Monthly Archives: May 2015

Collage 10 Interpretation 03

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“The yellow racist McCoy shows up with Patrick Star and Spongebob Squarepants in that picture we just looked at, Hucka D., but he shows up better in the Gilatona-Lis collage immediately before, taking place, er, in Devizes on the left side of the main crop circle territory, and southwest of Morgan Hill.”

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—–

Hucka D.:

We better get back to Collage 10. In Collage 01 of the Stonethwaite series — er, *Stonethrow* series — [the dog] Spider shows up again. Or previous. He appears on the bank before the Whitehead X-ing teepee, about at the spot you saw a snake this spring, harking back to the “I don’t like spiders and snakes song”.

collage01
“Spongeberg” (Stonethrow 01)

bb:

That’s one of your favorites, Hucka D.

Hucka D.:

Not really. Why is Spider[ in Collage 10] stuck to the house, like he’s magnetized to it? Since Patrick Star’s rock house is also infested with spiders, can we say this is Patrick Star’s home as well, this White House?

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Let’s just say that a racist lives there and be done with it. We can return[ to this collage]. I’d like to talk about the very first collage in the Red Umbrella, way down in the basement near the front. That’s Sam Parr 01 (“2130!”). That’s the house at the beginning of the 4th Way, the mysterious new trail — unofficial — of Frank Park that makes a direct path into Whitehead Crossing, like the other three official ones. And where does it ultimately lead to now? That teepee. The 4th Way was built so that someone could more easily get to the teepee area. The same person or persons must have built both, along with putting those potted plants up in that fallen tree.

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“2130!”(Sam Parr 01)

bb:

So you’re wanting to study why the first collage of the Sam Parr series ties into the first collage of the new Stonethrow series through this 4th Way.

Hucka D.:

I’m there on the balcony[ pictured in Sam Parr 01], after all. Spongeberg at the Whitehead X-ing teepee is Story Room and one more, the green one or mossy fellow. He is red, blue, green, yellow, as in the stars appearing on his sky night jumpsuit. Spongeberg is inside the teepee and outside sitting on Welcome Matt (rock) at once. He is in 2 places at once. He is the man who built the 4th Way, the teepee. He may have even built/purchased 2130 at the [other] end of this 4th. We must speak of Spongeberg.

bb:

Spongeberg is the same as Chuck, the yellow one of the Story Room rock group.

Hucka D. (after a pause):

Yes.

bb:

But he is not me.

Hucka D.:

No. You instead live at Red Head. Close but not the same. (another pause) We can knock at the door but no one will answer.

bb:

You’re talking about the White House of Collage 10. The racist who lives inside will not answer. We cannot know who he is truly truly is.

Hucka D.:

He is Wheeler Wilson. Or Wilson Wheeler. Truly.

bb:

The racist appears to be an X-ian. Worshipping a lily white Baby Jesus tugging at his queer yellow beard. At the same time 12 Oz Mouse leans down to examine a suddenly appearing hole that lies exactly between Collage 09 and Collage 10. We in fact only see the half of the hole shown in Collage 10. And we also know that Peanut is within the hole.

Hucka D.:

In an alternate reality collage.

—–

“In Stonethrow 10, Patrick Star looks at the dog who you say is the same as Spider. In Stonethrow 01, Spongeberg looks at the actual image of Spider on a bank below the teepee. He sits on a rounded rock, quite similar in shape if not size to Patrick’s round rock home. He wears a jesters hat and belt to complete his night sky outfit. I think Spongeberg may have anticipated the images of Collage 10, Hucka D., in his own collage coming at the beginning of the same series. White House equals Whitehead X-ing Teepee?”

Hucka D.:

And [Spongeberg] has *stars* all over him (smiles).

bb:

And of course the name Spongeberg comes partially from Spongebob, Patrick’s best buddy. Hmmm.

https://bakerbloch.wordpress.com/2015/03/26/artie-j-spongeberg-tours-fal-mouth-moon/

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โ€œHey thatโ€™s my *rock*.โ€

—–

Peanut died in a hole at the beginning of Carrcass-01, Hucka D., the first time we see him. And this is *right* before 12 Oz Mouse sees that same hole that’s now in Collage 10. The two *must* be related. This is where Peanut dies, this hole. Yellow Down.

http://www.adultswim.com/videos/12-oz-mouse/enter-the-sandmouse/

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1:11

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1:50: Greenup

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Collage 10 Interpretation 02

(continued from)

In part two of Collage 10, now called “Holey”, we see two namesake types. First is an actual hole — or half hole, really — that appears on the ground before a now leaning 12 Oz Mouse on the far left side of the collage.

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I’ve limited the view here to the left side of Collage 10, focusing in on the 2 “holey” images themselves. Now the second one is something “holy” instead of “holey”. The most holy thing for many, in fact. This is the image of Baby Jesus appearing with Brak now. He cradles the illuminated infant in his berobed arms. It strokes his queer yellow beard. He becomes yet another father in this manner: St. Joseph, father of Jesus. This image is first found in my blog from last fall here:

https://bakerbloch.wordpress.com/2014/10/03/2-st-joes/

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In this same post we have a picture of the Maumee River basin, this stream formed by the conjunction of St. Joseph and St. Marys rivers at Fort Wayne, Indiana. You can see why I associate it with Jesus, then. The Holy Infant confuses his father for his mother. He is just a wee lad, not much removed from tadpole status. But is this his father, see? Isn’t God the Father? And so forth. So these 2 “holeys” appear on the left side of Collage 10, defining the tone of the picture reading it from left to right.

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The Maumee River basin has showed up in a prior Stonethrow collage, or Collage 06 (“Beware (The) Heelers”), part 02 of the 2 section animation to be exact. There it’s covered by what’s called the Great Black Swamp, drained in the early to mid 1800s by settlers to the area.

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You can again see Fort Wayne to the left and Toledo, at the Maumee’s mouth, to the right. The whole of the Maumee River was apparently submerged in or made one with this giant, dark marsh before the Great Drain. Very peculiar — and I didn’t know about this swamp until several months after creating that October post. I had other reasons to be drawn to that area (Rainbowology).

The image of the Great Black Swamp here covers the word “The”. The second part of the Collage 06 animation becomes just “Beware Heelers” instead of “Beware The Heelers” of part one. Collage 06 also contains a number of other Rainbowology elements, including Dorothy Gale, the Witch Mombi, and Ozma, all characters from Baum’s Oz mythology later found in the movie “Return to Oz”, the base for the earlier carrcass “SID’s 1st Oz” from 2002. The basic point of Collage 07 is that Ozma as true ruler of that fantasyland is able to symbolically drain the Great Black Swamp again by reversing Dorothy’s Fall highlighted in “Dark Side of the Rainbow”. This is the same as Dorothy (and Oz itself) being saved by TILE, a religion that has replaced X-ianity for me by becoming as much a philosophy and a board game as a religion per se. “Per se, Hucka D.” (pause) Not there.

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And then on the *right* hand side of Collage 10 we again have the image of Dorothy falling off that confounding pigpen fence, animated this time. The second animation (below picture) shows Dorothy more in the actual state of falling, and this image again directly comes from Collage 07. The first Dorothy (above picture) is more in the process of losing her balance on this fence, causing the fall. “But through the magic of the collage, she instead falls off the roof of this white house, Hucka D.” (pause) Hmmm.

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The orange m&m has “reappeared”, looking very concerned again like he did as a pendant image in the prior “Darth Redder” collage of this tetraptych. But this m&m, and his accompanying smaller rainbow colored clan of same tagging along behind him and then in front of him (as they too seem to fall) are actually a part of Collage 11, after Collage 10. I call this final collage of the tetraptych “Rainbow Men.”

Hucka D.:

This time we must now move quite yet into an interpretation of your Collage 11 beyond Collage 10 but focus on the latter. And good morning to you.

bb:

Thanks Hucka D. And thanks for showing up again to help me with this difficult and complex interpretation…

Hucka D.:

… of a difficult and complex work. But it’s not that complex. Just keep your thumb next to the line you next recite and you’ll do fine.

bb:

Stick to the [already written] script, eh.

Hucka D.:

Precisely. Now what are your next lines? Because you’re next up.

bb:

Tadpole?

Hucka D.:

No. Read the line to the *left* of your thumb instead of the right. You’re always confusing those directions. At least you usually get up and down right the first time. Or is it left?

bb:

We must focus on the White House.

Hucka D.:

Good. You’ve already established a racist lives there and that racist is Brak The King from Temple Farm, Marlborough, as featured in the Baker Bloch Heads To England exhibit from 2010, I believe. Blochhead. Bloch-head.

bb:

But you’re also saying that Brak represents the great loser state of Arkansas, or perhaps he hails from there.

Hucka D.:

Hell.

bb:

And you’ve always told me, ever since the beginning of my blogging days in the old Baker Blinker one, that Arkansas is the center and the focus and not let my attention stray too far north. Or *up*.

Hucka D.:

Down is where it’s at, yes.

bb:

Do you want to explain this further? I mean, just looking at [Collage 10], we have a dog stuck on the side of a wall — this is a Little Whitehead Art Collective creation once more — with a miniature Patrick Star of Spongebob Squarepants looking on with ice cream cone in hand. He’s just a big kid through and through. Then an even tinier Spongebob emerges from his pineapple home. (pause)

Hucka D.:

I can’t see that far down.

bb:

Here…

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Hucka D.:

Thank you[ for showing me the whole picture]. “Holey”.

bb:

Patrick Star appeared in the Falmouth tetraptych that completed the 2013 Gilatona-Lis sequence of collages, Hucka D.

Hucka D.:

I remember. Vaguely.

bb:

Well, here he is in case you’ve totally forgotten.

falmouth04final05

Hucka D.:

Thanks once more. But if you’re going to rezz that whole [older] tetraptych then we’re going to have to stand back a bit.

bb:

Then I won’t do that.

Hucka D.:

Thanks yet again.

bb:

And Spongebob also showed up in earlier Gilatona-Lis works. And his pineapple home appears in the original Embarras collage (Embarras 01).

Hucka D.:

“Why?” I hear you asking in your mind. Well, to give the collages a bit of levity for one thing. The dog flies into the white house and becomes stuck like in flypaper. I must ask you: is this dog Spider? Carrcassonnee’s Spider that still sits in the Collage Temple beside his master, still spouting out the permutations of that hellish number 2130?

bb:

He’s not exactly the same color but it does appear to be a Chihuahua of similar shape and size. And Patrick Star hates Spiders — that’s another connection.

Hucka D.:

Maybe we better end on that humorous note. Yes, the dog is Spider. Yes, that’s why Patrick Star is there. Mr. Star is also a crop circle, as is Spongebob Squarepants… as are their 3 houses in a row if you throw in “trapped in the middle” Squidward and reduce all to the base of Patrick’s rock. [That’s all Morgan Hill crop circles.]

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bb:

Fantastic. Here they are [off the road to Honeystreet, UK]…

llistest17

http://fineartamerica.com/featured/morgan-hill-crop-circle-reconstruction-raul-castellar.html

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Red Door Church

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stonethrow10
Ray Davies Visits Collagesity!

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Collage 10 Interpretation 01

(continued from)

As good as any. We can return to Collage 09 if needed. Who lives in the white house that dominates 10?

collage10test20d

bb:

I hate to say it, Hucka D., but it may be a racist that lives there. Like McCoy.

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Hucka D.:

That would be the little yellow one. You are[ unfortunately] correct. Brak’s stars and stripes gives him away. Here’s a picture from “Baker Bloch in England”. Brak is the King. We do not have a picture of his Queen in the new series. But this is the same Brak and giving the same warm welcome. This is his house[ once more]. We are in Stonethwaite, true — another farm — but we are still also in Wiltshire. We’ve never left Wiltshire. We will never leave, you and I. You can still visit me, Baker Bloch, Baker Blinker at the Temple Farm.

ark11

bb:

But it’s more than that, I’m picking up you want to say.

Hucka D.:

Yes. You have limited yourself in your talking[ about carrcasses] to others to SID’s 1st Oz and before. You are acting like nothing happened after the Civil War (yourself) in this respect. You have not freed the true carrcasses beyond SID’s 1st Oz. You are still fighting the Civil War.

bb:

Interesting and perhaps a little peculiar comparison.

Hucka D.:

You are lying to others, true?

bb:

Yes.

Hucka D.:

They do not appreciate this.

dixieloser

bb:

But it’s more.

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Hucka D.:

Yes. This is about Arkansas, one of the loser states. I’ve always stated that you should center everything on Arkansas and not pay attention to that Show-Me state just to the north.

bb:

Missouri[ you mean].

Hucka D.:

I’m not saying that name.

bb:

Why do you hate Missouri so much, Hucka D.?

Hucka D.:

Because it isn’t the center. *Your* center.

bb:

But you are also limiting yourself in this way.

Hucka D.:

We can only go so far in this life. There are winners and there are losers[ always]. (pause)

bb:

So what I’m thinking — picking up — is that you are equating Arkansas with SID’s 1st Oz.

Hucka D.:

You know it.

bb:

Hillary is from Arkansas. Bill…

Hucka D.:

What happened in [delete name]?

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Red Umbrella

I believe the new collage series may be basically finished with the creation of “Triumph of the Toys”, a simpler composition. I’ll continue to interpret the tetraptych that came before this tomorrow. And I have a name for the series: Stones Throw. This comes from what appears to be the only legitimate golf course in Jasper County, about 4 miles west of the county seat of Newton. The appellation is in line with the naming of the other 2 series within the Red Umbrella, which also involve locations near this town (Sam Parr (State Park) and Embarras (River)). And what I really like about the name is its similarity to Stonethwaite, a UK location which dominates the Stones Throw series toward the end (tetraptych and then “Triumph of the Toys”). I might even call it Stonethrow to make the association more obvious, this word beginning with the same 7 letters as Stonethwaite.

Anyway, it’s all bleed’n coming together. The Red Umbrella Gallery is also essentially finished. Will I stay next to the Rubi Forest now all that’s over? The development of Collagesity has gone hand in hand with the evolution of this gallery and its 3 series. At the beginning of June, the virtual village will be one year old, although its existence spans two different locations (Noru and then Minoa/Rubi). I still have a considerable number of prims to play around with on the property. Is there more town myth making in the near future?

The other option I have is to disband the town and take the completed Red Umbrella to a new location, perhaps renting a smaller piece of property at least for a while to save money. But, if so, I’d like to take the larger Falmouth Gallery with me as well at the very least. And I would miss all the rest of Collagesity for sure. But is the potential downsizing worth saving, say, 30 dollars a month? I can see going both ways. Typical. ๐Ÿ™‚

At any rate, I believe I’ll get rid of the abridged version of the Red Umbrella in Mysten within the week. I can’t rezz a gallery kiosk there.

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front entrance, The Red Umbrella gallery (rain)

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back entrance (fog)

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Stone’s Throw Golf Course near Newton, Sam Parr (State Park) & Embarras (River)

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Collage 12: “Triumph of the Toys”

Part 1:

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Part 2:

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I think this might be finished.

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Collage 09 Interpretation 02

(continued from)

We’ve already mentioned recently that Sam Parr Model in Sam Parr collage 07 has the head of a fox: Redd Foxx once more. This would be the collage just after his first appearance in my work in the Collage 06/07 diptych of that earlier series. And this same Sam Parr Model image now appears in both parts of “Darth Redder”, and, in its second part, with the superimposed head of Redd Foxx once more (2x larger than before in respect to the body). Is this a representation of the akh or haunting spirit?

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So his head is covered with the Darth Vader helmet, but simultaneously appears on Sam Parr Model in the background to the right. The group of people in front of her from the first part of the animation have meanwhile disappeared. They seem to be the same as the floating body in front of them. We know this from a prior interpretation of Collage 07 in the new series, which contain these same images. Instead of reproducing the collages, I’ll just give links to the 2 part interpretation:

https://bakerbloch.wordpress.com/2015/05/21/collage-07-analysis-01/

https://bakerbloch.wordpress.com/2015/05/21/collage-07-analysis-02/

—–

Hucka D.:

What’s Darth Redder reaching for on the right side?

bb:

Good morning, Hucka D. I was hoping you’d show up. The tetraptych is a difficult one to interpret because of the overall complexity. I had the same problem with the Falmouth tetraptych, the first one I did. The analysis of Gilatona-Lis, going pretty smoothly up to that point, got a bit mired there. And it’s Darth Vader on the right side. Darth Redder is just a name I invented to fuse Redd Foxx and Darth Vader together. He’s reaching for… well, he had [a dancing] *Brak* in his hand. Here’s the source image. We can go from there.

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It’s the logo of sorts for the carrcass I’ve numbered “Carrcass-0”. Can I give the actual name out here?

Hucka D.:

Might as well. It’s Aunt Frylock. (pause) Isn’t it?

bb:

No. It’s [delete name]. Well, I don’t seem to be able to give the name out. Wait… silly me, that’s not the name anyway. Okay, I’ll say it. It’s [delete name].

Hucka D.:

Let me try. “Empire Strikes Brak”. How’s that? Did you hear that well enough?

bb:

Let me check the blog post (checks). Yes (!). It showed up for you. Hmmm.

Hucka D.:

It’s because I’m a Greenheader next to Red Head.

bb:

Anyway, so we have a mashup of named “Empire Strikes Back” with “The Brak Show”, like in the carrcass. The scene is Darth Vader “reaching” out to his son Luke Skywalker, asking him to join him, or to join the Dark Side.

Hucka D.:

That’s correct. Like he did.

bb:

No, Hucka D., he didn’t join his father. He stayed on the Light Side of The Force.

Hucka D.:

Well, how did he do that without getting killed? There was no way off that pole but down, and that was a mile long fall at least. He couldn’t have made it. Movie sequel over after [roughly] 1 hour. Partial price of tickets had to be refunded. You tell me how he did it?

bb (smiling):

Yes, Hucka D., you’re setting me up. We know now how Luke Skywalker escaped the clutches of Darth Vader and didn’t fall to his death. It is because he had a magic toenail and simply wished himself into at least a slightly better place. This is a gift from *Brak*.

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But where Collage 09 joins with Collage 10 we have overlapping animations, an interesting effect for certain. Darth Vader reaches out to *12 Oz Mouse* here, and there’s also another animated Brak nearby — in the same driveway that Vader’s arm extends over a bit. Is this a perfect place to segue to an interpretation of Collage 10, Hucka D.?

Hucka D.:

As good as any. We can return to Collage 09 if needed. Who lives in the white house that dominates 10?

(continued in)

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