Tag Archives: Mary Tyler/Chuckles Greentop^^+!

no perch

“Whoa Nelly, Wheeler!” Mary exclaimed. “Got another one, phew!”

“Coolie,” said Wheeler, still thinking about the events of the day. “So… Tronesisia figured out that Aspinwall, the snake pet that came with (Allen Martin’s) gas station, was the portal animal needed to cross over because of Woody’s clue. Because it had grown larger recently. She had to move it from a matchbox to a cigar box about a week back?”

“I think so. (That’s) what Baker Bloch told me.”

“Snakes and dogs,” she continues. “Wonder what other animals could be used?”

“Birds, I’ve heard. But you have to get a walking one. Like, say, an emu.”

“Or a dodo,” Wheeler offers, but then remembers that particular species is extinct, with the walking aspect actually helping to do them in.

“No dodos,” Mary replies.

“Yeah, I recall now.”

Mary suddenly gasps. “Or *is* there?” She turns toward Wheeler with something different on the end of her line. Not a perch this time.

Wheeler was still thinking of possible portal animals. “I wonder if you could, say, just stick a perch in your pocket.”

“Look!” Mary commanded.

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Huskers

Tronesisia and Mary pulled in about midnight on the 6th. Baker Bloch was there to greet them in front of Darkly Manor, Mary’s hopefully new home. He couldn’t wait to show them around town.

But what immediately caught Mary’s eye as she got out of the pink mini was this portrait of Ted in the middle of Castle Knight. “I know that man,” she said, continuing to stare. “He use to work for me.”

She turns right. “And that *woman.* What is this place?”

“Castle Knight,” explains Baker Bloch, walking up. “It’s one of Wheeler’s projects mainly, although we’re helping — the rest of us. Nancy’s involved.”

“Who’s Nancy?” asks Mary.

“We’re not quite sure yet,” admits Baker Bloch. “All this stuff, or most of it, use to be in the Muff-Bermingham Room of the VHC City Underground.”

She turns left. “And, oh my God, there’s *Chuckles*. My namesake. I’m remembering. I’m remembering a lot.”

Mary was coming out of her shell.

—–

Later that night, after she and Pitch had, er, reunited in Darkly Manor, Mary lay in bed dreaming.

A boy approached. “Hello future mother. My name is George. I’m glad you’ve come to Collagesity, our home. It’s time for me to enter your stomach. It’s time. It’s time.”

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Surprise

“Mary! What are you doing here?”

“I’m here to help you, Ms. Wheeler Wilson. You’re being clowned.”

—–

“Just remember I’m always here to help you. Just remember that.”

“I will. And: thank you. I’m beginning to feel better.”

“Angling, my dear. It’s all about angles.”

—–

“And percentages. 25 or 26 tops for the clowning. Can you do that?”

—–

“I’m not sure. It’s so much fun. And I love my clown costumes.”

—–

“Clowning is here to protect you. But like with any effective defense, you can become overdependent.”

“Okay.”

—–

“You work on it,” Mary said, standing. “I’ll let you go. See you in Collagesity!”

“Sometime,” Wheeler admitted.

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Knotted up

Collage 17 returns to Collagesity from Muff. Whole SoSo Gallery along with it. Red-green split fades and disappears.

—–

Woody bids farewell to his “summer home” in Bermingham. *He’s* moving to Collagesity! But I don’t think our story as a whole is quite done with that realm.

George is still there, for one thing.

Maybe Bendy as well. Probably is.

—–

Without Pitch/Baker in tow, Hucka Doobie says goodbye to the News and Views coffee shop across from the great hotel.

Yep, heading back to Collagesity too along with the others. He thinks of Pitch and what went wrong with this town. Or went right, now that the last of the vampires have been vanquished. After years of abuse Pitch has given up on VHC City. He use to be in the center. He became tired of living on the edge, without security, without a role to play. So he unconsciously attracted the end. More on that soon.

—–

Buster Damm came back to VHC City from the PCH Forest to find that his coffin underneath the Blue Angle had been deleted. He was exiled just like Pitch. Dead ball era over, I suppose.

—–

Mary: One last bit of “reeling them in” from her favorite fishing hole across the tracks from the city. Like Buster, she’s following Pitch outta here.

There’s too much at, er, stake, not to. Within the Realm of Orange or overall Sphere of Influence of VHC City, she remains sterile. Outside is another story.

—–

Another nearby red-green dichotomy. The abode of hot, temperamental Angelina Dickenson, a police woman of sorts. We haven’t met her in our story yet, and maybe never will. But she’s the one who drove the nails in the last two vampire coffins of the area. Again — for better or worse. Siren always set to on.  Continuously looking out for the town, especially the Sister side.

—–

But what of the Bemberg part? Still reading Sunklands, landlady Summerhill Nova sits in her office contemplating what to do about Baker and his several rentals there.

Obviously, she thinks, since Baker is the same as Pitch he’ll be leaving too. But should he be forced out? Punished, in a way. Summerhill is hoping he’d just quickly exit of his own volition and she could wash her hands of the matter. Let it just fade away.

—–

Baker himself stands before the blue door, thinking he should never have gone through it and made another dwelling place in Sister. Illegal, yes. Indefensible, correct. But, overall, temporary and harmless, like *everything else*. Like many of us after November’s big bump, Angelina was way under her land impact limit. Had the story been worth it? I think so. Else it would never have been told, I suppose.

—-

And we’re not quite through yet. The Musician is still circling around Clown Central, trying to find a way out for both he and Wheeler. Trapped in a dream. Sikul Himakt. He suddenly realized what had to be done.

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Drunk talk

“So tell me about this Bennington you are from,” requested Mary to Tronesisia on the porch of the robot lady’s Rose Moondreams Cottage. They had been back for about a day now. Mary wasn’t ready to return to the small house where she and Pitch Darkly lived now beside her favorite fishing hole. Pitch thought they’d be gone for another week. They were hiding out, in effect. Trying to unravel what that kid was doing on the bridge and his cryptic talk about mutable time. Wegee had at least told them his name was not Loki, the orange word printed on his t-shirt. That was a brand.

“Oh, nothing much to tell,” Tronesisia answered. “Dangerous town. Moreso than Farmington where you are from, of course. How’s that place doing these days?”

“Same as yours. Nothing’s changed. Peaceful and calm.” Mary thinks back to another part of the wegee session from earlier in the day. “Have I ever told you the story of my real last name?”

“Ball, isn’t it?” Tronesisia had heard that from Pitch. “Some relation to Old Martha Ball, I recall.” She takes another swig of her craft beer. Mary does the same with her own. By the way, Mary was not pregnant any longer. She had entered the Realm of Orange again and his influencing sphere. More on that later.

“Yes. My full name is Mary Ball, but not *Chuckles*. Martha was my aunt. Martha Spit Ball. She owned a lot of the Epping Woods. And your killing shack you’re so familiar with now is actually the place I was born. My aunt took care of my mother during the pregnancy. Then we stayed on until I was 3 or 4. Farmington was much more dangerous back then.”

“Oh, I didn’t know that,” said Tronesisia, surprised at this new twist. And Bennington was peaceful during her own childhood, she thought. Something switched between the two. She swigs again.

“Anyway, I kept coming back and coming back for visits and eventually I just moved here as a teenager. My aunt got me a job as a singer slash dancer slash juggler over in the Blue Angel, which she helped manage. Seedier place in those days.”

“Ahh, love that club,” Tronesisia said. “I use to sing there too. Before your time, however.”

“I didn’t know *that*. We’ll have to compare singing voices sometime. But I was best at juggling, admittedly. That’s how the clowns found me.” Mary gets up from the rocking chair while downing the rest of her beer. “You want another brewsky or are you good?”

“Just bring a whole six pack out here and set it on the floor between us,” Tronesisia requested earnestly.

—–

2 hours later…

“Perhaps the first thing I remember as a child was hearing that awful awful plane crash over at what’s now the Catsocks Crater — sometimes incorrectly called a sinkhole. No, *Sikkima* has a stinking sinkhole. That’s not a sinkhole. That’s just a plain, rotten hole. My mother, at the time see, told me it was the end of the world when it happened. To everyone’s horror, Osborne Well and his monster posse crawled out from the tail piece of the smoldering wreck basically untouched, since, in part, they were already dead, you know. And the fact that they were stored away in those insuladed coffins and crates. Insula-*ted*. Livelies or beaners in the front part, as the monsters were wont to call them — all dead. Plane No. 4. Broke in two. I saw the plane. Everyone in a 1000 meter radius of VHC City came to witness the thing. But it didn’t do its job. Didn’t crash into something.” Mary pointed north beyond Tronesisia with a wobbly hand here.

“But it *did* crash into something,” Tronesisia replied, her own head a bit unsteady as well. “That plain between Tussock and Catpla… Catalp… Catalpa. The plane plain. Fortunately unpopulated at the time. But in former times… prostitutes and jugglers. Elephants and gorillas. Circus, in short. You’d hear, ‘the circus is coming to town,’ and everyone would flock to the same plane… plain, but for a very different reason. Pleasure not plain. Pain!”

“Strange strange world it is, my friend Sissy. My *good* friend Sissy.” Mary takes the last beer from the carton on the floor between them and pops the cap. “Stakes on the big top had just been pulled up the week before, yeah.” She chugs. “But that’s not what I’m talking about, my friend. That’s not what I’m talking about.” She drew herself up from a slouching position while taking another drink. “Pitch Darkly was blamed in part, just because he was about the only monster living in VHC City at the time of the acci-dent. Him and Buster. Even though the vampires and monsters of the plane were victims or potential victims themselves. A line was drawn. You stay across the tracks over there and we good VHC City people will be over here, you see. Pitch was cast out. Buster was cast out, even though he secretly has his coffin still over in town in a hidden nook beneath the Blue Angel. The perv.”

“I know,” replies a hiccuping Tronesisia. “I use to sing there in the ’20s!” They both laugh.

“The clowns went underground after that. They thought they were the target because of the presence of the vampires, the monsters. But they weren’t the target. I should know. I lived amongst them for 3 long years. Three long long years.”

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out of joint

They’d made it to the Telea-Rustic Bridge and were sipping coffee at Garage La N in Hagen, the sim between namesakes Telea and Rustic containing the middle bulk of the span. This is the same cafe that, earlier in the month, Tronesisia and Bendy had (to her) fallen a bit in love with each other on their way to Collagesity and the rocketship he said would take him back to his real home in the skies. Pitch had insisted Mary/Chuckles accompany Tronesisia for what he called this “insane mission” to find Bendy on The Moon of The Moon and try to talk him into “being lovers or something.” It was a good move on his part; fate, we could call it. For Mary revealed something in that cafe which began to change Tronesisia’s mind about the trip. Let’s listen in.

“I’m pregnant, Tronesisia,” Mary proclaimed 2/3rds the way through her cup of Oil Change espresso.

“Please,” the shocked robot gasped, coffee dribbling out of her mouth. “Call me Sissy!”

—–

About 15 minutes later, a fisherboy came in from the pier and washed his hands in a nearby sink while Tronesisia watched on. Facing forward again, she found that Mary had disappeared. The boy then took her place at the table.

“We need to get off this bridge,” he said, sitting on top of the chair like kids sometimes do. “Time’s not right here.” He looked toward the door. “Halfway between Collagesity and VHC City. Which one do you choose?”

—–


Mary and Tronesisia heading home.

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Prerousing

“Do you not know me?” asked Mary/Chuckles to The Musician Sikul Himakt.

“No. I do not know you.”

“How about now?” Mary/Chuckles says beside the window behind him. He turns and examines.

“No. I still do not know who you are. I will probably never know who you are, no matter how many places you manifest or what clothes you wear.”

“Hmph,” she exhales. “Let’s see about this one.”

“Hi Osborne. What’s shak’n?”

Bingo, she thought.

—–

Sikul Himakt enters the village at the top of the steps. Hmph, I guess it hasn’t changed all *that* much, he thought. At least there’s the general store still, the hub of it all. He walks over to it and gets a surprise.

“Welcome to the first town meeting, Musician,” states Morris in a level voice. “You’re just in time.”

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there and here

“The sky looks like Mars,” Wheeler opined. “I think this is Mars.”

“No,” countered Morris, who had been explaining what his home was for about half an hour now. “This is truly the legendary Muff-Bermingham planet you’ve heard so much about. Muff-Bermingham may have been a *conduit* to Mars, I’ll admit. I don’t have your experience in that realm. I only showed up day before yesterday. I’m a newbie, as they say down here. Or up here.”

“What’s that was over there?” The Musician asked, indicating with a head tilt the projecting spires of a structure beyond the rimming brown rock cliffs of this habitat.

“That’s something in the works, let’s say. Things are a bit plasticine here still — melting plastic.” Morris took a deep, satisfying breath through his nostrils. Wheeler and The Musician had suspected nothing in that direction; just thought it was a different planet smell of some sort. “I have few land resources to work with,” he continued, staring into the fire. “Already, the SoSo gallery had to be stolen from Collagesity below us to create an effect I desired. *We* desired.”

“Who’s ‘we’?” Wheeler asked.

“I think his name is Lou.” Morris paused, uncrossing his legs. “Or her. Anyway, we’re still working on that as well. I do know that one is red and one is green. Stop and go. Like Muff and Bermingham. I’m sorry Osborne Well couldn’t show up in person to greet you as well but… land resources again. Collagesity may have to make additional sacrifices. But at least your Spongeberg the Destroyer has been put to bay. Is that the expression I’m looking for?”

“If you mean that Spongeberg didn’t effect the destruction of Collagesity between (the two halves of this novel) you seem to be correct,” Wheeler offers. “Instead of VHC City we are here, in Collagesity but not in Collagesity. Like the legendary Moon and its own (Moon of) Moon.”

“Like Mars,” The Musician says to Wheeler. “You’ve told me quite a lot about it. Sounds fascinating.”

“I’m projecting you’ll learn to love Muff-Bermingham just as much,” Morris pipes up. “This is just a foothold, a start. In several hours spotless day will return into splochy night. I will leave you to your own devices now to explore, gather, prepare.”

With this he simply fades from view in front of them.

—–

Back in VHC City, Mary/Chuckles ungrasps Pitch’s cold white hand extended across the table and stares into the dark corner of the room behind him.

“Um, your Timmy Osborne Well is fading out again, my love,” she states with only mild surprise. “It’s as if he’s trying to reach somewhere else, maybe a place he can become lively again. Wonder where?”

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Conversion

“He is his own grandpa,” succinctly explains Mary/Chuckles.

“How did that come about?” asks a nonplussed Pitch Darkly. He’d seen and heard about everything in his extended life.

“A concert. A bat thrown onstage. He thought the bat was rubber. He bit its head off, finding out it was a real bat: his own (vampire) grandpa. Their blood comingled. He became his own grandpa.”

Pitch Darkly stared over at the figure in the corner. “Is he alive? I mean, you’re alive and…”

“… mere mesh figure?”

“Well…”

“I don’t know. Why don’t you ask him?”

So Pitch talked to the figure. “Hellooo? Mr. Well? Hell–OOO??” He looked back at Mary/Chuckles. “No good.”

“No. He is mere representation. He can’t do what I’m about to do now.”

Pitch watched as Mary/Chuckles got up and stood beside the window, outfits instantly swapped out.

He turned back to the Osborne Well figure. “Is that his grandpa there he’s holding?”

Mary/Chuckles sat back down at the table with Pitch Darkly, green outfit returned. “No, it’s just a microphone shaped like a bat. He holds a bat just like you use to do. But we should move more into who he is beyond what he is.”

“Okay.”

“Can you guess?” asked Mary/Chuckles.

“Umm. Vampire from the etheric plane. Er, vampire from the Planet of Vampires. Or just a vampire from (an airplane).”

“All three, yes. Another great 3-n-1. Their plane or planet crashed or clashed over there.” Mary/Chuckles pointed behind her toward what Pitch understood as the Catsocks sinkhole he and Buster had visited just yesterday. “A deal was struck with Chelsea: Stay across the tracks from our hotel and attached developing city and we’ll let you do as you wish. Thus the killing shacks. Thus the creation of the multiple fishing holes. Like me, vampires, or at least this particular strain of vampires, love to fish.”

“*You’re* not a vampire?” Pitch Darkly logically asked. “But, no,” he then added more to himself. “I would obviously be able to tell my own kind.”

“Owen Grandpa,” Mary/Chuckles chipped in. “That was his vampire grandpa’s (ironic) name. But Osborne Well didn’t know his grandpa was a vampire until he bit his head off in bat form.”

“Interesting (developing) story. What happened to Osborne, Mary? I mean, since this figure really isn’t him.”

“As a living breathing dichotomy, Well soon became ill and died. So another ironic name, both grandson and grandpa. Other vampires moved in to fill the power void. I wasn’t around but I heard it from my grandma. I speak with her still sometimes.”

“Channeling?” guessed Pitch Darkly.

“No. Phone. She lives over in Farmington.”

A face began to form on top of the Osborne Well figure’s own, glasses intact for now. The facing Mary/Chuckles saw it and then asked Pitch to turn around. From his surprised expression she understood he saw the same. “The Protector,” she explained, face locked in. “Monsters all around.”

Well’s glasses faded as well, making Pitch Darkly revert back to Baker Bloch. “I know that face.”

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Virgin territory

“Thank you for showing me this, Baker Bloch. I’m grateful.”

“You’re preparing for a big role shift, Wheeler. You deserve to know about Muff-Bermingham at this point.”

“And the corresponding pictures on this other wall? Is that me in the center?”

“Kind of,” responds Baker. “The title says ‘Chuckles’. Obviously our fisherwoman friend across the tracks.” Baker Bloch checks his watch. “Speaking of which…”

—–

“Mary. You’re real name is Mary. Not Delbert, not Wanda.”

Mary meekly nods.

“Now tell me all about this Osborne Well.”

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