Tag Archives: Baker Bloch^*+++++@

3 Friends

snapshot8541_007
Home o’ Fibs returns (yet again) to Collagesity.

I now lease another small plot from the Markland rental group run by K9Mark, my landlord for about the past year and a half who I met for the first time inworld yesterday. This is the 624 parcel formerly owned by creative friend Art Oluja (for probably the past half year), which now becomes the westernmost part of Collagesity. And will most likely remain that way, as I’m probably through with recent expansions of the town. Now all I have to do is sell Baker Blinker’s 3856 on the other side of Robin Lane and its limits might be set.

I’ll miss Art as a neighbor, who I also met for the first time yesterday during the successful 3-way transaction. Below are a couple photos of some trapped bird creature living in her house on the plot before the sale to K9Mark. Then the last photo depicts a resonant collage I chose to exhibit for mutual friend Pearl Grey’s Jan./Feb. showing at her Wanderlust Bench Art Park titled “Bullrocks”, the 8th in my 2014 Falmouth series. I’ll have to remember to ask Art about the story of her own creature-trapped-in-a-giant-mason-jar sometime. And she also told me in a recent im that she’s won another LEA grant for the coming year. Congrats Art! I can’t wait to see the cool stuff you come up with for certain.

And while I’m on the subject of creative Second Life friends, long time Collagesity supporter Veyot (also friends with Art and Pearl) has started a very interesting fictional series set in a floating motel over at the Corsica continent. Check out the introductory post on her tumblr site “Veyot’s View” here.

snapshot8536_002
Bird creature.

snapshot8536_004
Inside the jar.

snapshot8536_010
More Art Oluja creations on her former Minoa 624.

snapshot8540_002
“Bullrocks” at Pearl Grey’s Wanderlust Bench Art Park.

Leave a comment

Filed under **VIRTUAL SL, 0003, 0109, Heterocera, Maebaleia/Satori, Rubi, Sansara

New Carr.

Since Baker Blinker owned Collagesity North, she felt it was her responsibility to first attempt to make contact with the younger Carrcassonnee on the newly rezzed Temple of TILE’s top floor. Carrcassonnee was certainly aware of her presence last week, but could not or chose not to speak that day.

snapshot8535_001

Yesterday she tried again. After a long pause, Carrcassonnee managed a “sit down” using a somewhat higher than normal but still quite bass voice. With chills, Baker Blinker looked around for a seat. She saw several. She chose one closer to Carrcassonnee.

snapshot8535_003

“How’s this?” she asked the staring olive entity. Carrcassonnee is alive! she thought.

Another long pause. “That’s fine,” she managed again.

“Okay, Carrcassonnee, I’m going to go ahead and ask some questions of you.” Carrcassonnee didn’t respond, but Baker assumed she was a go for this.

“I’m gathering that you are a younger version of Carrcassonnee, coming from, perhaps 2012 or 2013, maybe from VWX Town over in Rubi next door.”

No answer. Baker Blinker continued.

“I assume you are different. You don’t seem to speak as much. Maybe–” Baker Blinker thought of stating that this Carrcassonnee was perhaps less cartoony than her more recent iteration, but decided against it. “Let’s just leave it that you are different. And move on to other questions.”

Baker Blinker waited a long time now. “Okay,” is what Carrcassoneee said after about a 3 minute pause.

“Are you having trouble processing what I’m saying to you?”

Baker waited again. “No,” eventually came the answer.

—–

“It took *three* hours to get even what story I received,” states an exhausted Baker Blinker to Baker Bloch the following morning at Perch.”

snapshot8535_011

“Another beer Blinks?” Baker Bloch then asks, seeing Baker Blinker’s glass emptied after the latest swig.

“Better not. And that old beer we left about, what, a *month* back has turned brown over there. It needs to be thrown away. All of these objects need to be removed or reorganized. The Table is not what we spoke of back then. Things have changed.”

“Lennon, er Lemon,” recites Baker Bloch.

“Synchronicity continues,” adds Baker Blinker. “No stopping now.”

Baker Bloch smiles.

snapshot8535_009b

Leave a comment

Filed under **VIRTUAL SL, 0003, 0107, Heterocera, Rubi

No stopping now.

Baker walks out of that mysteriously appearing door in the Blue Feather again from the Table Room and notices another opening he hasn’t paid much attention to, down through the years now: the double iron gates into the property of his never seen neighbor Clarity Dagostino. The two neglected openings become linked in his brain. No stopping now, I suppose.

snapshot8533_014

Just after that, he goes back into the Blue Feather to find what he originally thought was *another* “intruding” avatar like the one encountered the day before — get to that in a moment — but what turned out to be a mere 2-d flattie placed there by unknown hands.

snapshot8533_017

The flattie holds a guitar with the name Mykall Skall scrawled on it. I quickly discovered this was the fellow who founded the Virtual Hotel Chelsea (or Virtual Chelsea Hotel), located in a sprawling Heterocera continent municipality I simply call VHC Town in this blog after its dominating, centerpiece structure. This could be significant for several reasons. But what next caught my eye was the t-shirt the flattie was wearing: it’s obviously suppose to double as the one John Lennon famously posed in during a promotional shoot for his “Walls and Bridges” album. And then the flattie’s army jacket is also a Lennon inspired garb.

snapshot8533_019

lennon01

lennon02

Back to the intruder from the day before. Baker Bloch had decided to open up the formerly banned property of the Blue Feather so that visitors could take a look around the recently upgrade Table Room and its mysterious door (etc.) if they wished. Very soon after that, Baker found a male avatar appearing by his side as he positioned a representation of the 4 Beatles walking Abbey Road on the wall of the room, just at the top of its stairs. Seeing only a naked (male) human torso for the avatar’s profile picture, Baker decides to quickly delete the Beatles cutout and temporarily log out of Second Life. 10 minutes later he returned, with no avatar in sight. He quickly reinstated the ban on the property. He didn’t return the Beatles to the wall — until the second intruder showed up the next day. Because, of course, both involved *Lennon* now. And Lennon was and is a major player at The Table itself, projected to sit there under the guise of Salad Bar Jack LINK.

snapshot8533_025

I must be forthcoming here to fully explain the oddness of the juxtaposition. Through Baker Bloch, I actually *did* rezz the Mykall Skall flattie in that corner of the Blue Feather but it was a spontaneous action on my part. I didn’t know the flattie would be projecting a strong image of Lennon. And I didn’t make the avatar from the day before show up just as I was positioning Lennon and the rest of the Beatles on the wall just up the stairs from him. I was merely rezzing stuff spontaneously here and there, going through my inventory. It was, as one could say, an *accidental* juxtaposition. But we know in the Blue Feather that such accidents are too frequent to be called chance. This is synchronicity again.

snapshot8533_026

I’m going to perhaps shock the reader by stating that I believe Lennon himself (or an official representative thereof) wanted to make his presence known in the Blue Feather. He knows I’m working on The Table and he is to sit there. He is, broadly speaking, the gateway figure into (“Billfork”) and out of (“Uncle Meatwad”) my peak grouping of audiovisual synchronicities created during the Pierre Schaeffer era of 2004 through 2007. He knows this is important to protect and eventually disseminate. The organization goes beyond the Oz/Floyd Paradox.

I imagine Wheeler will be super pleased to find out about this turn of events when I next catch up with her.

1 Comment

Filed under **VIRTUAL SL, 0003, 0105, Carrcass+08, Carrcass-00, Heterocera, Rubi, VHC City

Stumped

snapshot8532_001

“See Hucka Doobie? There’s definitely a door there that wasn’t before. And watch when Tin S. Man stands up — go ahead and stand up please Mr., um, Man.”

snapshot8532_002

“He stands directly in front of the door,” Baker Bloch continues. “And the Kubrick lampshade is exactly the size of his cylindrical thigh.”

“Where does the door lead to?” Hucka Doobie asks.

“I’ll show you. Go ahead and sit down again Tin S. Man.” The giant does as requested. “Then I just open the door, see, and walk through.”

But Hucka Doobie notices Baker Bloch disappears slightly before he walks through the open doorway. And if Baker could have bothered to turn around at that point, he would have noticed Hucka Doobie disappearing from view as well.

snapshot8531_005

“Go ahead and walk through, Hucka Doobie,” Baker calls from the other side.

snapshot8531_007

“I’m here,” the bee-person says. “I made it.”

“It’s precisely aligned with this outdoor table,” Baker Bloch then says.

“Are the door and the table the same size?” Hucka Doobie asks.

“Not quite. Now let’s go upstairs and look at the other things. Oh, and there’s also Tin S. Man’s axe poking through over there. And a bit of his sitting stump. Keep that in mind.”

“Where?” Hucka Doobie asks.

“Behind the door from you. Here, let me shut it.”

snapshot8532_009

“Oh, right,” Hucka Doobie says, now seeing the objects. “Looks like [the axe handle] might be made from the same wood as the table.”

“Maybe. And you’ll notice the door has completely disappeared from this side when I shut it. We’ll have to walk around and back in.”

—–

“Go ahead and stand up again Tin S. Man,” Baker Bloch calls through the floor now as he reaches the corner of the room above him in the Blue Feather. In order to get to it, however, Baker had to drop down into the first floor from the second and take the teleporter up. Wheeler insists that these Lemony ways of traveling through the building remain in place. “Traditional — like Castle Jack,” she says, always with an unwavering voice. But no one seems to mind that much. You just have to go from first to third to get to second and The Table, unless you come in from Perch, which is tricky in itself. Most of the town believe and take faith in the Lemon past of Collagesity, before the coming of the Lindens. It’s one of the things that sets it apart from most artsy villages of its kind. The proximity to the Rubi Woods and its ancient growth helps in this respect.

Hucka Doobie caught up with Baker Bloch, but, once again, couldn’t see him in this corner, even though she heard him. But both saw the projecting funnel hat.

snapshot8532_013b

And the impossible second Tinman stump.

snapshot8531_011b

snapshot8532_015d
No stopping now.

1 Comment

Filed under **VIRTUAL SL, 0003, 0104, Heterocera, Rubi

Bogota *11* start?

snapshot8529_011csmaller

3 Floors (for both Blue Feather (within) and Castle Jack (without))?

snapshot8529_016

Leave a comment

Filed under **VIRTUAL SL, 0003, 0103, Bogota, collages 2d, Cricket, Heterocera, Rubi

Bogota moves up a floor.

snapshot8529_003

Floor 2’s Collage 06, a 2-part animation (upper left), is from the past again, like Collage 01 directly below it on Floor 1 of Castle Jack. Collage 07 beside Collage 06, another 2-fer-1 animation, is brand new. In common with Collage 02 beneath it, in turn, Collage 07 is set in the Blue Feather. A blue feather appears on each. Collage 06 and Collage 07 both depict multiple versions of Dr. Blood/Tin S. Man. More analysis soon enough.

Collage 07:

snapshot8527_043smallerc

snapshot8528_006ebsmaller

Leave a comment

Filed under **VIRTUAL SL, 0003, 0102, Bogota, collages 2d, Cricket, Heterocera, Rubi

Book Muncher?

snapshot8527_025

A man only wishing to be known as The Librarian came to visit the Blue Feather yesterday. Baker and Wilson have decided, for now, they’re not going to worry about who’s sitting at The Table at any one time. So we’ll say it’s Baker here. The Librarian bought quite a number of books with him in his traveling van…

snapshot8527_037

… with only 1 in Baker’s discard pile when I took the top picture of the sale (“Salvador Dali: Go to Mars!”). Curled Paper was especially pleased to find a signed copy of “Floydodo”.

snapshot8527_009

Dr. Blood, who was giant at least for the day, brought in a huge stump to sit on — too big for The Table, you see. Permanent size change? To be determined. “Remember Oz,” is about all the suggestions he chipped in, to which Baker replied that the town library was already well stocked with Oz books, including the complete run of Baum and Thompson. “More,” he added in his bass voice, then became silent for quite some time after Baker didn’t reply.

snapshot8525_006

snapshot8527_024
A framed picture Dr. Blood also brought to the meeting.

When it came down to how much money The Librarian wanted for the good number of books Baker Bloch wished to purchase, he said he didn’t want any. Taken aback, Baker asked him what he meant. “What I *want* in return,” he said, pausing dramatically before completing his sentence, “is to sit here. With you guys.”

snapshot8527_013

The eighth? Is this Martian Chesterton again in disguise?

snapshot8527_032

snapshot8527_043smallerc

snapshot8528_004b

snapshot8528_006ebsmaller

Leave a comment

Filed under **VIRTUAL SL, 0003, 0101, Heterocera, Rubi

Free Platinum

Baker restudies Boos collages 07 and 08 for more clues about Wheeler and her Table.

snapshot8475_001

“That finger is pointing right at Zappa,” he murmurs. “12:01. Davy Jones is the pre-marriage David Bowie, too white noise and needing more black ties. Like Zappa (also) said to him in this collage, ‘you need to work on your music more, Davy Jones’. And he could add here now (understanding that Jones is Bowie): stop focusing on what other people want from you and turn to what *you* want. Develop the music itself. You have that leeway now. You do not need money. We’re not only it in for the money.” He smiles…

snapshot8475_004

… glances at the last two collages on this floor…

snapshot8475_006

… and teleports two floors up to examine another collage he had in mind. Boos 22. “There’s Hummie,” he begins again. “The Dart… that ran into The Mouse. Drug. Gas.” He was free associating. “Digesting Boos (fish) like I’ve been trying to digest [the Boos] collages. Martian. I suppose I’m a bit Martian now because of my visit. Things rub off on you. And now I have *Old* Mabel… must remember not to call her plain old Mabel any more. That’s in the past. She’s all grown up now. The equivalent of being 13? Not 12 Oz Mouse any more? Carrcassonnee is shrunk. I need to visit her.”

And then up another floor to the final Boos gallery room with the last 4 collages. “The polarity displayed within is still important and relative,” he says to himself. ‘The Big Book of Rust’ in two halves.”

snapshot8475_007

There’s no solving it tonight. He needs to talk to Hucka Doobie. He meets her at Perch again.

—–

snapshot8476_002

“He was just here,” Hucka Doobie says upon manifesting, then sees the teleport offer to her left. “There he is.”

—–

“Look Baker Bloch,” she starts, “that ball representing me is the same size as my hand.”

snapshot8476_007

“Well let’s just twirl around the table so it’s positioned right in front of you. Then we can maybe finger this out better.”

“Figure,” Hucka Doobie corrects Baker Bloch.

“Right. Hold on. I forgot that Baker Blinker rezzed some of the objects so I’ll have to whirl ourselves around instead in these chairs.”

snapshot8475_011

“There we are.”

“Whee!” Hucka Doobie exclaims.

“Okay, so tell me more of how this works, Hucka Doobie.”

“Well… I’m SID’s 1st Oz at The Table. What I mean is that I represent older audiovisual synchs that culminate in SID, all the Oz/Floyd Paradox stuff. The line that began at Dark Side of the Rainbow and, of course, also The Rainbow Sphere and extended forward. SID’s 1st Oz is their baby, their child. But Billfork is as well. And that’s where Wheeler takes over. She is indeed The Bill.”

“She’s reinforced that repeatedly,” states Baker Bloch. “So what is your job at The Table? Why is Salad Bar Jack positioned opposite you?”

“Yes, that would be you (in his position),” she states.

“Yeah. You guys were buds in the discourse of the old Baker Blinker Blog.”

“I remember well,” Hucka Doobie says.

“I suppose all that’s going to come out in Table speak. The whole war of toys against Second Lyfe avatars — your ancient rivalry.”

“It could,” Hucka Doobie considered. Then she corrected something Baker Bloch and everyone else in town had been repeatedly getting wrong. “It’s not Salad Bar Jack, of course, but Grassy Noll. Unless the character has become one with the actor.”

“Interesting,” Baker Bloch says. “Has he?”

Hucka Doobie shrugs.

“But, whatever, *Grassy Noll* has now melded with Lemon The Beetle. What’s that say about you relative to him?”

“That he is part of The Bill as well. He drew The Bill into the audiovisual synching realm. He liked their humor. They are the Comedy Beatles.”

“We’re talking about Firesign Theatre here,” Baker states.

“Of course. That’s the finger entering the picture. The Bill. The Center. SID’s 1st Oz didn’t really have this center, although there’s a center involved. Just not some organizing principle that could carry us forward into the platinum beyond the gold. SID is gold. Solid gold. Platinum is beyond. That’s Billfork, that’s Head Trip. That’s 4orrin1. Especially 4orrin1. Later it becomes Pretty Bunnies, Waits 4 No 1, Peewee Big, 1 Pink, Empire Strikes Brak, Uncle Meatwad. That’s the first time in your blog I’ve been allowed to say all those. That’s The Bill. Pay The Bill.”

Leave a comment

Filed under **VIRTUAL SL, Heterocera, Rubi

Little

snapshot8461_026

Cleveland Rocks had forever been the most holy place in the Dawg Pound for Mabel and Little, ever since they were little kids. It harbored the grave of The Host with The Most (alternately: Host Charming), who also heavily haunted the craggy knoll and its receiving bridge. The twins had withheld taking Baker Bloch to the sacred rocks until now because they knew it was all leading up to this finality.

As explained later by Mabel, a ghost of The Host had manifested to Baker as he passed over the bones of Those Who Do Not Rock while walking the bridge, quickly fading. “If he did not approve of your presence here,” Mabel says, “you would be tossed from the bridge by a gale of wind into the ravine below, your skeleton collected and then hung with the others, a *most* unfortunate end.” But the twins had faith in Baker. They knew he would not perish — destiny.

snapshot8461_055

And yet another manifestation, seeming to say, “Congratulations. You rock!”

snapshot8461_058

Baker also passed by this fading representation and through the torii gate to join Little on the rocks.

snapshot8461_060

He did not get up to receive Baker, but simply greeted him by name and motioned to the pillow next to his own in the gazebo.

snapshot8461_067

Little stared at Baker and then at his own, sneakered feet. “We’ve even named the white butterflies here,” he started. “Big and Old, after our other titles. For you see, my full name is Little Big (as Mabel’s is Old Mabel). I’m about to grow up, Baker Bloch. Oh I didn’t want to. I’ve fought the urge to fight. But it is time. You are here. You must take Mabel as your own. It does not matter whether you are married or not — Mabel would obviously prefer the former — but you must take her. Away from here.”

“I don’t understand,” said Baker Bloch. “What’s happening to you?”

Little held his stare steady now. “I am going to war.”

snapshot8461_069

As Baker was absorbing this proclamation, a small, silent ship descended from the sky and landed on Cleveland Rocks to their side. Little took a long time to even look in its direction, instead searing thoughts into Baker Bloch’s mind with all the intensity a fledgling soldier could muster. Thoughts of he and Mabel chasing the white butterflies on the rocks and almost falling off not once but several times. Pictures of the compound at different times of the day that he’ll never lose. Visions of happiness for Mabel as she takes on a new life. And then the awful battles to come; obviously he might never make it back here, might never see and hold his beloved twin sister ever again. “Childhood crosses manhood here,” he finally managed, and stood up to enter the ship through a proffered ramp. Mabel called loud from the temple. “NO!! DON’T GO!! LITTLE!!!”

—–

“We had to set childish things aside,” explained Mabel two days later, as they left through the iris door of the Dawg Pound, never to return. “The factions are fighting in several solar systems at once. It’s Whites verses Greens everywhere. Just yesterday, a new battle broke out at Muff-Bermingham. It was only a matter of time before the war caught up with us, found us in our cradled haven. Little had to grow up and become Big, I had to grow up and become Old. Although we are 119 of your years, that is still young for Martians of our species. We had to move onward.” She put her hands to her helmet and cried once again.

Leave a comment

Filed under **VIRTUAL SL, 0002, MARS

Mabel

Per instructions from the twins, Baker Bloch slept in Winfield’s old hutch nearer Mabel’s tent than Little’s. The long table within would provide enough room for his almost 6′ 8″ frame to stretch out, they rationalized. (yes, Baker is actually that tall!) Not too surprisingly, Mabel paid a visit in the middle of the night.

snapshot8459_002

“Baker,” she whispered. “Psssst, Mr. Bloch?” But he was truly fast asleep. It had been a long day. Mabel sat down in the chair next to the table, watching Baker’s sleeping bag move up and down with the rhythm of his breathing. It comforted her. She stayed this way for quite a number of minutes, then tried again to rouse him.

snapshot8459_003

“Baker Bloch,” she whispered slightly louder this time. Baker mumbled but remained snoozing. “I just wanted to make sure you were comfortable in your quarters here. You’re laying on several plates and 2 small bottles, by the way. That must be slightly discomforting for you.” She grinned.

Another pause. Baker finally woke up by himself. He looked at the wall in front of him, down toward his feet, and then at Mabel, who gave him a start. He wondered what was jabbing him in his rear quarters but realized about the plates, then. Relieved, he sat up.

“Sleeping cocoon okay?” Mable asked, brightening up.

“How long have you been here Mabel?” He rubbed his head.

“About 1/2 an hour I suppose. I just wanted to make sure you were comfortable here and that the arrangement was agreeable for you.”

It was until you woke me up, Baker thought but didn’t speak out loud. “Is Little with you?” He knew he probably wasn’t, but he just wanted to say something to fill the awkward space and give him a bit more time to become alert.

“No, just little old me.” She tilted her head seductively (to her).

“I’ve been wondering about that, Mabel. Why do they call you Old Mabel up in INSCO and your brother refers to you as just Mabel? You don’t look that old… atall.”

“Don’t I? You flatter me. But we’ve calculated we’re 119 years old in your Earth time. I understand that’s pretty old, then.”

“It is!” Baker sat on some kind of shelf opposite her. An aurelia marginalis, a native Martian fauna, floated outside the hutch’s small round window.

snapshot8459_016

“So how are you both here and there at once?”

“INSCO and here you mean?”

“Yes,” Baker answers.

“INSCO is not where you think. You believe you traveled in your dog ship several days to reach this place. Instead it is directly above us. 3.6K above us, to be exact again. You basically just flew around in circles.”

Baker pondered this, then asked, “did you two sabotage my ship?”

Mabel was direct. “Yes. It was because you couldn’t leave Mars quite yet. Not without me. We learned that quite a long time ago…”

“From Wheeler,” Baker guessed.

“Yes. But not directly. She is able to visit us in time if not in the present.”

Thus the presence of the table in the 32 apartment, Baker understood. Thus the table’s chairs in this place, the Dawg Pound. *She* was the one who gave him his dog ship. “Do you know someone named B-4?” Baker then spoke aloud again.

“Not much time for talk now, Baker Bloch. Walk with me instead. You haven’t seen the beauty of the compound at night.”

So they walked around the compound.

snapshot8459_018

snapshot8459_020

snapshot8459_023

“Winfield’s Isle,” Mabel said, pointing.

snapshot8460_012

—–

“Winfield’s Island,” Mabel said again after they had walked up a number of stairs, pointing down this time from a bridge. “What’s wrong with your arm, Baker Bloch?”

snapshot8460_014

“I don’t know,” he said.

“Oh dear. It could be the anomaly again. We’re standing right over the spot. Well, I’m sure Little will be able to fix you up, whatever it is. May have to reboot you. We better hurry up to the temple, then.”

Mable led him up to the compound’s central temple again, the place with Wheeler’s chairs. They ascended a spiral staircase circling the temple’s walls to an upstairs balcony. Baker then spied Little in the gazebo across Drew Carey Bridge. Daylight was breaking.

snapshot8459_024b

“I’ll take my leave,” Mabel said plainly, and went back to wait inside.

Leave a comment

Filed under **VIRTUAL SL, 0002, MARS