Category Archives: Upper Austra

00460409 (1 Pink)

“I know this is not the ideal location,” started Newt in earnest.

Oh God, thinks Wheeler. This is leading to a baad place.

“But we kept crashing out of the nicer restaurants in Juho and I wanted to set up *something* for you, something pretty quick.”

Here we go, thinks Wheeler.

“Stand up, please.”

“O-kay.” And then Newt gets out of his own chair and kneels.

“Wheeler Malone Wilson. Will you marry me? Again?”

Again? thinks Wheeler. Riiiight.

But she did end up allowing him a kiss on the lips, which pleased him very much indeed. As consolation. The one time would have to do.

(to be continued)

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Filed under **VIRTUAL SL, 0046, 0409, Juho, Nautilus, Nawt Vaya+, Perch-Mistletoe, Upper Austra

00460311 (3Ms)

“Are we keeping you up, Ms. Wilson?”

“Oh. *Sorry*.” Wheeler quickly moved her feet off the table, sat up straight. She realized she’d made perhaps a grave mistake falling asleep at the employment assessment meeting here in The Burg. But it was all part of the play, the fun and games. None of this really mattered except *as* in a play. “I’ve been, ahem, sleeping in my car lately,” she tried to excuse her pretend drowsiness. “After I left my last job.”

“And, let’s see, that’s as a maid, I see. Interesting job description. All sorts of tasks — laundering, ironing, vacuuming, window cleaning, in a, quote unquote, semi-aquatic setting? Can you explain further?”

Yes, it was a skybox partially filled with water. My 2 feet were always wet, she started the joke she’d prepared beforehand. Make that 3-4 feet since the water went that high, ha ha.”

Wanda Wilma Willa Brown Halter didn’t laugh or even smile. “I’ll just add to my notes: owner fetish,” which Wheeler knew would be pretty correct. She knew she was always being looked over. “So… why did you choose The Burg to come to after this, Ms. Wilson? Your old job was in the upper east central lower part of Nautilus, which is a virtual hemisphere away from here.”

“I have a friend here,” she lied or pretended. “Charlene Brown, er, just Charlene Brown. You may even be related. I couldn’t help noticing your Brown middle name on your card.”

“Charlene Brown and I are *not* related,” she returned quite firmly. Charlene was Downtown, she (Willa): Uptown. The two sets of townspeople which include the two sets of Browns try not to mix. Clean and Dirty was another way she thought of them. Ms. Wilson here, she thinks, seems to fall into the Downtown category too despite the maid cleaning background. She’d deduced, correctly, there was a dirty aspect to that too. Friends with Charlene who’s also friends with fellow Downtowner Emily New Moon the smut store manager — that also fits. Sounds like the pay was for *show*.

And this time, she did crack a smile. She thought of Wheeler Wilson’s leg tattoos as well, the blue and red fish making their way up the right one to who knows where. She imagines a homecoming fish bowl for the 2 on her stomach for some reason. Reinforcement of The Core.

The meeting ended with Willa determining the only job Wheeler was qualified for was the just vacated mayor’s position, highest actually being lowest in this here Burg. Straightening her hem so you couldn’t follow her fish too high, she sat up and (reluctantly?) shook Willa’s hand to seal the deal. Mayor Wheeler Malone Wilson she is. Again.

(to be continued)

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00460104

“Moving to the water’s edge, I got my first good glimpse at Morro Rock out in the bay in, well, I can’t remember when. I’d heard it had been covered over with fill dirt in the meantime, yet here it was in all its shining glory illuminated in the morning sun. There’s the radio station of that name of course, but I thought that was a pun on the famous landmark and no more. Boy was I wrong.

“Later at the very center of my Wellsprings walk that day I also caught my first glimpse of 3 monks worshipping at a wall of bamboo and then went down to them.

“I climbed up those piled cement slabs in front of it and then sat down to get a better look.

“And that’s when I called you. Remember? ‘We have a match,’ I said. Over 2 years back I guess by now. ‘108 108 108,’ I recited, checking my coordinates in space and time. ‘108 108 108,’ the 3 monks now behind me repeated, each taking a turn. I pivot as they fade and wink out, one by one by one. 108 108 108. The same is happening now.”

—–

I later got a better view of that rock out in the bay 2 videos up in Lettuce Walk’s feed and 4 up from its beginning with the lighting strike (more soon). So it was real. I was truly on a path again. To find CENTER.

(to be continued)

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Filed under **VIRTUAL SL, 0046, 0104, C2077, City Center, Heyworth, Nautilus, Perch-Mistletoe

00450509 (25?)

Banned from my Nautilus homeland by an overprotective mother fearful of stalkers, suitcase in hand I walk just outside its boundaries and set my eyes and aim on the fabled wall city of Perch-Mistletoe just yonder up on that beige ridge, with half banned itself (Perch?) but the other 1/2 free to roam (Mistletoe?) and even live within as I currently understood the situation. But I ended up going further — to Yd Island in the sw of the continent and revisiting another sacred place that seems untouched and uneroded by the sands of time. That of the Ratzenburger Rabbit, one of my own. I get ahead of myself. I have to talk about Lexi front and center.

She drives up on her rough sounding, rough looking motorcycle basically at the beginning of my journey and soon we’ve joined forces in her quest to find what she simply called The One. “Wanna explore some haunted houses?” she propositions not far into the conversation. Why not? I thought. I have nothing to kill but time.

We started with the one with the barrel. Just on the opposite side of P-M from us. “Just ignore that giant candy sentry over there,” she said as we positioned ourselves a safe distance away from it. “He can’t see you unless you’re standing right under him. Learned that the hard way.” On my part, I was more worried about the suddenly darkness and the need for a flashlight to explore. This didn’t seem like a good omen but too late to back out. I consoled myself by saying that I’d be in the free part of Perch-Mistletoe by dawn’s early light, sleeping under a pagoda or something. Just over there beyond the wall.

And, yep, there was a barrel inside. Lexi seemed relieved that it “mostly contained–,” in her own words, seeming to break off at the end. Mostly contained *what?* I automatically thought upon hearing it. Finish your sentences please.

And then a little later the same thing came up. Pattern.

(to be continued)

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00450507

In my dreams, I went back to our old homestead in the center left right upper lower portion of Nautilus, Lichen. It was in ruins but still standing. The land around it was barren; even fabled Mistletoe-Perch which resisted so much change before had faded and vanished. The homestead stood alone.

I went inside and found that barrel. We had some good times with that wine in that barrel, Lichen. Didn’t we?

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Filed under **VIRTUAL SL, 0045, 0507, Google Street View, Nautilus, Perch-Mistletoe, Upper Austra

00450303

Even though it’s primitive in many ways compared to newer games like Cyberpunk 2077, Red Dead Redemption 02, and even the older Grand Theft Auto V from 2013, there’s still great beauty to be found in Our Second Lyfe.

I was not suppose to come here as the other one. I was suppose to come here as someone new, someone they didn’t recognize and perhaps could learn from. I was always positioned between the 2, I felt.

But Lexi kept thinking about Shelley — that’s why she was here. She was sent away to find the One.

She didn’t see the candy sentry until it was too late. “What do you want?” he rather boomed down at her. “We’ve had trouble around here recently. Creature named Lich. I’m lucky to still be standing.” Silence. Lexi was contemplating what to say to this being, obviously a transplant from an entirely different dimension, she sensed. “Had – TROUBLE,” he emphasized, still glowering down. She had to say something, so:

“Shelley Johnston Struthers. Or Johnson,” she cited the variable name for the middle. “Looking for her. Heard she passed through here.”

“*This* is the castle of the High Princess Pinky Gumm I’ll have you know. You will *not* come around here looking for another.”

“Hmm.” This guy was fronting a rather ordinary looking house as far as she could tell and not a castle. He’s mad as in crazy mad too? “Okay okay,” she relented. “I’ll bite. I’m actually here to see the Princess. Princess Gummy Pink.”

“Princess *Pinky Gumm*,” the candy sentry proudly corrected.

“Yeah, that one. She in?”

“Of course she’s in. She’s *ill*. She cannot leave her bed.”

“Oh. That’s too bad.” Lexi started worrying about communicable diseases more than finding Shelley, at least for the moment. But is this princess actually Shelley? Shelley’s royalty in her book but that’s just the hormones talking. And she’s kind of pink as well. “Catching?”

“Catching *what*?” he issued from above.

“Is whatever she has catching?” she rephrased, still staring up at his gummy ball machine head and wondering how all that worked for brains and all.

“Of course not. She’s *possessed*. By that Lich I mentioned before. You can’t catch possessed.”

“Soo… there’s something inside her? This Lich?”

“That is correct.  Now — go along or I’ll have to alert the banana guards of your presence. They are positioned at the, ahem, basement doors just here… there… there… and there.” While speaking and whirling around in place, he points at what appears to be each side of the house behind him. He’d changed his mind about a visit. This person below him, this *cyberpunk* it appeared from the implants in her head, was simply too snoopy, too suspicious seeming. He decided to reveal that he was not alone in guarding the grounds; strength in numbers.

Lexi sees no signs of guards, knows that regular basements only have one door in and out. At least where she grew up in Horner’s Corners Kansas like the Mary Anne she is. Before it was flooded by the lake. That hellish, damned lake. More fantasy from this toy dude, she judged. Maybe the princess is made up too. She decides to question further.

“So the princess is actually not seeing people right now?”

“Not today. Not tomorrow. Maybe yesterday but that is too late for you. Check back in a month. No: make it 5. 5 years, 10 years to be totally safe.”  He knew that, in all likelihood, Our Second Lyfe would not even be around after 10. Safe indeed.

“Couple more things and then I’ll go on my way. I’m sorry: the person I’m actually looking for must not be here,” she admitted. She wasn’t dead sure of this but she decided to say it anyway.

“She is *not*,” the candy sentry emphasized. “Only the High Princess Pinky Gumm from Candyland. We’re all from Candyland here. *You’re* not. You don’t belong here. *One* more question and be gone.”

“Alright.” Lexi knew this had to be a winner. “This Lich. Anything to do with Fern?”

(to be continued)

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00450301

Trading her jumping jacks in for jack squats, Fern sensed (and felt and heard) a great disturbance in the force.

“Lichen!” she screamed, intuitively knowing what had caused the castle to suddenly shake as in a quake, her exercising over but her exorcising just begun.

But first there was a problem of revealing herself in a proper way to Fink, who was now grieving over the resulting possession of his beloved Princess Pinky Gumm after the attack, the invading spirit having found the correct body to inhabit. Right now, Fern was just a figment of his imagination stuck in the basement or dungeon, guarded by banana soldiers to the front back side and side. Princess hadn’t said anything; she wasn’t sure it was real herself yet; didn’t want to alarm others until she knew for sure. This story must remain PG’s and not reveal any unrestricted, naked truths. And now she’s paid the price. Lichen needed to contact Fern from the Great Beyond and she’s doing anything in her powers to make this so! Even if it means displacing the soul of another. With Fink (and Jack) in the middle.

“Princess,” calls Fink at the bedside. “Come back to us, PG.” He looked down again at her blue-not-pink face, those slime green pupils set in pitch black corneas, the clammy skin. And she didn’t smell the same either. Not all candy-like but — dare he even think it? — sort of like death. Or at least rotted trees.

“Must talk — to — *Ferrrrnn,*” the spirit hissed within the body.

“Fern?” says puzzled Fink, figuratively if not literally scratching his head at the princess’ utterance, a recurring gesture. “Who’s Fern?”

“Well… I’m guessing it may be you or an alternate version of you since Fink is close to Fern,” Jack chips in from the other side of the bed. “That’s what my dog instincts tell me. I don’t know, hmph. Prob’ly should just stick to licking my butt and other more regular dog stuff. Call it a wild hunch, then.” And he proceeds to get on the floor and lick his behind while he’s thinking about it.

“*Jack*,” reprimanded Fink at the action. “What did we talk about, huh? Not in front of the princess! Especially not *now*.” He looked down and got even more depressed and desperate.

No more words in the script for poor, possessed Pinky Gumm. Now was Fern’s chance.

“Fink,” tried Fern again in a vision over the large, sprawled out body of Susan. “It’s me. Your other half. Remember. Re-mem-ber.”

(to be continued)

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00450216 (end (430 (words)))

“This would have probably been Fall 2015, or maybe even back to Spring 2015. But probably Fall 2015. Or even Winter 2015, or at least before the death of Bowie in Jan. 2016. This started several things. It, in a way, started the photo-novels themselves. Bowie *came* to Our Second Life and its Collagesity for a visit on his way to other destinations. This happened right after his death. He flirted with Baker Blinker, even propositioned her to go with him to the stars and leave Collagesity. This would have, of course, null and voided her relationship with Karoz Blogger (occurring just afterwards), so crucial not only to photo-novel 01 but all the photo-novels to come. They may *not* have come, you see.”

“I see.”

“Your double played a part in this. You synchronize further over the death of Bowie and the release of his last album, ‘Black Star’. Playing it right after Bowie’s death, you were amazed at its depth, how good the music was. You’d only known Bowie through his singles before this. Thus the can was opened to explore his oeuvre in a much more thorough way, which you did over the next several years. And your double went right along with you in a way, reliving his own appreciation of the Thin White Duke. After ‘Black Star’, you then moved to ‘The Next Day’, his previous album. As you told your double, there’s not a weak song on the album, which he agreed with. You also gave him a copy of ‘Black Star’ which he didn’t have. More synchronization. You were kind of moving as one. Or at least so you thought.”

“I thought?”

“Even at the start, you were not as synchronized as you thought at the time. You were a damaged soul by then. Your double represented a light in relative darkness, someone you connected to. You, in a way, in a strong way maybe, needed him more than he needed you. He had enough friends. Maybe he had *too* many friends, too many connections. You didn’t have enough, he had too many. And he had ambitions in the library, desired to be a major player there, which finally worked out for him by the time of your retirement in 3/1/22. The date is significant. It represents a place you separate from the double, are born *away* from him and back into your own sphere. You are on your own after that, just in terms of male friends. You thought you could continue that friendship beyond the library. But a wall was built at 3/1. (Photo-novel) 31 — remember that.”

“I will.”

(to be continued)

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00450215 (beginning)

“So let’s start with the doppelganger, the green one.”

“Fern.”

“Welll.”

—–

“We first have to get to rhythm and pitch. Opposites. Remove pitch and you still have rhythm. Remove rhythm and you still have pitch. Keyboards (which I play) are pitch. Drums (which he plays) are rhythm.”

“Okay. Good start.”

“These are the musical differences, stark right up front. But then dig just a little deeper and you have similarities within these differences. The Kinks represented the first bonding point, before Bowie.”

“Right.”

“And we liked the same albums by The Kinks. Unlike the guy who worked for Norwegian.”

“Yes, he liked ‘Arthur’ and ‘Muswell Hillbillies.’ You liked ‘Village Green Preservation Society’ and ‘Lola Vs. Powerman’. These albums all line up 4 in a row from ’68 to ’71 (their ‘golden years’, along with ‘Face to Face’ from ’67), subtract the ’70 soundtrack ‘Percy,’ which was considered a more minor work.”

“Right. And my doppelganger also liked ‘Village’ and ‘Lola’. And he expressed difficulty getting into ‘Arthur’ without my prompting. *I* had difficulty getting into ‘Arthur.’ And as I recall we both really dug ‘Village.’ Hard to say they made a better album, although I perhaps like some of the individual songs more on ‘Lola’ than any on ‘Village.’ ‘Village’ is, in a way, a perfect rock album. Better than ‘Sgt. Pepper’s’ I would venture.”

“Yes, so that was kind of an original link. Now you must ask: why? Why the mutual attraction to The Kinks and even the same albums, unlike that dude who worked for Norwegian?”

“The guy who worked for Norwegian represented a contrast. To instead show the similarities between my doppelganger and myself, and how it could be different. We *speak* very easily.”

“Yes, so we have a foothold. Now move to Bowie (and others).”

(to be continued)

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00450214

Princess Pinky Gumm had turned her grilling attention now to Fink. “So when did you first meet Fern?” she asked, knowing this was the current crux of the problem. They were still in the basement of her, ahem, castle. She didn’t like to call it a dungeon, although she knew these 2 couldn’t leave until she got some satisfactory answers, banana guards posted at the back front side and side doors. She understood about the 5 and 5 times to make 10 — that added up. She needed to know about the other, the double.

“It was across the sprawling body of Susan,” he explained. “I just looked over the top and there he was. Like me! Except, er, he was a square, and I was a circle.”

“Faces,” clarified Jack for deeply pondering Fink.

“Yeah. And green of course. He came from the grassy sword I found early. That sword combined with my ordinary one to make…” He stopped. He couldn’t continue any longer. The transference had not been complete.

(to be continued)

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