Tag Archives: Arthur Kill/Lemont SanfordGTAV^*+++%%

gloryous night

What am I doing here? she thinks while she smokes. Here in Eels with a man I really don’t know that well, a *black* man. Not that I’m prejudice, she also understands. It’s just… the world at large. They see an opening and they’ll go in for the kill, Arthur Kill in this case, or the actor who plays him. Poor, sweet Lemont Sanford, much more like his (Arthur Kill’s) sophisticated twin cousin Kill van Kull, as is often the case for the creation of secondary characters to balance a first. She was just reading recently that in the first part of the last century it was illegal to be doing what they’re doing. It could come back.

George, she then ruminates further. I *can’t* marry him. Arthur, I mean, Lemont — keep doing that — we have the same aunt, which means we’re destined to be married ourselves. George and I bickered and bickered over what family member belonged to who that night, never fully deciding on Bernice. Now the riddle is solved. I had to go top to bottom on the problem. Liz is the answer. Any questions or issues that arise along the way point to her.

Better get at it again, she thinks while taking the several last draws off her cigarette before heading back inside. Not bad here in Eels, she ponders. Nice light.

She then heard an actual bird, a rarity in Her Second Life. She couldn’t spot the source. She’ll ask Lemont if he heard the same. If she CHANGED she could get out from under this Umbrella.

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thorns and roses

“Okay, Liz is your kid. I get it. Whether factually or fictionally — doesn’t matter.”

“I am Arthur Kill,” states actor Lemont Sanford beside her, also staring at the “Break the chain” statue by Eva, “but I am also me. We made love in both ways.”

“How do I approach *Liz* with this is what I’m wondering?”

“Tell her we have a common aunt that convinced you to go with me over George — The Musician if you will.”

“Oh, he will,” replies Shelley to this. “I’m kind of sick of the ambiguity.”

“Then tell him.”

“No,” she stands firm. “I’m done with it. The wedding is off. We will get married instead. Just like in the film.”

“What film?”

“Stop it, you know what film.”

“The film of our life?”

She sighs. “We have the same aunt. We are already married in a way, future moved to present. We have a child, 1/2 black and 1/2 white, just like us. *No* ambiguities. We are a couple, a team. I, I mean, *they* brought you back to play Kill van Kull, the sophisticated twin cousin of Arthur. You did swell — too much so, as character became reality, bringing Esther in the picture as well.”

“Act I, scene 7. How could I forget.”

“Cut back to the Inky Man from the Boulder Scene still hiding in the rocks, head in the sand — *cringing* (recoiling) instead of Fred. But it *wasn’t* Chaplin. Instead…”

“Keaton, Buster Keaton,” Arthur, I mean, Lemont finished the thought.

“They were heading for the church. I know where this is now!”

“Let’s go,” he deadpanned. No ambiguities any more. The Cross has spoken.

In this “joke” above, Buster recoils after realizing the potential bride he approached from behind is actually an African-American. Although this joke is overtly racial (one of the few in Keaton’s oeuvre), modern audiences may not realize that at the time it would have been illegal for Buster to marry this woman.

“I’ve watched it over and over,” Shelley says about the scene. “This is overt, *period*; this is a line drawn in the sand. No going back! Save the boulder sequence the rest is trite garbage.”

Lemont Sanford mostly agreed. They’d have to edit, they settled. He had a new role. Let’s begin again; technicolor; picket fences.

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blue place

“My aunt.” “No, *my* aunt.”

She/he went from the cross…

… to The Cross.

Page’s convincing portrayal of the “church lady” image of Aunt Esther was in marked contrast to the “blue” material of her stand-up act and record albums.

“What can I say, that’s my aunt.” “No it’s *not* (pause) Okay, yes it is. But…” “But what?”

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00340703

“Who is it baby doll?”

“It’s the *agency*.”

“Well, keep trying to smile.”

“Hello?” she says. “Yeah, this is him, well, his proxy.” She winks at actor Lemont Sanford, currently unemployed but not caring. They’d made so much on the dog.

A pause as she listens to the other party. Then: “Back? Kill van Kull? I’ll tell him.”

Lemont Sanford, best known for his role as Arthur Kill back there, picks up that there’s no one else on the line. This was all a sham. “Your *synthesized* part is all lined up,” she said, putting away the phone — somewhere. He couldn’t help note the purple again.

10 days later they were back on the set in Middletown getting married to a new wedding theme, someone name Bodenheimer I believe. 10 weeks later the character played by the actress divorced the SOB. But not before something happened, something very important to the future of this blog and attached photo-novels.

In a word: Liz.

END OF “SUNKLANDS PHOTO-NOVEL 34”

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new bird

“You need perfection. You reach perfection. You pass perfection on the other side. Of course Wheeler Wilson was going to defeat (and assimilate) the new Tina Turner.”

“Tina Louise I believe,” said the fainter voice from the side, another Observer. “Like Mary Ann except beautifuller.”

“All-American still?” the first questioned the second. “Ρùℜ℘Îē?”

“That’s the key,” said the second.

“Heart of the matter,” reworded the first.

Resurrected Arthur Kill had finished retrieving the “Spider” from Tennessee but he was around for good thanks to the mop, with its silliness reinforcing its power. So they — Wheeler and he — decided to form a band, creating an alternate reality where “America the Beautiful” replaced the “Star Spangled Banner” as our country’s great national anthem. First gig: Towerboro or thereabouts, playing to an audience half blue half red. Now to split the two right down the middle, form a third. Wheeler kept wearing purple.

Wheeler kept wearing purple.

Wheeler kept wearing purple.

It worked. St. Francis Scott, the key, was hatched at the beginning of the 5th.


dramatization

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states

“Interesting place you brought me to, Wheeler. All I asked for is to give me back the mop.”

“Brrr,” she fake shivered. “Getting cold in here. You’ll have to put on at least a shirt soon.”

“You know I don’t do that, Wheeler,” spoke John L. Brown honestly. For a change. He *was* getting cold. A paradox was coming up. “It’s right there,” he continued. “Just… hand it over.”

“No,” she replied bluntly. “I… I’m not ready.”

“You like the *power*.” His smile turned into a smirk. Change x 2.

Wheeler thought back to using it on Arthur Kill. Indeed made him rise from the dead, just like Duck said it would when they met last. She desired to meet him again. John L. Brown said that he would meet in his stead and that he was away from Our Second Lyfe for the moment. Something in Real Life, he said. Uncopyrighted and untrademarked business. Herbert Domain.

“Herbert Domain?” Wheeler uttered at the time, obviously thinking of Tennessee. And she was right. They weren’t ready for that kind of business here. The dog named Spider is enough for now.

“You’ve done your business here,” spoke John L. Brown, the smirky smile not quite off his lips. “You know you can’t get out of this.”

“Chop me some wood first,” she said, fake shivering again. Because Wheeler had her own internal heating system. Unlike John.

But there was no wood to find in this desolate place high in the Foxtrot Backcountry. Only snow, static to others. Tennessee remains untraceable. The plane remains crashed in Kentucky and not Black Jack. That was the whole point of this.

Wheeler relented, gave over the mop. John L. Brown would hand it over to Paul in the next post.

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row of red 02

“Okay Kenny, slow and easy. We know what animal we’re looking for now.”

“Dog,” Kenny said, repeating the last word of the old, confused man.

And then, just like that — so suddenly — there it was. “There!” Ken screamed almost as loudly as the killed lady in the house did before. Arthur squelched the desire to shoot him on the spot as well. Because he saw something too.

“Back up. I want to make sure.” Ken backed up one click.

“Okay, sloow and eassy — and no screaming this time.” He held one of his weapons to Ken’s head just to make sure. He could drive himself if push came to shove. And it might after this. One click later: still there.

“The bird is *attacking* the dog?” Ken said in as calm a voice as he could muster given the circumstances.

“One click more forward,” Arthur Kill demanded, not yet ready to answer any questions.

“Okay.” Click.

Arthur Kill looked at the spectacle that had moved more toward the back. The bird is far separate from the dog now.

“Indicating,” concluded Kill. “The bird was indicating the dog. We can go home now. But first…” *POP*

The dog replaced the man.

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row of red

“Hold on slow down,” commanded Arthur Kill from the passenger seat, loaded down with weapons of not so mass destruction and thus unable to drive. Instead Ken of Cable Isle’s Junk Yard and Mechanic Shop acted as his chauffeur, having been spared for a bit more to do this job after he successfully fixed the old ’57 Chevy just minutes before the 11 PM deadline, dead being the operative word here. Afterwards, however, we anticipate his story will end the same as his former partner Bobby’s: planted in the same paltry town cemetery as Arthur Kill rose from just day before yesterday’s tomorrow thanks to Wheeler Wilson and her wicked witchy ways. They may even just reuse the wooden coffin Harry or Harold the Gnome made specifically for Kill, which long Ken could fill out pretty nicely as well, they might determine. There’s also admittedly a racist angle to this possible reuse since both were black men. We need not go into the town’s sordid history here and the gnomes’ strong involvement with it. Arthur Kill’s corrupted morals have nothing to do with ethnicity. White Wheeler Wilson, for instance, is just as bad in many ways, perhaps even worse in some. And Ken is as innocent as the driven snow in all this.

“Wait here,” he further ordered to Ken, and got out of the car to inspect shoes laid out on the stairs of the small house, flip flops more specifically, 8 in number, a suspicious number indeed given what he was looking for.

I’ll go in and try to get information from these stick hicks one by one, he thinks, killing them as I count them off. Could be 4 regular human beings, but, dare he dream it, could be *one* thing. “Keep the engine going,” he barked at Ken, not caring if the people inside (if they were people) heard him or not.

Turns out it was 4 humans to his disappointment. He popped them off 1 2 3 4. The 2nd and 3rd were too scared even to talk. The 1st just screamed — Kill put an end to that quickly. The 4th was interesting. “Dog gonnit, I know that name,” he said in a weary old voice to Arthur’s question, his mind obviously too gone to realize what was happening, and that 3 of his relatives or whatever (Kill assumed everyone was related to everyone else in this stick hick house) had perished and that he was in all likelihood next. “Dog…” he said, pausing before finishing with “gonnit.” “Dog,” he said again, and let it stand alone this time. “Dog!” he said, remembering. *POP*

“Thanks,” Arthur said, blowing smoke from the barrel of the just fired pistol as was his custom. Dog it is.

(to be continued)

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00340412

Nata Lee Cornfield is next for a visit to the food market. A relieved and refreshed Mabel cheerfully says hello to her at the door. “How’s Natha Neil?” she adds, and then waits for the zinger. Always the zingers from Nata Lee. Tangy if not refreshing! But twins have to keep up with each other like that. Two sets of twins in this case.

A yellow colored orange drops from a hole deep deep deep in Maggie’s pocket onto the surface of the parking lot as she attempts to load everything in her car. A man picks it up, thinking he’s helping. “Here, Miss, you dropped something,” he said. Snake.

—–

“I could put a lot of things in this purse. I’ve got a banana in there, I’ve got a phone. I’ve got a banana shaped like a phone.”

Jem kept silent, her attention focused on the beer bottle before her. She was moving it back and forth across the table a bit with her mind. Digging through her purse as she was, Dafney didn’t notice the odd occurrence.

“So Jem, catch me up. How, ahem, are you still alive I mean? I didn’t expect to see you again.” She kept looking in her purse for that banana shaped phone. Never found. Maybe Peter took it from her. He loves novelties after all. She glances over at the still silent Jem, sees the t-shirt but not the queer movement of the bottle.

“Got some new clothes I see,” she started again. Silence. Dafney finally notices the bottle. “And some new powers (!).”

The bottle disappears. “I’m sorry Dafney. I’ll pay attention to you now.”

But Dafney just starts digging in her purse again, looking for that phone to call Peter to ask him who has the phone.

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sideways

The front door to the investigators office had slammed hours ago, it seemed. Tessa had basically given up, when:

“Yes, here it is, Ms. Daigle. Thomas Mantell. Born Franklin Kentucky 06/30/22, died Franklin Kentucky 01/07/48. The famous UFO case of course, hidden amongst these more ordinary court cases and in a darker shade, which is why I overlooked it before. My missing partner.”

Tessa Daigle, divorced from her first husband for 3 years, looked up. “Your missing *what*?”

Psychic-detective Laura Roberts turned. “My missing partner,” she repeated evenly. “Robert Franklin, the beginning, the end, and everything between.” She sat down at the table with the confused Tessa. “*And* I think also *your* missing partner. Black Bart wasn’t it? Donald is never wrong. He predicted the going, he predicted the coming back to Earth in the cursed ship. Black Bart… Black Jack. The plane crashed in Black Jack.”

Tessa knew the case as it turns out. And for a specific reason. “But… you said he died in Franklin. Born in Franklin, died in Franklin. Hence: Franklin through and through it seems.”

“Yes.”

—–

Tessa scratches her head. “Black Bart has risen from the grave, the one just out there, beside the Junk Yard and…”

“And?”

“Auto re-pair, yes.”

“Good.”

“Both are dead now, the junk purveyor and the, um, jalopy mechanic. Done in by Black Bart, whom others know as Arthur Kill.”

“Soon he will acquire a new name,” spoke the prescient Roberts, jotting down something. “Here — here’s an address he may go to next. Or this person will eventually be involved — probably already has been.”

Tessa looked down at the almost illegible scribble Psychic-detective Roberts handed back to her on the sticky note. She finally made it out. Wheeler… Wilson, yes. Wheeler, Wilson. Who’s that?

—–

“You cannot return here, although we may see each other again. Goodbye.”

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