I intended to paint abstract today but this muff fascinated me and I had to return to it. The textures, the color, the lighting. I was starting to get the swing of things. Abstraction tomorrow, then. I promise (to myself).
“Yo, brother of mine,” he called from the window, sneaking up on me as he often does when I’m painting, when I’m absorbed in the creative work. His friend Bardie came along this time. I like Bardie. Good with words, he is; helps me with my artist’s statements and artwork descriptions. Good egg.
“Yes, hello brother of *mine*. Welcome. I see you’ve helped yourself to the espresso machine through the window.” Does this all the time. Sometimes I wonder if he secretly has elastic arms. Queer thought to match a queer brother (but not in that way).
“Right right. Couldn’t wait.”
“How about you, Bardie?” As good as Bardie is with writing words, he’s bad with saying them. Really bad. He kept silent at first, as was his style. “Good,” he finally managed after about 10 seconds.
“You’re good as in you’re okay without coffee, orr, good as in you’d like a cup of coffee? Choose oh wise one.” But he just nodded, keeping the situation ambiguous. I decided to give him one just in case. He can let it sit there if he doesn’t want it.
“Tell you what, Bardie, this one’s on the house.” And I laid the cup down in front of his expressionless face. Ahh… paper, I think while staring at it. Next time I’ll put a piece of paper in front of him with a pen to derive needed answers. I wonder why I hadn’t thought of that approach before.
This led me to Paperville and dwelling on the old days (TBC).
Sunklands 