“It probably started here,” stated Fern, showing the origin of the Boos. “In, let’s see, collage #13 — unlucky 13 in this case — of the Boos series. Boos came from Boos — Illinois that is.”
“That’s next to Indiana and its famous Dunes,” chipped in Harrison Ford Jett, eager for knowledge tonight.
“Correct. Anyway, the Boos come from the planet Mars. There was a failure — in Tungaske as we’ll keep calling it — to create a working, proper *sphere* by several of its artists, a joint effort. Sphere of Space if you will. An abnormality set in; in ways these are the two moons of Mars, Phobos and Deimos, terror and dread, explaining the faces. Rust probably represents Ida B. Wells from Rust College, who was a champion of freedom: diagonal (echoing some former talk they had concerning Bellisaria). The Boos ate the freedom, took it away from them. The Boos are the elitists, also explaining the white-wash color. They proceed horizontally beyond the edge and into the world itself. Evil has been let loose — again.”
“Who is the man in the water?” queried Harrison. He was a band member on the run, trying to get as far away from Bluebird as possible tonight, an ironically named character it seems. Bluebird of misery instead, misery and mystery in one. Mistery. So said Fern.
“Man on the fringe; man watching fringe, man *from* Fringe. Peter I believe. Watching the Boos do their evil doings, the Rust girl perched precariously on the rust colored cliffs — gone. He sticks, lets see, he (as the Spaceman) sticks his hand in a hole and it is gone — just below where the girl *use* to be. The missing hand symbolizes the missing girl, hmm. And missing pieces of Mars, moons.”
Harrison glances sideways. He’s eager to get to the next collage in the Boos series and be done with it. Boos attack! But… well, let’s just let Fern talk for herself.
“And here we are.” They spread out from each other, just as the Boos, black and white, spread out in the sky above Tungaske, (numbered buildings) ready for conquest.
(to be continued)
Sunklands 
