Category Archives: Jeogeot

00500512 (The Sage Page)

“So there I am again. You can tell me by my bent up nature, just like an Ozian Wheeler traveling around on all 4s, and also bent to the rule of the Witch Mombi and perhaps the Nome King through her. Old Wheeler,” she summarized about the figure in the center of the collage before us, called “Crash on Mars.” Not because it depicts something crashing into Mars but because of another figure to the left of “Old Wheeler” called Crash who holds in his hand a giant fishing rod from our perspective, horses let out of a barn I suppose. She first brings him up in the next paragraph.

“(the 19th Century U.S. religious figure) David Brainard is seated in the foreground,” she continues, “who seems to be the same as (brainy) David Bowie, the Spaceman, the Man who lived on Mars. The Starman, as in Dark. Black. Look at the top. At the end of Crash’s fishing rod which passes through (the word) RUST.”

I saw the black star at the top of the work where Wheeler (*New* Wheeler) indicated, fronted by a blue-green hummingbird. I ask about it next, prefacing this by saying that it seems to me it should be a fish here instead. “What gives?” I end my query.

“Let’s turn to the next Bogota collage,” she replies and starts walking to our left, pulling up in front of it. I go stand beside her, basically shoulder to shoulder again so we can keep trying to see as one.

“More Life on Mars,” she says. “Remember when I told you to bring me Book 03 from the town library and place it on my table? Well there it is. It’s a summary of all knowledge, all books.” The collage changes.

“And there is the second part of the animation which is actually the first, showing my point. Lisa the Vegetarian is the Tungaske artist who absorbs it all — inputs it; eats it — and then provides an output for us to peruse and perhaps dig into deeper if we wish. Beyond surface reading, you see. Surface of Mars. Crash again in back, facing toward you this time — sans rod, I’ll add, with no horses around this go around. As if waiting for you to act. Can you act? How deep can you go? TBC

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Filed under **VIRTUAL SL, 0050, 0512, animation, Canada/Tungaska, Cement Village, collages 2d, Cricket, Google Street View, Jeogeot, MARS, Nawt Vaya+, NVFS

00500511 (through the trees)

“Sorry I’m late.”

Just in the nick of time.

“You don’t know it (*grunt*), but I’m helping you, artist of mine, from the Great Beyond (*grunt grunt grunt*). Hang in there (PANT PANT) Old Wheeler!”

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Filed under **VIRTUAL SL, 0050, 0511, Boos, Canada, Canada/Tungaska, Google Street View, Jeogeot, Nawt Vaya+, NVFS, Pennsylvania

00500510 (Pansy update)

Another Bigfoot spotted in not the US but Canada now, on Saskatchewan Avenue in Tugaske in Saskatchewan. Saskatchewatch, then! (Sasquatch + Saskatchewan) Or, better, Saskwatch, thinking of the abbreviation of the province’s name. I’ll recheck this area more later…

But first: the same town pictured in Boos again, as in gallery, as in Nawt Vaya Free State bordering the Nawt Vaya Sea in the western part of the Jeogeot continent of Our Second Lyfe. 3rd floor. Attempted vandalism of the art within, just like at the gallery formerly known as Concrete down by the sea in Cement Village. I suppose Boos is a part of Cement Village too since the front door opens in that direction (I’ll work on it). Is this the same vandal dressed in a hazmat suit now like he’s preparing for a journey inside the vast bounds of a Back Rooms situation? And what of the anime looking girl beside him. Accomplice? Turns out she’s merely working through him, as in a prop. Controller, then. That way the blame can theoretically be taken off her if needed. She’s only walking up to the vandal, wondering what he’s doing. Is this the artist of the work himself, here to make some late game changes or spiff ups? That kind of defense.

“Uh oh, keystone cops coming, Mortimer. We better switch over to our act. A-HEM. I SAID. What are you doing to this piece of ART here? Are you the ARTIST?”

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Filed under **VIRTUAL SL, 0050, 0510, Back Rooms, Boos, Canada, Canada/Tungaska, Cement Village, Google Street View, Jeogeot, Nawt Vaya+, NVFS

00500509 (… from Mars)

—–

“Well… there they are. Martian boos in equal parts black and white, amassing above poor little Tungaske from the east, buildings seemingly numbered for conquest purposes. City limits threatened to become cemetery limits; no one left to live here.

“Only the west can save them, switching dawn to dusk. Bigfoot.”

And so it went down in the small Canadian hamlet. Artists, thank gods for artists.

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Filed under **VIRTUAL SL, 0050, 0509, Boos, Canada, Canada/Tungaska, Google Street View, Jeogeot, Nawt Vaya+, New Island, NVFS, Omega

00500508

A new gallery has been opened up in my Nawt Vaya Free State along the shores of the same named inland body of water: Boos, essentially a duplicate of what once existed in Collagesity. The precise location is behind Cement Village with its own gallery of Concrete containing the entire Bogota series of collages (2016-2026), just like the Boos gallery contains the whole of the Boos series coming immediately before it (2015).

Understanding that the entrance to both galleries is in the same spot, I decided to combine the two into one for advertising purposes and call it Boos-gota, a portmanteau (like lukfast). Below, Karl turns around in this spot to look up at the signs of each.

To make room for the Boos gallery, I had to delete Starbuccaneers formerly in this location. Oh well, hadn’t used it for much at all anyhoot.

And Philip and Nada’s small house behind it now has its nice view down to the Nawt Vaya Sea blocked to their consternation. To add salt to the wound, Newt/Baker decided to also delete their nice bed to save more prims/li for skybox experiments due to Boos increased use of those in comparison with the deleted coffee shop.

“F-ing gallery,” spews Philip, thinking more of the view.

“Amen to that,” reiterates Nada, thinking more of the bed.

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Filed under **VIRTUAL SL, 0050, 0508, Boos, Cement Village, Jeogeot, Nawt Vaya+, NVFS, Starbuccaneers

00500507 (trying again (“The Martian”))

“Dangit! A gallery this time??”

Second Lyfe terrain over there in the corner, he spotted. Second Lyfe terrain highlighted in the picture above it, he also noticed (“12 Pound Mouse Mound”). He was quick like that. Terrain attracts terrain? he thought crazily. But turns out he wasn’t that far off. TBC

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Filed under **VIRTUAL SL, 0050, 0507, Boos, Jeogeot, Nawt Vaya+, New Island, NVFS, Omega

00500504 (as a man, as a woman)

“There! That’s what was on the map above where I went. Boos! Not booze as in alcohol. Something different. A creature!”

“This exact creature,” I tried to clarify. “White not black.”

“White not black,” he said. “Open mouth. Ready to attack, it seemed. Or swallow.” And swallow it did, he realized.

“How did it start?” I asked perfunctorily, as I had to. Still reading the script, you see. In the past.

“With the body. I found myself… climbing up a body. Skin to begin. Then more as I continued, inevitably ending up… at the end. Metal; a pipe, a long dark pipe about yea high to me in my state at the time.” He was raising his hand above his head as far as he could.

“Iowa?” I jested.

“Pipewold!” he said, staring at me, as if I wasn’t taking him seriously enough. I thought of Newt/Baker here. This is something (nonsensical) that Newt/Baker would say to ease the tension, add in a bit of levity. I was becoming him, I realized. Losing the body myself. This was my exploration as well as Karl’s. I had to find a new one. Or else… back to the Concrete indicated grave I came from.

“The pipe, the entrance, represents the end of the seen and the beginning of the unseen,” I continued philosophically. “Neptune,” I put it in a word. “Neptune is in there. Beyond the Mars where you began and the Uranus where you entered. Did you find Neptune beyond the Mars, Karl? Did you?”

He wasn’t sure (!).

Later on — in the present I suppose — I found out that, yes indeed, he went back to Iowa once more. Through the back door as it were, Alpha switching places with Omega. White to Black again. Amazing synchronicity!

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Filed under **VIRTUAL SL, 0050, 0504, Cement Village, Iowa, Jeogeot, Nawt Vaya+, New Island, NVFS

00500409 (… the purse yellow)

Before entering the tiny key shop off Silverton Street in Cement Village in Nawt Vaya Free State located along the shores of Jeogeot’s largest inland body of water also named Nawt Vaya, she checked ONE LAST TIME in her yellow purse for that gall blasted car key she lost going on 2 weeks ago. STOP

—–

We waited and waited within for the arm to start moving again, either continuing the search or giving up, didn’t matter. No luck. Looks like we’re stuck again, red arrow pointed downward. Let’s switch back over to Carroll County MD, then. Maybe that will help unglue us from this newest sticking spot. Maybe Maybe Mayberry! Mount Airy, Taylorsville, so on…

… but first and more in the moment, the unincorporated community of Detour to their west, with Keysville immediately to its north and Keymar immediately to its east, indicating KEY. Time machine still there at its center like I posted about in photo-novel 34 back in September 2022. Might be the solution.

I ring up Daniel Day posing in front of the twinned pictures of Pink Floyd’s Roger Waters and Roger “Syd” Barrett in his trailer’s living room, just like Shelley did before. “We have a new assignment for you.” TBC

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00500407 (Green Goo)

—–

“So we *finally* found it, Brother Gabby,” he said, looking up at the numbers on the side of Frank’s castle. “The answer to everything!” Then fellow bike rider and pilgrim Gabby proceeded to gab on for about 50 minutes about how Brother Amos was so right in this initial observation.

Non-illuminated zero? Add that in too.

Now to the top…

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Filed under **VIRTUAL SL, 0050, 0407, Frank's Moving Castle, GTA, GTA old, Nawt Vaya+, NVFS

00500405 (Venus and… (front of Rome))

—–

“Come on in, gentlemen,” leads t-shirt wearing Karl. “Everyone grab them a seat. Big Smoke, you sit opposite me if you don’t mind. We’re the ones to start.”

“Oh I *do* mind.”

“Well, never mind that ghetto front now, ha ha.”

“Ho ho,” responds Big Smoke, a smile breaking on his face as well. He pats Karl on the back before sitting opposite him as instructed.

—–

“Big Smoke,” Karl begins the serious part of the Grove Street gang reunion, “I turned you into Big Black Smoke in the blog and attached photo-novels to match The Kinks song of that title. So because of the flip side of that one being called ‘Dead End Street’ on the single, the A side to match ‘Big Black Smoke’s’ B, I made you sleep at the end of a dead end street here in Our Second Lyfe and then had you killed by a man named Arthur Kill because you were a rat. I didn’t know anything about you also living at the end of a dead end street in San Andreas at the time, nor that you were also a rat, a traitor, in that game. So we start with that. I had *unconscious* knowledge of our previous lives but not direct knowledge. That’s the beginning for us, the seed.”

“Big Black Smoke (name) would have fit me better in San Andreas,” Big Smoke replies. “But Rockstar probably didn’t want to go there. And *where’s* my mofo ghetto accent, he he he? Laughs all around now. Everyone had ditched that angle to more directly speak to the reader, you out there, beyond the 4th wall, listening in. I could have slapped a ghetto accent on them but that seemed to be forcing it.

“What about *Marty*?” Lance spoke to his left, having the same blog and attached photo-novel knowledge that Karl and the rest did. 4 equidistant chairs in a well chosen place in Our Second Lyfe will do that to you. You could call it a TILE but that maybe wouldn’t be going far enough since the chairs are all white this go around. A *unity*, a 4n1. Comes in handy sometime, especially when you want to pull out on a painful subject for needed distance. Like here. San Andreas… Grove Street.

“Marty killed Arthur Kill the killer he hired to kill you,” answered Karl. “But that was later. After the lego people arrived.”

“Hmm,” Lance said, reviewing all this in his head as well.

“So in (this) game — Lance — you’re Big Black Smoke’s grieving brother. But you conveniently forget that fact when you arrive at the airport in Nautilus a couple of photo-novels later to pick him up. But perhaps this is before the killing and actually makes time-sense here. You call him Smokie in those couple of related posts but we know this is Big Black.”

Big Smoke (indicating his body): “Black goes with green like n-ahs and Grove Street, hu hu.” Snickers all around if not laughs. Everyone was a little uncomfortable with the use of the n word now. Unlike before. Different times, different situation. Maybe the chairs again.

“Sweet.” Karl turns right now. “You’re *not* my brother Sweet in this scenario but someone named Sean ‘Green’ Penn. We’ve actually never even interacted in this blog (and attached photo-novels) up till this point. *Proving* my point. Instead you’re mainly involved in the Storybrook, er, story. Photo-novel 19. You’re best friends with a girl named Pink who’s only called that by those closest to her. Others *knew* her as Marsha.”

“Because she’s dead,” Sweet explained the “knew” part of Karl’s description, to the reader again if not the ones seated around the fire here. “But… she came back to life in photo-novel 40. And — me too later on, come to think of it. How?” Death by rats as well, Sweet remembered oh so painfully as Sean. Draw back, draw back!

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