The Boos Gallery is definitely coming to town (!). The insertion is changing things around it.
Below is a brand new street with cannon pointed at a line of Rubi Woods eucalyptus trees in the distance. I’m tempted to call this Line Street. Cannon Street? Presently it’s really the only official throughway in Collagesity. 6 structures surround it, 3 to a side.
Looking south from the cannon.
Castle of the 7th Spire remains. There are 2 castles, small and large, and both on the western side.
A number of additional residences have been placed within the city.
Town Hall has been moved from Collagesity Heights down to [Cannon Street]. Mr. Bean still assists in the bumbling way he can.
Temple of TILE seen through the Castle of the 7th Spire’s arch. Baker Bloch is almost inspired to paint.
The new Tower Central, in approx. middle of Collagesity. My plan is for it to be a portal into the village. It also acts as a gateway between Collagesity East and Collagesity West. It’s good for the town to have a healthy rivalry between its two sides. Will help generate new stories.
And Collagesity Heights directly above this center is still around, but much reduced. Ground rules now. Tower Central (left) allows access. Church of the Red Door (right) is still there. Nice picnic area.
It will be cool to have Collagesity for the winter months. 🙂
I want to create another Boos interpretation post this morning but I’ll get more speculation about the future or non-future of Collagesity out of the way. Here’s what I think I’ll do now. I will *hold onto* Minoa for at least Dec and Jan and perhaps Feb, and then in March ditch it and move my virtual home to Nautilus City. Apparently I can get a double prim 1024 plot there about any time I want — reasonable rental, like I have now — and with that relative assurance, can play out my hand in Minoa. As I’ve found out in the past, the dead of winter is not the best time to downsize in Second Life, really. I’m trapped inside more, on the computer more, have more days off as well. I have about the ideal amount of land for Collagesity in Minoa. My only complaint is that it’s stretched out a little too much east to west, but everything still seems to fit. I have a nice spot for the basically finished Boos gallery. I’ll have a lot of prims left over for experiments on the ground and in the sky. I’m still right next to the clearly magical Rubi Woods.
Nautilus City is longer term. Minoa is shorter term. With that in mind I still plan to explore the former and log my findings into this here blog. That’s my decision for now. I won’t renew my NC plot. I’ll move the Boos gallery currently on that plot to Minoa. Thanks for listening.
Land sale cancelled for now. This is possible location for the Boos gallery there. I’ll have to make a decision between Minoa and Nautilus Cy. for the location soon — and where to place it in NC, if the latter. I have the opportunity to move up, literally, to The Citadel (circular higher ground marking the center of the city). Or I just stay where I am near the Punic Woods.
It could go either way. It could go either way.
—–
Carr. speaks to say she’s not ready to speak again on this blog. I wonder if I choose Rubi/Minoa over NC that she’ll open up to me once more. New chapter in the town history?
Collage 05, “Simpsons Road Bloch”, represented a small jump up in engagement for me with the developing art series. While the setting remains Boss, Missouri for this, in the air here we have the insertion of a portion of virtual Collagesity’s sky tube, still present in the Minoa sim as of this writing. While collage 03 now also contains Second Life images, that was actually created in the future, at the end of the series, and inserted into the past here to fill an important gap. Collage 05 hasn’t gone through phases like that. So this is really the first time that Second Life images enter the Boos works in chronological terms.
In a somewhat similar way, the Gilatona-Lis picks up speed early on when I start inserting Second Life images, especially with collage 04 (“Eclipsed Marge”) seen here:
Gilatona-Lis also begins with a number of Google Maps/Earth Streetview images employed as bases for collages, just like with Boos now. I believe that’s the first time I used such images in my work.
Specifically, collage 05 of the new series plays with the idea of a Google Streetview anomaly, coming in the form of an apparent “creature” seen beside the road in Boss, Missouri very near the rock house centering collages 01, 02, and 03 (which can still be seen to the left in the current collage). Resident blog spirit Hucka D. has claimed this is a sighting of an Oz Wheeler, a crazy hypothesis on the surface which made more sense when I compared online pictures with what we have here. So for collage 05, I simply juxtaposed the image of a “real” Oz Wheeler, culled from an online movie still of 1985’s “Return to Oz”, with the Google Maps “Wheeler”. I must admit it makes a nice match.
The “Wheeler anomaly” in Boss, MO
The culled or collaged-in Wheeler in the road seems to call toward his mate to the right, perhaps in recognition or perhaps in warning. Standing between them are the Simpsons toys, the “road block bloch” of the collage’s title. I now believe they represent another intrusion from the future, unconscious this time. “Go no further in this direction,” Homer Simpson seems to exclaim in his bumbling but good natured way. And so I didn’t. After this collage I left Boss, Missouri behind for good in the series. But a revisit to events surrounding this particular Streetview anomaly might be in order soon. We’ll see.
Note should also be made of the hand to the left side of collage 05, which is the same as Oliver Douglas’ from the previous collage. The hand still holds the seed, and hovers over the very spot of the parked car discussed in collages 01 and 02. We can now guess that the seed represents more the license plate of the car than the car, judging by its size here. The hand may be attempting to bring the license plate/seed “home” to the car, even, another cycle of completion.
And we’ve already talked about the next collage, “12 Oz Mouse Mound,” a bit in the Boos overview posts. The base location now is Second Life itself and not Earth (First Life), specifically Nautilus City, a prime Second life destination designed in a Phoenician style theme, and where I decided to locate my Boos Gallery for now holding the virtual rendition of the series. A meteor falls toward 12 Oz Mouse’s head from above, seemingly, while flying Baker Bloch looks on, perhaps unaware even of the meteor’s presence since it is above him a bit. Is his hand/arm also in danger of being hit? But certainly Fitz (12 Oz Mouse’s actual name) sees it judging from the expression of shock on his face. What happens when it lands? Fitz’s head becomes the meteor.
Similar to collage 05, collage 06 here presents a landscape anomaly. Hucka D. once again weighs in to claim that the terrain jut at Nautilus City’s main harbour area is actually suppose to represent Fitz, or at least his green oval torso. And specifically an image from the 12 Oz Mouse show where Fitz’s head gets hit by a meteor while he lays on the ground in a state of drunkenness. Well, he’s always drunk in the show. Hard to explain. But in the show the meteor really means nothing. It’s meaning translates to *this terrain jut* and even *this collage*, Hucka D. has more recently claimed. Once more, an image or event from “12 Oz Mouse” acts as a door into a parallel dimension; this has happened again and again now, and is especially vivid in the carrcasses. We’ll probably get back to that pattern soon enough.
Collage 07, “Head Brains”, is similar to collage 04 in that the base image is a still from a movie or tv show, in this case the 1968 movie “Head” featuring pop rock sensations The Monkees. This is, once again, audiovisual synchronicity related, a running theme for this section of the collage series apparently. In this case, an important juncture point in the synchronicity “Head Trip” is seen where Frank Zappa confronts lead Monkees singer Davy Jones, challenging him to spend more time on his music because the youth of America depends on him and his band members to “show the way”. Then the cow between them chips in by saying that “Monkees is the craziest people”.
An important statement, looking at it again, is Zappa saying that Davy’s song he just sang in the movie is “pretty white”, with Davy replying: “So am I, what can I tell you?” The audiovisual synchronicity “Head Trip” featuring this movie is all about the back and forth toggling between yin and yang forces, black and white, with the “Head half” (featuring Monkees’ *visuals*) being white and “Trip half” (featuring Zappa’s *music*) representing black. In collage 12 we’ll return to this concept. No Monkees music is heard in “Head Trip”. And this is the only time we see Zappa.
Tonight I experimented with tripling a Moard Ling House 110 to again connect Collagesity with Collagesity Heights.
But upon also rezzing it on my remaining Nautilus City property, realized it was just a bit too awkward. Instead, the newly developing collage series will perhaps be housed in a single version of same. Whether or not this gallery will ultimately exist in Minoa and Collagesity or Nautilus City and a post-Collagesity environment is yet to be determined.
Carrcassonnee, I don’t seem to be able to give up the idea of a virtual Collagesity, despite the Sunklands site being fulfilled to this point, despite the money involved.
Carr.:
Not that much. Keep Collagesity. Another story to come. Build up.
bb:
Bigfoot is pretty much closed up for the winter.
Carr.:
Not so much. Weather will depend. And now you have, let’s say, Ridge Edge. Redge.
bb:
Redge: good. What’s the story on that? Can you tell me?
Carr.:
Redge separates, let’s look, Rediscovery and Bigfoot, but closer to, let’s see, latter. Ladder.
bb:
It’s about halfway in-between the two, yes.
Carr.:
And then you have, let’s listen, Afterfoote?
bb:
Yeah. The secret centerplace of Bigfoot, as I’m seeing it.
Carr.:
That’s where you should build Collagesity. You have all winter.
Place name: Boss
Description: A village in eastern Osage Township. A post office since 1902. Named after Marion Nelson, who was “Boss” of the lumbering crews. (Postal Guide; Plat Book (1933); W.L. Nelson)
Source: O’Brien, Anna. “Place Names Of Five Central Southern Counties of Missouri.” M.A. thesis., University of Missouri-Columbia, 1939.
Place name: Bixby
Description: A small town in Dent Township, with a post office since 1910. Named for William K. Bixby, official of the American Car and Foundry Company. David Cureton obtained a post office at Red Point (1887), so called because it was located on a hill of red clay. In February, 1906, it was moved to Bixby, two and a quarter miles east of Red Point. (Postal Guide; R.M. ATLAS (1939); W.H. Copeland; F.D. Cureton)
Source: Zimmer, Gertrude M. “Place Names Of Five Southeast Counties Of Missouri.” M.A. thesis., University of Missouri-Columbia, 1944.
Place name: Buick
Description: A town in Dent Township, with a post office since 1921. Named from a Buick car, the first one brought into this part of the country. (Postal Guide; R.M. ATLAS (1939); W.H. Copeland)
Source: Zimmer, Gertrude M. “Place Names Of Five Southeast Counties Of Missouri.” M.A. thesis., University of Missouri-Columbia, 1944.
Boss Man Hanks showed up in my forest (Rubi) just after I finished this post. No lie. He was riding a horse apparently, and is hidden in the photo by the interface. He’s very old! (2003)
I was there attempting to figure out if I wanted to sell a 4096 parcel next to the forest. An avatar offered me $5000 lindens for it today (*not* Boss Man Hanks). What does his appearance mean — one way or the other? He decided not to enter my land (green) and rode north instead, following the east border of the forest. He stayed in the woods.
I’m glad that Hucka D. is starting to attend meetings with Carrcassonnee. Or should I refer to him as Hucka Doobie now? hehe. We’ll see how long it lasts. Short attention span that man-insect has! But I get the gist. Carrcassonnee’s diner is symbol of Hand Lake, as the larger TILE Temple that she originally inhabited in the newest version of Collagesity is Drink Lake. We know now that the two, in real life, are directly north and south of each other — as the temple and diner were (as well) in fake or virtual life. That’s another link or resonance. Further, both Hand and Drink are drinking lakes, and have a water plant nearby that also have a direct north-south relationship. Directly. Hucka D. has stated that a Fringe event has happened in the center of Hand Lake in past/present/future, and *caused* The Finger. Interesting theory. Carrcassonnee seems to back it up but unsure still. The rock in the Collagesity diner is supposedly owned by Peter SoSo, who may be the same as Fringe’s Peter. Carrcassonnee might even double for Olivia, as we’ve talked about before. LINK
—–
If there’s something to all this, Reiden Lake must figure into the mix, a place linking the two realities of Earth depicted in Fringe….
I’m getting hints that Hucka D. doesn’t want me to talk about that much yet. So let’s go here instead: the image of a lake as a hand that basically seals up the whole Falmouth collage series, acting as an Omega element…
(The actual lake in the extended collage) is Tarn at Leaves near Stonetwaite. TaL is filled with algae, as I know Hand Lake is now when visiting midday this past weekend. Mr. Bean has become one with the lake or tarn; seems to be laying down on its shore and drinking from it or perhaps even drowning in it — becoming one with it either way. Same basic color. Then extending from *his* body is an upright map version of Lake Horton in Nauvoo, Illinois, a place famous for the death of Joseph Smith, prophet and founder of Mormonism. The lake contains a single island which is called Gilligan’s Island. And the lake is shaped like a hand of sorts.
The Great Rubi Woods is the only link I have remaining in Second Life. It still gives off energy.
Carr.:
You’ve been there almost year! One. How you can give up?
bb:
I don’t know Carrcassonnee. I suppose I’ll rebuild Collagesity.
Hucka D.:
No. Give it up.
bb:
Clarify. You said that earlier (in the meeting).
Hucka D.:
I won’t leave again.
bb:
Thanks.
—-
(20 mins. later)
“… said you wouldn’t leave again.”
Hucka D.:
Sorry. The baby needed milking (again).
bb:
Strange.
Hucka D.:
Backwards I know.
bb:
I know backwards!
Hucka D.:
Yes. So to Lisa The V. She needs your help. She is not *done* with the project, only resting. Herman Park is not a done deal. Fluid. Still. We have a Fringe event. Central one.
bb:
I see.
Hucka D.:
No you don’t.
Carr.:
Where’s Carrcassonnee??
—–
(2 hours later)
bb:
If I go there will I be square?
Hucka D.:
I’ll turn that over to Carrcassonnee. Goodbye for now! (Hucka D. buzzes off)
Carr.:
I Carrcassonnee! I help.
bb:
You sentences are clipped tonight Carrcassonnee.
Carr.:
Clipp. ed.
bb:
What do *you* think happens in the center of Hand Lake? We’ve heard Hucka D.’s tale.
Sunklands 