Tag Archives: Marty^*+++$

2n1

“I saw it,” he reaffirmed afterwards, sitting on Urqhart Hill looking over the valley, water filled in the dancing fire vision. “I guess the dam would have had to been at about Marty’s house here, then run across the gap connecting Urqhart Hill with, well, whatever that opposite peak’s name is over there.” He looks toward it as if Marty’s house was transparent. And perhaps it was in the moment, just in that instant.

Now let’s draw back and look at the whole thing, at about the same angle Jeffrie saw it in his fire vision.

Behold: the Indian Lake (Sox Pond) basin. 1919. The year fire met water and neither won.

Better get down to the bar and meet the others, he ruminated/thought/pondered.

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Filed under **VIRTUAL SL, 0018, 0414, Corsica, Urqhart

good day sunshine

“We *dance* the celebration of life, of victory,” interpreting Audrey [delete last name] declared to lover and fellow dancer Jeffrie Phillips spinning around the same, fire centered circle.  “Urqhart has, amazingly, been *fulfilled*. The past can be revealed. Behold!”

Within the fire, a vision appeared about the valley below to Jeffrie. A sim sized lake — or pond — or *both*, filling up that central sink we’ve been mentioning lately, straddling the sims of Urqhart here, then Ensleigh to the west then Malhaven to its north and finally Yia Yuto to complete the (fire centered) circle. Indian Lake, he realized. But also Sox Pond. 1919, the year Big Black Smoke descended upon it and wrought its damage.  An important — very important — link between Virtual and Reality in this here blog. Pennsylvania (state) and Corsica Prime (continent). Corsica is an elephant.

“Will Marty be joining us?” queried Jeffrie Phillips, building up quite a sweat trying to keep pace with jumping, jiggling Audrey.

Marty joined them. “I’m happy too!” he proclaimed, starting to dance up a storm with the others. Employee Arthur Kill then appeared behind him, just glaring around. Get this love peace crazy shit out of here, he wanted to say, but bit his tongue because of a paycheck coming up. A big one. Big Black Smoke one.

They danced until the sun came up and then a little more.

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Filed under **VIRTUAL SL, 0018, 0413, Corsica, Urqhart

back in Urq…

I was going to create a post about figures found near Urqhart, specifically two elephants in opposite corners of a house. But news just broke in Urqhart itself. Urqhart Hill, featured in the Marty-Arthur Kill interaction post from a few nights back, has been bought and paganized! The new owner: a Rhiannon, obviously a nod to Stevie Nick’s song “Rhiannon” in some form, and the Welsh legend behind it of the goddess who fell in love with a mortal and paid the price. Also I’ll remind readers that Barry X. Vampire’s subsequently murdered girlfriend Cathy Love Peace Hippie Child sat her ass on this very hill’s grass as Marty observed her from his house just below. The house still stands despite everything being a bit up in the air at the time. And that observation tower has been added. Let’s zoom in on the modified hill. A memorial? We go deeper…

—–

And here are those elephants in the neighboring Annelie sim just to finish:

Corsica (continent) is an elephant. More soon!

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Filed under **VIRTUAL SL, 0018, 0412, Corsica, Urqhart

grass ass

Aptly named Arthur Kill, just off some fresh kills in Staten Island, decided to hop the ferry over to virtual reality and Lindenwold to see if old boss Marty had any new assignments.

“Sorry everything is a little up in the air at this moment, Arthur,” he apologized about the levitating objects in the yard.

“You moving?” Arthur gruffed.

“Dunno… maybe.”

Arthur Kill stands up, preparing to teleport back to New York City. He doesn’t like to kill time unnecessarily, unlike most things. “Let me know if you do,” he declared without emotion.

“Wait.” Marty was glad of the rare appearance of his former chief assassin and decided to cook up something on the spot. “There’s a, er, *Mouse*. At the end of a Dead End Street. Big Black Smoke. That’s all I got.” Mouse was code for Rat.

“Local?”

Marty looked out at the landscape here, as he had been doing when Arthur abruptly showed up out of thin air. Urqhart Hill, he thought, staring straight ahead. That girl at the top. She’s been there for hours. He can’t stop looking at her. What’s she doing, what’s she up to? Smoking weed? Marty would like some weed. If she stays there very much longer, he’s going to assume she’s using drugs and just walk up to her and ask for some. Not the hard stuff (like before). Just weed this time. She looks the type, yes. A grass chick — sitting in the grass up there. Marty realizes he must answer Arthur Kill.

“Local — right.” Very much so.

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Filed under **VIRTUAL SL, 0018, 0406, Corsica, New York, Urqhart

Falmouth Visit Floor 3

Once more, Jacob I. peers between floors.

He notes the similarity of 12 sided figure in Falmouth 21 on floor 2 and the 3d geometric shape of Falmouth 31 in front of him.

He approaches Falmouth 31. The yellow ball Cartoon Paul McCartney (Paul McCartooney) shares with or offers skirt wearing Ms. Lady — yet another “12 Oz Mouse” character — is Earie again, the yellow member of Story Room. Like in the cemetery before with Danny watching on. Third eye ball. Eyeball. Yellow like the billiard ball of Falmouth 18. The one at the top of the 10 part tetractys triangle.

And then *this* whopper of a collage: Stonethwaite again (Falmouth 32/33). Jacob I. decides to basically leave this one alone for tonight. He doesn’t sense the needed portal within, although he can tell it provides some very important clues and tips of how to proceed afterwards.

The interior of Stonethwaite End and Restaurant (Falmouth 35; 2 part animation). We’re getting close! he realizes.

The final 2 collages of Falmouth’s floor 3 also contain some interesting imagery…

… but it’s Falmouth 36 immediately preceding them that draws his focus presently.

This is where we’ll enter, he understands. Already prepared. He’ll relay all of his findings here to Broken Heart Jackie in the morning.

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Filed under **VIRTUAL SL, 0007, 0214, Heterocera, Rubi

Bodega? Analysis 06

“We’re skipping over ‘Danny’s Magical Room’ of the present exhibit to go to ‘Detective Drunk.’

Pink elephant again. Holding a book called Truth, seemingly, which could be the same as character Rocky’s recently published novel called ‘Bible Truth’. He’s another Olde Lapara Towne character, based on the raccoon you found in the town’s central hotel. I believe he was the bellhop.”

“More of a receptionist, actually, if I’m remembering correctly.”

“Anyway, he worked at the hotel (Grand Lapara Hotel) and also lived there, apparently in a crawl space. But then you got him a prim and proper house — of sorts: the small mushroom house still present in Collagesity.”

“Yes.”

“… but then was destroyed by the same atomic explosion we talked about before? Explain it in your own way, Baker Bloch.”

“Well, Rocky is a novelist, with first book published called ‘Bible Truth,’ as you said. Then a play based on the book was created at around the same time. But in *my* book it is stated that Rocky is not the true writer of that. Someone else.”

“But Rocky’s book is based on the McCartney song ‘Rocky Raccoon’. From The Beatles album.”

“From the ‘White Album’, yes,” Baker Bloch clarifies.  “And only afterwards did I learn of Rocket Raccoon, who is apparently super famous these days through those action/adventure movies. Kind of like Salad Bar Jack.” Baker smiles.

“Right. Anyway, back to ‘Detective Drunk,’ a detective, a Sherlock Holmes wannabe, wants to inspect the book and attached pink elephant, but his cliche magnifying glass is instead replaced by a martini. He gets drunk instead of solving mysteries.” Hucka Doobie inspects the collage closer. “And there’s, let’s see, several images of Noel Fielding appearing, one where he is The Moon from ‘Mighty Boosh,’ another personal favorite of yours. Then several more from his Boosh follow-up, ‘Luxury Comedy.'”

“Yes.”

“I must ask: Does he know the Truth? The magnifying glass needed for true inspection has been displaced to (Timmy) Duncan’s face to the left here, creating a faux elephant’s nose. Elephants remember — they store memories away as if in a trunk or dossier. Your Ellie the Elephant, for example, remembers in detail the creation of the parallel Bermingham forest and the moving of the village from (original to doppleganger). ”

“Right.”

“Is (Timmy) an elephant?”

“I don’t know, Hucka Doobie.”

“Anyway, the framing images of ‘Detective Drunk’ are from the ‘Return to Oz’ movie, and, parallel to this, the 2002 synch ‘SID’s 1st Oz’.  This would be Dorothy Gale to the left, and enemy or foe Head Nurse Wilson to the right. Another Wilson. And paired with another Wheeler. For example: here LINK. I would venture that Head Nurse Wilson (note: this is actually Witch Mombi, the Oz equivalent of Head Nurse Wilson in the movie) is your Wheeler in a jail cell, checked in power by Dorothy to the left. This may be Baker Blinker, who has gone through her period of complexity and has emerged fresh and pure in an Oz-like place of sanity and peace. Wheeler is still learning this lesson.”

“Okay.”

“This is Truth.”

“Alright.”

“I think that’s good enough for this one, Baker Bloch, except to say that some of these images reappear in Audrey’s Bar toward the end of the last novel, when Chef/Inspector Petty busts in and demands to know the truth about Renaldo O’Donnell. Another big mystery, and yet to be solved.”

“Another night, as you say. Moving on, Hucka Doobie!”

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Filed under **VIRTUAL SL, 0006, Bogota, Bogota Proper, collages 2d, Heterocera, Rubi