Tag Archives: OD^^^*!

Knotted up

Collage 17 returns to Collagesity from Muff. Whole SoSo Gallery along with it. Red-green split fades and disappears.

—–

Woody bids farewell to his “summer home” in Bermingham. *He’s* moving to Collagesity! But I don’t think our story as a whole is quite done with that realm.

George is still there, for one thing.

Maybe Bendy as well. Probably is.

—–

Without Pitch/Baker in tow, Hucka Doobie says goodbye to the News and Views coffee shop across from the great hotel.

Yep, heading back to Collagesity too along with the others. He thinks of Pitch and what went wrong with this town. Or went right, now that the last of the vampires have been vanquished. After years of abuse Pitch has given up on VHC City. He use to be in the center. He became tired of living on the edge, without security, without a role to play. So he unconsciously attracted the end. More on that soon.

—–

Buster Damm came back to VHC City from the PCH Forest to find that his coffin underneath the Blue Angle had been deleted. He was exiled just like Pitch. Dead ball era over, I suppose.

—–

Mary: One last bit of “reeling them in” from her favorite fishing hole across the tracks from the city. Like Buster, she’s following Pitch outta here.

There’s too much at, er, stake, not to. Within the Realm of Orange or overall Sphere of Influence of VHC City, she remains sterile. Outside is another story.

—–

Another nearby red-green dichotomy. The abode of hot, temperamental Angelina Dickenson, a police woman of sorts. We haven’t met her in our story yet, and maybe never will. But she’s the one who drove the nails in the last two vampire coffins of the area. Again — for better or worse. Siren always set to on.  Continuously looking out for the town, especially the Sister side.

—–

But what of the Bemberg part? Still reading Sunklands, landlady Summerhill Nova sits in her office contemplating what to do about Baker and his several rentals there.

Obviously, she thinks, since Baker is the same as Pitch he’ll be leaving too. But should he be forced out? Punished, in a way. Summerhill is hoping he’d just quickly exit of his own volition and she could wash her hands of the matter. Let it just fade away.

—–

Baker himself stands before the blue door, thinking he should never have gone through it and made another dwelling place in Sister. Illegal, yes. Indefensible, correct. But, overall, temporary and harmless, like *everything else*. Like many of us after November’s big bump, Angelina was way under her land impact limit. Had the story been worth it? I think so. Else it would never have been told, I suppose.

—-

And we’re not quite through yet. The Musician is still circling around Clown Central, trying to find a way out for both he and Wheeler. Trapped in a dream. Sikul Himakt. He suddenly realized what had to be done.

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“patch on his uniform which”

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Central

Waking up in the morning on his old couch at the Ear Bar, The Musician wasn’t sure if the whole episode was real or mere vivid dream. But here ’tis.

—–

Baker Bloch and Hucka Doobie decided that The Musician should go look at the newest collage located in Clown Central. “The Point of It All.” Hucka escorted him there.

“Mish mash of stuff,” The Musician opined. “Like the ravings of Chef/Inspector Petty last night. I had to leave.”

“No. The picture tells a tale. Look. There is your inspector. What is he examining?”

“I don’t know,” said The Musician, following Hucka Doobie’s pointing hand. “A monster?”

“Yes, a crocodile or alligator. Petty wishes to know about monsters. But he must become *relaxed*. Not Petty, but Allen Martin.”

“I don’t want to talk about Allen Martin right now,” The Musician said firmly. “I’ve figured something out. I’m confused.”

“Allen Martin’s heart might give out. He must relax. How does he relax? Wheeler.”

“Yeah, see, that’s what I don’t want to talk about.”

“Okay,” relented Hucka Doobie. “How about up there above the inspector. Chuckles Greentop, no?”

“I don’t know. I saw her face transform into something like that. Then I saw it again in the basement of [delete name]. Now I’m looking at it again. Which I don’t want to.” He looks around. “Where are we?”

“The Point of It All,” Hucka Doobie answers. “Here lies seed information. Sometime between 2013 and present, this room formed; closed off from the rest of the underworld. Yes, like a seed planted. That is OD, of course, off the wall but then back on and then off again. OD is free. OD is *here*.”

“Ooo-kay,” The Musican mutters, tired of the puzzle-speak. “Let’s just move on from that since we’re going to play this game. Alright, I’ll give it a try. Beside that monster OD is the ‘Emerald Tablet.'”

“Very good,” encouraged Hucka Doobie. “And what does it represent? Harrison Head seems to want to say something.”

The Musician straightened his posture, eyes staring ahead instead of darting about. Sikul Himatk.

“We must enter the next sim. Through the blue door. Keys.”

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“The Point of It All”

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Merging tracks

“Ahhh! That face!!”

“We app-re-ci-ate your time in our fair ci-ty,” OD continued in its clipped manner, suddenly detached from the wall and looming larger. The wegee planchette had stopped spinning. “We have ass-im-il-at-ed the bird, zip, the man known as Mar-tin. Sanc-tu-ar-y is with-in reach. You can go ab-out, ping, a-bout your way. Thank you for vis-it-ing and come back again ver-y, zip, fair-ly soon.”

The Musician fled the scene, running upstairs. Wheeler stood her ground. She pulled out a large, futuristic gun from her coat. “Get back on the wall, buster. We’re not finished here.”

—–

Meanwhile… Allen Martin appeared to be dead at the very same spot Renaldo O’Donnell lay early.

But then he stood up. “Just a pose ball,” he muttered. “No murder atall. And my son… all that change and attached grief for nothing, it seems.”

He moves around the corner to the next area, being careful to head *away* from his apartment (unlike Wheeler earlier). A break room?

Maybe the stupid people responsible for this charade. The thought crossed his mind that VHC City is just a giant stage set for some kind of film being made. Horror story?

He then sees something more interesting appearing in the next area: a purple spheriod thingie. No: green; no: blue. He checks the description of the now golden object. Jeez God, he thinks, an “alien egg tree.” This *is* a horror story.

He walks between pipe and chair to take a closer look.

Nothing else really that odd about it except the name. And a dead end in this direction. He’d have to retrace his steps.

But then, a monster bursts forth through the wall in front of him, turns around, then leaves through same. A giant crocodile, it appears!

He may have to go back to the apartment to get his heart medicine before advancing further.

—–

Allen Martin then heard a female voice call his name from the direction of the “break room.” Wheeler.

They met in front of this gate on the far side of the room, the Fate Gate they would later call it. From this point on they would move forward together. Holding hands again, they passed through.

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Game on.

Allen Martin had started on his 4th glass of Pinot Noir, by Wheeler’s counting. It was time to lay the cards on the table.

“We know about the underground, Allen.”

“Ooh,” he says, retracting from his wine glass as if he’s suddenly seen a gnat floating in it.

“We know about the murder.” The gnat had turned into a fly. “We know about your *son*.” The fly had phoned up his friends centipede and cockroach to join him for a dip. Martin was sitting back, eyes riveted to Wheeler’s. The 4th glass would not be drunk tonight.

“Do tell!” he said icily.

—–

Meanwhile, The Musician had gotten lost in the labyrinthian streets of VHC City looking for a store selling guitar strings. Surely with all the concerts this place puts on there’s a music shop around here somewhere, he rationalized. He then wandered back into his safe plaza by accident, let’s say. He knew no such shop existed in the immediate area. Yet he couldn’t resist. The Dr. Who pinball machine beckoned.

Two hours later, he sat exhausted on the bar’s couch, seeming to stare out at the red doors while actually thinking about all the moves he could have made to transform from Doctor Who #4 (Tom Baker) to Doctor Who #5 (Peter Davison). He could have hit the target bank more before the time ran out, charging up the Transmat. On and on the deliberations went.

While his head was spinning with dreams of pinball wizardry, Wheeler and Allen Martin walked by the bar heading north, unaware of his presence.

He waited about a half minute, then peeked out the door of the bar in that direction. They were going into [delete name]. Now he’d been in that building a number of times, but only on the ground floor, playing with the computer console there. He’d found valuable information about Muff-Bermingham though the free interwebs feed shortly after their arrival in town, indicating the planet had influence in this particular area. Surprising!

The Musician crossed the plaza, hiding behind a stair post.

No indication they were on the first floor, nor used the stairs to access the 2 upper floors. They couldn’t simply disappear into thin air. Could they? The Musician counted 10 Mississippis and moved forward again. At the center of the ground floor he turned and first thought of the oddity about the Sipvicious advertisement on the floor.

Uberpunk Sid Vicious had famously stayed in the town’s huge hotel. His girlfriend had died there. Yet this ad didn’t seem to have anything to do with the proximity of the hotel. One more mystery to mark down in an ever growing leger of wierdness.

He heard voices: Allen’s and Wheeler’s, seeming to issue up from below. He walked toward the stairs, noticing that they led downward as well as upward. A hitherto unknown about basement, hmm. “A giant ant?”

But that was just the first and mildest surprise.

“He said he had to see for himself,” Wheeler spoke upon noticing The Musician approach with dropped mouth. “And… I suppose we need to catch up. OD, meet The Musician. Musician, well, this is OD.”

“Wel-come,” it said.

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Oopsies

“Oh my.”

“Wrong side again.”

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Test

“I thought we’d try this out tonight Hucka Doobie, since Wheeler and The Musician are away getting food.

Hucka Doobie was observing the planchette. “It’s spinning.”

“Yeah. Freaky. I thought we might have to hold the planchette but maybe not. Should we go ahead and ask some questions? Why don’t you read down through the list. Take your pick. Use your bee intuition to choose the correct direction.”

Hucka Doobie unfolds a piece of paper in her lap. “Alright. At the top we have… ‘Who is the owner of the Key Shop?'”

The planchette spin transforms into a back and forth movement across the length of the board. Then it goes to “YES”, and then the “O” of OUIJA. Then it moves to the center of the board and stops.

“‘O’ owns the shop?” Baker Bloch queries. The planchette returns to “YES” and then the “O” and then back to center. “That doesn’t really make any sense to me, Hucka Doobie.”

“Nor me. Let’s try another one. First off, can we identify who we are speaking to?”

The planchette spells out, more rapidly than the two expected, “THE DEAD”. It returns to center.

Baker stared over at Hucka Doobie. “The dead of VHC Town?”

The planchette hesitates, then moves to “YES” again and then more slowly back to center.

“Do you have a collective name?” asks Hucka Doobie.

“OD,” came the response after a small pause. But the “O” used was that in the word OUIJA again at the top of the board, and not the one that’s part of the 26 letters below it. And the planchette moved back and forth between this “O” and the “D” to its lower left a number of times before returning to center. Another thing: the “O” was lingered over longer than the “D” in each repetition.

“What do you think, Baker Bloch?”

“OD. The letter ‘O’ and the letter ‘D’?”

The board answered affirmatively.

“Maybe it’s initials, Hucka Doobie.”

The board then spelled out “OD” again, using the same motions as before.

—–

Meanwhile, Wheeler and The Musician were studying menus at a nearby sushi bar, oblivious to the oddity of the picture on the far wall.

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