Tag Archives: Wheeler Wilson^^+++\@

ss

Perspective enlarged, Chuck Cheese finds herself in a strange place again, walking on a spiraling path upwards toward a rocky summit.

“Both of us can’t be women,” uttered Wheeler Wilson at the top. She changed.

“Right you are, Wilson Wheeler,” returned Chuck Cheese. She also changes.

“A pair of suave, swarthy dudes we make, eh?” said Wilson Wheeler.

Earie was thinking about himself: although just as swarthy, not so suave. “I am almost wholly invisible now,” he complains. “I am just an object to be seen right through. You don’t respect me as a person, Improvio. I mean, Pretty Man. I mean: Wilson Wheeler. Whatever.”

“Do you remember?”

“What happened? Yeah. A merger of church and liquor store.” He looks down into the valley to his right.

“We are the Malefic The Kidd spoke about,” continued Wilson. “With sickly, green wings; tucked in the opposite corner of her, um, building. Imprisoned even. Do you feel like you’re in jail? I do.” He indicates his outfit with a gesture. “This suit. The suit of Bowie.”

“Bowie protects you,” counters Earie. “Without Bowie you are nothing here as well. Object.”

“And who are you suppose to be?” he returns sarcastically. “Sid Vicious?”

Earie lays it out as plain as possible. “We are 2/3rds of the punk band Story Room. Banned from Olde Lapara Towne because of the noise, moved to the hidden vilage of Gaston where there was no ban, turned into pretty things there in order to survive, and then confined like flies to its Central Park. Paper.”

“Fly paper, right,” agrees Wilson Wheeler. “We burn to death again every day. Central Park is without dark and always on fire. Core of a volcano.”

“Seed into tree,” Earie continued even more abstractly. He uncrossed his legs. “Atonal punks we are, Wilson Wheeler.”

“Please,” Wilson Wheeler finally countered concerning his name. “If am that you are The Musician.”

He stops thinking about the spot marked with an “X” in the valley below and turns back toward his counterpart. “Then I am Earie…

… and you are Pretty Man.

But I also get to be Chuck.”

“Get yourself a shoulder pet and we’ll talk later,” compromises the suaver swarthy man sitting opposite him.

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Filed under **VIRTUAL SL, 0006, 0415, Gaston+, Heterocera

stood up

Karoz thinks while waiting: *I* need a mask.

20 minutes later, he’d switched over to the booths, trying again to figure out what these crazy typing style animations mean. Only one animation per booth, only one *seat* per booth. Bad designing, he thinks. A place just kind of thrown together. Baker Bloch could do much better here. Kidd Tower is a seed.

So involved was he with his animation that Karoz didn’t notice Old Grey slipping in and sitting at the front counter. “Bucket of blood,” she requests to the lone attendant. “And put some nails in it.” Karoz recognizes the voice.

She never received her drink. This wasn’t a bar. But she and Karoz caught up. They sat at the counter together.

“Baker Blinker is in Collagesity helping Baker Bloch with some apartment rentals,” he said to the old woman in disguise.

“How’s your love life,” Old Grey asked straighforwardly.

“We manage.”

“Why are you here?”

“I’m suppose to meet someone, Old Grey. Uncle Babyface. Why are *you* here?”

“I live here,” she said. “In this sim. Kidd Tower… I’m The Kidd. Billie. Here, stand back and I’ll show you. The dress could poof out in the transformation and put someone’s eye out.”

“Okay.” He hops off the chair and takes a couple of steps away from the counter accordingly, not understanding that Old Grey was joking.

“I just thought of the hair,” she said after changing. Grey to black. Young Black, hehe.”

“It’s quite appealing,” encouraged Karoz Blogger.

“If you were a boy of 10, would you ask me out for ice cream?”

“Sure.”

“You were never 10,” she joked again. “You were born old. Old and green. Old Green.”

“Just because I never had a mother doesn’t mean I wasn’t born.”

“Immaculate,” whispered The Kidd. She turned toward Karoz and looked at him squarely. “Jesus. You’re Jesus.”

But Karoz didn’t know that name and told her so.

The Kidd tested him further. “Do you know Superman? Aquaman?”

“Of course,” replied Karoz.

“Green Lantern?”

Karoz whirled around and looked at the poster behind him. “Obviously,” he said while staring at the superhero’s mask again.

“Then you are like the Green Lantern,” cooed The Kidd. She clapped her hands rapidly together and squealed in excitement. “And with a ring!”

Karoz didn’t get a mask that day but he got something else even better — from The Kidd. She just pulled it out of a secret pocket on her babydoll dress. The ring wasn’t exactly legit Green Lantern style but he thought it quite cool anyway and wore it home to Chilbo. Later that night, the town’s giant central tree caught on fire and burned to the ground. It would take weeks to grow another one.

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Filed under **VIRTUAL SL, 0006, 0414, Jeogeot, Middleton

Flies

They were told to stay close to Gaston’s Central Park and act like flies on the wall. Pretty Man disobeyed one morning and wandered down to a side patio beside Sugar’s House, thinking he would be concealed there behind a tall fence. But he was almost immediately spotted by BitterAlmond1995 and propositioned. “Cure for your ails,” she claimed about herself through the intervening walls. Quickly teleporting back to safety, Pretty Man wiped his brow, seeing he wasn’t followed. He was not an alien, true, but what cost for surface beauty? Sugar’s Berries (their slogan: “ripe for pick’n”) stick pretty tight to her house, just like he and his fellow escapees Gregg Oden, Chuck Cheese, and Maury “Jiff” Monroe should keep close to the park, the calm eye center of a storm which contrasts to that eyewall location of greatest sound and fury.

But Sugar herself, being of greater vision and knowing all such storms have such centers, knew why they were there. Her counterpart Jacob I. had escaped in a larger way, with accomplice and experienced jail breaker Tiny Tina trampled under foot. These dudes and dudettes had nowhere to go, like caught in paper.

I will be a fly back at them, she thought the morning of learning about Pretty Man’s intrusion into her territory. They are in my vision and will not leave. I know where they are. There’s a secret parchment, secured by sealing wax, which might allow her control of the *other* “Sugar House” in town, the one now called the Gaston-Berry Police Station. Because there was no Berry to patrol. Berry did not exist except as a concept. This was her secret weapon.

Rolling the dice, she unrolled the parchment.

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Filed under **VIRTUAL SL, 0006, 0404, Gaston+, Heterocera, Rubi

interruption

Baker Bloch decides to pay a visit to new guy Greg, who is actually, beneath it all, old gal Chroma. He’s heard of a new artwork, a seed it’s been called.

Wall of Jasper, he thinks after teleporting up and looking over at Norum. And Jacob I. trapped within still, the dreamer. That will change soon. Collagesity must prepare.

Wheeler Wilson shows up as well. “Who am I playing tonight?” he quickly starts.

“Me.”

“Okay,” he then says after changing appropriately. “And who are you?”

Baker shows him.

“Ahh, Old Gregg.”

“New Greg, actually. Greg Ogden, not Gregg Oden. And he’s got a fresh piece of art he wants us to see. Don’t expect much. He’s too obsessed with regularity and symmetry to be a successful artist.”

“We better get into character,” suggests Wilson-as-Baker. “What are you looking at?”

“Sh-t,” he says.

Baker sighs. “We better see what he’s up to.”

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Filed under **VIRTUAL SL, 0006, 0301, Heterocera, Rubi

forward forward forward forward: reverse

Wheeler logs back in and finishes what she was going to do this night: lower the Bermingham portal, sans rock arch, down to Collagesity and complete the emptying of the Muff skybox. Baker logs back in. Wheeler invites him to join her in Collagesity East, where he is able to complete his own story tonight as Bookworm. Wheeler stays logged in just in case more adjustments are needed to the portal.

—–

“I wonder if that’s Richard Petty’s car?” the character asks about Jasper series collage “Wilsonia Driver.”

“Oh my dear, what is that?” exclaims the learned scholar when looking around the corner and spotting the lowered portal, which just appeared out of nowhere in his time. “Do you know sleeping lady? Mrs. Lady??”

He leaves her and wanders into the small greenspace leading to Audrey’s, a second and newer entrance.

“Two redbirds,” he notes. “One inside, one out. The tree seems to mark a boundary.” Learned scholars tend to think aloud when figuring stuff out. Bookworm is certainly no exception to the rule.

“Hmm. Curious, I was just here and didn’t notice that intrusion to the collage.”

In order, he writes down the letters on the plaque the man (me?) holds in the collage: 5×5.

JKLMN
ABCDE
STUVW
PQRST
RQPON

Bookworm goes back to his newly rented apartment and ponders on what he’s just seen.

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Filed under **VIRTUAL SL, 0006, 0212, Heterocera, Rubi

portent

“Sooo. You wanted to see me Carrcassonnee. But you can’t talk without your eye. And Spider is inanimate as well. Hmph. Why am I here, then?”

Spotting it behind a boulder to her right, she used the teleporter again. “And *here*?”


Think Rock

“What??”

“OMG. SoSo South has been destroyed!”

I, as her user, then realized what had occurred. I’d accidentally linked a teleporter to SoSo South when working on it in the Collagesity skybox the other day. The teleporter happened to be in Carrcassonee’s gazebo when I moved the whole thing back to the ground, which Wheeler Wilson teleported to when trying to reach the skybox from Blue Feather. But in using the teleporter again, everything went haywire, seemingly.

Baker Bloch, posing as Bookworm up in the heart of the SoSo Mall at the time, was called in. He moved all the pieces — which were still linked, thankfully — up to the skybox and went to work. He asked Wheeler to log out to give him room and decrease the likelihood of more wonky things happening. He lowered his graphic options and logged out and back in for the same reason. He searched for and then found the skybox landmark in his inventory. Baker himself headed upward.

In under 10 minutes he had everything about righted. He could check later with a full version of this gallery, which is a Linden build created specifically for the Zindra continent. Baker hadn’t made any significant alterations to the original design. Which was good in this case.

Crisis averted.

But Wheeler had been spooked. She became convinced that Carrcassonnee did the sabotaging, and was trying to communicate with her from “the beyond”, as she put it. “Something is happening,” she finishes.

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Filed under **VIRTUAL SL, 0006, 0211, Heterocera, Rubi

new face

Mr. Babyface attempts to return to his new Collagesity apartment but realizes he set home to Audrey’s Bar instead. So he just asks Terry if he can use his phone to make the call.

“We’ve found them,” he starts for the person on the other end. Twittering; he waits, then seems to answer. “It’s fine. Commode is kind of out in the open.” More twittering from the phone. “Baker Blinker owns the property. She’s the one who set me up.” Another round from the other side. “I haven’t been in the woods yet.” A long bout of twittering, then, “Okay thanks.” After a small click, he hands the receiver back to Terry who puts it underneath the bar somewhere.

“Trouble in paradise?” Terry probes, as bartenders often do.

Mr. Babyface thinks about asking Terry if he perhaps knows the whereabouts of Caucasian Tommy Brade but then decides against it. No need to rouse suspicion so soon. That will come. So he pretends Terry is asking him about his recently rented Kidd Tower abode.

“Nah, the apartment is basically fine. Phone has some static. The bed needs a new mattress. The downstairs renter controls the heat. The stove doesn’t work.”

“But the view, eh, Mr. Babblefarce?” Terry smiles and winks cooly.

“Mr. Babyface,” he corrects. “Yeah. Good view.” He takes a series of puffs from his pipe, contemplating the next move. “When will you get your liquor license?” he then thinks to insert.

“End of October. First of November at the latest. Then Collagesity will be back in business for real. You’ll see. Baker Blinker has filled me in on all the detail-i-o’s.”

“She seems nice,” offers Mr. Babyface. Ah, yes. *Baker* would know, he realizes. But there’s the other Baker as well. Which is the real power in town? That’s what he has to find out next.

Pretty man Wilson Wheeler walks around the corner and into the bar.

“And what the f-ck are you suppose to be?” he asks the small, pipe smoking figure. Terry keeps grinning and winking.

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center>centre

“Uh huh.” More buzzing/squeaking from the floor. “I see.”

“What’s she saying?” asked a slumping Broken Heart from the other couch. She was pretty stoned.

“Hold on a minute.” Tina speaks again in her minute, tinny voice, understandable only to Jacob I. in the room. Perhaps it is because he’s closer to her, however, or just actually paying attention. The lawnmower continues to interact with the tiny being. “Alright, I guess we can do that.” Tina replies. “No, we don’t have the equipment or manpower for that, Tina.” After a small pause, Tina squeaks and buzzes for about 30 seconds more. “You take care as well, friend.” She scoots rapidly across the floor and out the door.

“So… what’s she saying?” queries Broken Heart again while remaining in a slumping position. She didn’t even realize Tina had left the scene.

“Jeffrie Phillips, that’s what,” replied a frowning Jacob I. “Centre,” he added.

—–

15 minutes earlier in Gaston’s Central Park, Pretty Man puts on the green ring. Everything changes.

“Over here, punk,” he calls to Earie Chuck after the deed is done. “I made a small detour.”

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Filed under **VIRTUAL SL, 0006, 0207, Gaston+, Purden/Snowlands, Sansara

trailers and chairs

Earie was walking past the red, blue and yellow chairs positioned in front of the art trailer when he heard Pretty Man snoring. At first he couldn’t tell what the sound was, but then a loud, pig-like grunt firmly indicated to him the presence of another human being. He moved toward the trailer’s dark interior and watched the folded body on the dirty mattress and rugs within heave up and down a minute, sometimes with a twitch. This guy was obviously in deep dreamland. Shame to wake him, Earie thinks, and decides to move onward through Central Park to the Joint Joint, where Jacob I. and Broken Heart Jackie were most likely waiting. But with an even louder grunt, Pretty Man then rolls over on his other side and opens his eyes. “Don’t pull a knife on me, friend. I ain’t dangerous.”

“Sit up, then, and let’s take a look at you,” the pink haired punk commanded. He didn’t have a knife on him currently, but two pistols were tucked in the back of his belt. Pretty Man sat up and started looking all around, as if in a haze. “Art is everywhere,” he then said. “In the sky, in my hands.” He looked at his hands. “In your hair.” He gazed at Earie’s mohawk. “*Especially* in your hair. Where you from, fellow dude?”

Earie had concluded this person was obviously stoned on something. He definitely *wasn’t* going to tell him where he lived in town. So he made up a place. “Butcher shop,” he said. “Upstairs.”

“Ah, Wanesa the Slasher. And I didn’t know her shop had an upstairs… thought they cut that off back in the 30’s.” Pretty Man stared at Earie’s head again. “Your mohawk thinks you’re lying,” he said, and then laid back down on the old mattress in the trailer and started to laugh, face upwards and arms spread. Earie wondered if he could tell just by the tone of his voice or if he’s one of those true psychics. Their services are more expensive than the whores. Sometimes you can get a two for one deal at a discount, but he’s only heard about such things; Earie doesn’t engage with Gaston’s Berry imports if he can help it. And, gandering at Pretty Man’s current pose, this led to the another thought: that this *man* in front of him could be a woman in disguise. He’s never heard of a male psychic. Or a male prostitute, at least around these parts.

“What’s your business, here, partner?” Earie inserted amidst the continued chuckles. He voiced some of his suspicions. “Man whore? Man *psychic*?”

Pretty Man’s laughter petered away, and he dismissed Earie’s guesses with a wave of his hand. He sat up again. He stood up out of the trailer, looking in the direction of Earie’s Yellow House. Does he know already? Earie pondered. He briefly goes around the trailer’s corner and comes back with a cup of coffee, steaming hot somehow. He sits down in the red chair. Earie just stares at him, wondering if he should take a seat as well.

But then Pretty Man pops back up and states, “this isn’t the right chair,” and then looks at his coffee. “And this is not the right drink, pheh.” He spits the beverage he just partook of out on the road beside him. Pretty Man goes around the corner of the trailer again, returning with a beer bottle this time and hops back up in the trailer, leaning against the wall. “The red one is not mine,” he reinforces. “That’s… what’s his name?” Earie gets tingles. He *must* know.

Pretty Man moved to the edge of the trailer again and looked directly into Earie’s face. “Chro-ma,” he pronounced distinctly. “Sit down in your *yellow* chair, and let’s have a talk Earie,” he then said to the stunned punk. “And of course I’ll take my blue one.”

Improvio.

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Filed under **VIRTUAL SL, 0006, 0206, Gaston+

pretty things

“Bucket of nails,” requests Wilson to Terry. “And make it bloody.”

“Ahem,” intercedes Baker Bloch. “Not open yet, Wilson. Sorry.”

“Yeah, sorry,” echoes Terry. He tries to size up his new potential customer, but can’t quite make out what’s the deal-i-o. Baker helps.

“So you’re a man again,” he states to Wilson.

“Yeah. A pretty man. Let me show you. You haven’t seen yet.”

“Just a glimpse at the police station. How’s Burt the Cop doing?”

“Brutus?” replies Wilson. “Prostitute problems as usual. Gaston’s filled with them, even choking on them. Berries. Cherry, Raspberry, Blueberry. Lemon. Yes, Berry is fully intertwined with Gaston. You knew Lemon on Mars didn’t you?”

“I did,” states Baker, thinking back fondly to his stay in futuristic INSCO. “Have you seen her? She ran around with Sugar then, but wasn’t a prostitute (like her) at the time. Circumstances must have changed. Science is getting tough to swallow for many.”

“I’m not sure she’s really a whore there,” says Wilson. “She could be undercover. Brutus hinted at so much. Purple Gang. Burt Lake Band. Crooked.”

“Oden, then,” responds Baker.

“Yeah. Have you seen him?”

“Old Gregg?”

“Right.”

“Maybe a glimpse as well at Morrison. Rockabilly Cafe. But we’re done filming there.” He pauses. “And you haven’t shown me the new face yet.”

Wilson changes.

“That’s way too pretty, man,” Baker offers. “For a man. How about a scar? What do you think Terry?”

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Filed under **VIRTUAL SL, 0006, 0203, Heterocera, Michigan, Rubi