Tag Archives: Jim Crochet Wedding Dress^*+

baddest Brown in the whole damn town

He came into the place and offered his services, saying he was the best in his business. The big boss asks, of what? Cartooning? Yes, that was it, precisely the job Leroy needed to fill. When big Jim *L.* Brown left several years later with his budding comic strip mega-franchise in tow, he took his name and also called the paper that because of the growing fame. “Brownsville Herald” it became from that point on. He: Leroy Brown. There was no other at the time so he was both the best and worst, you see. He could use both descriptions but chose the latter for street cred. Another employee named Jim Crochet Wedding Dress walks into a church and pens a famous song about the decision, expertly marrying word with tune in what turned out to be a long standing relationship indeed, enabling him to quit the roller coaster gig (see: 00390508 exactly one section ago) and work for another as well. Leroy was losing employees good and bad right and left. He needed fresh faces.

Just age eligible Tammy Beige Brown walks over from Home to apply for the post she heard through the grapevine (thanks Raisins!). That *name*, thinks Leroy when she introduced herself and her 3 monikers. She *must* be the new star!

—–

Tammy wished she’d never put away the canvas in favor of the camera. “Tom Banks at your service,” the company man introduced himself on top of the Brown part of the paper. “I’m here for the shoot.” She gasped as he raised his arm in greeting — old, forgotten memories kicking in — which made him laugh, certainly inappropriate for the scene, Tammy felt. Her palms were sweating, her face was twitching in the nervousness. Continued snickering. The laugh of one with no soul.

“Relax, child, I’m only the photographer,” and then remembered to add calligrapher as he moved toward her to prepare.

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00390508

Pitch eventually found Wheeler in another one of those Hana Lei lands, specifically designed for kids this go around. And that’s how our Shelley Struthers, now reverted to a child — at least temporarily — got involved.

“What happened to her face?” Pitch asked Shelley after they were able to separate away from Wheeler for some private talk. “It’s like, I don’t know, 2 things superimposed on each other that don’t belong.”

“Yeah, the blonde hair,” Shelley agreed. Then she explained that it went back to when Wheeler was underneath the chocolate all that time, lapping it up like some kind of deranged dog. “Must have done something to her complexion.”

“Hmm,” Pitch said to this. “Shouldn’t she, then, I don’t know, turn *brown* or something?” Not blonde, he additionally thought.

“Might not work like that,” quickly answered small Shelley, already wise way beyond her age. For she wasn’t really she in the hallucination. This is kind of combining several layers into one, smooshing them altogether like a club sandwich in a vise. Thus the picture of the faces in the carnival poseboard, I believe they call them. To illustrate or symbolize the change (another flattening).

But this might be better: Wheeler preparing to take a ride on the Olympia Looping roller coaster, drawn in by the 4 colors of TILE displayed all around. “TILE” she said to the attendant after he asked for her ticket. Jim Crochet Wedding Dress let her ride anyway, little voice in his ear telling him so. The Big Boss, or at least one of the Big Bosses, Wonka I believe. Or Wonky. Wonky like Willa, ha ha. OK, I’ll stop, Wheeler. So getting back to her (always her, never me it seems lately), she takes a ride, but she also calls over a companion. “Arthur, I need you Arthur,” she said in the message accompanying the teleport offer. “I need you more than ever.” Take in what happens when I trip the light fantastic, she added to herself. Because she knew she’d see stars; they were just that bonded by this point. She’d write all this up from the perspective of Edward later on, about 2:01 in the morning, she’s guessing. Always seems to be that or around that.

“What happened to your face?” he asked upon showing up.

“Never mind that, I’ll change before we start looping.” And he got in beside her, ready for a start. With her deformed mug still in place, she kissed.

“I love you Wheeler!” he shouted before the TILE colors even came into play: still on orange. All Orange, as it turned out. The rest was mere refraction from the whole.

Pitch just stood there at the bottom beside Jim, wondering what happened to Shelley as he watched blue turn into red turn into green turn into yellow to end the looping. All grown up again and gone? he wondered. He’d find out soon enough (here come the cars).

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