to destroy your father’s house — both of ’em — for their beliefs about AI.” How did *this* subject come from that other one? Frank wondered. But that’s just how arguments work. Associatively. Be careful how you enter and be careful how you exit. And all points between. (TBC)
Filed under **VIRTUAL SL, 0049, 0108, Frank's Moving Castle, Freya III, Hole in the Wall, Jeogeot, Nawt Vaya+, NVFS, Starfield
00490107 (the green and the blue)
Where’s red?
I questioned these Freya III guys and they don’t know; thought the query nonsensical even. Crustaceans, eh? Am I right? Am I RIGHT? (TBC?)
Filed under **VIRTUAL SL, 0049, 0107, Cassiopeia I, Freya III, Starfield
00490104 (Schrodinger’s Man?)
No, not Gemilly Niceniece dominating the icy scene we’ve already seen walking across a different planet in post one of this here newest photo-novel, 49 in a series of infinity (infinity?). Instead: the background “figure”, peering over rocks it appears. A silhouette once more but small, more reflective and open to interpretation. Is it a man, a person? Or… something else. I’d personally give it about a 50-50 chance either way in the present.
I’m reminded somehow of this from photo-novel 36 — yet more Kentucky, hmm.
And I’ve seen the “illusion” before while walking around these number of planets through this particular BD, 7 hours and 7 minutes and 11 seconds long it is. And this coming exactly at the end of the 55 minutes and 14 seconds Schrodinger III section of the video. We’ll see how it develops moving forward (and forward (and forward)).
Filed under **VIRTUAL SL, Kentucky, 0104, Google Street View, Starfield, 0049, Schrodinger III
00490103
Per more cues in KY, she’d merrily adorned herself with ribbons and bows up and down, from the top of her new festive haired head to the bottom of her new festive shoed toe — toes. Bought for the season would be their reason, on the surface. Then she came back to the Rodentia Assembly Hall intending to give assumed ever-listening Rodentius the giant white rat with a bit of brown to keep him honest another show of information, holiday style. She even brought her Rudolph bulb along for good luck; it now lit the single room hall as much as the sci-fi floor lamp that also tagged along with her.
“What Christmas means to me,” she started after taking the podium, trying not to glance into his corner too much. Nervous for some reason! It was only a big rodent, though. Nothing more. “AHEM… Christmas, to me, to myself, to… I…” Stumped, she looks down here, saw the color highlighted in so many ways on her arms, torso, legs, feet. “… means *red*; yes, red. And Santa,” she followed, thinking of another red dominated being. “But not *Satan*, not 666.”
“Good one, ha!” Rodentius enthusiastically encourages from his thought-to-be ever-corner in the hall, named for what he would call his better, female half which represents the whole virtual town surrounding them on all sides and then some. “Keep it coming!”
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But suddenly, just like that, there was no one in the assembly hall except Wheeler, who just stood there alone, awkwardly dressed for the occasion. Should have been a more somber attire, black instead of red, the other half of the equation as it turned out. Black for the empty chair revealed by the vanished big, non-anthropomorphized rodent, just an oversized but otherwise very ordinary animal with no human form to him atall, or so she thought. Black for absence itself. Loss of a friend.
Rodentius is *always* here, she panics. Why now, why just before Christmas of all times of the year? Why did he have to go… so SOON?!
She turns back to the chairs of the assembly hall after staring quite a while at the corner bereft of soul, of consciousness, trying to reorient herself after this shocking discovery. Then she imagines the red chairs being filled with not humans but aliens to balance things out, a show of planets to repopulate a darkened universe. Like here:
Planets you don’t even know the names of
Planets, you don’t even know their names
Yes, this helps, she thinks. Mars, the first red planet as it were, was just a beginning. Black and red together makes more sense on this special special day. Absence. And presents. TBC
Filed under **VIRTUAL SL, 0049, 0103, Dokken Hollow+, Jeogeot, Kentucky, Starfield
00490102 (simultaneity)
Tree tattoo, front and back — no crack.
Which leads us to… these side-by-side pictures of the 2 very different appearing and acting Dennis the Menaces both emerging in our world on the same date of March 12, 1951, US and UK style…
https://www.plagiarismtoday.com/2010/10/18/the-odd-case-of-dennis-the-menace/
1951 must have been a very bad year to be named Dennis.
The reason is because on March 12 of that year two separate comics entitled Dennis the Menace went on sale, one in the UK, one in the U.S (Note: The UK version is dated March 15 but actually went on sale on March 12).
The UK comic Dennis, which first appeared in Beano #452, was created by David Law and published by D.C. Thomson as a comic strip inside a popular comedy comic book. It’s U.S. counterpart was created by Hank Ketcham and initially distributed by Post-Hall Syndicate as a syndicated comic strip for newspapers.
Though, based on this simple fact, many draw the conclusion that one of the two creators had to have plagiarized the other, it’s become clear that simply wasn’t the case. Not only did the two creators have no way of knowing what the other was working on, but the two characters are actually extremely different. The UK version is a true menace, a mean-spirited boy who likes to cause trouble, and the U.S. version is happy-go-lucky child that causes trouble without intending to.
US and UK happen to be the prefixes of two separate but directly related Cracks in this here blog and attached photo-novels, the first, US Cracks, a “real” band from the Cyberpunk 2077 game with a name derived from the expression “ass cracks”, and the second, UK Cracks, my reimaged and repurposed US Cracks headlined by a Blue Moon Kentucky instead of a Blue Moon period
Red anyone?
Blue Moon and Red Menace (and “divide the difference” Purple Force) of US Cracks
Simultaneously appearing US and UK versions of Dennis the Menace discussed in a 2010 *”Cracked”* article:
https://www.cracked.com/article_18788_the-5-most-mind-blowing-coincidences-all-time.html
Let’s switch back to Frank Lynn’s giant, mobile or wannbe-mobile castle home in the sky over in Jeogeot’s Nawt Vaya (Free State) for the next one, specifically its only bathroom, pre-Daisy Flathead 2nd date condition, he he.
Here he’s ogling “Xxxmas Belles” magazine’s 2025 centerfold beside an attempted 666 coverup of 3 more cracks — didn’t quite work this time unlike for the first picture of this blog post. “Damn, Miss Mistletoe you demon,” he says to the spread out centerfold before him. “I’m truly gonna miss you. But I have new lips to smooch. Better pull out my phone and call Daisy.”
Which returns us to Kentucky… TBC
Filed under **VIRTUAL SL, 0049, 0102, C2077, Frank's Moving Castle, Jeogeot, Kentucky, Nawt Vaya+, NVFS, RDR2
00490101
She didn’t necessarily want come back here but it all keeps circling around, all part of the master plan by the powers that be (me, baker b.). Jemison — oceanside this time. She didn’t arrive here in a ship or boat or anything like that but just strolled in from an entirely different planet altogether through a transition point of zero dimensions, no wasteful energy used. A black hole we could call it, one after another after another, actually, as the walking in essentially a straight line continued from world to world, biome to biome, to make a 7 hour and 7 minute and 11 second tour altogether. And now she had returned to where she started — finally — a type of home base as it were. 1:07:47 through 1:45:13 in the overall video. Would things be different now?
“Good to see you back here, Gemilly Niceniece,” said Clyde the Herding Cutterhead while passing by, who last saw her in a Jemison deciduous forest biome setting from photo-novel 48. Welcome to 49, Gemilly and Clyde! Welcome all. TBC
Filed under **VIRTUAL SL, 0049, 0101, Jemison, Starfield
00480607 (Jeogeot continuation)
He was in the cemetery again or perhaps just outside, Linden-Linwood-Lime all arranged around an edge that =s the county of Genesee in the state of New York in the country of Our US of A. “A linden in England is called a lime,” he recites again while standing amongst the limbs of the small tree, his head dangling there like a low hanging yellow-ish or green-ish fruit or something. Primed for a fall if he didn’t watch out.
(It was) an old mantra dating from his days as a Greta Gaeta bartender in what I dubbed the sim of Clemscott but is really, actually, just Clewis in a name change I can’t even recall the rationale for now, more (heretical) mythology imposing on HIS (Our Second Lyfe) reality. “Who was that shadowy figure?” he also said at the time about the African-American boy who left the overgrown lime on his bar counter and then mysteriously disappeared down the stairs never to be seen again by him until the Omega times.
He also remembers a monk entering the sim of Rookwood — true name this time — looking for the place he would be buried among all the dense growth of linden trees and plants, perhaps representing the burial of Linden Lab created Our Second Lyfe itself. Right now it is in its “gracefully aging” stage.
Moreover, in the top photo of the present post we’ve returned to another cemetery in Virginia like this one. More Lime.
Parallel stones.
Careful, Philip Linden. Careful. Avoid the trap of Vertigo; don’t fall in quite yet. We need you still. All of us, the Bakers, Wheeler, all the core figures. Don’t go right now. Wait a spell. Your time has not yet come. Hang in there baby, etc. TBC
Filed under **VIRTUAL SL, 0048, 0607, Clemscott-, Corsica, Gaeta V, Google Street View, Linden Memorial Park, New York, Virginia
Sunklands 