Monthly Archives: November 2022

Cpt. Munch

Yeah, I’m here, she says to the Star Trek teleporter crew in her mind. Still walking.

Oh look, there’s Star Wars’ Rutti-tutti robot in a space age mish-mash. What next? Lost in Space?

… Lost in Space, yeah. But maybe I saw it out of the corner of my eye, heh.

She stops walking. She turns to the second robot she’s encountered in this here pyramid dominated area. “Can you tell me where *Marilyn* is? The president’s concubine, in your time. Just kidding. It’s Roosevelt, Marilyn Roosevelt. But not the same president (in the joke). Or… maybe it is.” She ponders how Lichen got the last name in the first place, and, by association, her own. What a wit!

No answer from the robot. He seems to have lost his powers of function.

Still in the pyramid: “I’ll check with Howard on that,” a pill shaped robot (robot?) squeakily and waveringly answered Fern Stalin’s rephrasing of her original question, which went: “How do I find The Void?” Because Marilyn/Lichen was most likely there, or as close as possible to the despicable, object-less Abyss. She’s trying so hard, Fern though here. If only she had my brains.

“We’ve met before, BTW,” the thing said to Fern while texting this Howard, perhaps a workmate. They could be maintenance mechanoids because of the overalls, Fern rationalizes. Had she not heard of minions? But perhaps she is toying with us, the reader and also the writer, in this case. Probably (again). There are toys after all; a play on words.

The minion kept typing and typing but never got back to Fern. No answer from Howard apparently, or nothing the creature wanted to share, if Howard is even real. Fern moves on, down the stairs to the other side of this, er, space platform…

… to a game that should *definitely* not be played because this was actually a representation of The Void again, the power behind the powers.

It eats thoughts like it’s breakfast lunch and dinner all at once. Maybe the Tilists were onto something with the switching around of meals.

Back to the teleporter, and quickly. Marilyn/Lichen’s presence lies elsewhere in Gemini retconned from Mercury. We’ll get to that aspect in a moment.

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Gemini

Hmm.

Okay I’ve unleashed it.

Jeannie, pheh.

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nailed it

It was her father, Newt, and her mother, Wheeler, with herself in the middle. All dead, all ended, the Ur family complete.

It was her brother, it was her sister.

It was herself.

Next was a church with red doors, a cross over them and at the top of course. This was The Cross itself. Who should lay beside Shelley in her grave to be with her forever and ever and ever. Was it George? Arthur? Even that new stalker prevert Biff Carter, perhaps named after a detergent but perhaps not? This was the place they get married. This is the place they get buried.

Next: It was a long way up; another ladder.

Many spirits requested her presence.

The Void has spoken.

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the tale continues

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next please

Where’s Ruby Roo going?

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00350414

“I’m telling you, Kurt, we’ve gone too far with this horse shit.” She looks back. “A *tail*?”

Softly, offstage: “We have to make it realistic.”

“What’s that, Hybrid?” Janet Zzyzx’s new nickman for Kurt Strawb was Hybrid, because of the whole fruit-vegetable thing he’s got going on.

Less softly, less offstage: “I said, it’s the White Horse Inn and Bar, or so it says in the new script. We’re setting a scene (to use one of her favorite phrases, he thinks).”

“I look like a *showgirl*. *No*. Make that a *show horse*.”

Kurt: “Debbie (wardrobe manager) put a lot of work into these costumes. And this way we leave the door open for a Black Horse Bar and Inn, an opposite. It has to be this way, Janet. We can talk offstage more if you wish.”

“No no. No no. I don’t want to hold up production again.” Janet Zzyzx felt she was acquiring a reputation for being difficult, a no no in the film industry. You have to be there, you have to say your lines, you have to *show* up. In this case she has to show up as a “show horse.” She bends her head and says nay to her inner doubts. Kurt probably knows best. After all, he has a way with animals as demonstrated by “Black Jack in Hell,” about its only redeeming quality. The hounds of such turned out to be very obedient beasts thanks to his training and influence, working well in every scene. Contrast this to contemporary Tim Spellwell’s “Tortures of Satan” which had the Hades dogs running amok and even attacking the cast and crew. He never even made it to freshman class, film directing career almost literally going up in flames with that one. *Show* a little respect to Hybrid, Janet thought here. At least he had “Studio 342” under his belt, perhaps representing a one hit wonder but maybe not. The critics will reassess after this one; they always do.

“Okay, send in the first loser,” Janet requests, and then starts to get into character. Lichen Roosevelt, Lichen Roosevelt, she says in her mind. Not the first bar, not the last. She’s a bar hopper but not the way you typically think of the term. She’s *experienced*, and she answers to Fern, despite being better at comedy, which is saying a lot, especially in her mind. Could Fern be a successful opening act for the Comedy Pouch in Possum Ridge, Arkansas? She thinks not.

“Alright, is everyone *ready*?” Now he speaks up, Janet thinks. Darn — out of character again.

“Aaaaaaaaand ACTION.”

—–

“Biff?” she repeats his name from the end of Take 42. “Like the detergent?”

“Annnnnnnd CUT.”

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Project Pin

“I love you Chuck, baby, but this is not my bar.”

“Oh… okay.”

“Goodbye.”

“Good–” Chuck looked around — no blonde. More chicks in the joint where that came from, though. There’s a red haired one back there, a black haired one over there. Looks too smart for me. I think I’ll choose the red.

—–

Later:

“No one, *sob*, danced with me!”

“Aww, Ferrn. You still got me. Your old friend Bookie!”

“*Sniff*. Thanks.”

“Here. Use one of my pages as a handkerchief. Go ahead. It won’t hurt.”

Ripp. BLOWWWW.

—–

A soggy, wadded up piece of paper appears between Shelley’s legs, waking her up.

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00350412

“Ever been to Franklin, Kentucky?” asked Biff Carter to Claude Cash, outer facing inner. “Do you want to?”

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00350411

Actress Janet Zzyzx heads to the haystack for fresh straw to suck on before her shoot. “Okay,” she said, satisfied after moving it around in her mouth, testing for texture, width, etc. “Ready.”

—–

“Today,” said director Kurt Strawb, a fruit-vegetable hybrid, “we’ll be returning to The Void for more North-South action. Hurrah, thinks Janet, believing she’d be going back to the bar that provided her free drinks after her last shoot there. But, alas, that place has been shut down, as Kurt alluded to next. “*Instead*,” he said, “we’ll be returning to the same place as the Cash-Carter cell shoot from yesterday.” Janet hadn’t been there, visiting Bermuda on a short break at the time. She was familiar with Claude Cash — who wasn’t? — but the Biff Carter character was unknown to her, having only appeared in the film for 1 scene before this. She said this to Kurt; she asked what happened. “Set the scene,” she requested from her sophomore director, involved in only 1 previous film before this outside of student work. “Blackjack in Hell” doesn’t count except as a big fat Zero, as wide as it is high.

“Welll,” started Kurt again, reviewing it in his mind at the same time. “Claude — you remember *Claude* don’t you?”

“Of course.” Don’t patronize me you sophomore, she thought.

“He shows up mysteriously in this police cell guarded by our Clubb — which is a double entendre since Clubb is also club, add in Carter’s reference to Kitty Kat Klub, which is, in turn, reference to the KKK and also Krazy Kooky Kentucky from Act I. Then we also have mention of Klancasterians from Act II.”

Way too much detail, thinks Janet.

“So when our Biff Carter, back on the force, at least for a handful of hours a week thanks to giving Phil that pill…”

Filburt, or Philburt, thinks Janet. Wondered when he was going to rear his ugly head.

“… shows up, it’s not previously seen Arthur Kill in the cell — or Kill van Kull or maybe even Lampton, all being part of one entity that was killed and then raised from the dead in the last photo-novel…”

*Please* don’t go back to that, thinks Janet. The current one was confusing enough.

“… he is able to, ahem, *fill* in for him, ha, and thus use his old squad car, which has fallen into disrepair in the meantime — as opposed to *being* repaired…”

Pu-lease, thinks Janet.

“… anyway, he uses this to track down the girl, he hoped.”

Another stalker, thinks Janet here, suddenly getting interested again. Just like — what was his name? — the guy in black, the *prevert* who stalked that other girl, the one who also always wore black, as in bikini, as if they were joined at the hip in some way. Or someplace else, hmm.

Kurt Strawb had stopped here, waiting for Janet to complete her reverie signaled by her glassy eyed nature. She looked at him and then looked around at the crew, all ready to start, all waiting for Kurt to finish his spiel. Too much talk! most were thinking around him. He’ll never get a third try at these things the way he’s going, thought some even. Sophomore he would remain.

(to be continued)

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00350410

As soon as he logged back in, Biff Carter, former police officer now just out on loan, drove his old, battered patrol car — maintenance not kept up after his retirement much to his lament — over to the cell where they were *suppose* to be keeping Arthur Kill. Or Kill van Kull — whatever. He’d know the shape if not the name fer sure. And this wasn’t him.

“Where is he?” he barked to Policeman Clubb in terse greeting. Clubb and he go way back, had their hands in the old style beatings of ’73, miracle year indeed. It was all in the book that Shelley at the tavern somewhere below — beyond — just put down in favor of her tablet and dream related material. “Big Red Machine.”

“Dunno. This guy just appeared in his place while I was looking away for a moment. Said he’s a Receiver.”

“*Receiver*. What’s *that*?” Biff Carter was feeling the pressure of the beat again, the anxiety of not knowing what’s around any corner. Like this. He purposely fed Filburt those pills so he could get him ill and take his place back on the force, so it was all his doing. He had to keep up with the girl. He asked about her next.

“Missed her by a day and a 1/2,” replied Clubb.

“Darn,” cussed Carter. But maybe he said “damn” or even “f-ck” here. Then to this “Receiver”: “Who are you? What did you do with Kill? Did you *kill* him?” Carter might have emitted a small smile here but couldn’t manage it through the anger.

“Kill van Kull?” replied our Claude, who we met back in Section 01 and last appeared in this photo-novel (don’t say what # in the series) at the beginning post of Section 02. Seems like so long ago. “Lampton?” Claude recites another name this killer of the film went by, kill or be killed being one of his mottoes. He’s working on some more.

“Whatever he goes by,” replies Biff Carter bitingly. “I know *you’re* not him. Despite being a [delete name] too… sometimes hard to tell you f-ers apart.

Ah, the f- word n- word, thinks Claude here. Another one due for a visit to The Void. He’ll see to it asap. “He turned… into the Receiver that I am,” spoke Claude, knowing this wouldn’t make any sense to Carter, Clubb. He dare not mention the dog.

Carter finally emitted that smile, which turned into a laugh, which turned into a doubled over guffaw. Surreal truths sometimes do this to people. Witness George Washington Carver exclaiming that he invented a phonograph needle made out of peanuts to a world wide audience in ’84. Not a dry eye on the planet. Hmm, Carver… Carter.

Finally he recovered. “Bring him down to the station,” he barked at Clubb while dabbing his face with a handkerchief. “I’m going to the Kitty Kat Klub,” which Clubb knew was one of their old hangouts while on the beat. Wasn’t even invited. Who was in charge here after all? His old boss Carter or his new boss? Maybe, deep down, they’re both the same.

“Sure, sure,” he relented, not wanting a beating himself. Because he knew what was going to happen to Claude BOOF!

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