Tag Archives: Peter Oesso^*++

00490213 (Show Me, Peach)

He came into the room holding a top secret file and spoke directly into the 2 way mirror connecting our 5 and our 6. “You need to look toward Franklin,” he said after removing his disguise and showing his true face which mirrored the ones on the 100 dollar bills littering the floor. “Franklinn,” he emphasized.

—–

“FrankLYNN!!!”

“Oh god what is it this time?”

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00490212

“Tell you what, Bardie. I want you to write me something, get me out of this pickle I’m in here in this Missouri motel renamed for the misery it caused. John over there is not my lover, I have that much.”

10 seconds later, Bardie says “much,” which wasn’t much given the gravity of the situation.

“I know someone ordered us to remain here au naturale. Just in case.”

“Case,” he echoed about 5 seconds later, quicker this time because he was on to something. This *was* a case. June’s diary.

And more. UFO?? (TBC)

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00490209 (“curse purse”)

Peter walks through the tunnel leading to the temple named Penn and changes into his 5 year older brother who is the same age as him in the process. Another queer dream!

Numerous pens scattered on the floor within, along with a couple of pencils inserted here and there to reinforce the theme. Just what Peter Tron needs so that his good egg good friend Bardie can properly express his feelings and not have to inadequately speak about them. Penn produces pen! Marvelous. Goal found.

He’s about to pick up a couple of ’em to bring back when he spots a phantom version of the painting he’s been working on so long and hard recently above a step ladder to his left colored the same as the cyan energy lines in his futuristic bodysuit and also “frisbee”. He knows this is leading him further and that his journey into the temple is not done with the writing utensils.

… down a side passage…

… brushing past narrowing walls…

… into Center.

He changes once more into an even older brother who’s the same age and gets back to work running the place he remembers he’s the black king of, this Paperville and attached Weird-o Islands. True endpoint for him.

Tron Axis checks his watch not on his arm. 10 years have passed, period. Close enough to make it stick. He inks up the antique blue jay feather pen in front of him to continue even further down this rabbit hole of a place.

Bathroom, he thinks while putting quill to parchment. Bathroom is next. Water closet.

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00490208

“We love you, baker b.!

“And we want you to come home too!”

“Not for a while, Mother, Father.” And so we, I, continue… The last of my kind.

Besides, these aren’t really my shared little world parents. I saw the unequal love since almost the beginning, one in the air, the other not.

Rock beats Paper because it possesses Scissors, a depravity of what was suppose to be a round and round and round, fair deal situation.

And with the examination and usage of this sculpture menagerie replacing my original one coming from Newbank/Newbrooke, I think I might be done with the Bellisaria series of continents as a whole for a while, however which way you spell it. Other places to examine. Like Paperville.

—–

Peter Oesso, clothes back on and red rose dreams finally ended, sits at a table drinking espresso to match the returned t-shirt, waiting on…

She remembered.

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00490207 (ambiguous)

I could live with that, she thought while watching the man continue his yoga exercises from her 2d, painterly existence. Peter Oesso we can assume, although it’s hard to tell without the tell-tale t-shirt. It was only fair. As he paints them they should be able to paint him *back* and tell him what they feel as well.

We’re in another Bellisaria continent gallery, unregistered just like for the first we saw Peter in toward the beginning of this here section 02 of this here novel 49, painting away at his own interestingly textured/colored/lighted passion. Strange how these keep popping up for me. Not trying to find them — just do.

Now let’s get to the surprising menagerie lined up outside against its back wall. Perhaps a replacement for *my* menagerie coming over from nearby Newbank. Or just a way to move on from Bellisaria into something else after review. As usual, we’ll see soon enough as one post progresses to the next. (TBC)

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00490206

Still protected by a single, large red rose in a moderately rated sim — good enough — I peer around at my surroundings, note a train car in the distance down the straight as an arrow tracks in this location with my 168 meter draw distance. That must be it, I reckoned.

Yes, passengers ready to unload, let’s say, at the Shobu station in the shadow of towering, er, Mt. Sakura I guess this is. Who is it who is it who is it? Post for another day.

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Filed under **VIRTUAL SL, 0049, 0206, Bellisaria, Continent 06

00490203 (bottoms)

I was standing on the lip of a big hole, staring down, naked except for a single rose.

A woman, also naked but with a bit more protection, 2 bits more but white roses not red, was way way down at the bottom, sitting on what appeared to be a pier by a pool.

But that wasn’t the end of it. She was also peering down, into the waters of a 2nd hole. Deeper, deeper… a ship far below her even. Sunk 100s of years ago, maybe 1000s of years ago. The Sinking Ship it was called even *before* the accident.

She jumps, I jump. More passages to come (TBC).

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00490202

I intended to paint abstract today but this muff fascinated me and I had to return to it. The textures, the color, the lighting. I was starting to get the swing of things. Abstraction tomorrow, then. I promise (to myself).

“Yo, brother of mine,” he called from the window, sneaking up on me as he often does when I’m painting, when I’m absorbed in the creative work. His friend Bardie came along this time. I like Bardie. Good with words, he is; helps me with my artist’s statements and artwork descriptions. Good egg.

“Yes, hello brother of *mine*. Welcome. I see you’ve helped yourself to the espresso machine through the window.” Does this all the time. Sometimes I wonder if he secretly has elastic arms. Queer thought to match a queer brother (but not in that way).

“Right right. Couldn’t wait.”

“How about you, Bardie?” As good as Bardie is with writing words, he’s bad with saying them. Really bad. He kept silent at first, as was his style. “Good,” he finally managed after about 10 seconds.

“You’re good as in you’re okay without coffee, orr, good as in you’d like a cup of coffee? Choose oh wise one.” But he just nodded, keeping the situation ambiguous. I decided to give him one just in case. He can let it sit there if he doesn’t want it.

“Tell you what, Bardie, this one’s on the house.” And I laid the cup I just poured down in front of his expressionless face. Ahh… paper, I think while staring at it. Next time I’ll put a piece of paper in front of him with a pen to derive needed answers. I wonder why I hadn’t thought of that approach before.

This led me to Paperville and dwelling on the old days (TBC).

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stepping out

John thought and thought and realized he wanted a Corona-V. “The new one,” he uttered in calm, stoic way, fit for a Man of Faith. Lamb was behind him now, supporting him, uplifting his career. He must get back to the parish. “I hate to do it but cancel that, Jack.” Man of Science was not amused. “John, *how* am I suppose to keep in bus–“, but he was cut short. John had disappeared (again). Jack re-turned. “I guess this one’s on you,” which user Peter Oesso didn’t argue with.

Come on, *dance* with me boys, the blue haired witch requested in her mind from the corner. Soon they were with her.

—–

“*Just* escaped, whew!”

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Rael-ing

He had followed John down to the Ravine (bar) but he was no saint. Lamb equals Ram; he sees himself in his own face, the user power.

I was a beautiful little girl before becoming such a handsome man, he thinks, still changing, still metamorphasizing.

“I’ll have what John’s having, please.”

Brother Jack the bartender turns. “Yeah, what’ll it be, *John*??”

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