Tag Archives: Daigle Eddy^*++++

00410106

The identification is obvious here at the start and all up and down the line of Google Street View shots of the village. Good work re-creators of Amiable in Our Second Lyfe (I’ve got a name!)!

Panning just right in the virtual world version where Google Street View can’t, we spot Marsha “Pink” Krakow at her table, still studying the accordion.

Eddie, her Edward, has split the scene, saying he prefers the hustle and bustle of Meat City as opposed to the boring, backwards life here. He’s read the attached note procured from the woman standing near the start of the weedy lane leading to their table. He has no desire at all to help the few villagers, mostly older like her, with upcoming Thanksgiving festivities, primarily focusing on corn shucking it appears. Marsha is left alone in the village. Lacking any other meaningful contacts, she decides to go back and visit Andrew “Biff” Carter.

But the tractor was gone at the farmhouse…

… in both real and virtual worlds.

Andrew’s split the scene as well. More on that story coming up.

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Filed under **VIRTUAL SL, 0041, 0106, Google Street View, Teepot+

She has to find the owner of this accordion.

“I can’t hold out much longer here. My world is breaking down Eddie, my Edward.”

“How are you sitting? My chair won’t work. Can we trade?” he asked selfishly. Like the man he was. Was he even listening to what she said?

“It’s *not* about the chairs.” She huffs a bit and looks around, down the road. Just over there. Where the camera is. “I have a new game in the meantime, Eddie. I call it Pan All Around.”

“Peter? Here?”

“*No*.” Another huff. “Pan like in zoom. Pan like in circle around something. Pan like in…”

“Peter,” he repeated, staring out.

Marsha realized he was correct after all.

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00410102

Although not particularly shy, she had to look away as he continued to stare. Dinner was over — roasted chicken on toast — and the kids sent away to bed. Grown up talk now. He looked and looked and then plainly asked: “Are you her?”

Marsha shifted around some more, then echoed back, “Am I her?”

“Yes. The one. The one prophesized.” He started again after his head kind of indicated the outside. “A yellow Volkswagen Bug. Orange is close enough. You drove up in it. It’s probably close enough,” he reiterated.

His voice was pleasant like his appearance. All exterior signs point to a decent person sitting across from her. But not a lover despite his obvious interest. This man was too mesh for all that. And besides she still had Eddie, left behind as she continued to portal jump. But she couldn’t quite remember how she got to this place — something about Bellissaria links (I know I’m spelling the name of the continent(s) wrong but for a reason).

Marsha didn’t tell him her car use to be yellow and she changed it just on a whim shortly before arriving here. This man, Andrew or whoever, didn’t need to know that information; may make him stare at her even more intensely. Nazi, suddenly came to mind. WWII style clothing; out in the country away from everything. Could be hiding from the the police. A war criminal, she pondered. Close.

—–

The year was 1939 but Andrew “Biff” Carter still pretended it was 1919 and he was reading the red book just after it was published; fresh off the printers. He inhaled deeply. He could even smell the new from decades away.

Couple crackers before dinner just to tide him over. Oh what the heck. He shuts the book; can’t delay any longer working on that gall darn old broken down tractor. I wonder if that *girl* will show up again? he thinks while putting on his work gloves and walking out the door. She didn’t know I was inside, washing the dishes from lunch, just peering out the window at nothing. Then suddenly: peering at something.

(to be continued)

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00400613 (Yellow again!)

Marsha thought they could talk freely here during the night in the park between all the buildings of the compound. Little did she know the trees, the birds, the flowers, even the bugs: bugged. Dr. Mouse would analysis the recordings later from his various sources. Eddie looked up at the big fat full silver moon before starting his soliloquy, “I love you,” being the summary sentence.

“Run away?” she said about one of the other parts, the “plan” we’ll call it.

“Yeah,” he said at the time. “Look over there. Between the bushes. I brought you something.” Broad smile. About time to say the “love” part.

Yet another bug, seemingly a different kind this time. But it was miked up as well, along with having an attached tracker. And perhaps even another one of those explosive time bombs, but definitely the first two. And maybe even Eddy, her Edward, put them there, in cahoots with the good Dr. Mouse by this point. Maybe he knows about all the bugs here. Thanks to the mother once more.

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Filed under **VIRTUAL SL, 0040, 0613, Omega, Urbane Blue/Fishers Island

00400611

“I still have a home on Nautilus. It was a retirement gift — very pretty there. Lots of vegetation.”

Dr. Rabbid Baumbeer, still dealing primarily with bodily fluids but hoping to graduate to full blown psychiatry soon, looked at his e-machine and gauged this was true. “Describe… gift,” he decided to say.

It was the end of 31 and it was the end, period. March 1 of last year, 12:01 AM we’ll say. Eddie D’Aigle, who sometimes preferred D’Aigle, Eddie, especially if he was traveling in the Orient, had just retired from the private sector of the records management business, having made his fortune archiving the files of rock stars Ozzie Osbourne, Ozmo Daredevils, and the like. His last blog article for the latter, the last he did overall, was about how the song “Jackie Blue” was changed from “Jackie Pink,” which drew the attention of Pink, Marsha, Krakow. He had the evidence before him as he wrote: the altered lyrics, everything. “It was suppose to be about a man who peddled drugs during the day while working nights as a bartender, a very Dada affair,” he reinforced to her in a reply email, then, seeing her avid interest, invited her up to [Blue Mountain] to look at the actual, revised lyrics herself. “Come with your driver’s license or a birth certificate,” he said, “and our staff will bring the whole box out to you; I’ll put it on reserve and not reshelve. You can look at one file at a time, and just mark what you want copied with green (START) and red (STOP) paper we’ll provide.” She ended up photocopying the whole box. New 3d scanner the office just purchased did the trick in a 10th the time it would have taken the old fashioned way. Marsha’s, in fact, was the first request accomplished using that method. Boxy Marsha, she went down in office legend as. Prototype. Especially since Eddie, on his last day of work, helped her tote the (wrong?) box to her still hot pink car, soon to change to yellow. Thanks to what was inside. In many ways, she became the box she requested, a black and white facsimile of herself.

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00400602

“I predict, Eddie, her Edward, that right in this seat Mr. Coy will appear soon and make a deal. I saw it–”

“Yeah yeah yeah, in your cards. Which apparently *I’ll* never see again.”

“*Unless…” Golden Goddess Nas pitched. 2nd date. More karma to pay but it might be worth it. Eddie looks down at lovely Marsha “Pink” Krakow, still singing away on the lime green karaoke stage inside. “Crazy Train” now, another crowd favorite since Osbourne is a local hero. Then just afterwards, her signature song. “Jackie Pink,” fully changed back to the original by this point. Her prison sentence is over. Golden Goddess speaks again as if for her.

“Are we on? Are we good to go?” “Crazy Train” was over. The belt comes off.

(to be continued)

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blog post now

“It was a naval kiss but not that kind of kiss. From River — you remember. You almost put it in a blog post back then. Novel 39 I believe. Jack Benny the comedian-violinist would not be proud that you have moved into 40. He wished to remain (in) 39 all of his life!”

Once again Marsha started to ponder All Orange, thinking back to the research she did in her old room over in Meat City on the Omega continent, Mother feeding her free sandwiches and whatnot throughout it all. Probably drugged as well, she concludes as she’s thinking of it, reviewing it. Distracted by the computer, she knew she wouldn’t notice. Mother. *Mother*.

She bounced up out of the lounger. Mother put down her second apple she was working on, having thrown away the core of the first in the beach grass or bushes just over there. 1st green, this one red. She had progressed from better to best by the taste of it. Or worse to worst, depending on which way you’re looking at the situation.

“Stew dogs’ ready!” called Eddie from the red hot grill. “WELLL. I hope you’re still hungry after all that fruit,” spoke pseudo-daughter Marsha down to Wheeler with this. Wheeler, on her part, was going to see eating the latest apple through to the bitter end. She intended to eat the core this time. She was going to finish it all.

But not until after the dogs. Dogg walks up. “Rat you reating Reeler?”

“None of your business mutt,” she dismissed him out of hand.

“Rogg, actually,” spoke Dogg, thinking she just misstated his actual name. Moving on…

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00400501

When Marsha “Pink” Krakow returned to what she knew was her true home now, Big Sandy on the oldest Bellissaria continent, her Mother was waiting. With a big surprise. “I bought this for you,” she said to her shocked daughter after she arrived, indicating the trailer. “Pink, you see, or as close as I could get to that hot variation you prefer.” Edward, her Eddie, was already blackening his patented vegetable stew dogs on what Wheeler told him was his new grill. He was already sold.

“Oh. And that pink scooter you’re standing beside! What do you think?”

Marsha was thinking of *price*, not necessarily money price but emotional price. And here it comes.

“I can see you’re speechless, dearest. Come sit beside me and we’ll talk.” Wheeler patted the lounging couch across from her and then pulled out an apple to eat. “Price?” Marsha wanted to ask her so bad. “Price price price?” And here it comes.

“Have you talked to Serenity since you’ve been here (chomp, chew chew chew)? Never mind, dear, I know you have. You told her about Shelley, my *actual* daughter.”

“*I’m* your daughter,” she wanted to protest at this point, but knew it technically wasn’t true — in a way. Shelley provided the body and added a lot to the personality as well. But Brown was also there inside. Conscience? Mere gestures? She wasn’t quite sure yet about the so-called 3rd component, the last of a trilogy. And then herself up front and on top of course, resurrected from what happened in photo-novel 19 that she doesn’t like to think about a lot. Cook for the Ozmo Devils. Dead in the head in bed like Jed. “Why didn’t you tell me about Serenity?” she actually said aloud. “That she wasn’t her cousin but her *wife*?”

“Oh it’s just one of those things that slips the mind (chomp; chew, chew, chew). Lots of important stuff going on up there,” and here she pauses in her apple eating to tap on her forehead. “I’m still the mayor of that damn Meat City and its dominant male energy. *I’m* more male than them, despite the body, the femininity,” she decided to put it. Marsha understood. Her mother had to put the town council (etc.) in their place or they’d gain the upper hand again, the blame misogynists. Dominant sex, *pheh*. Marsha had to do the same with her Eddie in a lesser way. It’s just how men are raised in our society in part, she figured. So she didn’t blame him *all* that much for his own, lesser brand of the disease of the mind.

Marsha had to ask this next”: “W-why, then, oh why… did you put me in prison? Turn me into a *doll* Feed me those drugs through my head to think that I *wasn’t* in prison but next door, singing karaoke until the wee hours of the night? With the fake doll looking on?”

“Rockaway Beach?” Wheeler started her answer, citing the name of the first place which was also its location. “Kenzie’s Korner in Kuradov?” she said the same about the second. Now the circumstances.

(to be continued)

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sing sing

In a hidden wing of the prison she finds a big clue, perhaps a master map. Gazing at pink, she knows where she is. And who she is! She dispenses with the cow part, hoping to remember more.

It worked! All Orange beneath (perfection). “I am a–.”

—–

“Once you finish your meditation we can begin the reading, Edward.”

“Still can’t believe you’re a (prison) psychic as well as a bartender, Nas,” he spoke from his yoga position across the scrying table. Another Golden Goddess, he thinks. A chain! And all he had to do was set up a date later on to pay. Perfection once more.

“*Concentrate*. Put the question foremost in your mind.”

—–

“This prison can no longer hold you, Edward, her Eddie,” she read. “You have past through the 2 pillars. 10 becomes 1 from bottom to top and you begin again. You will have enough money to prosper or at least be comfortable in your olden age to do so.”

Good but not original Golden Goddess good, Eddie intuits here. He must return to her.

Now he just has to wait on Pink to finish her sentence.

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00400316

At 11, Ketchup Tom came a knocking at the door. Serenity Lane crept in from the opposite direction while he did, wondering why the punk was here as well. Sleepy Eddie rouses himself, steps over still snoozing Dogg by the bed, answers the door. But there was nobody there. It was all because of what was spoken by Marsha and, er, Bethany, um, Ginger — Mrs. Ordinary — at the tiny cafe just across the Big Channel. Because they were figuring out stuff, enough to cause ghost realities to suddenly rez in, probabilities to come into the light which didn’t exist before. Ketchup and Serenity showing up at Marsha’s door at the same time. They had the same goal in mind was the symbolism. And Eddie was in the middle which was unfortunately in the way. But they didn’t get the chance to tell Eddie since the probable reality evaporated when Mrs. Ordinary paid the expensive bill, rum not being cheap in these here parts. Things like this happen more than you realize, folks. It’s all in the books. Eddie goes back to bed, writing off the knocks as part of a dream. A different kind of sleep, then, he’s in.

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