Category Archives: Jeogeot

00430503

“All comes from Old Grey and all will return. The illuminating light guides. The caboose is the last to disappear but the last to emerge. Black and White, Yin to Yang. Welcome.”

Lichen was getting tired of the joke; knew Fern was prone to such overkill. Often brevity for comedy was best. Good timing, Lichen knew. Fern needed to work on it.

“So you’ve explained the picture in *some* detail — can I call you Fern still?”

“*Original* Fern,” said the wee doll person still standing on the opposite corner of the picnic blanket from her, spread out between them like a quilted chessboard. Another board you’ll notice.

“And that’s, er, why you like to be called a *doll* person. Because you come from Doll.”

“Doll-*y*,” the little person emphasized. “I *am* a Dolly.” Silence for a while with this as Lichen absorbed. She tried to picture the picture he or she described (she had aspects of both sexes, Lichen observed). This one.

“Do you remember Phil? I called and called at the observing patio but no answer from the cat. This wasn’t Phil — Philip actually. Instead Philip lay at the bottom of this small pool in the ditch district of Kabusie, dead in his car after a visit to the bar. Drunk. Had the valuable pure bred cat with him that he bragged about to his girlfriend just earlier but somehow the cat survived. Standing on the container he or she came in by the shore. Maybe a mechanoid — still studying. Maybe that’s why the transfer couldn’t occur. Philip couldn’t become the cat just before dying because the cat had no inner soul to speak of. Working theory mind you. He had that power. We *all* know he had the power.”

“Fern,” said Lichen. “You’re an absolute trip!” Was this comedy at its purest, absurd statement after absurd statement? High entertainment at the least. “Good work,” she exclaimed, thinking all this was made up. It wasn’t; that’s the ultimate joke.


“Philip?”

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Filed under **VIRTUAL SL, 0043, 0503, C2077, Corsica, Jeogeot, Kabusie, NIGHTSITY, NWES Island, Urqhart

00430414

They were out of horse so they had to get dressed and read one of their many dusty books for entertainment. 5 shots you’re dead, but they weren’t there yet. Edward selected an ironically colored blue book about Mars he’d stopped in about 5 months ago, when the shipment came in and the dishes started to pile up and the water started running out the door. Shelley was reading this blog, in fact this sentence. She speaks as if channeling.

“I hear Baker Bloch is thinking about shutting down his involvement in Our Second Lyfe. We’ll, *I* won’t let that happen.” She pivots around to Edward as instructed, who she can tell isn’t listening, absorbed in his guided dreams about the red planet. “Will we?!” she shouted over.

“W-what? What are you on about now?” he spoke, not prying his eyes from the letters and words and sentences and paragraphs before him but thinking about something else now. Horses — wish they still had some of that shipment left.

“I *said* — dreamer — that we won’t let Baker give up on Our Second Lyfe.”

“Oh.” He settled back, ready to return to his book. “But that won’t happen. As long as you’re the third…”

“… which is actually the first,” she completed. He was reading again, not worried atall about the matter. After a minute:

“Edward?” No answer.

“*Edward*.”

“W-what is it *now*?” He looks up from the pages.  A foal was about to be born. He was very involved in the details, wondered if he should try his hand at running a farm himself. Red dirt turned to red dust. But no electricity, he remembered. Shelley must play her guitar.

“I’m ready to go back.”

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Filed under **VIRTUAL SL, 0043, 0414, Black Ice, Jeogeot, MARS, NWES Island

00430315

She came out of the dispensary beside the quick fix ganja vending machine V sipping chamomile tea and staring at the Black Star on its side and wondering how long Bowie had been dead. At least 8 years, she reckoned, maybe 8 1/2, the length of Fellini’s career up to the movie of that same title.

Her attention then shifted to the crime scene in the plaza slightly below her from this vantage point at the top of the cement steps, the heart of her po’ faux Nightsity, one of a handful I’ve found in Our Second Lyfe in the past month and a 1/2 or so. Another Blue Moon Kentucky killer victim, she gathered, 3rd this month of May’s June soon to slide into July. Should’ve shut down that so-called secret strip club behind the *sometimes* locked door weeks ago because of them, she thinks. Now another lies fallen.

Chef-inspector Petty studies the body outline and blood splatter volume and directions with rookie Dirk Bejirk, uselessly drawing a gun on the now vacant crime scene with no perpetrators in sight. Petty’s on loan from Aisle of Palms where absolutely nothing has happened since the end of the last photo-novel 2 months ago, not at the Perch restaurant in the Blue Feather complex during the day (chef 1/2 of his life), nor at the investigative agency in Cement Village at night (inspector 1/2 of his life). He’d even managed to get a proper amount of rest lately because he could now sleep on the job — both jobs — and get away with it. No more. Perch manager Percy Bidercy had to lay him off because of the lack of paying customers. The clients at the agency were also basically nonexistent. Put all this together and we have the current scene: Petty working in a different spot.

“It’s that strip club,” offered gun toting Dirk, still pointing at air. “City council should’ve shut it down weeks ago.”

“It’s not the strip club,” said Petty, defying common opinion. He gobbled another goober (peanut), trying to clear his mind of distractions. “Dirk, why don’t you go pick us up some food at that Chinese restaurant we passed on the way here. Bucket of Egg Foo Young for me. And a large Cokey Cola.”

“Shouldn’t drink sugary drinks, new boss.”

“Shut up and do the only thing you’re good for at this job. *Fetching*.” Petty kind of hated being so harsh to the rookie but tough love goes a long way. He’d know. Sgt. Petterson busted his balls enough in his early police/detective days to make them turn blue at times. Which, actually, also pertains to the current crime.

“3 Blue Moon crimes in the last several weeks,” he spoke to no one since a put-in-his-place Dirk had gone to fetch their food and drinks. He arrived on the scene for the first victim. He was just glad to get the job, glad of the income finally flowing into his bank account once more. Only after the 2nd did he start to get interested in the case itself, start to dig deeper into the facts. Then the 3rd here really took the cake. Fern arrived in “town”, also from a different dimension. Gave him information he couldn’t believe. We’re living in a simulation; none of this is real!

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Filed under **VIRTUAL SL, 0043, 0315, Big Woods, C2077, GTA, HANA LEI, Jeogeot, NIGHTSITY

00430116

“Well I’m glad you threw on *some* clothes. A bit of bosom still hanging out there I see. Can’t resist.”

“No,” she said nonchalantly, and purses her lips even more in disdain for the discourse. “Whadda ya want? Tobacco? Because that’s all I have to offer.”

“I *want*… to know why Clarence the Spy was here in the first place. And what the assignment is. You’ve already been a model in Aisle of Palms. To the painter Greg Ogden, remember? Why did Clarence approach you about going back?”

“Because he recognized me, I suppose. Recognized talent, like the first guy.”

“Well tell me about the 1st guy for criminy’s sake.”

“Bald. Old. Reformed stealer of art he told me. Gold I think is the name. Remembered me and the girls called him Old Gold after that, yeah. ‘Is Old Gold gonna pick you up in his Oldsmobile this evening?’ Stuff like that… silly girl banter. You wouldn’t understand.”

“Oh I *understand*,” replied Fern, feeling slighted about her superior brain power. “First you put on a bathing suit, then some revealing red lingerie, and now this, about as fully dressed as you can get, I suppose. I know your type. You didn’t like being *abstracted*.”

Redd said nothing to this except, “you done?”

“Yeah, I suppose I am.” She knew who “Old Gold” was, of course. She couldn’t talk to the wife about this for discretionary reasons. But maybe Greg would know something.

“One more thing. Do you know where Greg Ogden is now? We haven’t seen him since he finished your so-called portrait. I’m speaking for all the members of the Baker Bloch family, extended and otherwise.”

Redd looked around then leaned forward, reducing her voice. “Buy me out of my daily requirement of smoke sales and we’ll talk. I’ll be free to leave my post, then. Boss just wants X amount of money per day. You’ll give him that, then I’ll tell you the information you need.”

*Knew* there was something here, thought Fern while she reached into her gray capri pants to retrieve her wallet. Wait… how’d that *pistol* get in there??

She finally wakes up.

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Filed under **VIRTUAL SL, 0043, 0116, Big Woods, C2077, Castle Town+, HANA LEI, Jeogeot, NIGHTSITY, Omega

00430115

Clarence spied something that really got him excited. Bootleg VHS Tapes, he pondered, looking more in the distance than what one might expect, someone like De Boy for instance. That must mean there’s old time users around. He’d ask the girl. But first, down to the business that brought him here.

“Would you like to be a model, dearest? Aisle of Palms has an opening.”

—–

“Found him,” she said to Clara Bellissaria, a name mispelled on purpose. Because she was a spy too, the first found.

Clarence and Clara, yes. Makes sense now, Fern thought. Father and child. Fruit doesn’t fall far from the tree, and so on.

“Come on, Lichen, let’s go,” Fern said, seeing Clarence move with Redd toward the tapes in the game within a game. “We need to have a word with this *model*.”

—–

From the northeast and one floor up, old time user Martha spies Clarence + Redd + Tape Girl from between 2 bushes to angle a whole ‘nother level into our story.

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00420612

It took a supreme effort for him to break away from the Big E or, alternately Big Schwa always sitting in the middle of his Aisle of Palms’ Kidd Tower dining table, ready for further examination and scrutiny. But he did it; returned to his hometown and his Bach/Reger/Kajiura played on a silver cello purchased in the Isle of Love. He played to his loving doll Mob (pronounced: Mobe), who listened with rapt attention as usual.

Good ol’ Mob. He misses her when he’s away… plus the cats big and small of course. And he just f-ing needed to get away from the band for a while. No Lag was pushing them in a classical direction, Shelley was pushing them in a rock direction, Don just wanted everyone to call hogs like him, like the kid he is. Be like me! he indicated all the time with his actions and speech. But bar manager Martha Lamb wanted him there as a kind of front man and bar owner Bull Dragon (or Dragon Bull; *not* Ball Dragon or Dragon Ball, though) went along with it, seeing the appreciative crowds. Maybe they’re getting *too* big, too popular, thought Okama not once but a considerable number of times in the last week as they did nightly gigs to growing audiences. Poor opening act Marsha “Pink” Krakow who wanted to be a Ball herself wasn’t hacking it, though. He felt sorry for her, was *envious* of her even. Furniture comedy, he speculated at the time, watching her perform only for the ogling Thompson Twins if anyone at all. Like Satie had his furniture music. “Pay no attention to us musicians,” the eclectic Frenchman spoke to audiences of his day, over 100 years ago, so far ahead of his time. He said to just enjoy the pieces of the art gallery they were playing at, and so on. And so it is with Marsha but in a kind of reverse way. “Just enjoy the musicians on the stage over there; pay no attention to me,” she seems to broadcast lately. A conceptual art comedy piece in the style of Kaufman or maybe Hicks. But certainly not like iconic 50s star Lucille Ball as she originally desired, one of the greatest of all female performers period. This was undesired art but maybe she’s seeing the irony of it. He’ll have another word with her about the whole, er, *concept* when he gets back. But he needs to stay here for at least a week to calm his nerves. He needs to stay away from the Kidd (Tower) and he needs to stay away from the kid (Don).

Knocks downstairs. Wendy has arrived at her destination. Confrontation time; brace yourself Okama!

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Filed under **VIRTUAL SL, 0042, 0612, Big Woods, Jeogeot, Kangerootown+, Kidd Tower, Omega, Xilted

00420611 (“dozen”)

I’d just reached the chapter about Flying when the call came in (again). Brrng brngg, went the imaginary phone on the pretend desk downstairs, distracting me.

7 times. 8. “Will someone get that gall blasted phone!” I shouted through the floor at apparently no one. Who’s here with me? Shakespeare?

11; 12. “Will someone *please* WAKE UP down there and get that phone!!”

—–

Someone woke up downstairs, sauntered over, bedroom slippers lazily sliding over the marble checkerboard floor. The receiver of the phone is picked up, the ringing stops. Someone says “hallo?” into it at the same time Baker Bloch upstairs yells “Thaank — yoou!!”.

Mention of Antarctica from the other end. Both Antarctica and the Arctic actually, both poles. It was as if the voice slid down one and then up the other, back to his cozy fire to finish his book. At least that’s what Baker Bloch was imagining upstairs as he started chapter 13 for real.

—–

Evening comes to the hotel in Shamon and Baker has finished his book. No calls downstairs since the pole one, leaving him in peace instead of pieces. Poor Baker Bloch. But he remembers how to fly now. Spaced Ghost.

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00420610 (fire and nut (2 crackers))

He began doing some independent research on the subject, starting with Orgamast which led him here. “My you’re a tall one,” he said to his companion also staring out at the Korean Channel sim. “Why I barely come up to your Tropic of Cancer, hmm. Are you that tall so you can see the sim of Orgamast to our west better? Do you know of Big Schwa/Big E? Are you big because of *it*?” He halted this fantasy line of inquiry, knew he was, of course, talking to a dummy, a manikin all the time. Not real; not even an NPC really.

But boy was he happy about his view. Reminded him of his ex, the only woman who could have it multiple times that he knew about or was involved with. Eve was her name I believe. Unless it was Wilma — no, not Wilma. Jenny? Argent? Tina? Argent Tina, yes, silver like the moon and just as slippery. Barely remembered her name.

“Argent?” Okama Majo pronounced clearly below him to make sure he heard correctly. “Tina?”

“That’s right,” spoke the dummy who actually couldn’t do so.

“Hmm.” With his more limited range, Okama stared at the round, green hills before him and then beyond toward the sea, the channel itself. He decided to get a better view from that watchtower just outside the window, leave the stiff behind.

There. That’s better. But What The?

An invisible typewriter?

He finds the correct fingering through the highlighting red after inserting an imaginary piece of paper and begins to type a story about Argent Tina and how they did it, extending his draw distance between paragraphs so he could look at the intermittently erupting Ichelus Volcano visible to the northwest. Inspiration!

But he wasn’t the only one doing so, it appears. Argent Tina herself, perhaps? Is that why the dummy is smiling? “She’s right *there*, in the fire, like the firecracker she is,” he might say to a tippy-toed Okama if the researching psychedelic artist hadn’t left his side so quickly. “Just ask. You don’t have to make up *anything*, he he.”

Ah yes. He remembers how they did it. Ray Davies style. If only the current Mrs. Dummy would see eye to eye with him on this as well. Oh well. There’s always memories.

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Filed under **VIRTUAL SL, 0042, 0610, Jeogeot, Xilted

00420607 (05 and 06)

Perhaps the last major building has been manifested in Aisle of Palms: the original version of the Edwardston Station Gallery, holding the entire “Art 10×10” of 100 collages I created in 6 series from 2004 to 2009. Not the prettiest of structures with its plain cubic form, admittedly, but effective in its role. 6 floors, 6 series, with all but 2 and 5, or Rose Hill and Hidalgo respectively, holding 20 collages apiece. Those 2 floors/series contain 10 in contrast. I’ll get to what occupies the other 1/2 of the 2nd and 5th floors in a bit.

The immediate prompt for me rezzing this structure is that I wanted to show Newt (or whoever) that the fox-to-dog conversion of Jim Randolph the Bastard Pirate in St. Dennis recently was seemingly preordained. The Yale-*Newt*on series of the “Art 10×10,”  its 3rd, dates from 2006, going on 20 years ago at this point. Gosh, where have the years gone (!). Anyway, when we reach the 4th collage of that series we come to this dualism again: fox vs. dog or, more precisely, fox against dingo, for the orange dog of the work, titled “Outfoxed?”, is suppose to represent such, as the orange-ish dog in St. Dennis is in kind.

Then in the next two collages of Yale-Newton, making a type of animation with each other, we see the fox and dingo again, the in-taking of water if you will (“Diamond Dog”)…

… and then the release of same back into the atmosphere (“Coasts is Clear”), as the original Diamonds sign on the roof of the depicted restaurant bearing the same name is multiplied 16-fold and becomes a country unto itself, let’s say — our country, built up from the middle, this Diamonds Restaurant in a central state of Missouri, until it extends ocean to ocean. A seed becomes a tree.

And then in the next collage, the 7th of the series (“Here’s Lucy”), we come to another depiction of the word “diamonds”, now in connection with the initials LSD like in the famous John Lennon song we saw Shelley Struthers singing earlier in her band audition at Bull’s Bar in this here blog and attached photo-novel, 42 in number now of course. So I have a feeling this could reference Osamu Sato’s LSD Dream Emulator game on top of the drug and Lennon song — additional foreshadowing. More on this aspect soon, I’m predicting.

That bubble topped mound in the middle of the 7th collage being threatened by bulldozers is actually where it all starts to kick in, the whole “Art 10×10” and my journey into the world of digital collaging. Looks like fellow collage artist Barry De Boy will be our observer here instead of Newt, perhaps gaining inspiration for a jump start of his own art. Wendy is a muse!

He follows The Beatles’ yellow submarine between Greenup 05 and 06 as it floats downstream, into the tunnel of night lights, illumination in darkness.

What will he find there, a fox or a dingo? I’m guessing both. In fact, make that a certainty.

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Filed under **VIRTUAL SL, 0042, 0607, Art 10x10, Big Woods, collages 2d, ESG, Greenup, Jeogeot, Lake District, LSD, Natural World, RDR2, United Kingdom, Yale-Newton

00420605 (immobile (paying the price))

Day 042:

I manifested on an island in the void I couldn’t move away from — no bridges — so I took a picture before the dream ended. Crystal (at the peninsula’s tip). Have to look that up.


Yes, there it is. I’ll just place a little (red) pin on that island to remember…

—–

“Remember what?” Wheeler tested later, looking at the pin with him.

“I… forget!”

“Gray Man, hmph,” exclaimed Wheeler to this. “Wiped you out again. You’ll have to start over.” She looked at him instead of the map to emphasize her point. “Stick to The Natural World as much as possible, Newt. He doesn’t go there. You won’t be as, um, *abstracted* there.”

“Okay. I’ll try.”

“Now sit back down here and let’s begin Day 043 while I watch and advise.”

“Alright.” He sits back down like a good boy.

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Filed under **VIRTUAL SL, 0042, 0605, Big Woods, Bright Moon Cottage, Jeogeot, LSD, Natural World, RDR2