Category Archives: Heterocera

Fitz and Butch

Carr.:

I’ll talk to whoever I have to about 12 Oz Mouse, Karoz, and it must be fairly quick. You’ll do. How are you doing by the way? How did your date go?

Karoz:

I was snatched away from it to be here with you. It didn’t go awfully well.

Carr.:

Well… as Baker Blinker recently thought, you are trying so so hard.

Karoz:

Did she?

Carr.:

Yes. My advise is to keep on keeping on. She’ll come around. That Curse Purse… your line.

Karoz:

That Curse Purse.

Carr.:

Yeah. (pause) You’re still up.

Karoz:

Oh. I’ve been meaning to talk to you in more depth about TILE.

Carr.:

Great. Exactly what I wanted to say to you. So we’re in synch again.

Karoz:

Yes.

Carr.:

Yes.

(15 minutes later)

Carr.:

Enough of TILE. Mouse before forget.

Karoz:

We, our user, watched Shark’s party tonight. Eye got his leg cut off by Hand. Pretty gross actually. I don’t think baker b. used that in his synch.

Carr.:

*My* synch.

Karoz:

Right. Forgot.

Carr.:

Skillet is key. It says that on the wall of the party. You better go back and check. Baker b., are you there? It’s more difficult to tell with Karoz. Maybe I should have teleported Baker Blinker over here. She’s such a lovely girl Karoz. You are so luckey. Luckey lucky luckey.

Karoz:

I know.

Carr.:

So are you in there?

Karoz:

Yes. Yes I’m baker b. Looking out at the virtual world again. Looking at you.

Carr.:

Careful about the spilled wine.

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—–

The Party must be examined very carefully. Golden Joseph, Skillet is Key… so much there.

http://www.adultswim.com/videos/12-oz-mouse/this-party-blows/

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Popping

She had a couple of minutes to kill before her date with Karoz, so Baker Blinker decided to dress appropriately for the occasion and pop over to the cardboard house art installation by new neighbor Art Oluja for several pics. The parcel is called “Huh?!” Baker loves it. Who *is* that oh so glowingly positive mystery woman over there?

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Art for the art, I suppose. But is it being disposed of? Is this the old art being replaced by the new?

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Then Karoz shows up and adds his own unique poetic take to the event before they head off to the Collagesity cafe for their sushi dinner, posing as “The Birth of Venus”.

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“He tries so f-ing hard!” a touched Baker thinks. “I must keep saying yes.”

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Wheels

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Wheeler really wishes to live in Gormthoog. Will she get her desire?

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The “Wheeler anomaly” in Boss, MO

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“Hi Blinks!”

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“Hello? Hello over there?”

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Lockey?

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Carr.:

Just us two is fine. You are taking over. You *have* taken over. Invasion of the body snatchers. I know you.

BBloch:

No you don’t.

Carr.:

Yes I do. State your questions sir.

—–

Carr. and Baker Bloch Wilson talked for quite some time. Carr. explained that Baker was going through a different development than before. Karoz and Baker Blinker changed all that. Collagesity became permanent. Yes, I guess that’s maybe true, perhaps not in the sense that My Second Lyfe will always be around but that the virtual town will always be here. In some form… beyond just a collection of galleries. And that’s what they had to talk about: TILE. Carrcassonnee next brought in Karoz and Baker Blinker.

—–

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Carr.:

You look simply radiant tonight Other Baker. What do you think Karoz?

Karoz:

Absolutely!

Carr.:

And what about you? Do you feel… radiant? You don’t look radiant.

BBlinker:

He’s working on it. *We’re* working on it.

Carr.:

But it’s absolutely very good that you are working on TILE now Karoz, at least. For that is the important point now. I to E to T to L. Never forget that. But your training won’t allow it. How’s Blue Feather Douglas doing over there in his pyramid at Crabwoo by the by?

Karoz:

Oh I haven’t spoken to him in many years.

Carr.:

Perhaps he’s dead.

Karoz:

No, I would have heard about it. We all would.

Carr.:

And Devil Dave. He’s left the scene, but he could return. He could renew the rivalry for Baker Blinker’s hand. You better think about that.

Karoz:

I have.

Carr.:

Well, I think we need to work on those changes.

—–

So Carr. chastised Karoz a bit for not putting much effort into changing his appearance from standard default grass texture. “Look at John Lockfry 02 over there,” states Carr. “Handsome devil. And now he’s dating Wheeler, luckey girl.” Karoz was thinking something different. Baker Blinker then admits she’s a bit jealous of Wheeler. “But not like Dr. Mulholland before her,” responds Carr. “You had quite the rivalry. But not for Karoz.” “No,” she admits. “Just…” “Just what?” Carr. queries. “She stole my purse!” Baker exclaims. “No,” replies Carr. “*There’s* your purse. You see, you didn’t lose it at all. Dr. Mulholland has — *had* — a different purse, two different purses in fact. Wheeler also has two now. But there’s your one white one, spinning around like a rotisserie chicken. You better figure that out.” “Curse purse,” Karoz then says.

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—–

It’s Baker Blinker that holds it all together. Collagesity goes as she goes. She and Karoz.

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Bumm’n Around

My new artsy neighbor Art is cooking up something on her property next to Collagesity. I’ll get back to that…

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Baker’s still pondering what to do with his empty parcel on the opposite side of town, the Friends of the Rubi Forest one. Interesting balance.

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Then it’s over to BoB again to pose with a mental patient. Halloween isn’t far away! I love that holiday.

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BoB’s Crescent House is officially outta here, replaced with this similarly sized rectangular structure. The involved parcel has been bought. So much for Collagesity in BoB, it seems.

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Baker was hopping around land parcels for sale through Lama Estates (as he sometimes does) and logs out right after encountering this blue cube in Varano on the Nautilus continent which appears very much like the one in Lynch’s Mulholland Drive movie. To reinforce its presence, when I log him back in the next time, the cube looms before Baker as he manifests. This *must* mean something, he rationalizes.

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It’s actually more of a box than a cube, but Baker couldn’t originally tell this from his position below it.

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I aid him by digging up online pics of the Mulholland Drive cube. The similarity is obvious. What was found inside? More BoB stuff, but the parcel was banned.

As Baker is looking at it again for the purposes of writing this text, it appears the doubling of the Mulholland Dr. cube’s keyhole is completely accidental, involving a projection of the back of a slightly off-angle tv screen within. I think this fact may be odder than if someone did the effect on purpose. Just look at the similarity! SIGN. You can check the thing out here if you wish (look east).

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Back to BoB for this picture of Baker Bloch posing between two blue women figures. But of course this could be Wilson again instead. And in reality, it is.

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World of Lime? 01

(excerpt)

I could hardly believe it. We would need a road map to figure it all out. It could be said to begin with the letter to Liquor. Rhoda says that Liquor says Mouse is up to his cans. Now here’s the trick. Liquor got the wrong letter. This Mosquitor penned piece of paper, which also has something to do with Quito *and* *mos*quito LINK, was suppose to be delivered to Roostre. But Roostre, in turn, couldn’t open his letter he mistakenly received that was Liquor’s. Instead he’s [time] GAssed by this kooky (cuckoo?) clock.** Carr. then says this is the same clock that is in *our* Rhoda’s bar now. Let me insert a picture.

Oh, I forgot. It’s not there any longer.

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Missing Clock.

But anyway, We The Family noticed quite some time ago that this clock actually *moves* on its own volition. We understood this because it started projecting from the back wall of the bar on the outside, and when Baker Bloch would push it back through to the inside wall, it would simply work its way out again. True story. Finally Other Baker got tired of messing with the obviously cursed thing and deleted it. But [12 Oz Mouse character] Clock is *real*. In *Collagesity*.

So that’s one element. Carr. is stating that “12 Oz Mouse” is not dead and that it will live on through her.

Rather early on in the short lived “Mouse”, bartender Rhoda is killed — telepathically sliced in two — by Square Businessman, also just referred to as Square. This comes shortly after Rhoda talks about Liquor’s letter and some other things he’s obviously not suppose to. Now our Rhoda was similarly killed, as documented in the “Baker’s Dream” section of “Collagesity Winter 2015-2016” (and there’s a picture of the now deleted cuckoo clock, three down). But [12 Oz Mouse’s] Rhoda’s death is foreshadowed by a hallucination (?) shared between him, Fitz, Skillet and Man-Woman. This is repeated in Carrcass-1, accompanied there instead by the music of Slint and the track “Rhoda” — no relation to 12 Oz Mouse’s Rhoda. But there’s another strange attractor[ involved]. And “Rhoda” is the only one (of 7 total) Slint songs used in Carrcass-1 not from their fantastic album Spiderland. And that’s Spider again… Spider is another character in “12 Oz Mouse”, and, as Carr. states, has been remodeled as a dog for Collagesity and kind of merged with Skillet, I suppose. So the [central] Fitz/Skillet duo of “Mouse” has been reshaped as the Carr/Spider duo of Collagesity. Getting confused yet? Phew!

But I must plug on… Equador is then mentioned indirectly by Rhoda before his death when he describes or attempts to describe the relationship between New Guy and Skillet. He says that New Guy is not as much cheesy green up on squirrels (Skillet’s species, as verified by Mouse), but more like Ecuadorian sleep. I have no idea what that means, so let me google it. This is indeed important.

https://www.google.com/#q=%22ecuadorian+sleep%22

I have no idea still. And a kind of creepy thing is that this blog post will now show up in the hits for the phrase. If future people do the same google search, they’ll be confounded by the same riddle, add this post.

Ecuador… Quito. Ecuador commonly misspelled as Equador, with a “Q” like “Quito”.

Next door is Columbia and its Bogota. We have jumped up a level. Wheeler.

—–

**an unofficial script for the associated episode (04) has been found here:

http://www.springfieldspringfield.co.uk/view_episode_scripts.php?tv-show=12-oz-mouse&episode=s01e04

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Morning Meeting

Baker Bloch sips his morning beer and contemplates further changes for Collagesity. The focus *must* be on that Friends of the Rubi Woods parcel, he believes, the 512 that will remain when all else goes away. That is the foundation, he rationalizes.

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But right now, all that’s on it is a still almost empty Home o’ Fibs partnered with a quite premature Christmas tree. Yes, gift giving has come early this year, Baker understands. Wilson-Wheeler.

He heads over to Carrcassonne for a prearranged meeting. Baker Blinker is already there.

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Carr.:

Other Baker! Come join us. Baker Blinker and I were talking about changes. Ch-ch-ch-changes. David Bowie will return. What was his pseudonym again?

BBloch:

Bogota. Like the projected collage series.

Carr.:

Yes, I remember now. Bodega.

BBloch:

No. *Bogota*. Like the capital of, um, Ecuador? No, sorry, Bolivia Columbia. [The smaller] Ecuador and its Quito are next door.

Carr.:

That is precisely what I want to talk about with you guys tonight. I hear you are watching “12 Oz Mouse” again up in the real world. The oh so cool real world. Should that be capitalized?

BBlinker:

Well, we’ve had our time to chat so I might leave you and Baker to talk about that.

Carr.:

No no, Baker Blinker. I want to speak with both of you. This involves both of you. “12 Oz Mouse” is very important. And not just because I was the *star* of the show, mind you. (Carr. laughs here)

BBloch (smiling):

You were very good in it.

Carr.:

Good? I was spectacular. My finest role. Perhaps by a good margin. Whadda ya say we go up to the theatre and watch some episodes. Oh, I guess that would spoil it for the user, however, the one that types these things we speak of and orchestrates what we do. Are you up there baker b.?

(All look heavenward. No answer.)

BBlinker:

You say that Karoz is also involved in that.

Carr.:

He is my double in the show. As I’m sure you’re sick of hearing me say, I play Fitz the Mouse, the star. But in *certain* ways, Karoz is also Fitz. And then in other ways, *both* you guys are Fitz. And Spider over here is Skillet, who is a squirrel and not a dog, as Rhoda ponders, or a rabbit, as Roostre guesses. Both are wrong.

(The Bakers exchange glances with each other, like, “here we go again”.)

BBloch (finally sitting down):

Okay, Carrcassonnee. We’ll bite. What’s going on with “12 Oz Mouse”?

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My collages in other people’s spaces

First off, I have a new and artsy neighbor in Collagesity: Art Oluja. I halfway suspect this may be another incarnation of my old friend Veyot, who was a neighbor and actually integral part of Collagesity/VWX Town in 2 other locations in past years. But whatever: welcome! I’m very excited to see what develops on the 624 sq meter parcel in the coming days and months. And she’s added Collagesity as one of her picks.:)

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Newer friend Pearl Grey then sent me an inworld notecard giving locations and brief descriptions to some places virtual renditions of my collages are being displayed in Second Life. Many thanks again Pearl! A very nice gesture indeed.

The first (Boos 10: “The Martian”) is found on a back wall at Sojourner’s Ground on the Maebaleia continent. It’s owned by Klaus Bereznyak, who’s been around since 2007. An old virtual soul, then; here’s his homepage.

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The final collage of the 2007 Oblong series (“Lymeyen”) is then displayed in a parcel under construction called A Little Piece of Art owned by, well, it’s owned by my new neighbor Art (!). The plot thickens…

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I really like the idea of a “judgmental alien”. I can identify!

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This is found on the oldest continent of Sansara, by the way.

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Next up is a somewhat larger parcel called Art and Weird Words, with a quite creative treehouse display of Rose Hill 06: it’s sideways! But I think it works in this environment. I forget to have Baker Bloch sit in front of it for the picture. Oh well.

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The owner here is — yes, Art Oluja again. Next door is Saul’s Place Cafe, with a display of Saul Goodie’s very interesting abstract art pieces. Whether chance or not, this is also quite near Soujourner’s Grounds. Just down Route 8B. Is this the start of some kind of art city along this route? Only a couple parcels of abandoned land separate the two. And I should also add this: “Art and Weird Words” is found in a sim called *Wyrd*. Wyrd is a type of portmanteau of “weird” and “word”. Interesting!

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And then as I kept poking around, I found Rose Hill 07, the next one up in the series, displayed in the other treehouse on the Art and Weird Words parcel (or should that be Art and Wierd Words?). Hmmm… interesting again. Actually, as I’m remembering now, Pearl mentions in her notecard that both treehouses contain collages. I still recall creating both of these works late into the night back in 2005. They’re based on some similar motifs. Kinda scary stuff — darker than most of my works.

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Here’s the involved treehouses and a connecting bridge.

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Treehouses and Saul’s Cafe.

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The last link in Pearl’s notecard took me to her own residence in Rosieri, not far atall from Collagesity, being only about 500 meters away. I had a old friend named Cocoanut Koala who use to own a considerable chunk of that sim. I mention some of her intricate and detail oriented work in this 2014 blog post.

I was very pleased to find a piece by Earl Dinkin within. Now I’m not friends with Earl, but he has numerous galleries all over the mainland continents I’ve run into, by accident or not, again and again. A bit more of his very cryptic story here. He’s another old virtual soul.

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And then me as Baker Bloch in Pearl’s living room before yet another one of my Rose Hill collages (Rose Hill 03: “Just Passing Through”). Another Baker Bloch shows up as I take this picture. Or is that Wilson again?

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If so, then who’s on the porch offering watermelon to all?

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Baker Blinker’s World of Lemon 04

It could have happened anywhere along the way. If our user’s computer power was strong enough. As it turns out, this wasn’t really the case until Collagesity Winter 2015-2016, a period of virtual existence cannonized in the graphic novel of the same name. Suddenly two avatars could easily log onto Our Second Lyfe at the same time. The trick was tried way back in early 2008, when Baker Bloch and I first met inworld and kind of formed a crush on each other, quickly dispelled as stated before. Blochs and I are *friends*! Twins, really. Such wasn’t the case with Karoz Blogger, as it unfolded. In the exact middle of the graphic novel, we became more.

Karoz Blogger certainly has his own interesting history to tell concerning The Family. He was originally formed and molded in May 2009, I believe, right after the “Where Are We On That?” exhibit was created for our Kelly Yap gallery that explained the then current family of avatars we had: Baker Bloch, Hucka Doobie, Esbum Michigan, Wilsonia Foxclaw, and then myself. A chapter was formed for each. Mine is here. But Karoz Blogger is Jeogeotine through and through, and thus beyond the original set. Our user created him to act as a brother figure for Baker Bloch, a counterpart. As Baker Bloch is made with bits and pieces of an old Space Ghost avatar (thus the reason his father is stated as being the *official* Space Ghost, elder version), Karoz was partly assembled from a Zorak avatar. Zorak is Space Ghost’s sidekick on the classic Space Ghost Coast to Coast shows. Fantastic entertainment. Notice if you haven’t before (and you probably haven’t) that Karoz’s name is Zorak spelled backwards.

Karoz became an exploring partner for Baker Bloch after the family’s move to Jeogeot in May 2009, often checking behind him for the purposes of writing and editing blog posts. From our position in Noru, he fairly quickly made his way down to Chilbo several sims away… and discovered or remembered that he was *originally from Chilbo*. A wave of memories swept over him, as he’s explained to me. But it was not the then current Chilbo he remembers. It was a different one, a split off version. A version he remembers being called Chilbol and, originally, Chilbolton or Chilboltown. Traces of this version appeared in the town banners, which read “Chilbo!”. The “l” had been changed to an “!”, but Karoz received the message. He realized the split nature when he was hit by a mortar shell from a tank passing through Chilbo, and was temporarily derezzed from our virtual world. Our user’s screen whited out. Karoz died, then came back to life. The alternate reality had been set into place. He recalls Chilbol. He remembers the Noru that was named Norum instead. *Norum* was the larger entity at the time, not Chilbo. Chilbol was the satellite. And his surrogate mother Sapphire was queen over all of Jeogeot. Sapphire’s shadow casts large.

Like I said, Karoz’s story is a complicated and twisty one. The tail started wagging the dog early on. In part 5 I’ll attempt to elucidate more of his tale, leading up the events in Collagesity Winter 2015-2016. Afterwards I’ll have an important announcement to make. Something will happen at Christmas this year. She/he will arrive.

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Baker Blinker’s World of Lemon 03

Shortly after we got back from England and settled down — again — in Noru (for a second stay), The Family as a whole decided it was time for me to get a makeover look. In June and July 2010, Baker Bloch began exhibiting shows from outside artists at the reformed Blue Feather Gallery in Noru, with some support from nearby Chilbo. It was exciting Second Lyfe times again for us. Chilbo was perhaps the most influential Second Lyfe community not created by the Linden owners of this virtual world. I feel it was destiny that our family would be attached to it during our stay in Jeogeot. Even our later Pietmond, which formed in October 2010, can be see as a kind of child or spinoff community of the much larger Chilbo. But that’s also when we became, or started to become, independent of its influence. And that chain of independently existing, virtual communities for the family beginning with Pietmond continues even to this day, with the latest incarnation called Collagesity. The latter’s been around for over 2 years now. It seems quite stable. But there’s also a chance, perhaps a small one but perhaps not so small, that we’ll be moving again soon. To BoB.

Which leads us back to the makeover. It was decided — again, a family decision — that Baker Bloch was just a little too archaic looking to function as a fully proper art gallery promoter to the larger Second Lyfe community. Another friend at the time that influenced the change was Flora Nordenskiold, who later became a powerful and influential Second Lyfe gallery owner. But when we were friends, her ascent was just beginning. We thought we might mimic her style, and open up our formerly private galleries for public shows. But this phase of our existence was soon over. Another branching off occurred. We decided that the Blue Feather Gallery in Noru would be both enlarged and set back on earth — grounded — to serve as a vehicle for the ambitious “Jeogeot Through Art and Word” exhibit, another personally made one. The idea was to unite the art of *all of Jeogeot*, Second Lyfe’s largest mainland continent, and create a unified, collective style of sorts. I think. Again for this, we had cursory approval from the higher ups in Chilbo, I believe. And looking back, I think Chilbo could have greatly benefited from a stronger link with the idea. Again in retrospect, Chilbo was attempting to expand LINK, but never made it past a local effect, really, in terms of overall Second Lyfe culture. As Hucka D. kept reiterating at the time, Chilbo goes as Jeogeot goes.

So my makeover was a result of attempting to gain more of a foothold in the Second Lyfe art community. Although I would consider the makeover a great success, and I know our user considers it the same, I never really became this face for the family to the greater whole. I suppose it was the decision to focus on “Jeogeot Through Art and Word” that shifted the emphasis. And then when Pietmond came along, I was kind of drowned out in all the newly created noise and buzz. Not that I didn’t make the occasional visit. But they were few and far apart. Pietmond I evolved into Pietmond II evolved into New Pietmond, the second part which took us away from Jeogeot and back to Heterocera and the Rubi Woods. We remained on Heterocera for the first phase of VWX Town after the Gilatona-Lis and attached Power Tower gallery were completed, then the second and what turned out to be the last phase of same returned The Family next to the Rubi Woods. VWX Town subsequently yielded to Collagesity (after the Falmouth series), which brings us to current times. So there’s that chain of our virtual communities starting in 2010 and extending to the present.

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