Category Archives: Rubi

Dike van Dyck

“I think we’re ready.”

“Check.”

—–

The Musician woke up with a hot head. I don’t mean he woke up angry. His head was *hot* ow ow!! He jumped up from the bed and screamed downward. “What the f—!?!?”

Wheeler rolled over on her couch at the far end of the caravan and took in the spectacle. Smoke was billowing up from the floor at the upper corner of The Musician’s hobo mattress, right where his head is usually positioned. Outside through the door: fire itself. This place where they had been “living” for several days appeared not to be in the secret Muff-Bermingham Room of VHC City any longer. And they weren’t clowns — and with no other clowns passed out from the night before strewn about the place as per usual. The smell of scorched plastic was in the air.

Wheeler and The Musician stood together. “Something is different,” he says as the pain in his forehead begins to subside.

“Du-uh.”

Just beyond their view from the inside, Morris waits paitently for them to come out and discover his presence. “Boy these clowns sure burn good,” he exclaims while watching the fire grow even brighter. “12 prims saved right there.”

Welcome to Muff-Bermingham, Musician and Wheeler.

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Unbloched

“Green hand light, Musician. Timmy’s side is in control.

No stopping now.”

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Munsters

“Show me the map,” requests Hucka Doobie to Baker Bloch.

—–

“Yes. Christiansted. Surrounded by monsters. These could represent the 4 true Munsters: Grandpa, Eddie, Herman, and Lily. Grandpa is Grandpa obviously. Fangs could be Eddie, who also has them. Or Lily even. Then Herman is Herman. And Munster could be Lily or Eddie, once more. What is the name of the ordinary Munster, the one who doesn’t count?”

“Marion,” guesses Baker incorrectly.

“Marion. So Timmy Duncan, greatest power forward in NBA history, was born and raised in this Christiansted capital city.”

“Correct, Hucka Doobie.”

“When Hurricane Marion destroyed the island’s only Olympic-sized swimming pool in 1989, Duncan was forced to swim in the ocean, where he quickly lost enthusiasm for the sport because of his fear of monster attacks — sharks in this case. He turned to basketball, which was destiny, fate. He went through a conversion.”

“Yeah. But I’m checking on the phone now, Hucka Doobie. The hurricane’s name was Hugo. Marion came 6 years afterwards, a somewhat milder affair. But, in looking closer, that hurricane’s name was Marilyn. So Marilyn must be the ordinary Munster. The perimeter which is the center of it all. Duncan was already a star at Wake Forest by then.”

“A star is born. Let’s go back to SoSo now and study further. I just wanted to see what you had set up in this secret Muff-Bermingham station.”

—–

“This collage 17 of 2007’s Oblong series depicts a later Duncan, after he won his first championship as the somewhat lesser of the twin towers formed by himself and fellow future hall of famer David Robinson. And this is where your personal WBA ends and the general NBA continues. Zircon Zappers Tom Casey and Robert Jones were the parallels to this twin tower situation in San Antonio.”

“Yes, I’m almost positive of that, Hucka Doobie. Duncan later excels beyond Robinson. I didn’t have that.”

“(Collage 17) is another great 3-n-1. And where we also ended an Oblong analysis from, what was it, way back in 2008? LINK”

“I don’t know, Hucka. Pretty long time ago,” Baker Bloch agreed.

“Three (Lake District) tarns. Three choices. River Derwent originating in Seathwaite Fell — SF — reaching Derwent Water through the finger-ish delta was a goal. Fox Tarn rock blocked, with Crazy Clown Head removed. But maybe Angle Tarn aligned with Duncan instead of Robinson succeeds, not the one in Langstrath but in Patterdale. But maybe they are also one. Tarn at Leaves. This (work remains) confusing.”

“But the clincher that this has to do with Muff-Bermingham, Hucka Doobie, is the presence of Herman Munster in the very next Oblong collage. 18. Two from the end now.

That Munster perfectly fills a gap between two mirrored images.”

“The beginning of Stonethwaite from Greenup,” Hucka Doobie adds. “You must return.”

—–


Uroborous = Munster?

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Heart matters

“Jeez, I can’t stop yawning, Hucka Doobie. Ordered that expresso just in time.”

“Thanks for meeting me here again. You never know how long these rented places will last. I wanted to soak up some ambience while it’s around.”

“Lively place, I’ll give it that.” Baker Bloch was looking out the front window when stating this.

“I think that’s what I’ll call it — we’ll call it. Lively. While it’s here.”

“Have you seen the aley out back?”

“That’s my line. But: no. Now keep up.”

“You go ahead, then.”

“It leads to the center of it all. The place Jasper should be but won’t. *Is* this the replacement for a subsequently destroyed Collagesity? Has our town had its run, Baker Bloch? These are questions we must be asking. Jasper predicted it all.”

“The Jasper collage series, you mean. The one hung in SoSo Mall currently.”

“Of course.” Hucka Doobie then looks out the 4th wall of the establishment. “Oh, I see. The reader.”

“Finish your coffee and we’ll take a look. Have you soaked in enough ambience yet?”

Hucka Doobie looks around. “Futuristic coffeehouse. Established in 3025. Dallier’s Hope. Owners/creators may be from Saturn. Yes, I’ve soaked in enough. I’m done.”

—–

“It’s dark, Hucka Doobie. Maybe we should turn on the daytime lights.”

“And some shaders and other stuff. The full ensemble. Downsize your window!”

“A little better,” Baker Bloch proclaims. “What’s the coordinates now?”

Hucka Doobie checks. “87, 156, 103.”

“If we find the spot that *coordinates* with the one in the Rubi Woods, then maybe that will help us make a determination which path to choose. And maybe then go look at the center of the Jasper series. The Great Either/Or as we might start calling it.”

“Let’s name as much as possible tonight,” requests Hucka Doobie. “We have Lively, Aley, Styx — that’s one of Wheeler’s, and then Tool. Where’s Tool?”

“Yes, Tool,” Baker Bloch cryptically answers, still thinking of the central Jasper collages. He has already disposed of The Great Either/Or.

—–

“Let’s do the walking thing again, Baker Bloch.”

“Let’s”

—–

“I don’t think I had the right walk Hucka Doobie,” Baker exclaims afterwards. “Oh well. Here we are.”

Hucka Doobie takes a seat. “I wonder why they say it’s under construction? Looks perfectly finished to me.”

Baker points toward the back left corner. “Let’s go there. I’ll keep tabs of my coordinates.”

“Sho ’nuff.”

—–

“Okay, Hucka Doobie. This is definitely the spot. 97/97. Right in front of ‘Precarious Geisha,’ just as Wheeler and The Musician told us.”

“Let’s head down,” the bee-man requested.

—–

“Nope, Hucka Doobie. There’s no 97/97/97 any longer. Ground’s been raised to 100 meters. No sign of Pitch Black or its poisonous tower, but that’s not unexpected. But you could turn right here, look north, and stare up at the monstrosity.”

“OD still worships the structure. That’s its impossible black hole. A constant, impossible orbit. Just like in ‘(The) Impossible Planet’.”

“More ‘Dr. Who’ references. But jumbled up from the series. The parallel to the black hole here has been destroyed — assimilated. Yet the city remains.”

“OD remembers. There must be a parallel, alternate town.”

“What I was thinking.”

—–

—–

I accidentally teleported right beside the SoSo sign again for the mall, Hucka Doobie. But… so here we are. Tool.”

“One reality has Collagesity standing put and remaining independent of VHC City. The second has all the *energy* of Collagesity streaming into VHC City instead. The blackbird, Hucka Doobie.”

“Spongeberg (the Destroyer),” states Hucka Doobie.

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Safe means safe.

“Nice catch, mister. Know anything about Mister Lock locks by chance?”

“It’s ms., actually,” returned the lady fisherman. “Do you view fishing as a masculine sport young man, er woman?”

“Guess so. Maybe I just wanted an excuse to talk about locks. Because I know who you are. You are the keymaster, perhaps on a permanent break. ‘Gone Fishing’.”

Meanwhile, The Musician had given up attempting to play the nearby odd piano. Spilling water for keys. Stringy plants for piano strings. The American Standardbred horse Enola EM looks on amused.

He walks over to the small pond. “That her?”

“Yeah. What’s your name missus?”

“Chuckles. Like a clown. I was in the circus before earning the rank of keymaster. Keymeister is how we call it in the trade. But I can’t seem to teach the laypeople that. Would you like to see my clown face?”

“Oh sure,” replies Wheeler. “Wouldn’t we Musician?”

“Wouldn’t we what?” He had been distracted by the VHC Town skyline, trying to figure out where their “safe” plaza was in all that complexity. How did Wheeler find the keymaster out here so quickly?

“Take me back to your Collagesity and I’ll show you. Just send me a teleport invite after you return home. Now skidaddle.” Chuckles returned her attention to the wriggling fish she just caught. “I’ll bring this perch along as well. Maybe you can find someone to cook it for us over in your town. I can’t cook worth a lick. Can catch fish all day and all night but, you know how it is. Compartmentalization.”

“Sure, that’ll be fine Ms. Fisherman,” states Wheeler.

“Ms. Greentop,” the fisherwoman corrects. “Irish,” she adds.

“We have something to show you over there as well,” states Wheeler. “A painting we found near your shop. A puzzling one. Perhaps you can answer some questions.”

“Yes, in your town, yes. Not here. Too many ears. Ears are in hears.”

—–

“Which one bought her?” The Musician asks in confusion. He begins rummaging through his inventory.

“Me, of course,” returns Wheeler. “Who has all the money around here?”

“Yeah, I don’t see it. And I suppose you have the painting as well. That one was free, though.”

Wheeler checks. She has both. She makes sure the right group is activated, then rezzes. “Stand back,” she playfully warns.

“Oh wait. I have a funny one,” she then says, rearranging the objects. “Haha.”

Chuckles Greentop awakes, looks around. “That an actual honest to goodness Linden forest out there?” She points her rod toward the transparent front of the Blue Feather Club.

“Sure ’nuff is,” responds Wheeler. “And full of demons and other oddities. There’s even a fishing pond on the southern edge. Would you like to see?”

“Why not.”

“Musician, go over there to Collagesity West and change that Gloomy Gus into convex hulls. That should do the trick.” She returns her attention to Chuckles Greentop. “25 prims, Ms. Fisherman,” Wheeler scolds. “You come at a pretty price!”

“I’ve been around,” Chuckles Greentop responds.

“Ahem,” The Musician coughs. “The painting,” he prompts.

“Oh right. Well Ms. Greentop. Do you know anything about this painting beside you. The cat looks through a red door, but yet there’s a red door already opened. Two red doors, when there logically should only be one, it seems. We know you know about doors and how to get in and out of them. You must know about the red doors.” She looks over at The Musician, who stares back approvingly.

“It’s time to show my face,” Chuckles Greentop says instead. “If you look behind the door, you will see.”

—–

The Musician took a closer look after the change.

“Lame” was what he was thinking. But then the rest of the face transformed as well. They were frightened all the way back to VHC Town and their safe plaza. Lesson learned!

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Two Cities

Back in Collagesity, The Musician persuades Wheeler (a.k.a. The Painter) to watch a longer Youtube film by SL resident Zarrakan about the LEA 11 “Glass Jars” installation. To Wheeler’s mild irritation, he then creates a running dialog with the film, stating how the two examinations of the sim differ and how he did things better overall. Afterwards, Wheeler wishes to watch another suggested Zarrakan film about wrestling, one of her numerous physical passions, right up there with dance and exercise. The Musician waves this off, however, saying at one and 1/2 hours that particular video is too long, and states they should instead view a short animation that acted as partial inspiration for “Glass Jars” entitled “The House of Small Cubes”. Wheeler relents (my how she’s softened because of the most recent Assimilation!). She understands that continued development of The Musician is very important. Besides… well, never mind that right now.

—–

Back in VHC Town, The Musician gives “The Painter” back her time.

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Yellow and green (mysteries continue)

—–

And that is most definitely Wheeler.

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Ear.

“Well here we are Wheeler. Ear.”

“But it’s bar,” Wheeler stated, looking up at the sign.

“No… Ear. Like in hear. Ear is in hear.”

Wheeler puts her finger to her chin. “You’re thinking about the space. The Ear space. Like the space… well, that’s what you should be thinking about, then. You are The Musician, after all.”

Then it was back to the ledge.

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LEA11 01

The Musician gathering up gifts at Art Oluja’s LEA11 installation, entitled “Glass Jars.” Baker Bloch was warned about the opening of this aesthetic tour de force over a week back, but hasn’t visited the installation yet due to a lingering viral infection. New guy Musician was dispatched instead.

Um — wow! — this might take him a while.

Sticking to dry land for now, he quickly encounters a number of false windows suspended by cables surrounding an inlet of water. Water pours from the false sea depicted at the bottom of each window into the inlet, challenging us to consider the nature of reality here.

The Musician wonders what the paradoxical windows are attached to way up there, out of sight.

Sitting beside the inlet.

Standing up, The Musician falls into the water to discover more wonders. He’s entered something deep for sure! The sim abounds with life.

Amazing textures and shapes. I was studying Max Ernst a bit earlier tonight (see “What Crows See”) and this translates well into his vernacular.

The Musician then stumbles on what *might* be the heart of the exhibit: a small sea canyon filled with namesake glass jars. He discovers a sprite-like being named “secrets” holding a green scroll called “Letter from my secret garden”.

Stuck somehow on the wall beside her are many additional scrolls of different sizes and bindings, along with a number of bottles.

Since we are in a sea environment, we can speculate theses are matching bottles and messages, separated out and then arranged in this peculiar pattern for a particular reason (?) I can’t wrap my head around it tonight. I’ll have to return through The Musician another night, perhaps tomorrow. Until then!

(continued in)

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What Crows See.

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