Tag Archives: NODAL

missed opportunity

At sunset on November 20th, 2017, Snowmanster once again exits the CB Dylan dresser that acts as a portal between dimensions. He finally had tracked down an exciting adventure for Duncan and George involving the escalating Jeogeot Gulf War, where Duncan would play a French Lieutenant and George would be his daughter Sarah.

But no one was there to meet him in the VHC City penthouse apartment except George the doll, propped up on the far couch.

So Snowmanster sat and visited with him for a while before taking his leave, saying he had to head over to Farmington South to offer Peter Pipersville and his son Edward the role instead and to tell Duncan and George that he was sorry he missed them.

He stares out the eastward facing window at the town’s giant hotel before reentering the portal.


“Goodbye VHC City.”

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ss

Perspective enlarged, Chuck Cheese finds herself in a strange place again, walking on a spiraling path upwards toward a rocky summit.

“Both of us can’t be women,” uttered Wheeler Wilson at the top. She changed.

“Right you are, Wilson Wheeler,” returned Chuck Cheese. She also changes.

“A pair of suave, swarthy dudes we make, eh?” said Wilson Wheeler.

Earie was thinking about himself: although just as swarthy, not so suave. “I am almost wholly invisible now,” he complains. “I am just an object to be seen right through. You don’t respect me as a person, Improvio. I mean, Pretty Man. I mean: Wilson Wheeler. Whatever.”

“Do you remember?”

“What happened? Yeah. A merger of church and liquor store.” He looks down into the valley to his right.

“We are the Malefic The Kidd spoke about,” continued Wilson. “With sickly, green wings; tucked in the opposite corner of her, um, building. Imprisoned even. Do you feel like you’re in jail? I do.” He indicates his outfit with a gesture. “This suit. The suit of Bowie.”

“Bowie protects you,” counters Earie. “Without Bowie you are nothing here as well. Object.”

“And who are you suppose to be?” he returns sarcastically. “Sid Vicious?”

Earie lays it out as plain as possible. “We are 2/3rds of the punk band Story Room. Banned from Olde Lapara Towne because of the noise, moved to the hidden vilage of Gaston where there was no ban, turned into pretty things there in order to survive, and then confined like flies to its Central Park. Paper.”

“Fly paper, right,” agrees Wilson Wheeler. “We burn to death again every day. Central Park is without dark and always on fire. Core of a volcano.”

“Seed into tree,” Earie continued even more abstractly. He uncrossed his legs. “Atonal punks we are, Wilson Wheeler.”

“Please,” Wilson Wheeler finally countered concerning his name. “If am that you are The Musician.”

He stops thinking about the spot marked with an “X” in the valley below and turns back toward his counterpart. “Then I am Earie…

… and you are Pretty Man.

But I also get to be Chuck.”

“Get yourself a shoulder pet and we’ll talk later,” compromises the suaver swarthy man sitting opposite him.

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aim backwards

There he is, Tiny Tina thinks. The miserable sod. Time to get him out of here before it’s too late.

Tina approaches. “Mr. Oden,” she pronounces clearly upwards. “Mr. Gregg Oden.”

Gregg looks down, spots her. “I’m Gregg Oden. I drink…”

“Yes, yes,” Tina interrupts, hands still on hips. “Is that all you have to wear out of here?”

“I have some watercolors. Would you like to see?”

“Can you *wear* watercolors out of here?” Tiny Tina chirps acidly, making Gregg pause. She blows out a minuscule puff of air. “This will have to do, then. Get up. No time to lose.”

“I’m Gregg Oden?” he says while rising off the jail bed.

“That remains to be determined. But we have to get you out of here. If they found out what you *really* were there would be tests after tests. And we don’t want that.”

She sprints across the floor and back to the open door of the cell. Gregg takes steps to follow. “You’ll have to move faster than that, Mr. Oden,” she shouts upwards and forwards while waiting. “Burt’s on a coffee break. He always takes a coffee break at 3:45am sharp. He always returns at 4:00am sharp. So *move*.”

“Too late,” Tina whispers as loud as she could, peering down from over the top of the stairs. “We’ll have to kill him.”

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“Pageturner”

They all realized that Lamb was bigger than any of ’em.

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“Aim” Interpretation

“I have it pulled up over here on the Blue Feather tivi screen,” Hucka Doobie messaged to Baker Bloch.

“Come over here instead,” he messaged back. “Context. I’ll offer you a teleport.”

“Alright,” Hucka Doobie messaged in turn.

—–

“Peculiar room,” said Hucka Doobie, looking around. “Narrow.”

“It’s the GHHI Room. Don’t ask me what that means. Yet.”

“Something to do with the 4 empty sims at the Jeogeot infohub I’m assuming, where trees are ferns. I know the initials.”

“Yeah,” admitted Baker. “So here it is. Here.”

Hucka Doobie turns around and immediately jumps into an examination.

“Your aim is different from Peter SoSo’s. He’s focused on fulfilling the train line. Your own attention veers off to the right here, toward the forgotten waterfall. Aim Falls, we can call it. The Ickles, the two green beings in the collage — one at the bottom of the stairs with what appears to be Jiff (?) and the other to his right, directly below the falls — are aiding you. Yes, I’m getting it. Jiff is also an Ickle, but of a different species. Round head instead of cubic. Multiple expressions; five total. But color sticks… there must be 3 species: red, green, blue. Combined they form pitch perfect expression, a whiteness to douse the black away. Heaven over Earth. Man over woman even, perhaps.” He stops there.

“Well, there’s those little red people to the bottom right, Hucka,” Baker Bloch chipped in. “Right behind and around the wastebasket filled with Rocky’s discarded drafts for his second novel. Maybe they sprang out of the refuge.”

“Refugees,” uttered Hucka Doobie. “Whatever happened to ‘G’? Ginger, wasn’t it? Or was it Tina?”

“If you mean the tender of the bar across the road, she appears to be gone. 4th citizen not here any more.”

“Missing again,” ponders Hucka Doobie. He scans the collage one last time. “Well, it’s pretty obvious. You must aim toward the falls, find out about the 3 Ickle species, and go from there. Jiff must be real again in this novel and have the ability to manifest. The green cubic hulks Rocky also writes about and then discards are obviously Ickle representations as well. He knows them and they know him. So: location location location. 3 of ’em. 3-n-1. ‘Nother one.”

“My line. But: thanks!”

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HHI

Upon waking, Danny has a great urge to clean the back room.

Instead he heads to the bar where he knows his mate will be. Audrey Helen Ginger.

Police car! They must be on to him. He goes gingerly outside. Audrey’s the name. Yes, Audrey. Or is it Helen?

The inspector is still there in his window.

He inspects the inspector.

He seems to be preoccupied with his own thoughts. Good. Now to the bar.

Wait. A knife. Sandwiches.

And those mounds. Are people buried beneath? Perhaps his beloved Helen and Audrey?

There’s Ginger.

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2 I’s

“I’ve been living here a long time,” spoke Little Tonshi. “I have my great view, my own Table, even.”

“Are you going to change her back?” queried Buster Damm, talking about Wheeler on the couch between them.

“Not while she’s around me. David Bowie, David Bowie,” she said disgustedly. “*I’m* David Bowie. At least as much as her.”

“I must admit it’s a great view here,” he said. “What’s the movie tonight, hehe? Bowie, I assume.”

“Yes,” replied Little Tonshi. “The early years. The first 3 albums. Up to and including ‘Hunky Dory’.”

“Your masterpiece according to some.”

“‘Life on Mars’ was a surprise,” admitted the purple girl. “A shock, even. I realized I was extraterrestrial by then.”

Buster looked at one and then the other. “Someone will have to go,” he said. “There can’t be 2 David Bowies in this story.”

“Again I’ll leave it up to you. I can return Wheeler at any time. You can head to Ratcliff, then. Leave me back here up on my high mountain, the highest in Second Life.”

“Says some,” added Buster.

“Yes. Shush now. The show is starting.”

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Nancy and Bettie

“Weird how my name is Nancy, and I’m playing a girl named Nancy in the play.”

“Not at all odd,” responds the purple haired Bettie sitting in the opposite seat of their posh Lapara Hotel room — the 145 dollars a week one, not the 100. “Fate, we must call it. Like ‘The Shining’ (movie). Jack Nicholson played Jack from (Stephen King’s) book. Daniel played little Danny. Just like your own Danny. We must think of these things.”

“But why would Nancy shoot Gideon if he’s already caught and jailed? What’s my motivation for playing this obviously psychotic woman?”

“I understand it completely,” Bettie says. “Passion rules over all. Nancy’s love of her life had been robbed. So she robbed the robber of his life in turn.”

“But then her *own* life was robbed by the robber after he became… a vampire? Is that really believable?”

“The story has it that this is true,” replies Bettie. “Why don’t you study the script more and take notes.”

Nancy doesn’t even give a glance at the “Bible Truth” script leaning against the chair arm beside her. “Oh I’ve looked at that again and again. I’ve memorized everything by now. Might as well throw it out of this high window for all it’s worth.”

“Well,” joked Bettie. “As your *understudy*, haha, you could just abdicate the role. Let me take over. I could have poisoned your drink there, let’s say. You know how bad I wanted the part.” She smiled.

“Not a bad idea, Bettie,” Nancy said, absorbing the inside joke. “But I’m Nancy let’s face it. Nancy plays Nancy. And you, as Bettie, will play Bettie, who is the understudy to Nancy in the play as well.”

“In the play within the play.”

“The vampires,” complained Nancy further. “Why are they called vam*pures* in ‘Bible Truth’?”

But Bettie was distracted by the noise outside the window. “Oh Lordy, here we go.” She pointed down. “Evangelicals. Looks like you’re not the only one who doesn’t cater to the idea of mortals rising from the dead.”

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Huskers

Tronesisia and Mary pulled in about midnight on the 6th. Baker Bloch was there to greet them in front of Darkly Manor, Mary’s hopefully new home. He couldn’t wait to show them around town.

But what immediately caught Mary’s eye as she got out of the pink mini was this portrait of Ted in the middle of Castle Knight. “I know that man,” she said, continuing to stare. “He use to work for me.”

She turns right. “And that *woman.* What is this place?”

“Castle Knight,” explains Baker Bloch, walking up. “It’s one of Wheeler’s projects mainly, although we’re helping — the rest of us. Nancy’s involved.”

“Who’s Nancy?” asks Mary.

“We’re not quite sure yet,” admits Baker Bloch. “All this stuff, or most of it, use to be in the Muff-Bermingham Room of the VHC City Underground.”

She turns left. “And, oh my God, there’s *Chuckles*. My namesake. I’m remembering. I’m remembering a lot.”

Mary was coming out of her shell.

—–

Later that night, after she and Pitch had, er, reunited in Darkly Manor, Mary lay in bed dreaming.

A boy approached. “Hello future mother. My name is George. I’m glad you’ve come to Collagesity, our home. It’s time for me to enter your stomach. It’s time. It’s time.”

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Baumy

It was a most remarkable coincidence. Wheeler changes into a witch on Wednesday and is taken to a church on the western edge of the PCH forest to recuperate from a nasty accident with a Halloween tree, and the very next day a witch’s cottage appears on the far eastern side of this same woodland. George understood it to be his new temporary home, an upgrade from the Castle Tower. Duncan Avocado had explained to him that there was more than one Orange, and that the second who had assumed control by treachery was even worse than the first (Nova). The boy would have to stay in the holding forest a while longer. Was Mary even going to be his new mother? He’d already chosen a first name appropriate for the situation. There was the whole tentacled cluster of synchronicities surrounding the anticipated event. The Monster some called it. Others: Baby Monster. Whatever, it had many arms and it was large. It might even be tamed down into a dragon symbol in later times. Which could be earlier times. George was already a bit alive and dead at once. Wheeler Wilson moved forwards and backwards together. “Fo fo fo,” chants Malone from the Chasm Deep. Titusville.

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