Category Archives: NVFS

00490106 (speed limit)

“Oh I hate removing all these beautiful decorations and then taking down the tree. Can’t we keep it up for a while longer, Frank Lynn? Please? Pretty please?”

“I told you, dawg,” he said while continuing to finger the difficult Spongeberg invention, #3 he was working on this particular day I believe. Full of Middle C’s in an attempt by the composer to make the path more clear, but still a very windy and twisty journey indeed. One he still can’t fully navigate to its end. “We don’t have to take the tree down until New Year arrives,” he continued his explanation.

“But… Nada is arriving at 7. For our dinner. Philip and Nada together. Two teams.”

“Frank stops playing, pivots in his bench to look over at his own (new-ish) girlfriend Daisy, realizes the mistake made.

“*No*, not *Nada* New Year. Just the New Year — dawg. The first of the year. It’s tradition that you don’t have to take down Christmas trees — for most people — until New Year’s Day the week after Christmas.”

Daisy stands back, gold ornament still in hand and not the collecting box. “Oh,” is all she could say, and proceeds to hang it on the same limb she retrieved it from not 30 seconds ago. “Good,” she said while putting more on formerly plucked. “Good good good.”

—–

“Where’s he now?” Daisy asks about Frank’s oft times visitor Dr. Mouse. Like House but different.

“Place called Linesville PA,” Frank answers from across the table. They’d finished eating (salmon and brown rice and mixed vegetables, yum!). Now time for leisurely chatting before cards (bridge? rook? Mille Bornes even?), catching up with all the latest local news and stuff. “He’s wondering why it’s so close to the PA-OH line,” Frank continued, “about 5 miles if I remember correctly, but not named for that. He’s also indicated Glenn Islands next to Ford Island in the same area and something about the possibility of watching a lot of Glenn Ford movies when he gets back, hogging my video feed again, pheh. Maybe time to think about that 2nd screen?”

“I’ll chip in,” chips in Philip to his right, partner Nada New Year across from him as Daisy is to Frank.

“Well thanks, Philip. Nice of you to offer. But as I recall, you didn’t bring any actual money over after your, er, *conversion* from Alamo to Nawt Vaya here.” Unlike me, was the unstated jab; Frank planned his metaverse jumping quite a bit more carefully. “That’s why you live with Lexi.”

“Oh,” says Philip to this, remembering that fact. “Right. Which reminds me. Nada you got a tener you can loan me for a while? Need to pay off Frank for my bets the last time we played. Right Frank?” And he hits Frank’s nearest shoulder with his fist — pretty hard. Because he’s pretty mad about it. “Good to, how you say, *square* up before we start, huh?”

“Keep it, dawg,” he says while glancing at Nada, who remained silent, maybe even looked a little sleepy. Was she up for this tonight? “I — again — appreciate the thought.”

“Okay, good. Great — that’s great. Even steven, then. Soo… what’ll it be tonight? Rook?” Philip was always up for a game of rook, his favorite. But Daisy preferred bridge and Nada and Frank preferred Mille Bornes, at least for tonight. So the majority wins and Mille Bornes it was. Philip mumbled something about preparing to lose again since it wasn’t *his* game, but then dealt the first hand and started to get quite into it before the end.

—–

Nada, can you loan me a twenty? he said as discussion of cards was brought up the next week after another delicious meal (poached eggs, steamed green beans, something bread related) and catching up with local news and such. Frank was just that good — naturally. Let’s call him a card savant although I know that term is usually reserved for precocious children(?). If only Spongeberg came so easily. TBC

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00490105 (La Center (‘nother one))

“FrankLYNN!!!”

“Oh god what is it now?”

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00490102 (simultaneity)

Tree tattoo, front and back — no crack.

Which leads us to… these side-by-side pictures of the 2 very different appearing and acting Dennis the Menaces both emerging in our world on the same date of March 12, 1951, US and UK style…

https://www.plagiarismtoday.com/2010/10/18/the-odd-case-of-dennis-the-menace/

1951 must have been a very bad year to be named Dennis.

The reason is because on March 12 of that year two separate comics entitled Dennis the Menace went on sale, one in the UK, one in the U.S (Note: The UK version is dated March 15 but actually went on sale on March 12).

The UK comic Dennis, which first appeared in Beano #452, was created by David Law and published by D.C. Thomson as a comic strip inside a popular comedy comic book. It’s U.S. counterpart was created by Hank Ketcham and initially distributed by Post-Hall Syndicate as a syndicated comic strip for newspapers.

Though, based on this simple fact, many draw the conclusion that one of the two creators had to have plagiarized the other, it’s become clear that simply wasn’t the case. Not only did the two creators have no way of knowing what the other was working on, but the two characters are actually extremely different. The UK version is a true menace, a mean-spirited boy who likes to cause trouble, and the U.S. version is happy-go-lucky child that causes trouble without intending to.

US and UK happen to be the prefixes of two separate but directly related Cracks in this here blog and attached photo-novels, the first, US Cracks,  a “real” band from the Cyberpunk 2077 game with a name derived from the expression “ass cracks”, and the second, UK Cracks, my reimaged and repurposed US Cracks headlined by a Blue Moon Kentucky instead of a Blue Moon period

Red anyone?


Blue Moon and Red Menace (and Purple Force) of US Cracks

Simultaneously appearing US and UK versions of Dennis the Menace discussed in a 2010 *”Cracked”* article:

https://www.cracked.com/article_18788_the-5-most-mind-blowing-coincidences-all-time.html

Let’s switch back to Frank Lynn’s giant, mobile or wannbe-mobile castle home in the sky over in Jeogeot’s Nawt Vaya (Free State) for the next one, specifically its only bathroom, pre-Daisy Flathead 2nd date condition, he he.

Here he’s ogling “Xxxmas Belles” magazine’s 2025 centerfold beside an attempted 666 coverup of 3 more cracks — didn’t quite work this time unlike for the first picture of this blog post. “Damn, Miss Mistletoe you demon,” he says to the spread out centerfold before him. “I’m truly gonna miss you. But I have new lips to smooch. Better pull out my phone and call Daisy.”

Which returns us to Kentucky… TBC

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00480616 (hands a blazing)

“I know how to beat Mouse’s high score and get away from the fire of Little Hell for good, Frank. Red car!”

“And *I* know how to beat the difficult score before me too, Philip my oft times housemate. Red note to also constantly remind me of middle!”

PLAY.

And hoped for, 2nd, even more oft times housemate Daisy makes 3. Er, make that *5*.

END OF “SUNKLANDS 2025 LATER”!


PREVIOUS HOME

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00480615

“I- don’t know where I am!!”

“Wait a minute. Yes… yes I this I *do* know where this must be,” Mouse rectifies as his head stops spinning around an unknown center and the earth moves up to meet his feet, giving him balance on the perch above the trees. True earth, and not that fake crud up down sideways in Our Second Lyfe. “Bill,” he says, looking down. “This must be Bill again, a, um, reduction from the mountain in Maine. As, yes, mass turns into energy for locomotion… across the landscape. I *remember*.”

—–

“I forgot to tell you — I got a postcard from Mouse today,” Frank says after he puts his hands on the planchette to begin. “Turns outs he’s in Vermont, not New Hampshire.”

“Interesting. Okay… back to the game.” Philip also touches the planchette from his side, which then rather quickly spells out OLD ZIRCON. The self described phased-out Byzantine devil ends up giving them the answers they both need and desire. tbc

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00480614

Afterwards she provided more details about her father. Finally. “He lived on top of a mountain but not that one, the one we talked about before.”

“Okay,” I said, thinking of my own mountain, my own castle here. I don’t live on top — not yet anyway; working my way up there with the positioning of this bed behind the eyes at the top of the spiral staircase; just for more privacy on this special special occasion (!) But instead more in the middle where the great majority of my things are still, like my notebooks, like my piano. Just behind the mouth and that gall darn big tongue sticking out from within. The one Philip likes to take his wee-wee’s off of between games of High Speed, ha. Hmm, wee-wee again. Pee pee, I restated in my mind, to match Daisy’s progression of the phrase in moving from real to virtual back in ’12, she revealed.

“They torn down his *house*, Frank,” she just blurted out. “It was awful. Just because he was a rich white man in a poor black country-state working on stuff they couldn’t understand.”

“I’m sorry about that,” I decided to say.

“So am I. He built a much smaller, much more modest house to live in after that but they just torn that one down too, the ‘stuff’ being the problem and not the money he made off of it. Not really… at the core. He had no choice but to leave. Off this world, actually, to a second one initially thought to be far far away indeed, unobtainable to reach in distance of space. He sank all the remainder of his money into the endeavor.”

“Off – world?” I didn’t know where this was going. Was she insinuating that her father was an astronaut? Actually flew into space on a rocket ship? “What could he have… I mean, what did he do to–”

“–incite the people to such anger, such destruction?” she finished his fumbling question. “He was head of a startup company developing AI.”

“Artificial – intelligence?”

“Yes. And they, the townspeople surrounding him on all sides east west north south, believed it to be an evil spirit, a rare, *dark* orisha they called it. Because it threated the whole world, the survival of the human species itself. Or so they were told.”

She became silent here, like a mute button was automatically activated on her flat top head. And so it was. tbc

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00480613 (“Endless Window”)

Harlequin moves from the darkened corner of the courtyard into the house with Columbine, Pierrot having shuffled off below the event horizon like a dying orbital sun. The oldest extant animation ends here with the created black hole, paint applied gelatin finishing its run.

—–

“Now let’s get to the other one, Daisy. Father you say?”

“Father I say.”

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00480611

Perspective has changed at De House. Mann has lost wo-Mann in a way, in a manner. A hole has been formed in the middle. Witches. Which witch is which? What is good and what is baad?

“Interesting art you have there up above the bar now, Daisy. Another Corona Non while I have your attention, thanks.”

“The art?” She turns and looks up. “Yeah, it’s the alcoholic sea monster there in the middle, obviously. And the pool it’s in: the Nawt Vaya Sea. I found it in the user’s inventory. He indicated the association.”

“User?”

“Yeah, baker b. The user who controls us all, or at least while we’re on his land I suppose, this Nawt Vaya Free State on the shores of same.”

Biker Mann takes another drag off his cigarette, attempts to take all that in. He decides to focus on the art, the meaning. “Soo… is that a painting or what? Looks more like a photo.”

“It’s a collage, silly. You know that.” Daisy Flathead looked flatly at him, anticipating more. Hopefully the discussion will get seriouser from this point on. She decides she needs to add some information here and does so. “It’s… not a part of any series that I know of — not really.”

“The houses,” Biker kind of interrupts. “The same?” making her turn around to stare again. “90 degrees?” he furthers. “3 years?”

—–

“Oh, and the central figure, er, figures. The brown statues that grow shorter with time.”

“Do they?” It was Daisy who was trying to catch up now, mann overtaking wo-mann once more. In this certain situation in this certain time in space.

“Yeah. The acorn topped head.” He pointed to Daisy’s flat one. “It’s Pierrot again. Did you get that?”

She didn’t. But then she makes a decision after continuing to gaze. “I — don’t think they’re the same.”

“Aren’t they?” he pressed.

She checks again. “No,” she judges firmly.

“Okay, okay,” he gives in, seeing the pretty different designs on the, er, helmets of each. Head tops. “Then let’s shift to the hole in the middle.”

“Nawt Vaya? Sea?” she added.

“Kind of I guess. But (moreover) the hole made by the line figure collapsing inside his own clothes that obviously overlaps the brown statues. Where, um, does that hole go?”

She notices the hole, she notices what is highlighted. Thinking of Grant’s Hill again in Missouri and nearby Siloam, she says the word in her mind.

Just then, Philip Strevor pops his head in the door, asks about Nada. “Seen her?” he finishes his introductory paragraph.

“Nada? Yes, she came in here earlier with Lexi,” Daisy provided him. “Said they were headed up to Juho. Said something about a haircut.”

“Oh no,” says Philip. “Oh *no*. WITCHES?” And he ran away from the bar to the North as fast as he could, hoping to catch Nada before she made a big BIG mistake. TBC

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00480610 (1st Pierr/)

“You see? You SEE?? Columbine. Revealing strangely bright lit Edward Pierrot coming from the North. He doesn’t know what will backstab him in a minute. Or back *stick* him as in a stab. This is important. This is *crucial*. She should have never opened that door in the wall and neither should we.”

“Simmer down, Mouse,” said Philip Strevor to his oft times housemate, still unable to beat his high score at his best game, NUMBER not to be taken down yet. 28064212. “Just start over at the beginning, pal,” he said while also looking up at the castle’s video feed he just walked in on. Mouse: always jabbering, always theorizing. Until it ends.

“How about the middle,” said Mouse, and then went there.

“The banana moon hangs low in the blue night-sky, yellow-ish or maybe even green-ish, sun nowhere to be shone now,” he describes. “In the shadow made by the walls the stick keeps poking, keeps jabbing, turning him ’round and ’round and eventually gone. Leaving Columbine for…

“…. Harlequin. This is the tragic tale of our Edward, Philip.”

“Edward… Philip?” TBC

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00480604 (00420515 revisited (1/2 way))

“Get out the shot, honey. I’m trying to take a picture of that ghoul in the cemetery over there!”

—–

“My people were tough on crime. And they didn’t tolerate breaking the law either. We grew up in the shadow of a mountain that began with Wee-Wee. My mother, when we moved over here to the states in ’79, said to be proud of the name and where we came from. But I was embarrassed, always called it the alternate name of Onigbaporo however tongue-twisty and unmemorable that was to the white people of our new land. But when I found Pee Pee Creek over on the west side of Rodentia and its crazy cemetery and its baffling preacher church I knew I had also found a home again in this world of Our Second Lyfe. My mother was priestess before in the “Wee-wee” place we came from and now I became quote unquote priestess in the Pee Pee place, as male and female polarities also switched positions there. It all made some kind of beautiful, circular loop.”

I studied the photo she held in her hand, looked at the flat headed statue of her mother in the center square the townspeople chose to erect before they left, a permanent tribute to her famous presence in their small Nigerian burg. Then I looked up from the photo at Daisy’s flat hair, the perpetually shaving razor held by a ghostly, hovering hand next to it. I started to understand the dynamics involved. But there was still the explanation of her non-colored father remaining. Non, hmm, I pondered. Could that be the reason for the obsession with creating the perfect, non-alcoholic brew? Turns out this was so… partially. TBC

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