No stopping now.

Baker walks out of that mysteriously appearing door in the Blue Feather again from the Table Room and notices another opening he hasn’t paid much attention to, down through the years now: the double iron gates into the property of his never seen neighbor Clarity Dagostino. The two neglected openings become linked in his brain. No stopping now, I suppose.

snapshot8533_014

Just after that, he goes back into the Blue Feather to find what he originally thought was *another* “intruding” avatar like the one encountered the day before — get to that in a moment — but what turned out to be a mere 2-d flattie placed there by unknown hands.

snapshot8533_017

The flattie holds a guitar with the name Mykall Skall scrawled on it. I quickly discovered this was the fellow who founded the Virtual Hotel Chelsea (or Virtual Chelsea Hotel), located in a sprawling Heterocera continent municipality I simply call VHC Town in this blog after its dominating, centerpiece structure. This could be significant for several reasons. But what next caught my eye was the t-shirt the flattie was wearing: it’s obviously suppose to double as the one John Lennon famously posed in during a promotional shoot for his “Walls and Bridges” album. And then the flattie’s army jacket is also a Lennon inspired garb.

snapshot8533_019

lennon01

lennon02

Back to the intruder from the day before. Baker Bloch had decided to open up the formerly banned property of the Blue Feather so that visitors could take a look around the recently upgrade Table Room and its mysterious door (etc.) if they wished. Very soon after that, Baker found a male avatar appearing by his side as he positioned a representation of the 4 Beatles walking Abbey Road on the wall of the room, just at the top of its stairs. Seeing only a naked (male) human torso for the avatar’s profile picture, Baker decides to quickly delete the Beatles cutout and temporarily log out of Second Life. 10 minutes later he returned, with no avatar in sight. He quickly reinstated the ban on the property. He didn’t return the Beatles to the wall — until the second intruder showed up the next day. Because, of course, both involved *Lennon* now. And Lennon was and is a major player at The Table itself, projected to sit there under the guise of Salad Bar Jack LINK.

snapshot8533_025

I must be forthcoming here to fully explain the oddness of the juxtaposition. Through Baker Bloch, I actually *did* rezz the Mykall Skall flattie in that corner of the Blue Feather but it was a spontaneous action on my part. I didn’t know the flattie would be projecting a strong image of Lennon. And I didn’t make the avatar from the day before show up just as I was positioning Lennon and the rest of the Beatles on the wall just up the stairs from him. I was merely rezzing stuff spontaneously here and there, going through my inventory. It was, as one could say, an *accidental* juxtaposition. But we know in the Blue Feather that such accidents are too frequent to be called chance. This is synchronicity again.

snapshot8533_026

I’m going to perhaps shock the reader by stating that I believe Lennon himself (or an official representative thereof) wanted to make his presence known in the Blue Feather. He knows I’m working on The Table and he is to sit there. He is, broadly speaking, the gateway figure into (“Billfork”) and out of (“Uncle Meatwad”) my peak grouping of audiovisual synchronicities created during the Pierre Schaeffer era of 2004 through 2007. He knows this is important to protect and eventually disseminate. The organization goes beyond the Oz/Floyd Paradox.

I imagine Wheeler will be super pleased to find out about this turn of events when I next catch up with her.

1 Comment

Filed under **VIRTUAL SL, 0003, 0105, Carrcass+08, Carrcass-00, Heterocera, Rubi, VHC City

Stumped

snapshot8532_001

“See Hucka Doobie? There’s definitely a door there that wasn’t before. And watch when Tin S. Man stands up — go ahead and stand up please Mr., um, Man.”

snapshot8532_002

“He stands directly in front of the door,” Baker Bloch continues. “And the Kubrick lampshade is exactly the size of his cylindrical thigh.”

“Where does the door lead to?” Hucka Doobie asks.

“I’ll show you. Go ahead and sit down again Tin S. Man.” The giant does as requested. “Then I just open the door, see, and walk through.”

But Hucka Doobie notices Baker Bloch disappears slightly before he walks through the open doorway. And if Baker could have bothered to turn around at that point, he would have noticed Hucka Doobie disappearing from view as well.

snapshot8531_005

“Go ahead and walk through, Hucka Doobie,” Baker calls from the other side.

snapshot8531_007

“I’m here,” the bee-person says. “I made it.”

“It’s precisely aligned with this outdoor table,” Baker Bloch then says.

“Are the door and the table the same size?” Hucka Doobie asks.

“Not quite. Now let’s go upstairs and look at the other things. Oh, and there’s also Tin S. Man’s axe poking through over there. And a bit of his sitting stump. Keep that in mind.”

“Where?” Hucka Doobie asks.

“Behind the door from you. Here, let me shut it.”

snapshot8532_009

“Oh, right,” Hucka Doobie says, now seeing the objects. “Looks like [the axe handle] might be made from the same wood as the table.”

“Maybe. And you’ll notice the door has completely disappeared from this side when I shut it. We’ll have to walk around and back in.”

—–

“Go ahead and stand up again Tin S. Man,” Baker Bloch calls through the floor now as he reaches the corner of the room above him in the Blue Feather. In order to get to it, however, Baker had to drop down into the first floor from the second and take the teleporter up. Wheeler insists that these Lemony ways of traveling through the building remain in place. “Traditional — like Castle Jack,” she says, always with an unwavering voice. But no one seems to mind that much. You just have to go from first to third to get to second and The Table, unless you come in from Perch, which is tricky in itself. Most of the town believe and take faith in the Lemon past of Collagesity, before the coming of the Lindens. It’s one of the things that sets it apart from most artsy villages of its kind. The proximity to the Rubi Woods and its ancient growth helps in this respect.

Hucka Doobie caught up with Baker Bloch, but, once again, couldn’t see him in this corner, even though she heard him. But both saw the projecting funnel hat.

snapshot8532_013b

And the impossible second Tinman stump.

snapshot8531_011b

snapshot8532_015d
No stopping now.

1 Comment

Filed under **VIRTUAL SL, 0003, 0104, Heterocera, Rubi

Bogota *11* start?

snapshot8529_011csmaller

3 Floors (for both Blue Feather (within) and Castle Jack (without))?

snapshot8529_016

Leave a comment

Filed under **VIRTUAL SL, 0003, 0103, Bogota, collages 2d, Cricket, Heterocera, Rubi

Bogota moves up a floor.

snapshot8529_003

Floor 2’s Collage 06, a 2-part animation (upper left), is from the past again, like Collage 01 directly below it on Floor 1 of Castle Jack. Collage 07 beside Collage 06, another 2-fer-1 animation, is brand new. In common with Collage 02 beneath it, in turn, Collage 07 is set in the Blue Feather. A blue feather appears on each. Collage 06 and Collage 07 both depict multiple versions of Dr. Blood/Tin S. Man. More analysis soon enough.

Collage 07:

snapshot8527_043smallerc

snapshot8528_006ebsmaller

Leave a comment

Filed under **VIRTUAL SL, 0003, 0102, Bogota, collages 2d, Cricket, Heterocera, Rubi

Book Muncher?

snapshot8527_025

A man only wishing to be known as The Librarian came to visit the Blue Feather yesterday. Baker and Wilson have decided, for now, they’re not going to worry about who’s sitting at The Table at any one time. So we’ll say it’s Baker here. The Librarian bought quite a number of books with him in his traveling van…

snapshot8527_037

… with only 1 in Baker’s discard pile when I took the top picture of the sale (“Salvador Dali: Go to Mars!”). Curled Paper was especially pleased to find a signed copy of “Floydodo”.

snapshot8527_009

Dr. Blood, who was giant at least for the day, brought in a huge stump to sit on — too big for The Table, you see. Permanent size change? To be determined. “Remember Oz,” is about all the suggestions he chipped in, to which Baker replied that the town library was already well stocked with Oz books, including the complete run of Baum and Thompson. “More,” he added in his bass voice, then became silent for quite some time after Baker didn’t reply.

snapshot8525_006

snapshot8527_024
A framed picture Dr. Blood also brought to the meeting.

When it came down to how much money The Librarian wanted for the good number of books Baker Bloch wished to purchase, he said he didn’t want any. Taken aback, Baker asked him what he meant. “What I *want* in return,” he said, pausing dramatically before completing his sentence, “is to sit here. With you guys.”

snapshot8527_013

The eighth? Is this Martian Chesterton again in disguise?

snapshot8527_032

snapshot8527_043smallerc

snapshot8528_004b

snapshot8528_006ebsmaller

Leave a comment

Filed under **VIRTUAL SL, 0003, 0101, Heterocera, Rubi

Sharpening Collagesity Limits, Functions

Rough Collagesity town limits:

snapshot8522_012e

Collagesity from SW…

snapshot8523_008

… NW…

snapshot8523_010

… NE…

snapshot8523_011

… and SE.

snapshot8523_012

Official town galleries (high-res photo):

snapshot8523_015b

Other structures (high-res photo):

snapshot8523_015f

As of this writing, there are also a couple of new walkways in town that I can mention here.

Below: Sidewalk to Temple of TILE, and also a sign now for the temple. Still working on innards, but progess is being made.

snapshot8523_017

Steps to North High-Rise.

snapshot8523_018

Sidewalk is aligned with what I’m calling the Alignment Pillar across Robin Lane from the temple…

snapshot8523_019

… which is also aligned with North Road.

snapshot8523_024

New, elevated walkway connecting Old Cannon Road (top) with unnamed small open area (bottom) surrounded by Carrcassonee’s Gazebo, Castle Jack, Starbuccaneers, Space Ghost’s Bar, Beezy’s Tatoos, House of Truth, Town Hall, and SoSo South.*

snapshot8521_017

In the same style — and as mentioned previously — a bridge now spans Danger Pool (upper right), leading to the projected Town Hall directly beneath SoSo South.

snapshot8521_020

Debating whether to call this “Small Green”, to contrast with, let’s say, “Large Green” in the center of all the art galleries and at the southern terminus of North Road. SoSo Mall (left in 1st photo, right in 2nd) lies between the two.

snapshot8523_025
Small Green (West Green?).

snapshot8523_026
Large Green (East Green?).

Central Stream & Confluence Pool; Small Green seen in background. Say cheese Baker Blinker!

snapshot8523_033

Leave a comment

Filed under **VIRTUAL SL, Heterocera, Rubi, Temple of TILE

Neighbors 02

Like Real Life’s Tower of Pisa, Clarity’s lighthouse in the southeast corner of her property stands at a significant angle.

snapshot8519_022b

The rezzer for the lighthouse even remains inside. My educated guess, given all the information at hand, is that Ms. Dagostino bought this Minoa property, hung out for a while and rezzed a couple of houses and other objects, then became bored with it and perhaps with Second Life as a whole, but didn’t rescind her tier payment for some reason. The property has probably been sitting idle here going on almost a decade now. So we can say the lighthouse and attached land is about as much a part of (the over 2 year old) Collagesity as anything else. Absorption by osmosis, I guess.

snapshot8519_023b

View from the top of the lighthouse into Collagesity.

snapshot8519_024b

Some smaller parcels of non-abandoned land lie to the south of Collagesity, like this 512 serving as an backup post for Hot Silly Peppers Lab, apparently the creator of a product called magic box….

snapshot8519_030b

snapshot8519_033b

… and then this 1680 parcel to its east honoring Iraqi War casualties through pictures and text.

snapshot8519_034b

Setting aside all the Linden returned abandoned land, Blynn Heron is the largest land owner in Minoa along with myself. Her various eastern parcels mix the functions of residential living and seasonal celebration. My artist friend and fellow blogger Pearl Grey, for instance, features Blynn’s Halloween setup in this Million Happy Endings post from October.

snapshot8519_036b

Sandwiched between Blynn’s land and Collagesity, in effect, is the 624 parcel of Pearl and I’s mutual friend Art Oluja. Since taking the below photo, I’ve learned that Art has decided to set the parcel up for sale. Shame to be losing her as a neighbor if it comes to that. Perhaps we can still keep in touch with each other from more of a distance.

snapshot8519_037b

In the sim of Juanita below Minoa is still situated a small cottage perched on a rise above a pool I rezzed about 1 1/2 years back now. The land has since become surrounded by abandoned land with no option to drag in more objects from other parcels with building permissions. It will most likely remain as is, unless the actual owner returns and decides to set something up themselves here. Not very likely during my Minoan time, however, given this particular 512 parcel was bought in April *2005*.

snapshot8520_001b

snapshot8521_002b

I, through a now sober Baker Bloch, returned to the Tyta parcel with the non-functioning theatre to see what I might have missed there, given Bloch’s state at the time. I found out that the group who rezzed the theatre also owned most of the Tyta land just north of Rubi — along Robin Lane again — that I also owned back in 2013. Coolie. Several houses exist on this land, along with a low ceiling cave.

snapshot8522_006b

Finally we must mention “Collagesity West” through a picture and leave it at that.

snapshot8521_003

Leave a comment

Filed under **VIRTUAL SL, Heterocera, Rubi

Neighbors 01

Baker Bloch rolls a joint in front of a small house making up the groundside of Kim’s Place, a parcel tucked into the northeast corner of Minoa just east of Baker Blinker’s new property. Perhaps this Kim would be interested in buying the 5000 square meters Blinks has for sale right now. But we could theorize the same thing for most of the Collagesity neighbors we will be reviewing in this two part series.

snapshot8517_004b

Joint in hand, Baker Bloch then makes his way up Robin Lane past Baker Blinker’s property to this theatre in the southeast corner of Tyta, in turn northwest of Minoa. No film is being shown this day, but that doesn’t stop Baker from staring at the screen for about 30 minutes.

snapshot8517_008b

snapshot8517_011b

Next to it is a quite interesting structure fused with the lower end of The Great Wall of Heterocera, a famous Linden landmark passing through 14 sims before this terminus in Horisme, just beyond the northern boundary of Minoa. I have, of course, been aware of its presence near the Rubi Woods since almost the beginning of My Second Lyfe in early 2008. In fact, later that year Baker uncovered a secret triangular passageway within the wall lying directly beneath the main, square shaped one. You can read about these finds here, here and here.

snapshot8519_001b

snapshot8519_002b
Glimpse into the original wall through a rectangular window.

The group owner of the property, called Tier Sharing Center according the parcel description (with a dead link to their main website), has cleverly augmented the lower end of the Great Wall into a two prong affair. Compare here with the original state of this southern terminus.

snapshot8519_003b

But not much to find inside.

snapshot8519_004b

From the steps leading up to its entrance, Baker waves hi (“high”, snicker) to the back of Carrcassonee sitting in the Temple of TILE across the road.

snapshot8519_008b

Then Baker Bloch explores the grounds of Clarity Dagostino just north and west of Collagesity. Like the latter, Clarity’s property borders the Great Rubi Woods, a proximity she brags about in the parcel’s “About Land” description. The 4464 square meter lot was bought way back in 2007, not too long after the formation of the Heterocera continent itself.

snapshot8519_012b

snapshot8519_017b

But Baker finds the scripts in the two oriental style houses on the lot, such as those in its chairs and sofas, all pretty dated.

snapshot8519_018b

Baker enjoys the Collagesity skyline from one of those “antique” chairs.

snapshot8519_019b

1 Comment

Filed under **VIRTUAL SL, Heterocera, Rubi

Complete Art 10×10 in Collagesity now.

Last part of this project was conversion of Karoz’s Norum Building into a gallery holding the 10 pieces of the Rose Hill series. The name of the gallery remains Norum.

snapshot8521_024

Here’s how it breaks down now for the 100 collages of the Art 10×10.

Greenup (20 collages, 2004): unnamed gallery fronting Fal Mouth Moon; spiral design; seen to right in above photo.

Rose Hill (10 collages, 2005): Norum Gallery; center of above photo.

Yale-Newton (20 collages, 2006): SoSo South (connected to SoSo Mall).

Oblong (20 collages, 2007): SoSo North (connected to SoSo Mall).

Hidalgo (10 collages, 2008): SoSo South (connected to SoSo Mall).

Wheeler-Jasper (20 collages, 2009): SoSo Central or SoSo Mall.

All of these galleries are pictured in the below photo, along with Fal Mouth Moon, Red Umbrella, Power Tower, and Boos exhibiting the newer stuff (post-2009 collages).

snapshot8521_025


SoSo Mall.

snapshot8521_021
Entrance to SoSo South.

snapshot8521_022
Entrance to SoSo North.

It’s all there.

The plan now is to have Karoz’s college moved to Collagesity North. More on that later.

Leave a comment

Filed under **VIRTUAL SL, collages 2d, Heterocera, Rubi

Baker Blinker and Baker Bloch have a problem.

The fire in the projected new city hall won’t move back into the fireplace.

snapshot8514_030

snapshot8514_034

Leave a comment

Filed under **VIRTUAL SL, Heterocera, Rubi