lines

The Sun and Moon seem to be moving very fast in this town.

“I thought I’d come talk to you first, Marilyn, clarify some stuff about your angle in this, ahem, evolving story. We have bigots in town, we have zombies, probably all wearing spiked or non-spiked helmets. Like that policeman who keeps eyeing me all around town.”

She wanted to say Tank but held back. And Bazooka — Bazooka was his dad, and, as former captain of the force back in the good ol’ days, the one who wore the spiked helmet. Tank: just a bright blue cap. Put him in the bigot category.

Then she remembered the slip of paper in her jeans pocket, the one she was suppose to pull out in case she got stuck. She pulled, she read. “Moms, don’t let your boys grow up to be Dimmy Jean.”

Silence. Was that helpful? she pondered, staring into his watery eyes. Was he… crying?

—–

Dimmy wipes the counter down nervously, thinking that 1/2 the people in the room are watching him and half aren’t. But he doesn’t know which. He tries to determine friend from foe through the caps and helmets but all the lines get blurred together. He’s lost it. He needs to go home but he doesn’t even know where that is any more. Home is here I suppose, he says to himself. He pours two shots of Jack Daniels, one for the raccoon man and one for himself. “Here’s to home,” he proclaims while raising his glass, resigned to the fact. Over in one gulp, he pours another while 1/2 the room still eyes him.

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Ten

He gets close enough to where he can’t miss.

—–

“Aw mann.”

“No mann’s from you, young’n,” replies Duncan Avocado to the boy’s protest. “You’ve got to go back to Aunt Clare for a spell. Just until I can figure out a plot to this here photo-novel.”

“But… you’re such a good cook!” George thinks back to the ice. And snow. The crunching. He could lose a tooth this time. ‘Nother one!

“Remember to pack some extra coats. November now. On the other side of the chasm schism, there’s Tennessee. Perpetual snow.

“I *hate* snow!” Certainly sounds like a boy of 10 now. Unless he’s 13. We’ll get to a picture in a moment to properly see and deduce.

“Besides,” Duncan attempts to rationalize. “Your Aunt Clare needs you — she gets lonely, out in those granite hills.

“I’ll have to get some shoes,” George continues to complain. “I *hate* shoes.”

“Now, now,” Duncan tries to calm. “Most boys don’t have your luck in the first place to move to warm climates when they choose. Scratchy just happens to be as far south on this continent as you can get. It’s warmer than everywhere else. You’ll return soon enough. Think of Clare — think of *others*.”

“I *hate* thinking of others.” Duncan gives up. There’ll be tomorrow for more coaxing; maybe the boy will age by then.

(to be continued)

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00300203

Why was he brought back? To contemplate, I suppose.

Tillie will be here soon. But first: the boy. George, revolving around 10 to 13 to 10 and back and back endlessly. Obviously a reference (he thinks) to the relationship of the I and the E of TILE, 5 and 8 tiles respectively. 5 turns into 8 turns into 5 and on and on. Similar — the same, really. Raising up of 3 then lowering back down again. And 10 is twice 5.

It obviously has something to do with the Last Christmas where I couldn’t relay my information about TILE, and its unique qualities, to Clare. I believe Clare is in the background, ready to emerge. But where? And how?

The board, eh? a b c d e. 5. e becomes E. m n o p q r s t. 8. Ultimately back to 5 through 7, T, and 6, L. 5 is I. 5 is Eye. 5 is…

“… me.” Little George.

“Take me home, Duncan. I’m hungry.”

Duncan?

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resemblance 02

Baker Bloch comes back to study it, knowing he was summoned.

“What do you think it is, W.?”

“You know what it is,” she replied, still beyond the frame. Probably Wheeler don’t you think? Maybe not.

“Oracle,” he answered. Both were thinking, of course, of Carrcassonnee. She’s returned (!).

“You put the eye in there,” she stated, ready to move beyond the veil, “and you’ll *see*.”

I wonder additionally if this is Borneo. Borneo to Delphos, actually. “Whadaya think, Blackey?” he says to his bird on his shoulder, the same size from this angle as the blackbird in the background more in the center of the beach, highlighting its name. Staring up as well, Blackey thinks hard. He knows it has something to do with TILE.

(to be continued)

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resemblance

It’s called The Rock, W. And on top, a radio tuned to a rock station currently playing The Beatles. We must look for nodal points (in these here photo-novels).”

“(We must look for nodal points) in these here photo-novels,” she echos. “Find me.”

—–

“Are you Wagner?” No answer.

—–

Baker peers again. “Kind of looks like a man, don’t you think? With a mossy beard and all, perhaps (looking again), a veil. Cap and a veil.”

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spikey

“We’ve got to keep an eye out on that [black guy] walking over there, Virus.”

“Rrrrrrr–rough!”

“Good boy.”

—–

“Just black and white,” The Mann determined about some lips in another 0117 post to end. “No pink.”

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reversed 02

She was trying to close up and then he marches in here. The new guy in town, she’s heard. No one knows his name yet. He sits down. She keeps mopping, keeps to her closing tasks. He waits for her to speak. She waits for him to talk. No… one… knows… her name.

“Wagner?” he finally guesses. “I heard there was a family of Wagners in town, one who runs the bar by the big bell. He indicates the sign to his right on the counter. “Bell’s Kulturcafe… I assume that’s  you?”

“Marilyn,” she decides, thinking about the first name of another ditzy blonde. Two of ’em in fact, one also a Munster. But not that type of monster. Reversed.

“Marilyn… Wagner, then?” he keeps pursuing.

—–

He finally got that lower alcohol Bell’s beer that he wanted but not much more. He knew she was Marilyn and that’s about all. Maybe that was enough for tonight — wine wasn’t doing him right these days; downing it like it was water and he was a new Jesus but not in a good way. Beer would slow him down and Bell’s was just right: still very tasty. *Must* be a connection with that bell just outside. Or just over there. Or just around the corner. *Downtown* anyway. He tries to get his bearings so he can wheel around it in his mind more. He *could* ask for directions — surely she would give him directions.

“And CUT!” shouted the director behind the camera. “Let’s film that scene again, and this time let’s go with black and white. More noir.”

—–

Turns out Bell’s bar was kind of on the opposite side of downtown from that church bell Chef-Inspector Petty was contemplating about in that last post here, so maybe no connection.


downtown [insert name]

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00300115

He was zooming in on the real-as-life bell now and not the imaginary sun. So dark, so *Axis*. We’re suppose to forget about the war, he can hear his father’s voice echo in his brain now. Yet the bells continued, the wedding of black and white over (“No go, no go!” the people demanded). And so here it is still, sitting outside the church like a leftover piece of Hell. Damnit, Zoomer, he thought about the officer to his right, why aren’t you moving! The footsteps were getting closer. 4 beats now since the doors opened, letting the pianist and the dancer loose in the nighttime world again. Vampires? Chef-detective Petty thought. That’s at least one thing we need to eliminate. No more waiting. Zoomer wasn’t turning but he did. Iffy had turned three beats ago, make that five. Probably because he was best at his job. John Lennon isn’t proud: beats turn to beets and we’re back to square one. In Idaho.

“I da ho you’re looking for,” confessed Raspberry Girl/Annaball-bell to him back at the station after intense scrutiny and pressure. He was about to bust an important chain in the City Gang bunch of women of the night. Weakest link…

(to be continued)

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00300114

“We just wait for the pianist and the dancer to come out of there and then we pounce, understand people?” He gobbled another pretend goober, waiting for affirmation. “Yes,” answered Iffy Ziegler to his left after a beat. “Suppose,” came Belinda Zoomer’s vaguer reply to his right after 3 more. She wasn’t use to taking orders from a man, especially *this* man, this Chef-Inspector Petty, preparer of fine gourmet dishes by day, sleuthing out criminals from the underbelly of society by night. This was dusk. Almost time to move in. He downs the last imaginary peanut, throwing the imaginary bag it came in over his shoulder and into the tall grass and weeds behind him. Nonchalantly — all in one movement. He wanted to impress the young’n’s here with his moves, his cool motions. Cool motions paired with cool emotions. If someone was paying attention to him, giving him what he wanted. Iffy and Belinda ignored the cool move. He was becoming hot; he tugged at his collar as if trying to let steam off from within. The music inside, the *racket*, finally ended. What atonality to end his life! thought Chef-Inspector Petty here, watching the last bits of the Sun’s hateful sphere finally descend below the horizon. He checks the opposite direction: the blessed Moon, he imagines further, seeing it full and red and white as night. He howls at it (in his mind). The heat recedes, sun fully gone. A moment of crisis fully averted now. “Get ready,” he says, calm and collected. The door to the dance studio opens…

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dualities (no fire)

He was playing Schumann under the gun, this Franz Wagner. Raspberry Girl, aka Annaball or bell, was in the background getting limber on the bars and warming up for her shooting. And what a night it was (!).

—–

“This was not the night it was,” corrected W here, coming out of the background. “You can (still) only shoot zombies in this town and zombies are identified by the German war helmets, spiked or non-spiked. Probably something someone came up with in a bar, inebriated halfway to Hell, perhaps through a drugged drink.”

I stopped playing in the Middle of C. W zoomed in; Raspberry/Annaball-bell had projected out of sight, perhaps zooming herself, through the ceiling and into the sky via built up centrifugal force. Who knows what can be read and studied in this black and white town full of bigots, zombies and some other stuff. “Helmet Newton might know,” I said my thoughts aloud to her, “if we could identify the Hell who he was.”

“She,” W inserted. “Don’t forget the ‘she'”.

He continued…

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