Tag Archives: Baker Bloch^*++++@

“Ahh. ‘Duncanfollower’. Another portmanteau like ‘Pageturner.’ Who is the Duncan of the title and why would we be following him? This is Duncan Avocado, now half of Paul with the other half white: Even Whiter Walt. The white half and black half are the two sims of Olde Lapara Towne, joined like different races. But here we have just Duncan (to the left). What does that tell us? That we are in the future here. Woody Allen looks on (at Duncan).”

“We’re talking about Timmy Duncan now, Hucka Doobie.”

“Correct. Woody Allen looks at or toward Timmy Duncan who is kind of glued to the side of the Hotel Chelsea over in VHC City, the place where you were exorcised from.”

“Pitch Darkly was expelled,” clarifies Baker Bloch.

“Whatever. I was too in tandem with yourself.”

“No. You can return. *I* really can’t.”

“Whatever,” emphasizes Hucka Doobie. “‘Woody Allen’ is another composite name, representing your shapeshifting friend Woody Woodmanson but also Old Man Allen Martin, God rest his soul.”

“Dead, yeah. Don’t think he can come back. Heart attack in the underground. Death. Wheeler knew.”

“Yes. Allen Martin is dead. He loved Wheeler, as The Musician did as well. And still does. But they’ve changed sexes? I’m a little confused about all that.”

“So am I!” confesses Baker Bloch.

“Back to Duncan: Woody Allen looks on, which we know is the death of Allen Martin in VHC City’s underground because Woody Woodmanson changes into Allen Martin just before that. You can put another link there if you choose. Woody to Allen. But behind Woody is the purple clad angel Raziel, which brings to mind Rael, the lead character of ‘Lamb’.”

“Yes.”

“And then a giant purple rose is also attached to this group of images, referring to Woody Allen’s film ‘The Purple Rose of Cairo,’ famous for breaking the 4th Wall.”

“One of the characters of the film within the film, the namesake ‘Rose’ movie, steps out of the film within the film and just becomes part of the film. It’s like if you stepped out of Second Life, Hucka Doobie, and went back to First Life again.”

“I don’t have a body (any more up there).”

“Then *this* body. You would look strange walking around.”

“I would prefer to borrow someone else’s body. I will be reborn, you know. Charles Nelson Blinkerton is not dead, only resting.”

“Let’s not go down that road tonight, Hucka Doobie. Back to analysis…”

Hucka Doobie turns toward the collage again. “‘Duncanfollower’… Then behind or on the opposite corner of the building Woody stands in front of is a seemingly more maleficent figure with sickly green wings. This is malefic; golden winged Woody is benefic.”

“Jupiter and Saturn again.”

“This is the hiding aspect of, well, yourself as Baker Bloch. And Pitch Darkly as you prefer. This is the side you can’t show in VHC City.”

“Or anywhere, really.”

“I’m not talking about that side (you’re thinking about). I’m talking about The Diagonal, the Triple Number 97, the Pitch Black property, all real things. VHC City, or the powers that be there, don’t want to buy into (that mythology).”

(note: afterwards Hucka Doobie sees he forgot to talk about the Pitch Black structure appearing in this collage and will return to that important aspect later.)

“No, I would assume not.”

“Else things could be different.”

“Yes, I suppose they could.”

“But,” continues Hucka Doobie,” you have The Oracle to aid you. You’ll always have The Oracle. Even after the end of your US of A.”

“Yes.”

“The Oracle told you that the man who created the virtual version of the Hotel Chelsea is named Sikul Hamikt. The one presently managing the property is Vainom Kug. That was suppose to be Wheeler, as the former is The Musician, or, what’s he called now?”

“Earie,” states Baker Bloch. “But he was always Earie, I’m assuming.”

“He is also Sikul Hamikt.”

“But only in dreams.”

“Good enough.” Hucka Doobie studies the collage again. “So I think it’s pretty laid out. Duncan Avocado must return to VHC City and head into the hotel, perhaps to the Nancy Room. Room 100 I believe (Baker nods). Maybe The Musician, who is a punk now after all, will follow him. Or take his place.”

“Up in the air, still.”

“We better move on.”

“It’s been a while since I — or baker b. — created this one, Hucka Doobie. May be difficult to analyze at this late date.”

“I’ll do the talking now,” requests Hucka Doobie. “First off, this is ‘Pageturner’, created to open the second half of ‘Collagesity 2017 Middle’. You can insert a link there. This collage shows the dominance of ‘Lamb’ in Genesis’ catalog of albums. Peter Gabriel knew it was bigger than all the rest. So did the other members of Genesis who remained after its conception. Everyone knew.”

“‘Lamb’ is part of ‘Tronesis’ now, Hucka Doobie. Is that a good thing to say at this point?”

“Sure. Lamb and Ram die at the same moment at the very center of that audiovisual synchronicity, which dates from, let’s see, 2003. February I believe (Baker nods). That is the opening Tronesisia and Peter SoSo need to work forwards and backwards within the synch respectively. They are responsible for *that* analysis and absorption.”

“Cool.”

“‘Pageturner’ represents the creation of a new page in the ‘Collagesity 2017 Middle’ graphic novel. It — the post containing it, opens the 2nd half of the novel. You can insert another link there if you wish. Genesis plays in front of Audrey’s Bar, or on the side, the same — well, it’s just below us now, on the first floor of the market. Peter Gabriel — lead singer — is in some sort of costume, or at least wears some kind of mask. He stands between two representations of ‘lesser’ Genesis albums above him: ‘Foxtrot’, left, and ‘Duke’, right. Both will reappear in the end collage of this series. We should talk of a name. All the characters on the side of Audrey’s Bar represent Genesis albums. ‘Lamb’ looms, as I’ve said. The name above them reads Genesiso. The extra ‘o’ at the end points to ‘So’, Peter Gabriel’s most famous solo album and the one which brought him fame and fortune on par with the rest of Genesis who remained ‘behind’, as it were.”

“You mentioned a name for the series, Hucka Doobie.”

“Yes.”

“Wouldn’t this still be Bogota? I’m unsure.”

“As you realize, this series is a bit different. It was created organically to follow the story generated within the second half of the ‘Collagesity 2017 Early’ novel. Series before it generated energy on their own, or in tandem with a factual analysis. Not in the case of Bogota. Not (really) since you began composing Collagesity novels starting in November 2015? (Baker nods). Bogota is different.”

“So is this still Bogota?” Baker repeats.

Hucka Doobie puts his round, yellow bee hand to chin. “Let’s get back to that. Returning to ‘Pageturner’, we have Gideon, who is the same as Buster, floating or hovering angelic over The Bible, which probably is another Gideon — Gideon’s Bible, mentioned in the Beatles’ song ‘Rocky Raccoon.’ Now the whole Buster-Nancy-Danny-Bettie cluster of names and characters comes from the characters of the song. Kind of fleshed out, I suppose.”

“Something like that,” agrees Baker.

“The figure reaching out of the bar with large yellow arm is the ‘Pageturner’ of the title, who has just turned a page of the Bible in front of him. This is Peter Gabriel again, or one — actually two — of his stage characters. The arm belongs to the glopman character. The head-in-flower to another.”

“Actually, Hucka Doobie, I believe they’re called slippermen in the ‘Lamb’ album.”

“Insert a picture and let’s move on.

What are these slippermen, then? They are glopmen, though, yes?”

“I guess so Hucka Doobie. That’s a Mythos idea and Mythos ideas don’t translate well to this blog.”

“Sure they do,” counters Hucka Doobie. “Slippermen (characters; song) come from ‘Lamb’, just as this character emerges from a caricature of a lamb drawn on the side of Audrey’s bar — its front. The arm represents another of its own arms, or legs.”

“Perhaps interesting.”

“The ‘Lamb’ appears to be eating from the hand of another album representation. Their most successful I believe. ‘Invisible Touch’.”

“I’m checking now, Hucka Doobie, and the name of the album that image is from is called ‘We Can’t Dance’, dating from 1991. It is their last album before Phil Collins left the band to pursue his own solo career. And although it is the Genesis album immediately after ‘Invisible Touch’, their highest selling album, the release date is 5 years later. Success breeds creative complacency?”

“Maybe. Anyway, all serve ‘Lamb’, no matter their selling status. They feed and nurture ‘Lamb’, even from the future.”

“As well as the past,” Baker clarifies. “‘Foxtrot’ and its ‘Supper’s Ready’ and so on.”

“And that’s now synched with ‘Green Acres’. Pretty bizarre, eh?” Both Hucka Doobie and Baker Bloch smile. “And the woman perched atop the bar — a ‘Lamb’ analyzer. Like Tronesisia and Peter SoSo in a way. Is this Tronesisia?”

“I don’t know,” states Baker Bloch.

“We better move on.”