Category Archives: Urbane Blue/Fishers Island

production meeting

“Now you can all relax tonight and not jump out of your seats every time I call out your name. Because I FOUND my HEARING AID! And that’s the last time I’m going to yell, end of story! I mean, end of story. Let’s begin.”

Eraserhead Man at the head of the table pauses to collect his thoughts on the as yet unnamed production. “First, I’m so so glad we were able to gather here today without *much* ado. As you can see from the person sitting directly opposite you on the table, I haven’t got rid of *anyone*. Truth is, you *all* won your parts. And I’d like to introduce to you Desert Knobb across from our beloved Sandy Beech and to my left. Sandy is, of course, seated to my right.” Eraserhead Man indicates these directions with his stubby yellow hands. “Desert will not only play Sandy’s *understudy*, but also his *doppleganger*. Because, you see, I’ve decided this production should be about doubles through and through. It came to me in a dream last night. The dreamer lives inside the dream, but who is the dreamer?”

Mindless mumbo jumbo, Sandy Beech was thinking by his side while glaring at newly arrived Desert Knobb across the table. “And where’s *your* double, EM?” he piped up. Yeah, he had popped a few pills before the meeting — just to steel his nerves.

“Good question, Sandy. Can you hear me in the back there you waskly wabbits!” Eraserhead smiles as Rabbit 01, Rabbit 02, Rabbit 03 all nod their heads. I’ll get to you wackos in a minute. But next we must talk about the *ladies*, Chloe and Jill.” At that moment Chloe Price was playing with her short, blue hair, seeming not to pay attention. But that was just part of her shtick. Jill MacGill, like Sandy for his own counterpart, was just glaring at her, loathing her every petty move. *I* should have won this role through and through. I *nailed* that phone call. ‘Ohh, ahem, eheh,’ she mimicked, to her, Chloe’s frivolous attempts at playing coy in her mind. If you asked her, Eraserhead Man needed to make a new plan, find a new key to this whole production business. She decided to speak up as well (sidenote: wouldn’t Sandy and Jill make a *fabulous* couple. But I jump ahead of myself…): “And *what* is the production’s name, EM? *And*… you haven’t answered Sandy’s question about *your* doppleganger, I’ll tack on.”

Eraserhead Man laughs out loud. “That’s what I love about you, Jill MacGill from Farmington West. *Spunk*. You got it in spades, you and Sandy both.” That’s when it occurred to EM as well that the two would make a swell couple. He decides then and there to work that potential love interest into the script somewhere. Maybe the other two of the doppleganger pairing — Desert and Chloe — *hate* each other in contrast, hmm. EM had trouble shutting his mind off of possibilites. “But we must move on. I assume everyone knows Frank, now. Franklin Bowers.” He indicates the nearest and also darkest and tallest rabbit of the 3 at the meeting. “He’s going to play a man– er, a bunny man with that exact same name, although he’s always just addressed by his first name. Do you have any questions about what’s going on Franklin? OH, and beside him obviously is the lovely Rabbit 02, whom we’ll call Patsy in the production.” EM stops here. “Nah, let’s go with Peggy instead. Peggy,” he repeats. “Change that in all the scripts, Mary. Mary?” He looks around but Mary was nowhere to be found.

Poor soul, Franklin Bowers thinks sympathetically. Never can remember his wife is actually dead. Going on 5 years now. All we have left are her portraits. Her many many portraits.

(to be continued)

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Heeeeeere’s…

He decided to confront Eraserhead Man when the latter seemed almost passed out from his 4th 4 shot latte of the evening. EM had been wrangling, wrangling, wrangling with the roles of both Smithy and Doris Drone, going back and forth on each one with the different, involved actors. At this very moment, the famed director was even casting about in his mind recasting someone else as Hebert Dune besides Sandy Beech to better fit the mood. Not the best timing for an approach by his antsy production star, then.

“Is that the latest version?” the towering Sandy questioned about the rust colored book on the table. He had a weird notion just to snatch it and run off right here and now. The director didn’t answer immediately, didn’t even look up to acknowledge his presence. *Meditation*, Sandy then realized. EM was in really deep with this one. To startle him might even induce some kind of heart malfunction, he further contemplated. Best to walk away, his better senses commanded. Confront EM another time. But: no. His worse senses shoved their way to the fore again, fortified by insecurity, greed, envy. He slammed his hand down *hard* on the book he knew was the production script.

Eraserhead Man came out of it by shouting “ice cream anyone!!” at the top of his lungs, then slowly, gradually managed to free himself from the self induced trance. He looked around, blinked his eyes. He looked up at Sandy. “Sandy! I was just thinking about you! What a surreptitious interruption of my nirvana state. *You’re* *fired*!!”

Eraserhead Man stared at him blankly, watching Sandy Beech squirm like a fish in front of him. “I’m just kidding!” he then uttered after a pretty long interval. “Sit down!” Eraserhead Man then realized there was not another seat at this table. “Oh, let’s just move to the porch. Give me a bit to further compose myself! You go ahead! Any seat will do! Just give me a moment please!”

A shaken, humbled Sandy Beech dutifully took a seat on the porch behind EM and waited on him, but after about 15 minutes the director simply got up out of his chair and walked in the direction of his bungalow down the street, not turning around. The next day he acted like the event never happened; work relationship back to normal. And maybe, Sandy pondered then, it never did. He was a little high on those wacko pills Laverne Glam had sold him, after all. He remembered Eraserhead Man even glowing a bit in hindsight. *Never* do drugs around EM again, he told himself. Ever.

But: Lavern Glam? How did *she* get here?

Wait. I think it was Franklin Bowers who sold him the pills. Yes. Lives in the zircon encrusted RV out on self named Bowers Beach just outside Urbane Blue. We might visit him next. Not for pills, but just for another shoot.

“Frank Bowers!!” Eraserhead Man shouts upon waking up in the middle of the night.

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Filed under **VIRTUAL SL, 0010, 0211, Urbane Blue/Fishers Island

decisions

“Urbane Blue by Phillip Jeffries, Baker Bloch, er, Pitch Darkly.”

“I see it. I see it very clearly. Laggy in here tonight. Isn’t it?”

“Yes,” replies Bill/Wheeler plainly. “Do you have to go back to Darkly Manor to prepare food in the next couple of minutes? Do you have a moment — 15 minutes, say — for a chat Mr. Mary?”

“Sure.”

“But the pattern — it’s the Black Lodge floor again, even.

Our item PJ-7842. Visit http://www.insidefabric.com to see full details for this product.

And this is *not* the origin of the name Urbane Blue.”

“Bracket’s playing Sandy Beech, eh?” Pitch says, half to himself. “Good for him. Found a way to work him into the story. But *you*…” He turns.

Bill/Wheeler shrugs. “I was all set to play Doris Drone as Jill MacGill but then Chloe Price just showed up. Now it’s up in the air. Who do *you* think won the role, Pitch Darkly? I assumed Jill won it, the second actress in that last post. But maybe she overdid it. Maybe Chloe won with her more soft spoken mannerisms.”

“I assumed the opposite. Chloe instead of Jill.”

“Hmmm.”

“Sandy Beech obviously knows who won the part. Maybe we should check back with him tonight. Is Bracket available?”

“Of course.”

—–

“Blue roses at the entrance. Blue policeman — hi Derek.”

“Hello Mr. Beech. Nice evening isn’t it?”

“Certainly is.”

“You gonna explore Smithy’s House?” asked the beat cop. “Not finished yet, though. Don’t even know who’s going to play Smithy, I don’t believe.”

“No I don’t think so.” Sandy then thinks: And that’s not the only role still up in the air.

—–

Who’s Mary? Sandy Beech ponders while trying unsuccessfully to sit on the only provided furniture of the house.

—–

“Oh, that reminds me,” Pitch exclaims, suddenly popping up out of the suave chair. “I’ve got to get home to Mary!”

“Suit yourself. But at least we know,” Bill called to his receding figure.

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Urbane Blue Phillip Jeffries

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Filed under **VIRTUAL SL, 0010, 0209, Urbane Blue/Fishers Island

phone call

“Mother, I don’t know where I am. I’m scared. Oh, gotta get off the line. Someone’s coming in.”

“And… CUT! That was great Chloe! We’ll definitely keep you in mind! Good job!”

—–

Next, Eraserhead Man, we have Jill MacGill all the way from Bennington South,” introduces the casting manager. “Her credentials are ‘Pull the String’, ‘Willoby Point’, and ‘Tarzan the Super Man’ — you may remember John Willoby was also the producer of that one.”

“My brother-in-law, yeah! EX Brother-in-Law! Well, Ms. MacGill, let’s get right to it!”

—–

“MOTHER! I… I don’t know WHERE I am! And I’m scared, real scared. Really REALLY scared. Oh I’ve got to get off the line now, sorry. Someone’s coming in…

I’ll call you later.” Doris Drone quietly hangs up, and turns to face the only other person in the diner.

—–

Later:

“What do you think, Sandy!?”

“I think we’ve found our Doris is what I think,” the actor playing Herbert Dune in the production says while arching his visible eyebrow considerably higher than normal. I even believe he begins to salivate a bit.

“Remember, your motivation is that you found your Urbane Blue, your dream place! And your dream girl matches your dream place 1:1! Cool, huh!?”

“Right. I’ve got it Mr. Director. Believe you me I’ve got it.” He arches his spiraling eyebrow even higher.

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Filed under **VIRTUAL SL, 0010, 0208, Urbane Blue/Fishers Island