Category Archives: Jeogeot

Kinda sorta…

… back in Noru, queerly enough. 512 parcel.

Snapshot7029_004

Looking toward the site of old Collagesity.

Snapshot7031_006
3 Gods in 1 Dog

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Filed under **VIRTUAL SL, Jeogeot, Noru

Collagesity Update

(continued from)

Baker enjoys the view at Lake Hans Loso on the Jeogeot continent. A small town has sprung up along its southern shores, which includes a couple of art galleries. Will Baker become a new resident?

Snapshot2004_001

But he still has Minoa’s Collagesity, neglected for a number of weeks now.

Snapshot2006_002

There’s life again in the town’s growing edge gallery: Red Umbrella. A new collage series is taking root. Will the pieces within number 10 again, like with the last 2 such series?

Snapshot2006_003

“Hucka D., if you’re ready I think we should talk about collage 02/03 already, just to get a bearing on what’s to come. So Hucka D. (pause) Hucka?”

Hucka D.:

Here.

bb:

Let’s take the left side first. This would be Collage 02 I suppose.

collage02test02ah

Hucka D.:

You have a Celina, Ohio woman, an artist prim and proper, inserting an eye into a yin/yang spherical symbol called the Taijitu. The iris of the eye is yellow. It is suppose to be a fish eye. [One of] the 4 Residents from the other side of the diptych has a yellow eye as well. He looks down [at Drink], while the other Residents look across[ or toward]. The yellow eye in the Taijitu looks up as opposed to down. This is the same eye.

The general setting for both collages is a cascade area just behind your present house in Blue Mountain. This is the first time in a collage of yours that you’ve included a location so close to your home. Yet you haven’t been down there in years, have you?

bb:

2 or 3 at least.

Hucka D.:

It’s time to go back.

bb:

Okay.

Hucka D.:

Anyway, that’s the location. Baker Bloch is positioned on a rock in front of the falls, arms extended. His right hand almost touches the head of the Celina woman artist who holds the big yellow eye. Below her is another picture of the same artist, hard at working painting other stuff, namely Easter related stuff. She has just finished a purple egg and is working on a blue one. We see the same purple and blue egg popsicles to the far left of the collage, which would be the wild, wild west as well.

bb:

Alright.

Hucka D.:

Aquaman[ with his Trident Streams] *use* to be there, standing on the blue egg. Presently it’s Superman positioned there instead. A bunny stands between the 2 eggs, waving merrily at passer bys. He’s a happy Easter bunny. He (or she) and Superman stand the same way.

Another bunny is directly below. It’s a reclining Bugs Bunny from the popular Warner Brothers cartoon series, uttering his most famous line: “What’s Up Doc?”. This is the same name as an important variant album by The Residents standing on rocks in the other half of the overall work. This is *their* bunny. Questions?

bb:

“What’s Up Doc” by The Residents Variants has been used recently in Carrcass-10, Hucka D. And more recently *Chuck* has come to see me. We walked the Bunny Trail over at Frank Park while he was here, talking about audiovisual synchronicities such as Carrcass-10 in the main. I counted 19 rungs on the bridge crossing the brook emptying from Bunny Pond. This is the same as the number of tracks off “What’s Up Doc?”.

Hucka D.:

I hear he has uncovered a body.

bb:

That could be so. At any rate, he’s treating the situation like there’s a body in his back side yard. I suppose there are bodies buried all over the place, especially in ancient places like Europe.

Hucka D.:

Uerope.

bb (looking again):

Big Bob is also in Collage 02, or at least part of his head, including the mouth. The mouth just touches the Celina woman’s head. What’s her name?

Hucka D.:

Marge. Or Jeffries.

bb:

Hmmm.

Hucka D.:

Short for Margerine. Butter isn’t better in this case.

bb:

Good to know.

Hucka D.:

Big Bob is desparately trying to speak[ to Marge]. Buttering her up?

bb:

Dunno, Hucka D. (looks again) It’s his eye she’s holding, after all.

Hucka D.:

He wishes to become whole. Yin and yang together. Taijitu. I like saying that.

bb:

You’re slurring the word, however. Just an observation.

Hucka D.:

I slur a lot of words.

bb:

Anyway, on the right side of Collage 02 we have several images of Superman, with one inverted in color. This brings him quite close to the colors of his colleague in crime fighting: Aquaman. I guess one could say that Superman rules the skies and Aquaman the seas.

Hucka D.:

Correct. Emotions.

bb:

He’s helping free Richard Prior from the rocks in Collage 03. He then flies him away to safety[ in the blue skies]. In a recent blog post I compared Superman to the “I” of TILE and Prior to the “y” of complementary Tyle.

supermanpryor03

Hucka D.:

That is correct again. Emotions.

bb:

Accompanying inverted Superman at the right hand top is a mashup of Fairuza Balk and Megan Follows, who played Anne Shirley and Dorothy Gale respectively. They’re in character here. Fairuza wears Megan’s hat — borrows her carrot colored pigtails for a bit.

Hucka D.:

That’s Red Head of course. Your new space. Have you built the Cabin yet?

bb:

Not yet.

Hucka D.:

It’s already there[ anyway]. You can see it if you try.

bb:

Interesting. Inverted Superman kind of covers the awkward section of the mashup of the two girls, Hucka D. [One of] his colors matches the orange hat of Anne. The orange ray from the flag in Collage 03 emits towards this hat as well. Orange points to orange. That’s the flag of Mercer County, which has Celina as the county seat. It is the rainbow. Minus one color.

Hucka D.:

Indigo.

bb:

Could be.

Hucka D.:

The I’s have it.

bb:

I suppose they could.

Hucka D.:

Superman rescues Prior from the Past. He becomes not Prior but Present. This is rescuing a past self, locked in the rocks of time. Drink is the jailkeeper. He holds the keys. He’s a bad ass.

collage02ac01c

bb:

He looks the role.

Hucka D.:

Stay away from Drink. He’ll bad ass you.

bb (nonplussed):

I will.

—–

Hucka D.:

Drink’s straw points down and Prior’s arm points up a bit. They’re very similarly shaped — too much so. They are one in their opposite directions. Red and blue. Obvious. Good work, baker b.

bb:

Thanks. Of course I didn’t do it.

Hucka D.:

Yes you did. Well… yes and no.

bb:

Thanks once more.

Hucka D.:

Then there’s reclining Baker Blinker whose lower part is hidden by the rocks at the cascade. She *is* the cascades. She balances mate Baker Bloch in the left half of the diptych, standing on his rock. This is archetypal male and female energies as well. Taijitu. How’s that?

bb:

Still slurred.

Hucka D.:

Awww. But Baker Blinker is obviously meant to compare to Bugs Bunny on Baker Bloch’s side of the overall work. Both recline. Both are propping themselves up with their right arm and elbow. Is Baker Blinker mimicking Bugs?

bb:

Not sure.

Hucka D.:

Anyway, we know all about the curse of Baker Blinker by Drink from early in the Baker Blinker Blog — her blog. You have your own blog now. Baker Bloch Blog.

bb:

That’s Frank and Herman, Einstein!, yes. The Baker Blinker Blog is my first blog, from 2008-2012. Just adding that in for more comprehension on the part of the reader or readers.

Hucka D.:

You will have a 3rd blog. Then you will be a Whitehead in Da Woods.

bb:

Retired.

Hucka D.:

Yes. You will be surprised. I can’t say stuff.

bb:

Go on.

Hucka D.:

The small cottage to the far left of Collage 03 is currently positioned on a rock in Harrisonia, on the same creek that contains this cascade here but further upstream. About a mile upstream I’m estimating. The stream itself is named Harrison… George Harrison. George Harrison Creek in full. It’s source comes from Herman Park. The source is protected. Harrisonia is not protected. These cascades are *not* protected.

bb:

No. Not at all.

Hucka D.:

The cottage on the rocks here is also the cottage you will build in Red Head when you become a Whitehead.

bb:

I see.

Hucka D.:

And then to complete the description of the diptych we have Quilt Rock, also painted by the Celina woman artist, like she painted the similar quilt-like pants of the waving Easter bunny on the opposite side[ of the diptych]. These 2 are suppose to be associated. Tiny Superman poses in front of each. Do you know why?

bb (admitting):

I don’t know why.

Hucka D.:

He *lives* in the cottage. That’s a hint.

bb:

Still: nothing.

Hucka D.:

It’s *you*. You are Superman. And Aquaman. You are both. Skies and seas. Yin and yang. Get it?

bb:

A little.

Hucka D.:

Who is Drink?

collage03except01

(continued in)

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Filed under **VIRTUAL SL, Blue Mountain, collages 2d, Frank Park, Harrisonia, Jeogeot, Whitehead Crossing

Thoughts

I probably need to give up Collagesity in Minoa in a couple of days, but can I manage it? I just talked to Carrcassonnee, who made a brief reappearance in the town’s temple. She said to remember her for who she is, and also that she would return. She recently had a baby — wonder what happened to it? But I suppose that might just be my keyboards (arriving Tuesday!). So what I need to do is save *all the town’s art*. I’m not going to worry about saving the altered Fal Mouth Moon structure. I’ll just re-create it as needed later on. My Sunklands site is up for renewal in August, and I want to make sure that will continue. I suppose.

Amazing new developments out in the *real* woods. Yesterday I found a whole new section of Whitehead Crossing which, quite peculiarly, seems to be blocked off from the main part. That’s why I hadn’t found it before. But Sunday was different. Now — perhaps even today — I have to figure out an easier way to get into it. I believe this to be the Mossman’s Red Head, mentioned here on this old map (top right)…

https://bakerbloch.wordpress.com/2014/04/30/new-whitehead-x-ing-map/

… but only hypothetically. Another name, then — looking at this map — could be Burnt Head, like on Monhegan Island along with its already employed Whitehead and Little Whitehead. I’m going to leave Blackhead alone, however.

monhe00x

RedDoor2
Now I know what’s behind the Red Door.

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Filed under **VIRTUAL SL, Frank Park, Heterocera, Maine, MAPS, Rubi, Sunklands, Whitehead Crossing

Collagesity Curveballs

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The Rubi Museum structure is back in town as of last night. It’s the same one that functioned as the quite successful Noru Museum in the summer/fall version of Collagesity, when I resided in that sim. But after some experimenting, I’m not sure that the exact same kind of idea translates to Rubi that well, even though I’ve probably lived around Rubi and Noru about the same amount of time in toto. I’m having a hard time even putting it into words — but my thoughts now are to make an abbreviated version of the town museum and insert it into the town diner, like existed in VWX Town, Rubi last year. I’m thinking instead of creating a VWX Town *book* of some sort to cover that history.

In just looking at my successive, true virtual towns, why did Pietmond change to New Pietmond change to VWX Town change to Collagesity? Pietmond was the original and the template for all to come. And truth be told, I might *still* be in Pietmond in Otaki Gorge if circumstances were similar to that of 2010, when this whole town making process started. Then I had a *whole sink* to work with, rimmed with protective buffer parcels. On the other hand I’ve refined the process. Collagesity, Rubi-style has probably less filler buildings than any other village I’ve created. Basically every structure has a rather well defined function. There’s no “mere” eyecandy skyscrapers like the Big Boy Tower and Tower of A. Mann. The largest structure in the current town, the Fal Mouth Moon gallery, has a very delineated function as holder of the 61 piece Falmouth collage series from 2014, one locked into another. Same for the Power Tower Gowlery and the 2013 Gilatona-Lis series. Same for the Toxic Art Gallery and the 2004-2009 Art 10×10. And then 2 newer galleries act in the same manner: Sam Parr Library and Gallery (Sam Parr series from last September) and Red Umbrella (brand new and perhaps still developing Embarras collage series). These are what I’ve called the core galleries buildings of Collagesity. But going all the way back to 2008 and my initial Rubi properties, there *were* no core galleries because even the Art 10×10 wasn’t finished yet (completed the following spring with the Wheeler-Jasper series). Unlike the Fal Mouth Moon and Power Tower, which became locked into their housed collages early on, the Art 10×10’s home slowly evolved over time from 2009 to the present Toxic Art situation. In 2008 Rubi, the incomplete master series was exhibited in what I called the Edwardston Station Gallery, a name which has its own history. In Spring 2009, a revamped Edwardston Sta. Gallery in 30x30x30 cube form became the 1st home for the finished Art 10×10, both as a sky and ground structure. But there’s a complicated path of structures connecting 2008/2009 ESG and 2014 Toxic Art that creates a type of separate sub-plot of my Second Life existence. And the same would go for the Temple of TILE, also originating in 2008 and also on my original Rubi parcel.

Hucka D.:

B_hivia to the Temple of TILE in Azure, and then the Edwardston Station Gallery going from its initial ground existence to the cube form to contain the entire 10×10 and match the 30x30x30 form of the Temple. They became stuck together even, one on top of the other, for a spell. I designed the Temple as a beehive. I was pleased they matched so well. Then in Noru — summer 2009 wasn’t it — you decided that they should become separated again. But then when you — we — moved to Sunklands in 2010 the 2 were joined up again and combined even with B_hivia to make a superstructure.

bb:

Big E Gallery in Aotearoa.

Hucka D.:

Both the Temple and ESG, 30x30x30 meter cubes both, were inserted into a hollowed out cube 8 times larger[ than each]. That was like a Pluto and Sharon situation, baker b. Planet and large Moon. Pluto is 8 times larger than Sharon.

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bb:

Yes.

Hucka D.:

And then the Blue Feather Gallery of Noru was the other [true] superstructure you created, of a similar design yet also quite different. About the same size overall. 4 in 1, or Foreign One or 4orrin1 (Hucka D. says these using slightly different accents).

bb:

The Blue Feather Gallery had a different function that the Big E Gallery. It was to hold the then very large “Jeogeot Through Art and Word” exhibit. It too when through a number of permutations. That was right before the start of Pietmond and the whole town thing. Blue Feather was the last of the superstructures, unless you count Fal Mouth Moon as a smaller version of one of those things. It is not a composite building, however. It’s mainly just a single building: Moard Ling’s Castle 12. I didn’t alter it much. Blue Feather, in contrast, was a mashing together of 4 quite separate things. Yeah, I guess it stands as a unique structure in My Second Lyfe.

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Hucka D.:

So you’re wondering how the superstructures kind of were taken apart and turned into the basis for virtual towns like Pietmond, like Collagesity.

bb:

Suppose so. In a way.

Hucka D.:

The first primitive superstructure was found in Rubi. It is a mashing of the Edwardston Station Gallery and the Temple of TILE. Your 2008 Rubi story is that story, in essence. The [true] superstructures are not that different — the ESG-Temple of TILE mashing remains at their core, removing all the veneer.

bb:

Well, that’s not really true of the Blue Feather Gallery of Noru, Hucka D. That was an exhibit exterior to my own work, an attempt to create or reveal an artistic statement of a whole, virtual continent (“Jeogeot Through Art and Word”). And then accompanying it in that superstructure was the Baker Bloch in England exhibit and then the works within the Big E itself, a kind of museum in itself I suppose. Then there was the Wall of Ass. at the top.

Hucka D.:

*That’s* what you need. Another Wall of Ass.

bb:

Perhaps. I’m happy with the core galleries of Collagesity. The Red Umbrella’s Embarras series may or may not be finished, but I have space to hold it if not.

Hucka D.:

Do you want[ to create] another superstructure, then?

bb:

Nah, there’s no room. And there’s no need to.

Hucka D.:

There’s always room. There’s always a need. You need to keep expanding somehow and in some way. What about the [Rubi Woods], then?

—–

Hucka D.:

It’s not enough just to have galleries, personal and general. You have to have the Temple as well. It was in Pietmond, and the center of it all — the bottom of the sinkhole. Sunklands became a kind of super religion, with connected sinkholes, including Big Sink, the master of them all. And it still is[ in hypertime]. I told you you would never leave Sunklands. And you haven’t. It is your ultimate goal[ still].

bb:

Interesting. But that’s in the future.

Hucka D.:

In non- hypertime, yes.

bb:

Meaning actual time.

Hucka D.:

Yes. Look at the Temple. Give Carrcassonnee back her eye. She’s asking for the female eye of tennis great Renee Richards, turned into Richard Richards. This selling is a scam — make sure she knows this. There’s no need for the townspeople to vote on this. Perch will yield his eye again now that the vote is settled. Carrcassonnee rules. She has to have that Eye to do so. She must become the Real McCoy.

bb:

Thank you.

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waiting

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Filed under **VIRTUAL SL, Azure Islands-, Heterocera, Jeogeot, Noru, Pietmond-, Rubi, Sunklands

Sylver Forest Ownership

https://bakerbloch.wordpress.com/2014/12/04/developing-01/

Things have changed in Minoa Collagesity since I composed that post almost 2 months ago.

All the listed structures that were in Minoa but not in Noru have since been deleted: House of Truth, Home o’ Fibs, and SoSo Gallery.

Just like in Noru, I now have the Toxic Art Gallery with the majority of the Art 10×10 collages within, and I’ve also been able to slot Tired Falls into the new-ish Town Park in the northeast corner of the virtual village. And I believe a parallel Rubi Museum will develop to compensate the Noru Museum. And I have at least the ground version of the X-Spot Gallery in Minoa as well now. So about all the perceived weaknesses of Minoa Collagesity in comparison to Noru’s version have been shored up, it appears.

Check this out: I’ve owned land a total of *seven* times bordering the Rubi Forest since I joined Second Life in February 2008, and rented in yet another instance. The first of these, from August to December, 2008, represents my original mainland property, after starting virtual ownership in Azure Islands in the spring and summer. There I further developed both the Edwardston Station Gallery and Temple of TILE originating from Azure Islands. The idea of the Rubi Forest as part of a larger Sylver Forest from pre-Linden times was also hypothesized, along with an accompanying “Rubi Diagonal”. I briefly returned to the forest as a renter in summer 2009 (Horisme), before purchasing land bordering the forest on the south side in June 2010. This is the first land I had owned since leaving Rubi in December 2008 — all subsequent land being rented. During this second lengthier stay next to the forest I rebuilt the TILE Temple (slightly different location than before) and also developed the Pond District mythology situated a number of sims directly to the east. I kept this land several months as well, basically concurrent with being an owner in the Noru sim (my first return there as well, after originally leasing land in the sim during summer of 2009). Then the Rubi area was left alone for several years during the Pietmond Era of Jeogeot (Sunklands), until New Pietmont, the last Pietmond phases, shifted directly into the Sikkima sinkhole in December 2013. A brief stay in Tyta along the northern side of the Rubi Forest in May 2014 — and an initial version of a VWX Town that soon blossomed in Philudoria that summer and fall — was followed up with, by far, my largest land purchase next to the forest, resulting in VWX Town, Rubi style, from November 2013 through January 2014, or a period of about 3 months. All of my initial 2008 land holding was included in the new purchase, as well as my 2010 property. The Rubi Diagonal first developed in 2008 was greatly extended to cross the entire continent of Heterocera. Edwardston Resident appeared as a new avatar, the first of that kind since 2010’s Bracket Jupiter. But this land was simply too large and pricey to hold onto for very long, and although I contemplated dividing it in two and giving up half to lower my tier, I decided just to sell the whole thing. Next up, we have a purchase of about 1/2 that land size in Hector just this past summer, concurrent with yet another return to Noru. As regular readers of my blog might recall, Noru and Rubi slugged it out for ownership of my next virtual village called Collagesity, with Noru winning the prize after a heated, month-long battle. But then Rubi appears to have won out in the long run, as I found super cheap land bordering part of the eastern edge of the forest in Minoa at the end of November. I simply had to give up my Noru land and return to the Great Forest. It seems to be working out now after a bit of a delay. So that’s the story of my land purchases around the Rubi Forest in a nutshell. Thanks for reading!

sylverforest05

Hucka D.:

The basic idea is that you think you can afford a 40 dollar tier but not a 75 dollar tier. That’s 8704 possible square meters[ for the former]. Almost twice for the 75 bucks, but out of your price range. Is 40 dollars within your price range?

bb:

That’s the idea, especially next to the Rubi Forest and having it *finally* developing as a legitimate Collagsity to replace the Noru version.

Hucka D.:

I see.

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Filed under **VIRTUAL SL, Azure Islands-, Heterocera, Noru, Rubi

Hand, Heart

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French (1 of 4) and Heart (1 of 1) in Fulton County, AR along with Elizabeth and nearby Hand, inundated by Norfolk Reservoir. Obviously points to above caption meme: Fred Sanford’s trademark fake heart attack where he puts his hand over his heart and calls to deceased wife Elizabeth that he’s coming to join her. But the just discovered presence of French adds a new twist. It seems it has something to do with Center County and its Middletown and Heart Circle and centering river which still doesn’t possess a mythological name. Part of the real name, however, includes the word French, and since French is so near Heart in already highlighted Fulton County, I think this points to middle/center/heart again in full. Is the mythological name, then, the Heart River? Or is this just another indication of middle, as in Middletown and Center County? Many Islands is also in Fulton County, and the “Heart River” contains many islands as it runs past the heart of Alexfin and the old dump area there.

I also recall that in August Baker Block “died” of a heart attack when Head of Perch merged with a painting in his room composed of many eyes, or many “i’s”.

https://bakerbloch.wordpress.com/2014/07/26/baker-bloch-is-dead/

Check out who owns the Elizabeth post office.

http://en.wikipedia.org/wiki/Elizabeth,_Arkansas

Elizabeth is an unincorporated community in Fulton County, Arkansas, United States. Elizabeth is located along Arkansas Highway 87, 8 miles (13 km) southwest of Viola. Elizabeth has a post office with ZIP code 72531, owned by Jackie and Stephen Hart.[2]

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Filed under **VIRTUAL SL, Arkansas, Jeogeot, MAPS, Middletown, Noru

Next Step

Carrcasses:

Carrcasses will obviously continue, and probably for the rest of my life. I’m in a steady state era for these kind of creations, with the length consistently between 45 and 70 minutes for almost all of ’em. Carrcasses are still the axis of my creativity, even though I don’t devote the time to them that I use to, especially during the early to mid-2000’s. At some point I’m looking to notch it up again with the possibilities of computer editing on both the audio and video sides. Recent clues about how this might come about could be here…*

https://bakerbloch.wordpress.com/2014/12/01/map-sinking-feeling-02/

In 2014 I created only 1 carrcass (C-11), after making 4 in 2013 (C-7.5, C-8, C-9, C-10), a banner year along with even higher peaks in 2006 and 2007. I haven’t even taped the last one — rectification soon.

Collages:

Obviously these will continue as well, and have become the creative focus above and beyond carrcasses (although I still see the latter as the fundamental note). I’ve created over 100 collages in the past 2 years, matching the total for the 9 years before that, which includes the Art 10×10. Although these are already born digital, I seem to be edging more into hard core animation, starting with the recent “Story Room” animation involving the first 6 collages of the Falmouth series. This series overall was quite the surprise — who knew that I would create a 61 piece effort that fast? Not me (until it was over). Another development has been the 2, 3, and 4 part pieces, or diptychs, triptychs, and tetraptychs. These complement the natural 2-4 part animations I first developed in the Art 10×10. How far down the animation road I’ll travel and away from the stand alone pieces I don’t know yet.

So more collages than ever created in 2014: over 70 adding in September’s Sam Parr series of 10 to the 61 from the earlier Falmouth series. It appears I’m in a flow.

Preservation:

As collages are born digitally, I’m not as concerned about preservation issues for them. Audiovisual synchs are still created using old fashion analog techniques. I have a rough table of all the “tiles”, which includes info about cue points and involved media, but more is needed in this area. More digital copies of analog creations need to be created. A 2015 resolution.

Sunklands:

This year I’ve also gathered together my collage series, along with the interpretations I share with others on my blog, in a new website using a freshly coined domain name, sunklands.com. Also here are descriptions and slurl links to virtual towns where the artwork is displayed (example: Collagesity, Noru and now Minoa). Another interesting category developed on the Sunklands site is the idea of hybrid works straddling defined areas, like “6 Weeks of Shining” from this year, or “Baker Bloch in England” from 2010. Carrcasses have a place in sunklands.com too, and I plan to create an abbreviated “Table” listing tiles from The Rainbow Sphere to SID’s 1st Oz at least. Hidden behind this will be the larger, full table of tiles (Rainbow Sphere to present, Carrcass-11 most recently). I’ve fitted Paradox I and its larger, fictional followup Paradox II (latter still in progress) into Sunklands as well.

Blog:

Apart from the Sunklands site, I’m still working daily on my personal blog, Frank and Herman, Einstein!, since 2012 (supplanting my original one, the Baker Blinker Blog from 2008-2012). Hybrids spring from this, along with collage interpretations and descriptions and working file stuff. Toward the end of this year map synch material has been developed more, resulting in yet another kind of collage (7-part “Map Stuff” from Nov. and early Dec.). This is my bread and butter.

Local Hiking/Myth Making:

The title of the Frank and Herman, Einstein! blog refers to the 2 large, contiguous parks I live near, and which I assumed at the time of its birth in August 2008 would be a lifetime focus above and beyond, for example, Second Life or other pursuits. But this year I decided that Blue Mountain will in all likelihood probably *not* be the place we spend our retirement years in the main. Instead that burden will fall on Ashville. As part of this big shift, I’ve decided to rename the latter Middletown to indicate its more central role. The recently uncovered Ashville Circle built around Cherry Avenue and parallel Linden Creek will turn into the Middletown Circle — a further mystification device, then.

But in saying this I’ve also decided to see Blue Mountain for its great plus: the proximity to these parks and the outdoors overall and to take full advantage of this while remaining here for probably the next 6-10 years. Another 2015 resolution, then — to be happy in the place I’m at more than in 2014. But the die has been cast for the future nonetheless, seemingly.

Second Life:

Yes, my involvement in this virtual, fake world has continued. 🙂 Big story was the development of Noru’s Collagesity in July and Aug and Sep after a battle between Noru and Rubi for town ownership in June. Then at the end of November, Noru land was given up in favor of same sized area at se corner of fabled Rubi Woods, very near where VWX Town existed toward the end of 2013. Just at the end of the year, I consolidated my land holdings in Minoa next the woods better, and it looks like my presence there will continued into 2015 a bit. Centerpieces remain the Power Tower and Falmouth galleries, along with the new Sam Parr State College building holding its namesake series. Falmouth gallery (an old castle) developed in Philudoria during Feb-April.

So the big news for SL in 2014 is the development of 2 new galleries holding the 2 newest collage series (Falmouth and Sam Parr), and also a new town to put them in: Collagesity, replacing 2013’s VWX Town as a virtual center.

Work work:

Most likely 6 or at tops 7 years to slave away before retirement. Must get a solid foundation for dealing with present and future issues. It’s not going to be an easy ride, but I’m certain the challenge will reap benefits. Better than working as a restaurant manager or the like. I’m very lucky to possess the position I do, and the support group I have.

—–

* Note1: In looking up riddle/ again just now, saw that Riddle’s Store lies in sw corner of small part of Loudon County, Tennessee separate from rest of county. Corr. to this, also this morning I rearranged my Minoa virtual holdings but accidentally left a 128 sq meter parcel separate from the rest in the process, representing 1/68th of my land. Is this simultaneous synchronicity? Does it represent me as separate from the rest of my team? A riddle for certain.

loudon01

Further, Riddles Store is coupled with Curry or Currys Store in Alabama, making a direct overlap between old and new. These are probably only 2 Riddles Store pop places.

loudon06
7-6-5 trees

loudon05
100 = 1 mile

This split off part of Loudon County, TN lies directly west of the Ashville Circle concocted just before, and newly deemed, in this post, the Middletown Circle. Seems to reinforce the middle aspect (!). I also think back to the larger but still similar quite Forest Home Circle in Alabama discovered to be on the same latitude as Baker’s Creek, Miss. in 2013, and also in a neighboring state to the west.

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stuffed maps 01

Ordinary, VA

achilles01

Smoky Ordinary, VA

https://bakerbloch.wordpress.com/2014/11/12/marlin-cont/

dolphinva01

What might be happening:

Smoky Ordinary next to Dolphin linked to Warfield, indicating former Miami Dolphin great Paul Warfield.

Another Warfield (WV/KY):

warfieldwv

Another Warfield (GA):

warfieldga

“We need to go back to Willard-Note, then, and look at more examples perhaps. Willard is a note in the Book of Music known as Winesap. We know what Winesap is. It’s in Herbert Domain. You can make Cash off of it. Get Credit for it. At the top is the 2 Hermans and the 2 Fishers. You know what this is. A door, an opening. You know that Bono *shuts* the door after ’23. Faulkner County is deadened, but that may be a green book behind the blue and red book we are dealing with. You know that too.”

bb:

Hucka D.?

Hucka D.:

Yes. In the flesh.

bb:

Thanks for showing up. We have a little time I suppose.

Hucka D.:

Always time for me, right?

bb:

Yes. So the trail leads to the Beech Grove which is the Beach City — for Willard — and inside this grove he thinks of Kate Swift. The reverend who has broken a corner of the Glass in his bell tower study also thinks of Kate — the Lady. He thinks the lady who smokes in her bed and reads is sinful but he also remembers reading books of ladies’ smoking so perhaps it is not so un*Ordinary*. Smoking is ordinary. Smoky Ordinary.

Hucka D.;

Yes. You are doing fine. Good night.

bb:

Thanks Hucka D.

—–

“So continuing… I also believe Lovely and Beauty relate to Kate Swift, as described by both Reverend Hartman and also George Willard. As Lovely is also Love + Lee, this may related to the Civil War and Confederate Army led by Lee, and war fields involved, many of which are in Virginia. We’ve already encountered Love Valley in various disguises.”

bb:

I thought you had gone to bed, Hucka D. Maybe you should turn out the light.

Hucka D.:

Oh… just borrowing your computer for a while. Couldn’t you sleep?

bb:

Kept thinking of Warfield and Paul and wars in general. Civil War.

Hucka D.:

Me too.

warfield02

bb:

I see that a Warfieldsburg is only several miles north of Winfield in Maryland, Hucka D. Missed that before.

Kermit also here:

https://bakerbloch.wordpress.com/2014/05/15/strange-01/

Hucka D.:

Didn’t Kermit the Frog with the face of Cardboard Derek Jones greet Baker Bloch in the afterlife at West End? Think so. And also Kermit has come up regarding that rock in Sharieland, the one that looks like a frog. *Wait*, there was a *Dolphin* Rock as well there. Wasn’t there?

bb:

Sho’ ‘nuf.

https://bakerbloch.wordpress.com/2013/10/20/sharieland-once-more-05/

lovelypa01

(to be continued)

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Filed under **VIRTUAL SL, Georgia, Herman Park, Jeogeot, Kentucky, MAPS, Maryland, North Dakota, Noru, Pennsylvania, Sharieland, Virginia, West Virginia

What going on with Second Life… and all this map stuff.

For my 2 or 3 regular readers (I’m including myself here), I’d like to give an update of what’s going on with the blog. Currently I’m unable to log on to Second Life from my home computer. I believe it’s just too old at 4 1/2 years, and we’re shopping for a new one. I’m game for more Second Life adventures now, with the continuation of Noru’s Collagesity through Nov. and probably into Dec. and Jan.

But my focus seems to be maps, extending an idea born in Collagesity shortly after it gelled in July. And I think this will carry over into virtual reality once I can log on again. I have other ways to get to SL in the meantime.

Where’s it all heading? Well, I have a kind of master plan in terms of the blogs. The Baker Blinker Blog, my original one (2008-12), is now followed by the Frank and Herman Einstein! Blog (2012-2016 projected), and then *one* more blog before my retirement in early 2021, hopefully. Several works have spun off from blog post generation, including “6 Weeks of Shining”, “Baker Bloch in England”, and others. I’m producing collages at a faster rate than every before. Carrcasses (audiovisual collages) continue and have recently reached a second peak beyond the first one in 2006-2007. I keep working on MapS or Umaps obviously. That’s a kind of synchronistic bed for the collages.Today I even started working on a book synchronicity beyond film/album sorts. Just tentative explorations… the tome is codenamed Winesap. I may have more about that tomorrow or the weekend (wick-end).

So all is going well and SL pictures and stories will return soon enough. Thank you for being loyal to the blog, and keep coming back!

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talk of the end of Sam Parr State College.

(joined in progress)

Hucka Doobie:

I for one vote for the disbandment of Sam Parr State College.

Karoz Blogger:

I oppose!

Baker Bloch:

Looks like I’m the tie-breaker.

Baker Blinker:

Don’t forgot me!

Baker Bloch:

Oh, hi there Other Baker.

Baker Blinker:

Hi!

Baker Bloch:

Second Life isn’t running on the home computer any more Other Baker.

Baker Blinker:

Oh.

Karoz Blogger:

Is it my intense focus on sports and attempting to find local rivalries, even amongst the high school rank?

Hucka Doobie:

Well, I think it’s just that the Admin. Building serves as a gallery primarily, and should be grouped with the other baker b. galleries of Collagesity, which most logically means moving it directly south and against the Power Tower and directly across from Falmouth. That’s the decision maker. Then we can build another structure where the admin building use to sit. Am I taking your words again Baker Bloch?

—–

Hucka D.:

See how easy that was? Karoz is not *too* upset. As long as you keep developing the mythology of Noru. We are at a new level in that. A new perch. Sapphire.

baker b.:

We must think of the mayorial problem again. Where’s [Baker Bloch’s] father again? Still in Sunklands?

Hucka D.:

He’s negotiating a treaty with a local tribe of Jeogeot indians. Natives.

baker b.:

Interesting. Sam Parr State College must go.

Hucka D.:

Yes.

baker b.:

Another collage series may even form in the winter-spring.

Hucka D.:

We cannot rule it out. However, I see an emphasis on maps continuing[ for now].

baker b.:

How is that going?

Hucka D.:

You tell me. Electronic records.

—–

baker b.:

Why all this emphasis on Jasper County, Illinois?

Hucka D.:

See above.

Snapshot5001_001
new “downtown” will probably soon be gone

Snapshot5001_002
interesting

Snapshot5001_004
Archers. Temple with prism colored rooms pictured here is now gone.

last book of Philip Dick before he too was gone:

http://en.wikipedia.org/wiki/The_Transmigration_of_Timothy_Archer

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