Tag Archives: NODAL

00420608 (kenbaiki (ticket to ride))

She’d seen enough of Castle Town for now. She was buying a sky ferry ticket back to Kangerootown from whence she came. She’d heard through the grapevine that keyboardist/DJ Okama Majo had returned to his cat house there, taking his own break from Aisle of Palms and the Dream Emulator band he’s part of with classically trained guitarist No Lag V, hog calling kid Don without a last name, and animated singer Shelley Johnston Struthers who has 3 to make up for it and who specializes in Lennon songs like “Strawberry Fields” and “Lucy in the Sky with Diamonds” and the like. But despite that, Okama named the band, not her. All because of his artistic hero Osamu Sato, so close to his own. Too close. Shelley’s found that out too. “You’re *him*,” she said recently during an acid drop sponsored by LSD, tripping the light fantastic and drawing truth from every corner of the universe, only to forget the vast vast majority of it later, of course. Gray Man works in all dimensions when you’re on that stuff; perpetual darkness. Must – stay – away, she thought to herself afterwards. No more sheets.


on her way!

Leave a comment

Filed under **VIRTUAL SL, 0042, 0608, Castle Town+, Omega, RDR2

00420607 (05 and 06)

Perhaps the last major building has been manifested in Aisle of Palms: the original version of the Edwardston Station Gallery, holding the entire “Art 10×10” of 100 collages I created in 6 series from 2004 to 2009. Not the prettiest of structures with its plain cubic form, admittedly, but effective in its role. 6 floors, 6 series, with all but 2 and 5, or Rose Hill and Hidalgo respectively, holding 20 collages apiece. Those 2 floors/series contain 10 in contrast. I’ll get to what occupies the other 1/2 of the 2nd and 5th floors in a bit.

The immediate prompt for me rezzing this structure is that I wanted to show Newt (or whoever) that the fox-to-dog conversion of Jim Randolph the Bastard Pirate in St. Dennis recently was seemingly preordained. The Yale-*Newt*on series of the “Art 10×10,”  its 3rd, dates from 2006, going on 20 years ago at this point. Gosh, where have the years gone (!). Anyway, when we reach the 4th collage of that series we come to this dualism again: fox vs. dog or, more precisely, fox against dingo, for the orange dog of the work, titled “Outfoxed?”, is suppose to represent such, as the orange-ish dog in St. Dennis is in kind.

Then in the next two collages of Yale-Newton, making a type of animation with each other, we see the fox and dingo again, the in-taking of water if you will (“Diamond Dog”)…

… and then the release of same back into the atmosphere (“Coasts is Clear”), as the original Diamonds sign on the roof of the depicted restaurant bearing the same name is multiplied 16-fold and becomes a country unto itself, let’s say — our country, built up from the middle, this Diamonds Restaurant in a central state of Missouri, until it extends ocean to ocean. A seed becomes a tree.

And then in the next collage, the 7th of the series (“Here’s Lucy”), we come to another depiction of the word “diamonds”, now in connection with the initials LSD like in the famous John Lennon song we saw Shelley Struthers singing earlier in her band audition at Bull’s Bar in this here blog and attached photo-novel, 42 in number now of course. So I have a feeling this could reference Osamu Sato’s LSD Dream Emulator game on top of the drug and Lennon song — additional foreshadowing. More on this aspect soon, I’m predicting.

That bubble topped mound in the middle of the 7th collage being threatened by bulldozers is actually where it all starts to kick in, the whole “Art 10×10” and my journey into the world of digital collaging. Looks like fellow collage artist Barry De Boy will be our observer here instead of Newt, perhaps gaining inspiration for a jump start of his own art. Wendy is a muse!

He follows The Beatles’ yellow submarine between Greenup 05 and 06 as it floats downstream, into the tunnel of night lights, illumination in darkness.

What will he find there, a fox or a dingo? I’m guessing both. In fact, make that a certainty.

Leave a comment

Filed under **VIRTUAL SL, 0042, 0607, Art 10x10, Big Woods, collages 2d, ESG, Greenup, Jeogeot, Lake District, LSD, Natural World, RDR2, United Kingdom, Yale-Newton

00420605 (immobile (paying the price))

Day 042:

I manifested on an island in the void I couldn’t move away from — no bridges — so I took a picture before the dream ended. Crystal (at the peninsula’s tip). Have to look that up.


Yes, there it is. I’ll just place a little (red) pin on that island to remember…

—–

“Remember what?” Wheeler tested later, looking at the pin with him.

“I… forget!”

“Gray Man, hmph,” exclaimed Wheeler to this. “Wiped you out again. You’ll have to start over.” She looked at him instead of the map to emphasize her point. “Stick to The Natural World as much as possible, Newt. He doesn’t go there. You won’t be as, um, *abstracted* there.”

“Okay. I’ll try.”

“Now sit back down here and let’s begin Day 043 while I watch and advise.”

“Alright.” He sits back down like a good boy.

Leave a comment

Filed under **VIRTUAL SL, 0042, 0605, Big Woods, Bright Moon Cottage, Jeogeot, LSD, Natural World, Newtonia, RDR2

00420602 (rockstars)

On his days off, Grant (aka *Fred*dy) Price likes to roam the streets of Lost Sanos, sucking up people’s dreams to replenish needed energy for his various security assignments. This unsuspecting guy walks right into it.

Meanwhile, on another planet altogether (most say), Arthur sees horses at the end of a tunnel.

“We got a second one!” shouts Newt from beyond the 4th wall as Arthur reenters the light.

Leave a comment

Filed under **VIRTUAL SL, 0042, 0602, Big Woods, Bright Moon Cottage, GTA, Jeogeot, LSD, Natural World, Newtonia, RDR2

00420601 (Castle Town)

He often came here to rock and think about the battle of rock vs. paper vs. scissors, which for him was won by putting paper (1) before scissors (2) before rock (0). 102 if read left to right, with rock always in the center like the ground zero it is.

He hears a noise outside. It’s 3:25 in the morning — no one else up, he imagined. Except ghosts.

He stops rocking, gets up, leaving the maple leaf throw pillow behind and thoughts of Canadian Picturetown along with it. “Who goes there?”

The right Wendy walks through the door of the establishment…

… with her first words inside being: “This entrance has changed.”

It certainly has, thinks Barry De Boy, very happy at the sight. It certainly has. No demo over her head now; he was seemingly dealing with a real flesh and blood girl again. They can… well, you know. This is what boys think. Boys like De Boy.

“The gatekeeper said I’d find you down here. Said it was his last night to work, the last hour, the last minute. Said he was here for me and then he could go. He put a Help Wanted sign on the door as he locked up behind me. I turned around just in time to see him leave. Go figure. Guess I’ve found my work in town after all.”

“Wendy!” he exclaimed, not knowing how to follow it up. Shock!

“In the flesh.” She twirled around, showing him the different dress. “And blood I suppose, ha.” She approached him. Dare she kiss him this early? It’s been years after all. Instead: “Share a cup of coffee with me?” She tweaked him on the nose, a sign of things to come.

“Of course! Over there,” he pointed to a nearby table. “I’ll find the brew.” He started rummaging around the back of the counter. “As you can see, we’ve also turned the tables to the side.”

“We?”

“Yeah, Me and Grumpy. We run the place now. Or manage it — Stew’s still the owner. Technically I suppose.”

“So no jobs I suppose,” Wendy spouted as she took a seat. She so so didn’t want to be the new gatekeeper of the town. Boor-ing, she knew. She’d heard Devil Dave complain enough about it back in the day.

“No… sorry. Can’t can Grumpy, you see. He has a wife and two children now (!).”

“Who could have imagined.”

“I know.” He’d found the coffee. Now to make the concoctions. “Espresso alright? All I can find.”

“Yeah. Perfect, actually. Make mine a double. No… triple. What the heck, let’s go with 4.” Could be a long night, she knew. Lots of restaurant talk to get through, potentially. Lots of talk about success and then failure. Utter failure. All tests show 5% human DNA, PHEH. I’ll get that Okama Majo, she thought. If it’s the last thing I do.

(to be continued)

Leave a comment

Filed under **VIRTUAL SL, 0042, 0601, Canada, Canada/Picturetown, Castle Town+, Omega

00420516

“Yes can I help you?” she vocalized, not turning toward the visitor, not bringing any energy into her words.

“Wendy??”

Leave a comment

Filed under **VIRTUAL SL, 0042, 0516, Castle Town+, Omega, Southern

00420510

When we first see Jim Randolph the Bastard Pirate in a fox’s body in St. Dennis, he’s waiting for his Our Second Lyfe friends to arrive in a streetcar from Valentine to the north. He thinks this is the streetcar but he’s wrong. Thing is, in this position his new body — head specifically — is juxtaposed directly in front of a taxidermist shop that the streetcar in the back is currently passing…

… whose display window prominently features a stuffed fox. Seems to be some kind of foreshadowing but of his own death I’m not sure about still.

Leave a comment

Filed under **VIRTUAL SL, 0042, 0510, RDR2

00420501 (Southern art gallery)

He was here to confiscate the so-called offensive painting and that alone, this Arthur *Kill*, disguised in another role. Even took the same first name this time. “Art like this shouldn’t happen in Saint Dennis,” the wife of a prominent town businessman said to the gallery owner on opening night. He countered that it was tasteful nudity, no naughty bits shown at all, “unlike, say, that one over there,” he said, pointing to another painting visible in the next room. “A bare bum! That doesn’t offend you but this does?”

“This one was done with more in mind. Chains!”

The gallery owner, raised in the North where his mama still lived (Illinois I believe), ruminated: I thought you Southerners *liked* chains and slavery. Maybe because the model isn’t *black*. But of course he kept all this to himself.

And so Arthur the policeman, gifted Shakespearean actor beneath the blue garb, was sent in by the powers that be to make a statement. Thing is, he helped seed the controversy in the first place, part of his overall plan.

“Oh Libra Neptune,” he quietly lamented from his position in front of the work while staring at it, contemplating the circumstances surrounding its composition. “I thought I paid you enough never to come back here.”

He also wondered if her unpictured cheeks had turned red again.

Leave a comment

Filed under **VIRTUAL SL, 0042, 0501, Kangerootown+, Omega, RDR2, The Cross

00420413

“Bridges, Wheeler. Tonight’s theme is bridges.” (*click*)

—–

“How about this. The last thing you see before a 30 day dream ends are bridges. What do you say to that?”

“I say we’re about to see Linen again.”

“The man in charge,” agrees Baker.

“But,” corrects Wheeler, “that wasn’t the actual end of the dream. Instead: ship. Sunken.

“Natural World is next. Horses!”

“Vast,” agrees Baker. “Most important. Connector,” he elaborates.

“Map to end,” says Wheeler.

Leave a comment

Filed under **VIRTUAL SL, 0042, 0413, Big Woods, Bright Moon Cottage, Jeogeot, Kyoto, LSD, Natural World, Newtonia

00420411

https://www.youtube.com/watch?v=C-OYPicGH_E

Happy Town train flying over LOVE again and outta there.

Half of the Tower Bridge (*not* London Bridge (!)), which was the same percentage I encountered next door on my neighbor’s plot when setting up Aisle of Palms back in the first of January.

Googly eyes on the Our Second Lyfe version…

… which is the same effect most LSD characters have when viewed in a certain set of textures (one of 4 in the game) called Distortion or Downer.

Interestingly these type of googly eyes will not appear on Tower Bridge — which also happens to be found in the LSD game — because it doesn’t have a face. Here we almost seem to have a crossover effect of sorts between LSD and Our Second Lyfe going on.


LSD’s Tower Bridge with normal (Static) textures

Btw, even though the bridge next door was deleted in full soon after I arrived in the area…

… the dead parrot statue still remains underneath the Parrots for Pirates Pet Shop in my town, a lasting aftereffect.

Leave a comment

Filed under **VIRTUAL SL, 0042, 0411, Big Woods, Jeogeot, Kyoto, LSD, Monument Park