Tag Archives: Winnie the Poop^*+$

it’s back!

“Where are you again, Toddles? I can see the green (right) and the gray (left) but you’re nowhere to be found. I need you to be *somewhere* — and just not in my head.”

“Behind the UFO,” the small child spouted in her cute-as-a-button voice. So wise for someone so little, but that’s the psychic part working its way in. She can also see into the 4th dimension and bend her vision around things.

Alice Farrowheart finally understood that her grandchild, speaking directly into her mind at the time, was behind the saucer centered collage in the middle of the room on the easel. She decides to move around it to examine the bigger collage more, framed by the green and gray figures she mentioned earlier and spanning two of the 4 walls. But — right or left?

“Choose right,” uttered the magical child, sensing her thoughts and spacial placement again. “Then left till you get to the umbrella. She wanted to emphasize green over gray for a particular reason. She had already told Alice the Pooh (bear) holding a red parasol and pulling a blue cart with a honey pot was exactly halfway between (Phil!).

“*There* you are, child. And there’s the umbrella tucked snug in the corner, just like you said. Not surprising of course.”

“Right between the two,” Toddles reinforced, into her sight and out of her mind, to Alice Farrowheart’s relief. The prescient toddler pointed to the doubly displaced green “T” at the bottom of a Telephone pole and elaborated the connection with Colona, the twin city of Teepot in the Confederation. A graphic representation of what she said to her grandma for now; more later:

We end with a front pic of the Red Umbrella gallery itself, returned to NWES City as of yesterday:

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Filed under **VIRTUAL SL, 0021, 0411, Black Ice, collages 2d, Jeogeot, NWES Island^

Seeing Not Seeing

Once again Baker Bloch stares out at the Martian landscape beyond Collagesity. The town will have to start exploring that landscape soon enough, he thinks, but for now we have Dr. Blood’s fascinating tales to study. Better than Blood Curdling’s! he thinks further, but then regrets dissing his favorite book (“Blood Curdling Tells of the Rubi Woods”). Dr. Blood says the woods will come back, but not before we discover the beating heart of the red orange planet. Then and only then. He adds that Mars is an aggressive orb and leaves it there.

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Baker can’t help but think Collagesity’s Stone 10 holds an important clue to the dilemma at hand.

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“That pattern is hypnotic.”

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His favorite seat in the Blue Feather club: inundated by Martian sand. He has to sit upstairs. Syd Barrett Gothic still doesn’t want to talk about the day Mars crashed into Collagesity. He remains traumatized. “The woods are gone, the woods are gone, the *woods* are gone,” he worries over and over. He’s having great difficulty accepting the fact that his old home has simply vanished into thin air seemingly. Truth is, the woods are still very much there. It’s all about perception and what we choose and don’t choose to see.

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For example, Baker could certainly *choose* to see this row of eucalyptus trees along the northern edge of E-8 right now from his Blue Feather perch.

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He could have chosen to view Winnie the Pooh and his honey wagon bumping along the Martian slope behind Stone 10 just moments back. He could decide to see the danger coming forth from atop what would later become known as Chesterton Knoll.

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But he didn’t do any of these things. Collagesity remains shrouded in deep orange mystery.

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Pooh

Karoz grudgingly agreed to a private meeting over at the closed town diner. It was about 1:45 in the morning. Lockfry didn’t want Furry Karl or Baker Blinker or any of the others to overhear what they might speak about. Karoz didn’t care one way or the other.

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“Listen, I’ve given you my apartment, my *woman of interest*”, started the moss being. “I have nothing left in this town. I sleep over under the red lights of the town museum with the flattie elephants and guerrillas.”

“Over under?” exclaims Lockfry, stretching his arms above his head. “Sounds like my kind of place, though. Have the guerrillas played mind games with you? I hope so. That would be cool.”

“So, what, you’re going to try to talk me out of leaving? Why would you do that?”

“Look, this is hard for me…” spoke Lockfry more honestly than before to Karoz. “We’ve met before. I know Peter SoSo.”

“That’s impossible.” The sound of squeaking and rattling was heard from the door. It was Winnie the Pooh and his honey cart, passing by on the rocky road outside (Cannon Street). Karoz noted the sound but couldn’t see the famous bear from his angle. Lockfry acted like the noise didn’t exist.

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A longer silence ensued as Karoz tried to assimilate the revelation. “So you’ve been to Crabwoo?”

“I was enrolled at the college for 3 years, until they kicked me out for cutting the head off that dame and eating her lover. But, heck, we all do crazy things when we’re young and away from the home for the first time. Just kidding about that, by the way. You can take your shocked look off your grassy face.”

“The college stuff or the killings? Because I’m much more inclined to believe the latter.”

“I’m Peter’s friend Dave. We knew each other. Devil Dave, remember? I was pretty evil back then as well. And devilishly handsome of course.”

“Dave?” Karoz scrutinized Lockfry’s face closely for perhaps the first time. “Yeah. Yeah, I can see it. You *are* Dave. A considerably redder Dave, but you were quite pink in those days, so I can see the progression. Trace it back.”

“So you believe me.”

“I guess so.” “Dave,” Karoz repeats after a pause, and then looks at Lockfry again. “How?”

“Heck, everyone who was anyone back then went to Crabwoo to study. It’s not *that* odd.”

“Have you seen Peter recently?”

“Not since the [Linden] takeover. Most of us Ancients lost track of each other in the confusion. The days of Lemony Goodness were over. But, ahh, Crabwoo in its time was something, wasn’t it? Beat the [socks off] Chilbo. But of course there was the curse put on it. The Purse Curse.”

Karoz knew his Crabwoo history. He came to the Maebaelia continent city when it was sliding downward — considerably after the curse. But it was still something to behold. Two sims abuzz with excitement, all nuzzled up to the Blue Feather Sea. Like Lockfry said: everyone who wanted to expand their horizons went there. To study, to experience, to *know*. Know the higher truths. That’s where Karoz was introduced to the concept of TILE and tiling. Dave, if he recalled correctly, was 4 or 5 years older than him. So he could have seen the carcass sprawled out in the central mall, before they hauled it away. Peter talked about it as well, but he remembered the lingering smell more than anything. They couldn’t get it out of the air; it permeated *everything*.

The rattling/squeaking noise was heard again, as Pooh passed by from the opposite direction. Something else was in his honey cart, changing the timbre. He stopped in front of the diner door. His umbrella was both inside and outside the structure at once.

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—–

Baker Bloch paused from speaking to his Past Father and turned around to see what the rumbling was about. The reality including Karoz and Lockfry had shifted over.

“Sounds like rain,” said Past Space Ghost.

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Whitehead X-ing Studies 01

http://www.peeron.com/inv/sets/2989-1

“There it is still, Hucka D. The 2989 Winnie the Pooh lego set. 10 images down in a search for that particular number in google images. Wonderful. Let’s take a closer look.”

tÀ

“2989 is 61×49. I’m still around, baker b., [as well]. I’m still your neighbor. Carrcassonnee has taken over many of my old responsibilities. But that’s just because she’s suppose to at this point. I hear Karoz is back.”

bb:

That’s another thing, Hucka D. I believe Karoz appears in the collage most directly related to this 2989 lego set image. Here’s the collage (for the reader)…

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Falmouth series: collage 46

… and here’s the detail.

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The Green Man with removable head, after some experimenting with that “gap”, as I call it, ultimately acts as the replacement for The Contraption seen in that spot in the original picture. It’s just a flower pot or something — doesn’t matter.

Hucka D.:

Doesn’t it?

bb:

But the Green Man was selected because he is green, like The Emerald [green grass patch in Whitehead Crossing]. I removed The Contraption initially because I wanted to keep exposing the beautiful green color of this grass in a certain part of the collage. But then the replaced Contraption begins to take a life of its own, starting perhaps in collage 53, another important work in the series.

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Hucka D.:

Why don’t you show a picture of The Contraption itself. Like you did with the Green Man just now.

bb:

Good idea. Let me dig that up. (pause) Well, I can’t find it. Let me make a new one quickly.

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Hucka D.:

Ah yes. The Contraption. I remember it being a very versatile instrument.

bb:

It could duplicate itself but not infinitely. It could update its own facebook profile picture. It weighs less than an uranium paperclip and could eat its own weight in aluminum. And so forth.

Hucka D.:

I think you’ve figured out more recently that the Green Man faces the same way as the 61 sign [from the same collage], and the Grey Man below him, 1/2 the size, represents the 49 part of the Clarksdale sign. 61×49 — 2989. That’s the crossroads or crossing. That’s where Robert Johnson sold his soul to the devil so that he could play blues guitar unlike anyone else.

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Green Man is 61; Grey Man: 49. Greater and Lesser. Filling the gap, because Grey Man fills it too. Grey Man’s head becomes Green Man’s foot. Let’s call him Grean Man with an “a” for fun. This is the head and foot[ stone] of a particular grave again, don’t you think? I mean… (pause)

bb:

But [the Grean Man is] Karoz? Don’t you think? I mean… (pause)

Hucka D.:

You go. See, we’re interfering with each other. Almost cancelling each other out. You should talk directly to Karoz. Tell him all of this, or fill in the *gap* of what he doesn’t know. Then you can go from there. Contact me when you’re done. I have a heavy investment in the Falmouth series. I need to get you through all this. Preparation. Talk soon!

—–

contraption play
noun con·trap·tion \kən-ˈtrap-shən\
Simple Definition of contraption
Popularity: Bottom 40% of words

: a piece of equipment or machinery that is unusual or strange

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Quinten Metsys-Triptique de la confrerie Saint-Anne a Louvain mg 2989.jpg

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Overshadowed Baby 2989 explains The Contraption to a group of office workers.

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